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Martin Lewis Etching

Martin Lewis Original Etching, 1927 - “Shadows on the Ramp”
By Martin Lewis
Located in Phoenix, AZ
Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Shadows on the Ramp
Category

Early 20th Century More Prints

Materials

Paper

Martin Lewis Original Etching, 1928 - “Rain on Murray Hill”
By Martin Lewis
Located in Phoenix, AZ
York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right
Category

Early 20th Century Landscape Prints

Materials

Paper

Martin Lewis 20th Century Master Printmaker, Etching, 1932 "White Monday"
By Martin Lewis
Located in Phoenix, AZ
Original drypoint etching and aquatint in mint condition by well-known artist and printmaker Martin
Category

Mid-20th Century Abstract Prints

Materials

Paper

"Which Way?" Martin Lewis, Atmospheric, Snowy 1930s Setting, Outdoor Scene
By Martin Lewis
Located in New York, NY
Martin Lewis Which Way?, 1932 Signed lower right Aquatint etching on pale blue paper Plate 10 1/4 x
Category

1930s Realist Figurative Prints

Materials

Paper, Etching

"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid
Category

1920s Naturalistic Figurative Prints

Materials

Etching, Laid Paper

Stoops in Snow
By Martin Lewis
Located in Storrs, CT
American Prints, 1931; American Etchers: Martin Lewis. A rich, tonal impression printed on Whatman antique
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Stoops in Snow
Stoops in Snow
$35,000 Sale Price
30% Off
H 18 in W 23.13 in D 2 in
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
the figures " (page 134). Martin Lewis created iconic images that captured the energy, bustle and
Category

1920s American Modern Figurative Prints

Materials

Drypoint, Etching

Fifth Avenue Bridge.
Fifth Avenue Bridge.
$23,000
H 22 in W 24 in D 1 in
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
. Price upon request. This drypoint was executed the same year as Lewis's first one-man exhibition in New
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

Shadows on the Ramp
Shadows on the Ramp
$17,500
H 19.13 in W 21.38 in D 1 in
Quarter of Nine, Saturday's Children.
By Martin Lewis
Located in Storrs, CT
17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression printed on
Category

1920s American Modern Figurative Prints

Materials

Drypoint, Etching

Quarter of Nine, Saturday's Children.
Quarter of Nine, Saturday's Children.
Price Upon Request
H 19.38 in W 21.38 in D 2 in
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
. Martin Lewis was awarded the Charles M. Lea prize from the Print Club of Philadelphia for two consecutive
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Spring Night, Greenwich Village
Spring Night, Greenwich Village
$24,000 Sale Price
20% Off
H 21 in W 22.5 in D 2 in
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
proof' and signed 'Martin Lewis imp' in pencil, indicating an impression printed by the artist. Housed
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Building a Babylon, Tudor City, NY.
Building a Babylon, Tudor City, NY.
$11,000 Sale Price
26% Off
H 24.5 in W 20 in D 1 in
Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Recent Sales

Cathedral Steps
By Martin Lewis
Located in Detroit, MI
"Cathedral Steps" by Martin Lewis 1931 Drypoint Signed in the plate in a rectangle at lower right
Category

1930s Prints and Multiples

Materials

Etching

Ha'nted
By Martin Lewis
Located in Long Island City, NY
Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium
Category

1930s American Modern Figurative Prints

Materials

Etching

Ha'nted
Ha'nted
H 21.5 in W 17.5 in
Under the Street Lamp.
By Martin Lewis
Located in New York, NY
/8" (38 x 24 cm). McCarron #70. Very good condition Martin Lewis is considered one of the great
Category

1920s American Realist Figurative Prints

Materials

Etching

Sunday Garden Inspection.
By Martin Lewis
Located in Storrs, CT
printed on cream wove paper with full margins. Signed 'Martin Lewis imp' in pencil, indicating an
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Dock Workers under the Brooklyn Bridge
By Martin Lewis
Located in Storrs, CT
Martin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching
Category

1910s American Modern Figurative Prints

Materials

Etching, Aquatint

The Great Shadow
By Martin Lewis
Located in Storrs, CT
depicted is East Thirty-fourth Street where lewis had a studio at that time." (page 100). Lewis is most
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

The Great Shadow
The Great Shadow
H 18.75 in W 14.75 in D 1 in

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'Tree, Manhattan' — Classic American Realism
By Martin Lewis
Located in Myrtle Beach, SC
Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...
Category

1930s American Realist Figurative Prints

Materials

Drypoint

Rockwell Kent Original Wood Engraving, 1931 - Diver
By Rockwell Kent
Located in Phoenix, AZ
Rockwell Kent (1882-1971) wood engraving in excellent condition titled: Diver. Created 1931. Edition size: 150. Image measures: 7 7/8"h x 5 3/8"w. The print is unframed and presents ...
Category

Mid-20th Century Figurative Prints

Materials

Paper

MB 809 (Figurative Charcoal Drawing on Paper of Two Seated Male Nude Models)
By Mark Beard
Located in Hudson, NY
Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 21.5 x 28 inches, unframed This unique life study drawing of two seated male nude models was made ...
Category

2010s Modern Nude Drawings and Watercolors

Materials

Archival Paper, Charcoal, Graphite

Thomas Hart Benton Original Lithograph, 1944 - Wreck of the Ol’ ‘97
By Thomas Hart Benton
Located in Phoenix, AZ
Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed ...
Category

Mid-20th Century Animal Prints

Materials

Paper, Lithograph

Circa 1800 French Neo-Classical Study of Male Nude Standing Academic Pose
Located in Cirencester, Gloucestershire
Nude Male Study French, circa 1800 Neo-Classical School, circle of Jacques Louis David (French 1748-1825) Pencil drawing on paper, unframed drawing: 14 x 8 inches double sided with ...
Category

Early 19th Century French School Nude Paintings

Materials

Charcoal, Pencil

'Unemployed Marchers' — American Modernism, WPA
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Unemployed Marchers', 2-color lithograph, c. 1938, edition 25. Signed, titled, and numbered '2/25' in pencil. A fine, richly-inked impression on off-white, wove paper, w...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsy...
Category

Early 20th Century American Modern Landscape Prints

Materials

Archival Paper, Drypoint, Etching

"Standing Male Model from Behind, " Beautiful Male Nude, Three-Quarters Size
Located in Philadelphia, PA
Beautifully and sensitively painted, this view of a young, nude male model, facing away from the viewer, places him in an artist's studio or atelier, with painters and their easels v...
Category

Vintage 1930s American Art Deco Paintings

Materials

Paint

19th Century French Academic Drawing Portrait of Male Nude Young Man
Located in Cirencester, Gloucestershire
The Artists Model Portrait of a Young Male Nude French, late 19th century pencil drawing on artist paper, unframed with further sketches verso artist paper: 13 x 9.5 inches provenanc...
Category

Late 19th Century French School Nude Paintings

Materials

Pencil

Wind Blown Poplars
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963) WIND BLOWN POPLARS c. 1915-20 Color woodcut, Signed and titled in pencil. 9 x 12”. On thin paper. Remnants of o...
Category

1910s American Impressionist Landscape Prints

Materials

Woodcut

Wind Blown Poplars
Wind Blown Poplars
$3,600 Sale Price
20% Off
H 12 in W 9 in
Original 1940s Retrofuturism Gouache Painting 'Birth of Mind' in Black & White
By Charles Ragland Bunnell
Located in Denver, CO
This vintage 1941 gouache painting on paper, titled Birth of Mind, signed and dated lower right, is a striking example of retrofuturism by Charles Ragland Bunnell, a prominent artist...
Category

1940s Futurist Abstract Drawings and Watercolors

Materials

Gouache, Archival Paper

Grant Wood Original Stone Lithograph - March
By Grant Wood
Located in Phoenix, AZ
Original pencil signed Grant Wood lithograph, "March," created 1941 by the painter of "American Gothic," Grant Wood, who is a major American regionalist along with Thomas Hart Benton...
Category

Mid-20th Century Landscape Prints

Materials

Paper, Lithograph

MB 806 (Figurative Charcoal Drawing on Paper of Two Muscular Male Nudes)
By Mark Beard
Located in Hudson, NY
Figurative nude drawing made with graphite, conte crayon and charcoal on Arches paper 30 x 19 inches unframed This unique life study drawing of two male nude models was made by Mark...
Category

2010s Modern Nude Drawings and Watercolors

Materials

Archival Paper, Charcoal, Graphite

MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard)
By Mark Beard
Located in Hudson, NY
MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard) graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Contemporary figurative life study drawing ...
Category

2010s Contemporary Nude Drawings and Watercolors

Materials

Conté, Charcoal, Archival Paper, Graphite

The Golden Gate
By Adolf Arthur Dehn
Located in Fairlawn, OH
The Golden Gate Lithograph on wove paper watermarked GC, 1940 Signed in pencil by the artist (see photo) Publisher: Associated American Artists Edition: 189, unnumbered The image dep...
Category

1940s American Realist Landscape Prints

Materials

Lithograph

Couple #4- 21st Century Contemporary Painting of a nude dancing male and female
By Daniela Astone
Located in Nuenen, Noord Brabant
Daniela Astone Couple #4 50 x 40 cm Oil on wood Daniela Astone works and lives in Florence. For years she was a teacher on the famous Florence Art Academy. Since 2022 she fulltime ...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Oil

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Martin Lewis Etching For Sale on 1stDibs

You are likely to find exactly the martin lewis etching you’re looking for on 1stDibs, as there is a broad range for sale. If you’re looking for a martin lewis etching from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 20th Century. If you’re looking to add a martin lewis etching to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, gray, black, white and more. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in etching, drypoint and engraving can add an especially memorable touch.

How Much is a Martin Lewis Etching?

The price for a martin lewis etching in our collection starts at $7,500 and tops out at $24,000 with the average selling for $14,500.

Martin Lewis for sale on 1stDibs

Martin Lewis was born in Castlemaine, Victoria, Australia, on June 7th, 1881. He was the second of eight children and had a passion for drawing. 

At the age of 15, Lewis left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton was an English-born Australian artist and teacher known for his support of the Heidelberg School and for his influential art school in Sydney. 

In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations for William McKinley's presidential campaign of 1900. By 1909, Lewis was living in New York, where he found work in commercial illustration. His earliest known etching is dated 1915. However, the level of skill in this piece suggests he had been working in the medium for some time previously. It was during this period that he helped Edward Hopper learn the basics of etching

In 1920, after the breakup of a romance, Lewis traveled to Japan, where for two years he drew and painted and studied Japanese art. The influence of Japanese prints is very evident in Lewis's prints after that period. In 1925, he returned to etching and produced most of his well-known works between 1925 and 1935. Lewis's first solo exhibition in 1929 was successful enough for him to give up commercial work and concentrate entirely on printmaking. 

Lewis is most famous for his black and white prints, mostly of night scenes of non-tourist, real-life street scenes of New York City. During the Depression, however, he was forced to leave the city for four years between 1932 and 1936 and move to Newtown, Connecticut. His work from this period includes a number of rural, night-time, and winter landscape scenes in this area. 

Lewis returned to Manhattan in 1936 and continued to etch and paint. He taught printmaking at the Art Students League of New York from 1944 until his retirement in 1952. Now he is considered one of the most important American printmakers of the twentieth century.

Find original Martin Lewis prints and other art on 1stDibs.

(Biography provided by Allinson Gallery, Inc.)

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.