New York Etching

Batterie de New-York is an artwork realized by Anatole De Bonsonge in the 1870s. Etching. Good

Rade De New-York is an artwork realized by Anatole De Bonsonge in the 1870s. Etching. Good

in New York the following day. This led to a series of successful etchings and national prominence

New York Etching Club. Plate size: 6 x 4 inches. Not signed.

John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108

Medium: original etching. Printed in 1888 and published by The New York Etching Club. Plate size: 8

exhibited in the annual New York Etching Club Exhibition of 1884. Published in New York by White, Stokes

New York: New York Etching Club, 1887. Etching with aquatint in brown ink on cream laid paper, 4 x

Jean-Emile Laboureur (1877-, Souper a New York, etching on zinc, 1907, signed in pencil bottom left

. Published by the New York Etching Club, circa 1893. Signed in the plate only, as issued. 5 x 7 inches (plate

Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb

William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and

New York's Skyscrapers is an original moder artwork realized in the half of 20th Century. Etching

New York: 1939. Etching on light weight wove paper, 13 3/4 x 10 3/4 inches ( 350 x 273 mm); 15 1/4

Large color etching and aquatint of New York by Czech/California artist Max Pollak, (1886-1970

. Mielatz was a member of the New York Etching Club and was elected an Associate Member of the National

. He went on to develop the technique of color etching using multiple plates to create a finished

the main exponents of the New York School of Abstract Expressionism, he was involved in the first

Etching and aquatint of Wall Street, New York circa 1928 by Max Pollak. Painter and printmaker Max

works is the city of New York, where the artist managed to capture some fascinating views. This artwork

went on to develop the technique of color etching using multiple plates to creat a finished etching in

, Ida Cynthia Alford, was born in Oswego, New York on June 25, 1851. The two were married August 4, 1869

years of the 20th Century. The subject of both works is the city of New York, where the artist managed

in 1907. He trained and practiced as an architect before devoting himself to architectural etching

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all

Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid

Howard Cook (1901-1980), Soaring New York, aquatint, soft0ground etching, roulette, 1931-2; signed

Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921

in 1866–1873 and president in 1873–1878, and of the New York Etching Club. Framed and signed.    

An original etching with aquatint by Hungarian printmaker Luigi Kasimir (1881-1962). Signed in

JOSEPH PENNELL (1857 - 1926) NEW FISH MARKET - (NEW YORK) 1921 (W 797) Etching, Signed in pencil

AVAILABILITY. From a series of limited edition (of 175) - now sold out - of original etchings of New York City

limited edition (of 175) - now sold out - of original etchings of New York City - from respected European

the New York City skyline. Impressions of this work are in the permanent collections of the Chrysler

edition: 30/30, (there were also 9 artist's proofs) Printer: Prawat Laucharoen, New York, NY Publisher

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25

, right) & Walworth Stilson, (in the plate, lower, right) " St. John's Chapel, Varick Street, New York

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece

Step into the past with this captivating aquatint print titled "New York in 1846 from Governors

Original etching on archival paper by the well known New York artist, Leon Dolice. Signed in the

Painting and etching 70x50 cm, Chahab, 2N Gallery New York

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of

currently lives and works in New York City. His artistic focus is on painting, and he held his first solo

comes a vision that is his alone. New York by John Duffin [2019] limited_edition Etching on paper

Reflections, New York [2021] limited_edition Etching on Paper Edition number 75 Image size: H:16

A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8

New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of

Vienna: Robert Kasimir, 1935. Color etching and aquatint on Robert Kasimir watermarked white wove

. ABOUT THE ARTIST Otto Kuhler (1894, Remscheid, Germany -1977, New York City) was a prolific artist and

This signed etching of Bowling Green Park was done by Anton Schutz. It is dated 1927. It depicts a

New York and California Artist, Harry Sternberg (1904-2001) Ooriginal etching. Pencil Signed lower

Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press

early 1920s, Allen studied etching with Joseph Pennell at the Art Students League in New York. He made

Wickey, Harry (American, 1892-19680 NINTH AVENUE.(New York City) Circa 1926. Etching and drypoint

bottom edge. Although this etching was made in 1930, it has the look of one of Sloan’s New York

the East River in New York City, connecting Lower Manhattan at Canal Street with Downtown Brooklyn at