Skip to main content

Art by Medium: Engraving

to
490
2,722
885
831
216
142
Overall Width
to
Overall Height
to
1,069
937
2,213
652
39
159
185
165
96
148
192
418
172
182
756
693
658
329
327
299
109
74
34
26
17
13
11
5
2
2,675
2,001
91
2,354
1,111
1,035
728
643
513
394
350
250
218
193
186
169
161
148
142
116
114
111
109
4,871
187,340
99,245
82,325
80,987
286
91
79
69
67
774
1,007
2,658
1,799
Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

Stevie Kate Boxer, limited edition animal print, contemporary
Stevie Kate Boxer, limited edition animal print, contemporary

Stevie Kate Boxer, limited edition animal print, contemporary

By Kate Boxer

Located in Deddington, GB

Stevie is a limited edition drypoint and carborundum etching by Kate Boxer. Kate Boxer makes the plates in her studio which are then sent to to the master printmakers. After they h...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Drypoint, Carborundum Etching

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

1770s Old Masters Art by Medium: Engraving

Materials

Engraving

Black Panther, Kate Boxer, limited edition print, contemporary
Black Panther, Kate Boxer, limited edition print, contemporary

Black Panther, Kate Boxer, limited edition print, contemporary

By Kate Boxer

Located in Deddington, GB

Panther by Kate Boxer is a limited edition drypoint etching with carborundum. The bold black and white print is a statement artwork in any room. Kate Boxer makes the plates in her st...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Drypoint

Mademoiselle Cyclone
Mademoiselle Cyclone

Mademoiselle Cyclone

By Edgar Chahine

Located in Middletown, NY

A wonderful, rare image by a pivotal 19th century Printmaker whose work serves as a bridge between social realism and the exuberant, often gritty glamour of Parisian cabaret culture....

Category

Early 20th Century French School Art by Medium: Engraving

Materials

Drypoint, Etching

Dusk at Sedgwick Knoll
Dusk at Sedgwick Knoll

Dusk at Sedgwick Knoll

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

Fonte Nuova, Siena
Fonte Nuova, Siena

Fonte Nuova, Siena

By Joseph Pennell

Located in Middletown, NY

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Category

Late 19th Century American Modern Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed
Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

By Mel Bochner

Located in New York, NY

Fresh to market - UNIQUE! Mel Bochner UNNAMEABLE Monoprint with collage, engraving and embossment on hand- dyed Twinrocker handmade paper Signed in graphite recto Frame included - he...

Category

2010s Conceptual Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Monoprint

Low Country (South Carolina)
Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Archival Paper, Drypoint, Etching

Salvador Dalí (1904–1989) – Cobea (Pisum sensuale) – Color drypoint etching
Salvador Dalí (1904–1989) – Cobea (Pisum sensuale) – Color drypoint etching

Salvador Dalí (1904–1989) – Cobea (Pisum sensuale) – Color drypoint etching

By Salvador Dalí­

Located in Varese, IT

Color drypoint etching on Japan nacré paper, edited in 1968 Limited edition, numbered as 146/175 in lower left corner.
 Hand-signed in pencil by artist in lower right corner. Plate ...

Category

1960s Abstract Art by Medium: Engraving

Materials

Drypoint, Etching

Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed
Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed

Les Caveliers de l'Apocalypse, Original Etching, Surrealism, 1971, Signed

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Les Caveliers de l'Apocalypse Drypoint etching on chromolithograph, embossed from 1971. The edition of 197/197 on Rives paper. Countersigned by the edi...

Category

1970s Surrealist Art by Medium: Engraving

Materials

Drypoint, Etching, Embossed Print

I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

2010s Contemporary Art by Medium: Engraving

Materials

Drypoint

Plantes tropicales [Tropical Plants]
Plantes tropicales [Tropical Plants]

Plantes tropicales [Tropical Plants]

Located in Middletown, NY

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Sailing Boats; From the journal Camera Work
Sailing Boats; From the journal Camera Work

Sailing Boats; From the journal Camera Work

By Heinrich Kuhn

Located in Middletown, NY

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print; 8 x 5 5/8 inches (203 x 142 mm), tipped onto a mounting sheet 8 x 11 3/4 in. 2 mm tear on lower rig...

Category

Early 20th Century Modern Art by Medium: Engraving

Materials

Engraving, Photogravure

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC
'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

By Walter Tittle

Located in Myrtle Beach, SC

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Category

1920s American Impressionist Art by Medium: Engraving

Materials

Drypoint

Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

Category

1930s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Graceland Mansion
Graceland Mansion

Graceland Mansion

By Jennifer Bartlett

Located in Houston, TX

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

Category

20th Century Modern Art by Medium: Engraving

Materials

Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint

Le Cocu Magnifique -- complete with 12 original etchings
Le Cocu Magnifique -- complete with 12 original etchings

Le Cocu Magnifique -- complete with 12 original etchings

By Pablo Picasso

Located in New York, NY

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Category

Mid-20th Century Modern Art by Medium: Engraving

Materials

Drypoint, Etching, Aquatint

Cowboy, Kate Boxer, original print
Cowboy, Kate Boxer, original print

Cowboy, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Cowboy is a limited edition drypoint etching made with carborundum on paper by printmaker and artist, Kate Boxer. The classic black and white artwork is somewhat reminiscent of the o...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise
De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

By Jacob de Gheyn II

Located in Middletown, NY

A 16th century image from the state-sponsored military manual that revolutionized European warfare tactics. Leiden: 1599. Engraving on laid paper with a partial chalice and grapes ...

Category

16th Century Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

See you at the palace, original print, Kate Boxer
See you at the palace, original print, Kate Boxer

See you at the palace, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

See you at the palace is a limited edition drypoint etching with medium and gold leaf by Kate Boxer. The golden hooves of the cow give the work a majestic glow and brings life to the...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

The Gargoyle and His Quarry
The Gargoyle and His Quarry

The Gargoyle and His Quarry

By John Taylor Arms

Located in Plano, TX

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

Category

1920s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Stevie Sitting, original print, Kate Boxer
Stevie Sitting, original print, Kate Boxer

Stevie Sitting, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

Stevie Sitting is a handmade dry point print by artist Kate Boxer, featuring a wire haired dog sitting obediently. Kate Boxer is an artist and printmaker.   The unique style of Kate...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Sting Rays, engraving with original hand-colouring, circa 1815

Sting Rays, engraving with original hand-colouring, circa 1815

Located in Melbourne, Victoria

Sting Rays, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collect...

Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century
Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century

Amulet in Crowd Drypoint Print, Contemporary, Signed, 21st Century

By Julie Mehretu

Located in Bristol, GB

Drypoint, on Chine collé to Hahnemühle Copperplate paper Edition 9 of 35 48.3 x 40.6 cm (19 x 16 in) 53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in Signed, numbered and dated on the front Min...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Drypoint

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

By Franz Hogenberg

Located in Alamo, CA

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...

Category

16th Century Old Masters Art by Medium: Engraving

Materials

Engraving

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

1790s Northern Renaissance Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint, Laid Paper

Au Bord de la Mer (At the Sea Side)
Au Bord de la Mer (At the Sea Side)

Au Bord de la Mer (At the Sea Side)

By James Jacques Joseph Tissot

Located in Middletown, NY

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Category

Late 19th Century Realist Art by Medium: Engraving

Materials

Etching, Handmade Paper, Laid Paper, Drypoint

Robert Louis, Kate Boxer, limited edition print, portrait, contemporary, etching
Robert Louis, Kate Boxer, limited edition print, portrait, contemporary, etching

Robert Louis, Kate Boxer, limited edition print, portrait, contemporary, etching

By Kate Boxer

Located in Deddington, GB

Robert Louis Stevenson is a hand coloured limited edition drypoint etching by Kate Boxer. Robert Louis Stevenson is a depiction of the Scottish novelist, poet and travel writer Rober...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

By Johann Wilhelm Weinmann

Located in Alamo, CA

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

16th Century Old Masters Art by Medium: Engraving

Materials

Engraving, Laid Paper

Ducks, Kate Boxer, original print
Ducks, Kate Boxer, original print

Ducks, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Ducks is a limited edition drypoint etching by artist and printmaker, Kate Boxer. The monochromatic colour scheme of the work gives the subject matter a gravitas that makes for a con...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...

Category

2010s Realist Art by Medium: Engraving

Materials

Paper, Emulsion, Watercolor, Engraving, Etching, Monotype

Italian Mid 19th century White Carrara Marble bust. Portrait of young male.
Italian Mid 19th century White Carrara Marble bust. Portrait of young male.

Italian Mid 19th century White Carrara Marble bust. Portrait of young male.

Located in Firenze, IT

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

Category

Mid-19th Century Academic Art by Medium: Engraving

Materials

Marble

Veduta della Piazza del Popolo
Veduta della Piazza del Popolo

Veduta della Piazza del Popolo

Located in Middletown, NY

Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...

Category

Early 19th Century Italian School Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Located in Paonia, CO

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

Category

1660s Realist Art by Medium: Engraving

Materials

Engraving

Ponte della Trinità, Florence
Ponte della Trinità, Florence

Ponte della Trinità, Florence

By David Young Cameron

Located in Middletown, NY

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 20th Century Modern Art by Medium: Engraving

Materials

Laid Paper, Drypoint, Etching

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Category

2010s Realist Art by Medium: Engraving

Materials

Paper, Emulsion, Engraving, Etching

Lola by Kate Boxer, original print, Kate Boxer
Lola by Kate Boxer, original print, Kate Boxer

Lola by Kate Boxer, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

Lola by Kate Boxer is a limited edition work. This charming piece depicts a dog, with bright red collar, faithfully sitting for its owner. Carborundum, Drypoint print, Gouache on Pa...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley
A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley

A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley

By Pu Qùa

Located in Middletown, NY

London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...

Category

Late 18th Century Old Masters Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving

Lone Tree Schoodic Point, mezzotint print of Maine coastline
Lone Tree Schoodic Point, mezzotint print of Maine coastline

Lone Tree Schoodic Point, mezzotint print of Maine coastline

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

Une Moria À Bordiquier (Italie)
Une Moria À Bordiquier (Italie)

Une Moria À Bordiquier (Italie)

By Adolphe APPIAN

Located in Middletown, NY

Paris: Cadart, 1873. Etching with engraving on white wove paper, 9 1/4 x 12 1/2 inches (235 x 318 mm); sheet 10 3/4 x 14 3/4 inches (274 x 375 mm), full margins. In very good condi...

Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Etching

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

By Colen Campbell

Located in Saint Augustine, FL

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Category

1710s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving, Intaglio, Etching

XXV 82 363 (Abstract Print)
XXV 82 363 (Abstract Print)

XXV 82 363 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Edition of 1 copy, numbered 1/1. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is No. 1/1. This work will be shipped rolled in a tube. Fo...

Category

2010s Abstract Art by Medium: Engraving

Materials

Paper, Engraving, Ink

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)
Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

By Art Werger

Located in New Orleans, LA

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

Category

21st Century and Contemporary American Modern Art by Medium: Engraving

Materials

Mezzotint

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.