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Salon Moderne

'Sunset over Provence', Paris Salon, Musée d'Art Moderne, Benezit
By Pierre Bisiaux
Located in Santa Cruz, CA
Signed lower right, 'P. Bisiaux' for Pierre Bisiaux (French, born 1924), and with number and limitation, '250/275', lower left. Accompanied by a Certificate of Authentication from th...
Category

Mid-20th Century Post-Impressionist Landscape Prints

Materials

Paper, Lithograph

'Blue Fish', Musee National d'Art Moderne, Grand Prix de Rome, Salon d'Automne
By Roger Bezombes
Located in Santa Cruz, CA
Signed lower left, 'Roger Bezombes' (French, 1913-1994) and titled, 'Poisson bleu' with number and limitation, lower right, '25/150'. Roger Bezombes first attended the Ècole des Bea...
Category

1970s Modern Animal Prints

Materials

Paper, Lithograph

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(after) Alphonse Mucha, "Salon Des Cent" from Das Moderne Plakat
By Alphonse Mucha
Located in Dallas, TX
A 1897 lithograph of the 1897 Art Nouveau poster "Salon des Cent" by Alphonse Mucha (Czechoslovakian, 1860-1939) as published in "Das Moderne Plakat" by Jean-Louis Sponsel, Printed b...
Category

Antique 1890s German Art Nouveau Posters

Materials

Paper

'Landscape with Village', Paris, Salon d'Automne, Musée d'Art Moderne
By Guy Charon
Located in Santa Cruz, CA
Signed lower right, 'Charon' for Guy Charon (French, born 1927) and with number and limitation, '209/275', lower left. Accompanied by a Certificate of Authentication from the Societe...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph, Paper

'Still Life with Guitar', Musee Moderne, Paris, Salon d'Automne, NY MOMA, LACMA
By Marcel Mouly
Located in Santa Cruz, CA
Signed lower right, "M. Mouly" for Marcel Mouly (French, 1918-2008). Inscribed lower left, 'E.A.' (Epreuve d'Artiste) and bearing number and limitation, '13/50'. An unusually large,...
Category

1970s Post-Impressionist Still-life Prints

Materials

Paper, Lithograph

Finding the Right Prints and Multiples for You

Decorating with fine-art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine-art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine-art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine-art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine-art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine-art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find the fine-art prints you’re looking for on 1stDibs today.