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Martin Lewis Etching

Martin Lewis Original Etching, 1927 - “Shadows on the Ramp”
By Martin Lewis
Located in Phoenix, AZ
Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Shadows on the Ramp
Category

Early 20th Century More Prints

Materials

Paper

Martin Lewis Original Etching, 1928 - “Rain on Murray Hill”
By Martin Lewis
Located in Phoenix, AZ
York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right
Category

Early 20th Century Landscape Prints

Materials

Paper

Martin Lewis 20th Century Master Printmaker, Etching, 1932 "White Monday"
By Martin Lewis
Located in Phoenix, AZ
Original drypoint etching and aquatint in mint condition by well-known artist and printmaker Martin
Category

Mid-20th Century Abstract Prints

Materials

Paper

"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid
Category

1920s Naturalistic Figurative Prints

Materials

Etching, Laid Paper

Stoops in Snow
By Martin Lewis
Located in Storrs, CT
American Prints, 1931; American Etchers: Martin Lewis. A rich, tonal impression printed on Whatman antique
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Stoops in Snow
Stoops in Snow
H 18 in W 23.13 in D 2 in
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
the figures " (page 134). Martin Lewis created iconic images that captured the energy, bustle and
Category

1920s American Modern Figurative Prints

Materials

Drypoint, Etching

Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
. Price upon request. This drypoint was executed the same year as Lewis's first one-man exhibition in New
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

Shadows on the Ramp
Shadows on the Ramp
H 19.13 in W 21.38 in D 1 in
Quarter of Nine, Saturday's Children.
By Martin Lewis
Located in Storrs, CT
17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression printed on
Category

1920s American Modern Figurative Prints

Materials

Drypoint, Etching

Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
. Martin Lewis was awarded the Charles M. Lea prize from the Print Club of Philadelphia for two consecutive
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
proof' and signed 'Martin Lewis imp' in pencil, indicating an impression printed by the artist. Housed
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Recent Sales

Cathedral Steps
By Martin Lewis
Located in Detroit, MI
"Cathedral Steps" by Martin Lewis 1931 Drypoint Signed in the plate in a rectangle at lower right
Category

1930s Prints and Multiples

Materials

Etching

Ha'nted
By Martin Lewis
Located in Long Island City, NY
Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium
Category

1930s American Modern Figurative Prints

Materials

Etching

Ha'nted
Ha'nted
H 21.5 in W 17.5 in
Under the Street Lamp.
By Martin Lewis
Located in New York, NY
/8" (38 x 24 cm). McCarron #70. Very good condition Martin Lewis is considered one of the great
Category

1920s American Realist Figurative Prints

Materials

Etching

Sunday Garden Inspection.
By Martin Lewis
Located in Storrs, CT
printed on cream wove paper with full margins. Signed 'Martin Lewis imp' in pencil, indicating an
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Dock Workers under the Brooklyn Bridge
By Martin Lewis
Located in Storrs, CT
Martin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching
Category

1910s American Modern Figurative Prints

Materials

Etching, Aquatint

The Great Shadow
By Martin Lewis
Located in Storrs, CT
depicted is East Thirty-fourth Street where lewis had a studio at that time." (page 100). Lewis is most
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

The Great Shadow
The Great Shadow
H 18.75 in W 14.75 in D 1 in

People Also Browsed

Break in the Thunderstorm
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Break in the Thunderstorm, drypoint, 1930, signed and titled in pencil (also signed in the plate in a rectangle lower left). Reference: McCarron 86, second s...
Category

1930s Realist Landscape Prints

Materials

Drypoint

Break in the Thunderstorm
Break in the Thunderstorm
H 12.38 in W 9.88 in D 0.1 in
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Martin Lewis Etching For Sale on 1stDibs

You are likely to find exactly the martin lewis etching you’re looking for on 1stDibs, as there is a broad range for sale. If you’re looking for a martin lewis etching from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 20th Century. If you’re looking to add a martin lewis etching to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, gray, black, white and more. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in etching, drypoint and engraving can add an especially memorable touch.

How Much is a Martin Lewis Etching?

The price for a martin lewis etching in our collection starts at $7,500 and tops out at $24,000 with the average selling for $14,500.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.