Regency Dolphin Mirror

Like France’s Empire style, Regency-style furniture was rooted in neoclassicism; the characteristics of its bedroom furniture, armchairs, dining room tables and other items include clean lines, angular shapes and elegant details.

Dating roughly from the 1790s to 1830s, antique Regency-style furniture gets its name from Prince George of Wales — formally King George IV — who became Prince Regent in 1811 after his father, George III, was declared unfit to rule. England’s Regency style is one of the styles represented in Georgian furniture.

George IV’s arts patronage significantly influenced the development of the Regency style, such as the architectural projects under John Nash, which included the renovation of Buckingham House into the formidable Buckingham Palace with a grand neoclassical facade. Celebrated designers of the period include Thomas Sheraton, Henry Holland and Thomas Hope. Like Nash, Hope instilled his work with classical influences, such as saber-legged chairs based on the ancient Greek klismos. He is credited with introducing the term “interior decoration” to English with the 1807 publishing of Household Furniture and Interior Decoration.

Although more subdued than previous styles like Rococo and Baroque, Regency interiors incorporated copious use of chintz fabrics and wallpaper adorned in chinoiserie-style art. Its furniture featured fine materials and luxurious embellishments. Furniture maker George Bullock, for instance, regularly used detailed wood marquetry and metal ornaments on his pieces.

Archaeological discoveries in Egypt and Greece informed Regency-era details, such as carved scrollwork, sphinxes and palmettes, as well as the shape of furniture. A Roman marble cinerary chest, for example, would be reinterpreted into a wooden cabinet. The Napoleonic Wars also inspired furniture, with martial designs like tented beds and camp-style chairs becoming popular. While the reddish-brown mahogany was prominent in this range of pieces, imported woods like zebrawood and ebony were increasingly in demand.

Find a collection of antique Regency tables, seating, decorative objects and other furniture on 1stDibs.

The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.

In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space. 

We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.

By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design. 

Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.

Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.

On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.