Victorian Art

English Country Estate Horse and Dog Landscape, 19th Century Oil Painting English School, 19th century oil on canvas, unframed Canvas: 29 x 42 inches Provenance: private collectio...

Exe Pilot, 1807 Sunset Westerly Coastal Maritime Scene by English School (British, late 20th century, indistinctly signed & dated 1995) oil on board, framed Framed: 22 x 26.5 inches...

Preparing the Ships Coastal Marine Scene with Figures and Sailing Vessels English, mid 19th century oil on board, framed in a gilt moulded frame Framed: 10.75 x 14.5 inches Board: ...

English Countryside Cottage River Landscape with Bridge Figure Scene by William Henry Yates (British, 1845–1934) Signed oil on canvas, framed in an ornate gilt moulded frame Framed:...

Loch Tay Landscape by F. E. Jamieson (1895-1950) signed with the artists pseudonym, W. Richards oil on canvas, unframed canvas: 16 x 24 inches provenance...

Crossing Borderland by Thomas Henry Gibb ( British, 19th century ) inscribed verso dated 1894 signed oil on canvas, framed framed: 31 x 49.5 inches canvas: 28 x 46.5 inches Provenan...

At the Close of Day English School, circa 1830's period oil on canvas, framed framed: 11.5 x 13.5 inches canvas: 10 x 12 inches Provenance: private collection, England Condition: ver...

Charles Stuart (Scottish, 19th century) Highland Loch Landscape with Mountain Beyond Signed lower left, circa 1880 Oil on wooden panel Presented in its original giltwood frame A fin...

Portrait of an officer of the 94th Regiment of Foot, circa 1830 * see notes below Irish School oil on canvas, unframed canvas: 30 x 25 inches Labeled verso Provenance: private collec...

The Moonlit Estuary English School, late 18th century oil on canvas, unframed canvas: 25 x 35 inches Provenance: private collection, England Condition: overall sound and good condit...

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

'Bringing them Home' English School, 19th century signed by the artist, 'F. Thomas' oil on canvas, framed framed: 25 x 35 inches canvas : 20 x 30 inches Provenance: private collectio...

J.G. (English, fl. early 20th century) Fox Hunting Scene with Huntsman and Hounds Oil on board, circa 1906 A spirited and finely observed English fox hunting scene depicting a field...

Red Tulip English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is...

George Henry Laporte A huntsman clearing a brook Oil on canvas Painting 10 x 12 in Framed 12 x 14 in This spirited composition by George Henry Laporte captures a huntsman at full st...

Charming group on nine hand colored botanical prints taken from a book or folio with Latin genius and species. Presented under glass in gilt wood frames.

James Loder of Bath (British, active early 19th century) Portrait of a Standing Terrier Signed and dated 1819, lower right Oil on board Presented in a period giltwood frame A refine...

The Close of Day by F. E. Jamieson (British 1895-1950) signed (with one of the artists pseudonyms) oil on canvas, framed framed: 21 x 26 inches canvas: 16 x 24 inches provenance: pri...

The Highland River by William Lakin Turner (1867-1936) signed oil on panel, framed framed: 18 x 21 inches panel : 10 x 14 inches Provenance: private collection, England Condition: th...

The Close of Day by Edwin Henry Boddington (1836–1905) signed lower front corner oil on canvas, framed framed: 30 x 42 inches canvas : 24 x 36 inches Provenance: private collection,...

Chestnut Horse Standing in a Stable Wilkinson John Gilbert (act.1830-1870) signed and indistinctly dated oil on canvas, framed framed: 23 x 28 inches canvas: 20 x 25 inches Provenan...

The Young Gardener by Carolyn Smith, British early 20th century signed watercolour painting on artist paper, unframed size: 10 x 7 inches double sided sketch verso of man leaning on ...

Wreckers on the Beach by Charles Webster (British. 19th century) signed, oil on canvas, unframed canvas : 24 x 42 inches Provenance: private collection, England Condition: very good ...

Henry George Todd (British, fl. late 19th century) Still Life of Strawberries with Butterfly Signed and dated 1878, lower left Oil on canvas Presented in an ornate giltwood frame wit...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

The Shipwreck English School, indistinctly signed dated 1884 oil on canvas, framed framed: 29.5 x 48 inches canvas : 26 x 44.5 inches Provenance: private collection, UK Condition: v...

'Clearing the Pond' by Francois Duyk (Belgian, late 19th century) signed lower corner oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private col...

Portrait of a Young Girl, with her Pet Dog on the Steps of her Country Home English School, circa 1870's oil on board, framed in antique gilt swept frame. framed: 25.5 x 21 inches b...

Sunset over the Highland Loch by F. E. Jamieson (British 1895-1950) signed (with pseudonym) oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private co...

Golden Light across the River E.J. Wilson ( English, 20th Century) signed oil on board, framed framed: 20 x 28 inches board : 18 x 26 inches Provenance: private collection Condition:...

The Highland Family British School, 19th century Circle of Robert Watson (British, 1856-1920), unsigned oil painting on canvas, framed framed: 25 x 45 inches canvas: 20 x 38.5 inches...

Portrait of a Gentleman reading the 'London Journal', English school (mid 19th century) oil painting on canvas, unframed canvas: 36 x 28 inches condition: some minor surface abrasion...

'1. Vanessa urticae 2. 3. Pyrameis cardui' Late 19th century colour lithograph of butterflies.

The Country Lane English School, circa 1830's period oil on panel, framed in period antique gilt frame framed: 19 x 17 inches board: 14 x 13 inches Provenance: private collection, En...

Portrait of a Pug Dog French School, 19th century, unsigned inscribed verso possibly with the artists name/ former owner oil on canvas, framed framed: 26 x 22 inches canvas : 22 x 19...

Dog-tooth violet Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: T...

Three Terrier Dogs in Landscape English artist, mid 19th century circle of George Armfield (English dog painter, 1808-1893) oil on canvas, framed framed: 17 x 21 inches canvas: 8 x 1...

This late 19th-century oil painting by Rudolf Giffinger (act. c. 1870-1895) depicts a moonlit mountain torrent - its rushing waters carving a luminous path through a darkened Alpine ...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

'1. Danaus plexippus 2. Tiramala limniace' Late 19th century colour lithograph of butterflies.

Anglers at Sunset by Edwin Henry Boddington (1836–1905) signed and indistinctly dated 18?? oil on canvas, framed framed: 17 x 30 inches canvas : 12 x 24.5 inches Provenance: private...

The Highland Loch (Loch Lomond) signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 29.5 x 41 inches canvas: 24 x 36 inches Provenance: pri...

Still Life of Fruit by Frederick J Stanier (1830-c.1912) oil on canvas, unframed canvas: 8.25 x 10 inches provenance: private collection, England condition: a few minor scuffs and m...

The Highland Walk Scottish artist, late 19th century oil on canvas, framed framed: 24.5 x 20.5 inches canvas: 18 x 14 inches provenance: private colle...

The Young Puppy British School, 19th century indistinctly signed with a monogram oil on canvas, framed framed: 18.5 x 21 inches canvas: 14 x 16 inches provenance: private collection,...

Glencoe Scottish School, late 19th century indistinctly signed lower corner signed oil painting on canvas, framed framed: 30.5 x 42 inches canvas: 24 x 36 inches provenance: private...

The Border Terrier by Leonard Richard Finn (British, b. 1891) signed oil on canvas, framed framed: 24 x 20 inches canvas: 20 x 16 inches provenance: private collection, UK condition:...

Portrait of a Spaniel English School, 19th century based on a comparable work by Sir Edwin Landseer oil on board with cardboard backing, framed in antique deep gilt frame framed: 21 ...

'1. 2. Delias eucharis 3. Delias philyra' Late 19th century colour lithograph of butterflies.

Ernest Peel Law (British, Late 19th Century) Circa 1890 Fisherman at Sunset Oil on canvas, signed lower right Ernest Peel Law’s Fisherman at Sunset is a masterful evocation of eveni...

Artist/School: 19th Century English School Title: Three Dogs In Open Landscape Medium: oil on canvas, framed (behind glass hence the reflection). Framed...

Artist/ School: J. Langlois, British 1855-1904, signed lower corner Title: Chasing the Mouse! Medium: oil on board, framed framed: 6 x 7.5 inches board: 4.75 x 6.75 inches Proven...

Springtime, Burnham by Daniel Sherrin (British 1868-1940) oil on board, framed inscribed verso titled to frame framed: 16 x 14 inches board : 10 x 8 inches Provenance: private collec...

"Allan Water, Stirling" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed canvas: 16 x 24 inches framed: 21.5 x 29 inches Fine quality antiqu...

The children of Robert Williams with their go-cart in the grounds of Bridehead, Dorset *see historical notes below. ATTRIBUTED TO RAMSAY RICHARD REINAGLE (1775-1862, unsigned). oi...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

This charming British Victorian dog portrait is by renown animal artist Samuel Fulton. Painted circa 1900 the composition is of a Springer Spaniel sat on some straw outside with a wa...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

Artist/ School: British School, indistinctly signed lower right, circa 1950's Title: Portrait of an Aristocratic Lady. The previous owner believed the sitter to be a member of the Q...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...