Piranesi Etchings

A beautiful reproduction of one of the most celebrated Piranesi's masterpieces, realized in a

Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764. Edition Rome 1764

Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni

Etching on Rives paper. Hand signed lower right by Henry Moore. Hand numbered V/X lower left

Pair of Architectural Etchings by Giovanni Piranesi. One presents a grand panoramic view of St

, Piranesi, The Complete Etchings, Taschen, p.601, fig. 760; A.A.V.V., Giovanni Battista Piranesi

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border

Lanti, Roma. Etching with good contrasts and sharp details.Signed on plate “Cavalier Piranesi F..” on

A charming etching depicting Giovanni Battista Piranesi's Villa of Maecenas at Tivoli. Inscribed

magnificent in "Vedute". References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.659, fig. 844

Etchings, Taschen, p.644, fig. 820, 821. A.A.V.V., Giovanni Battista Piranesi, Architetture, fantasie e

capture explains. Etching with good contrasts and sharp details, Signed on plate “Cavalier Piranesi del

Francesco Etching with good contrasts and sharp details, signed on plate “Cavalier Piranesi deln. e inc

. Ficacci,"Piranesi: the Complete Etchings", Taschen, 2000, N. 909, pp. 707; A.M. Hind, "Giovan Battista

Framed etching of ornamental candelabrum base found in the courtyard of a church in Italy (Sant

Etchings, Taschen, p. 607, fig. 769; A.A.V.V., Giovanni Battista Piranesi, Architetture, fantasie e

magnificent in "Vedute". References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.601, fig. 759

: L. FICACCI, Piranesi, The Complete Etchings, Taschen, Roma, 2000, p.607, fig.768. A.A.V.V

explains. Etching with good contrasts and sharp details. Signed on plate “Cavalier Piranesi del. ed inc

magnificent in "Vedute". References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.651, fig. 831

Piranesi. The title of the work is engraved inside the matrix in the center, whilst the inscription

". References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p. 606, fig. 766; A.A.V.V., Giovanni

Etchings, Taschen, Roma, 2000, p.587, fig. 737; A.A.V.V., Giovanni Battista Piranesi, Architetture

techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a

this time, Piranesi was still developing the unique style of etching he is known for today, and as such

, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching

". References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.656, fig. 838; A.A.V.V., Giovanni

, 1922, n. 17 page. 42; L. Ficacci, Piranesi, The Complete Etchings, Taschen, page 709 n.91. Very good

Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma, Plate 118 A Roman

Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma, Plate 118 A Roman

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c

: Piranesi del. sculp. Etching, 1760 Image/Plate size: 16 1/8 x 21 5/8 inches Reference: Hind 56 iv/VI, the

Cloaca Maxima], from Vedute di Roma (Roman Views), part II Etching, c. 1750-1778 Signed: Cav. Piranesi F

G. B. Piranesi, Veduta del Porto di Ripa Grande (View of the port of Ripa Grande) Etching, Burin

”, made and etched by Piranesi, published in the year 1778 by his son Francesco. Very fine etching

GIOVANNI BATTISTA PIRANESI (1710-1778) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTTRO VITTORIE

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la

The Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi

, showing a precious urn. Etching with good contrasts and sharp details, signed on plate “Cavalier Piranesi

, The Complete Etchings, Taschen, p. 607, fig. 769; A.A.V.V., Giovanni Battista Piranesi, Architetture

Etching, 1773. From the Vedute di Roma. Framed dimensions 25.5 x 34.5 inches.

"Vedute". References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, Roma, 2000, p.607, fig.768

Etching. Signed in the plate lower right. From the fourth state, of six, a late 18th / early 19th

Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A lifetime impression

(Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From: Vedute di Roma, Plat...

impression of the rare 3rd state (of seven) of this major work, the frontispiece for Piranesi’s Vedute di

The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the

. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di Roma" An early

A fine impression with the address of the artist (Autore, Strada Felice) and the price (Paoli 2 1/2) as well as Hind Watermark no.3 (Fleur-de-lys-in-a-Double-Circle), all correspondi...

A very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...

Castello Sant Angelo from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1754

". References: L. FICACCI, Piranesi, The Complete Etchings, Taschen, p.603, fig. 762. A.A.V.V., Giovanni

Giovanni Piranesi. He created engravings and etchings for publications documenting ancient Roman

the view of the end of the left arm, as can be seen from the Nolli map of 1748 (fig. 7) and Piranesi

grape vines. Giovanni Battista Piranesi made two etchings of the vase which were included in his 1778

"Vanitas of Roman Grandeur: A Charpentier's Homage to Piranesi" This etching by François Philippe