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Tomyris Chair

Tomyris Chair by Pietro Franceschini
Located in Geneve, CH
Tomyris chair by Pietro Franceschini Sold Exclusively by Galerie Philia Manufacturer: Stefano
Category

2010s Italian Modern Chairs

Materials

Brass

Tomyris Chair by Pietro Franceschini
Tomyris Chair by Pietro Franceschini
H 29.53 in W 31.11 in D 31.11 in

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Recent Sales

Tomyris Chair by Pietro Franceschini
Located in Geneve, CH
Tomyris chair by Pietro Franceschini Sold Exclusively by Galerie Philia Manufacturer: Stefano
Category

2010s Italian Modern Chairs

Materials

Brass

Tomyris Chair by Pietro Franceschini
Tomyris Chair by Pietro Franceschini
H 29.53 in W 31.11 in D 31.11 in
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A Close Look at Modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chaircrafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Materials: Brass Furniture

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstleralso an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Finding the Right chairs for You

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today. 

Read More

The 21 Most Popular Mid-Century Modern Chairs

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Eileen Gray’s Famed Cliffside Villa in the South of France Is Returned to Its Modernist Glory

After years of diligent restoration, E-1027, the designer-cum-architect’s marriage of romance and modernism, is finally complete.

See How New York City Designers Experiment on Their Own Homes

There are many lessons to be learned from the lofts, apartments and townhouses of architects and decorators in Manhattan and beyond.

Why Drew McGukin’s Colorful Home Differs from Those of His Clients

The New York–based designer has a high-impact style that's all his own, as his loft in the Chelsea Flower District makes abundantly clear.

Jeff Andrews Captures Old Hollywood Glamour in His Cinematic Spaces

Having created extravagant homes for reality TV’s biggest stars, the designer is stepping into the spotlight with his first book.

New Orleans’ Lee Ledbetter Makes Design Magic by Mixing Past and Present

The Louisiana-born and -bred architect talks to 1stdibs about the art of making timeless places that matter.

How a Modernist Hamptons Home on the Water Became the Ideal Weekend Refuge

Damon Liss and Stelle Lomont Rouhani Architects collaborated on this serene getaway for a minimalism-minded Manhattan family of four.

Desert Modern Designer Arthur Elrod Finally Gets His Day in the Sun

The Palm Springs interior decorator developed a mid-century style that defined the vacation homes of celebrities and other notables, including Bob Hope and Lucille Ball.