Andy Warhol Art

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by ...

Artist: Andy Warhol Title: Peaches Portfolio: Space Fruit: Still Lifes Medium: Screenprint on Lenox Museum Board Date: 1979 Edition: Unnumbered, outside the edition of 150 Sheet Size...

ANDY WARHOL (after) "THE SHADOW" from "MYTHS" Invitation portfolio 1981 Offset lithograph (Invitation) Published by Ronald Feldman Fine Arts, Inc, New York City. Signed in marker to ...

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. Edition PP 5/5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 1...

Artist: Andy Warhol Title: Merce Cunningham I (from the Cunningham I portfolio) Medium: Screenprint on Japanese gift wrapping paper Edition: 56/100 Size: 30" × 20" (76.2 × 50.8 cm) Y...

Original lithograph on paper Bears the AWAAB and Estate of Andy Warhol stamps, on verso Annotated with initials 'CD' and a PM authenticity number in pencil, on verso Accompanied by a...

This is a "stitched" work of a nude male model created by Andy Warhol in the last year of his tragically short life. "Between 1982 and 1987 Andy Warhol produced several hundred wor...

An invitation to "Andy Warhol: A Print Retrospective 1963-1981" held at the Leo Castelli Gallery in New York City, printed with the iconic image of Marilyn Monroe. Published by Caste...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Andy Warhol Carly Simon, 1980 Stamped by The Estate of Andy Warhol on the reverse Gelatin silver print 8 x 10 inches The artist Estate of the artist Long-Sharp Gallery, Indianapolis...

Andy Warhol Campbell's Soup Can (Tomato), 1966 Screenprint in colors on shopping bag from an edition of an unknown size Size 48.9 x 43.2 cm Published by the Institute of Contemporary...

“Vegetable Made With Beef Stock” is an AP screenprint by American Pop artist, Andy Warhol. The work is AP Q/Z and is signed verso, "Andy Warhol Q" Andy Warhol's Campbell's Soup I: Vegetable Soup (1968) is part of his first screenprint portfolio dedicated to the iconic soup cans, produced in an edition of 250 with additional artist's proofs. The speed with which the art world embraced Warhol was remarkable: in July 1962, his thirty-two Campbell's Soup Cans paintings debuted at the Ferus Gallery in Los Angeles, quickly cementing his reputation. Those early canvases, among his last hand-painted works, appeared almost mechanically produced, but Warhol soon abandoned the brush in favor of silkscreen, a commercial process that allowed for both endless repetition and striking variations of his chosen subjects. Vegetable Soup was one of the original thirty-two varieties and remains a pop culture phenomenon, continually reappearing on everything from plates and mugs to t-shirts, neckties, and even surfboards...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

“Marilyn No. 30” is a screenprint by American Pop artist, Andy Warhol from 1967. The work is edition 138/250 and is signed verso, "Andy Warhol" Andy Warhol's "Marilyn #30" (1967) i...

Andy Warhol Flowers and Holly (Christmas Card) c. 1955: A well-sized 1950s designed Andy Warhol flowers Christmas print, produced by Warhol circa 1955. Featuring Warhol's printed sig...

The original image that Warhol used to make his "Electric Chair" works came from a press photo from Sing Sing prison in New York from 1953. The work is part of Warhol's "Death and Di...

ANDY WARHOL (1928-1987) Andy Warhol's 'Cow' (F&S.II.11A) is a 1971 screenprint, on wallpaper with trimmed margins. This unsigned print comes from a publication of an unknown size (aside from approx. 100 signed impressions), printed by Bill Miller...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 86/200 on lower right (there are also 30 APs, 5 PPs, and 3 HCs). Artwork size: 40 x 32 in...

Artist: Andy Warhol Title: Watermelon Portfolio: Space Fruit: Still Lifes Medium: Screenprint on Lenox Museum Board Date: 1979 Edition: Unnumbered, outside the edition of 150 Sheet S...

Artist: Andy Warhol (American, 1928-1987) Title: "Watermelon" Portfolio: Space Fruit: Still Lifes *Signed and numbered by Warhol in felt pen lower left Year: 1979 Medium: Original Sc...

1957 Unique blotted ink line drawing, on wove paper. 34.9 x 28.9 cm Initialed 'VF' by Vincent Fremont of the Andy Warhol With the Estate of Andy Warhol and the Andy Warhol Foundation...

This is a unique photographic work taken by Andy Warhol of Victor Hugo at his Montauk estate. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Fou...

This work is unique, Provenance: From the estate of the artist, to The Andy Warhol Foundation for the Visual Arts, to private collector, to private collector, to current owner Exh...

TECHNICAL INFORMATION: Andy Warhol Dollar Sign, FS II.277 1982 Screenprint on Lenox Museum Board 19 3/4 x 15 5/8 in. 48/60 - Each Piece is Unique Pencil signed and numbered Conditi...

“Mao #99” is a color screenprint by American Pop artist, Andy Warhol from 1972. The work is edition 244/250 and is signed verso, "Andy Warhol" and stamped verso, "Copyright Andy Warh...

Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...

1967 Colour screenprint on light wove paper 115 x 61 cm Edition of 500 Unsigned and unnumbered. Catalogue raisonné entry: Feldman/Schellmann II.19 Printed by Chiron Press, New York P...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Andy Warhol (1928-1987) is the most influential and valuable American artist of the 20th century. Caviar20 has been championig his inimitable works on paper from the 1950s. We believ...

Andy Warhol (1928-1987) Crosses (1982) Unique polaroid print Size: 3.375 x 4.25 in (8.6 x 10.8 cm) Frame size: 11.5 x 12 in (29.2 x 30.4 cm) Unsigned Authenticated by the Authentic...

Artist: Andy Warhol Title: Wild Raspberries FS IV.126-143 The complete book, comprising 18 offset lithographs, 3 with hand-coloring, (one of which is a double plate), printed title page and two blank pages (as issued), with recipes by Suzie Frankfurt...

Artist: Andy Warhol Title: Untitled (Plate 18) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" S...

Artist: Andy Warhol Title: Untitled (Plate 1) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sh...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 131/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 94/200 on lower right (there are also 30 APs, 5 PPs, and 3 HCs). Artwork size: 40 x 32 in...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Screen print in colors on smooth wove paper. Hand signed in ballpoint pen on lower left verso by Andy Warhol. Stamp numbered 22/250 on lower left verso (there are also 26 artist pr...

The 1984 Winter Olympics in Sarajevo, Yugoslavia, marked a momentous occasion in Olympic history, and one of the most iconic pieces of memorabilia from this event is Andy Warhol’s striking official poster. Known for his revolutionary pop art style, Warhol was among several renowned artists commissioned to create promotional artwork for the XIV Olympic Winter Games. Warhol’s silkscreen-inspired poster captures the intensity and movement of a speed skater in full stride. Using bold neon outlines, a vibrant red body suit, and dynamic geometric background elements, the composition conveys a sense of urgency and athleticism. The contrasting colors—deep black, electric green, yellow, and blue—amplify the subject’s momentum, making the skater appear almost weightless against the abstract backdrop. While Warhol is best known for his depictions of celebrities and consumer goods, this Olympic commission demonstrated his versatility as an artist. His ability to distill movement and expression into a minimalist yet powerful composition makes this piece stand out among other Olympic posters. This official 1984 Sarajevo Winter Olympics poster is highly sought after by collectors and Olympic memorabilia enthusiasts alike. As one of Warhol’s few sports-related works, it embodies both his unmistakable artistic style and the spirit of global athletic competition. Warhol’s Sarajevo Olympics...

This is a unique photographic work taken by Andy Warhol on February 25, 1978 at a dinner for Cecil Beaton at Diana Vreeland's with Peter Beard, Carole Bouquet, Cecil Beaton and other...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

This is a unique photographic work taken by Andy Warhol. Ulrik Trojaborg was a dancer with the New York City Ballet in the 1980s and among Andy Warhol's circle of dancer friends, which included Heather Watts...

Screen print in colors on smooth wove paper. Hand signed in ballpoint pen on lower left verso by Andy Warhol. Stamp numbered 22/250 on lower left verso (there are also 26 artist pr...

Andy Warhol Cow , 1971 Silkscreen on wallpaper, unsigned Cow with a soft pink background, surrounded by a purple ground. Left margin in the same soft pink reading "Andy Warhol" and...

Technical Information: Andy Warhol Flowers, FS II.67 1970 Screenprint 36 x 36 in. Edition of 250 Signed and stamped number on verso

Working Trial Proof Silkscreen Serigraph Includes Documentation and Official Stamps Please note this artwork is not hand signed or editioned

Artist: Andy Warhol Title: Jacqueline Kennedy I (Jackie I), from the 11 Pop Artists I Portfolio Medium: Screenprint on Paper Edition: 179/200 Publisher: Original Editions Printer: KM...

Screen print in colors on paper. Hand signed and dated lower front by Andy Warhol. Only 100 were hand signed. Artwork size 37 x 39 inches. Frame size approx 44 x 46 inches. This...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

This Andy Warhol print consists of an array of yellow, purple and orange flowers in a bed of green grass. This pop art floral original silkscreen print on paper is guaranteed authen...

Van Heusen (Ronald Reagan). F. & S. II.356. By Andy Warhol Andy Warhol, a leading figure in the Pop Art movement, revolutionized the art world with his iconic works that celebrated...

ANDY WARHOL (1928-1987) Coca-Cola glass bottle, metal bottle stopper and spray paint. Signed with initials by the artist in black ink ‘A. W.’ Executed in 1967.

TECHNICAL INFORMATION: Andy Warhol Brooklyn Bridge, FS 11.290 1983 Screenprint on Lenox Museum Board 39 1/4 x 39 1/4 in. Edition of 200 Pencil signed & numbered Condition: This...

Screenprint, on Stonehenge paper, with full margins. Unsigned. Warhol Foundation stamp on verso. Sheet size 30.25 x 22 inches. Image size 22.5 x 18.125 inches. Custom framed as p...

Artist: Andy Warhol Title: Untitled (Plate 5) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sh...

Andy Warhol Studies for a Boy Book 1956: A rare sought-after, 1950s Andy Warhol designed poster invitation published on the occasion of: Warhol's 'Studies for a Boy Book', held at the Bodley Gallery and Bookshop Feb. 14 - March 3, 1956. A rare early Warhol collectible that seldom comes to market. Not to be passed upon. Medium: Offset lithograph on wove paper. Framed in glass. Dimensions: 15.75 x 13.5 inches (40 x 34.3 cm). Framed dimensions: 24h x 26w inches. Good overall vintage condition; fold-lines as originally issued; Unsigned from an edition of unknown. Rare. With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse; initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated 'XX-07.16' and 'PM19.0242' in pencil on the reverse. Provenance: The Andy Warhol Foundation for the Visual Arts, New York Susan Sheehan Gallery, New York Private Collection, New York Further Background: "In the 1950's Warhol self-published a large series of artist’s books & hold parties at Serendipity 3, a restaurant and ice cream parlor on Manhattan’s Upper East Side, where his friends would help him hand color his books. In 1956, he presented a solo exhibition at the Bodley Gallery called Studies for a Boy Book. These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol 'too swish.' (source: The Andy Warhol Museum) Collections: The Art Institute of Chicago Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings. As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene. The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips) _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Martin Lawrence provenance label on verso. Canvas size 20 x 20 inches. The artwor...