Sculptor, furniture and jewelry designer, graphic artist and metalsmith, Harry Bertoia was one of the great cross-disciplinarians of 20th-century art and design and a central figure in American mid-century modernism. Among furniture aficionados, Bertoia is known for his chairs such as the wire-lattice Diamond chair (and its variants such as the tall-backed Bird chair) designed for Knoll Inc. and first released in 1952.
As an artist, he is revered for a style that was his alone. Bertoia’s metal sculptures are by turns expressive and austere, powerful and subtle, intimate in scale and monumental. All embody a tension between the intricacy and precision of Bertoia’s forms and the raw strength of his materials: steel, brass, bronze and copper.
Fortune seemed to guide Bertoia’s artistic development. Born in northeastern Italy, Bertoia immigrated to the United States at age 15, joining an older brother in Detroit. He studied drawing and metalworking in the gifted student program at Cass Technical High School. Recognition led to awards that culminated, in 1937, in a teaching scholarship to attend the Cranbrook Academy of Art in suburban Bloomfield Hills, one of the great crucibles of modernism in America.
At Cranbrook, Bertoia made friendships — with architect Eero Saarinen, designers Charles and Ray Eames and Florence Schust Knoll and others — that shaped the course of his life. He taught metalworking at the school, and when materials rationing during World War II limited the availability of metals, Bertoia focused on jewelry design. He also experimented with monotype printmaking, and 19 of his earliest efforts were bought by the Guggenheim Museum.
In 1943, he left Cranbrook to work in California with the Eameses, helping them develop their now-famed plywood furniture. (Bertoia received scant credit.) Late in that decade, Florence and Hans Knoll persuaded him to move east and join Knoll Inc. His chairs became and remain perennial bestsellers. Royalties allowed Bertoia to devote himself full-time to metal sculpture, a medium he began to explore in earnest in 1947.
By the early 1950s Bertoia was receiving commissions for large-scale works from architects — the first came via Saarinen — as he refined his aesthetic vocabulary into two distinct skeins. One comprises his “sounding sculptures” — gongs and “Sonambient” groupings of rods that strike together and chime when touched by hand or by the wind. The other genre encompasses Bertoia’s naturalistic works: abstract sculptures that suggest bushes, flower petals, leaves, dandelions or sprays of grass.
As you will see on these pages, Harry Bertoia was truly unique; his art and designs manifest a wholly singular combination of delicacy and strength.
Find vintage Harry Bertoia sculptures, armchairs, benches and other furniture and art on 1stDibs.
Very Rare Harry Bertoia Monoprint on Rice Paper
By Harry Bertoia
Located in Munich, DE
Purchased at la modern around 20 years ago. Size is of the visible picture inside passe-partout.
Paint
$8,500
Harry Bertoia Monoprint
By Harry Bertoia
Located in New York, NY
Large mono-print by Harry Bertoia, initialed and numbered 1857 on rice paper set mounted in oiled walnut frame. From the Bertoia Family collection. A beautiful rendering of his sculp...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA 1960s
By Harry Bertoia
Located in New York, NY
A rare display of 6 Harry Bertoia Monoprints, circa 1960s. Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his scul...
Wood, Paper
$8,500
Harry Bertoia monotype
By Harry Bertoia
Located in New York, NY
Monotype by Harry Bertoia, initialed and numbered 1860 on rice paper set mounted in oiled walnut frame. From the Bertoia Family collection. A beautiful rendering of his sculptures id...
Paper
Very Rare Harry Bertoia Monoprint on Rice Paper
By Harry Bertoia
Located in Munich, DE
Purchased at la modern around 20 years ago. It´s the size of the work - not the frame.
Paper
Collectible Monochromatic Harry Bertoia Print
By Harry Bertoia
Located in Hopewell, NJ
Fascinating monographic by Harry Bertoia having surrealistic style probably influenced by Odilon Redon and Paul Klee. Handsomely matted and framed.
Paper
Original Vintage Print by Harry Clarke. C.1920
Located in St Annes, Lancashire
Wonderful image by Harry Clarke Lithograph. Published C.1920 Unframed Free shipping
Paper
Set of Eight Vintage Framed Masks, Paper, 1960s, Folk Art, USA
Located in Stamford, CT
Eight vintage masks of a rogues' gallery framed in black plastic frames. Priced as a set.
Paper
Melissa Strawser Bertoia Junior Dandelion Gong Intaglio Print, 2016
By Melissa Strawser
Located in New York, NY
Contemporary artist Melissa Strawser’s Bertoia Junior Dandelion Gong Print is a pulled Artist Proof, an original intaglio print using handmade Doug Zucco White Crow Printmaking Paper (Fleetwood, PA) with colored inks from a single bronze plate that just happens to be a singing Bertoia Gong...
Paper
Large Framed Lithograph by Tony Friedlaender
By Frederic Weinberg
Located in Los Angeles, CA
Large Framed Lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.
Glass, Wood, Paper
Large Framed Lithograph by Tony Friedlaender
By Frederic Weinberg
Located in Los Angeles, CA
Large framed lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.
Glass, Wood, Paper
Large Framed Lithograph by Tony Friedlaender
By Frederic Weinberg
Located in Los Angeles, CA
Large framed lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.
Glass, Wood, Paper
Original Vintage Print by Harry Clarke. C.1920
Located in St Annes, Lancashire
Wonderful image by Harry Clarke Lithograph. Published C.1920 Unframed Free shipping
Paper
$995
H 16.5 in W 19.25 in D 0.5 in
Baron Rais d'Eisenberg, Hand-Colored Equestrian Engraving c. 1747, "Le Brillant"
By Eisenberg
Located in Morristown, NJ
18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...
Plexiglass, Wood, Paint, Paper
1960s Vogue Magazine Framed Covers, Set of 3
Located in Stamford, CT
Set of three framed 1960s Vogue Magazine covers. Left to right: September 1964 cover features model Wilhelmina photographed by David Bailey. N...
Glass, Wood, Paper
French Engraving, "Le Premier Pas a la Fortune" in Gilded Frame
Located in Pembroke, MA
French engraving in a 19th century entitled "Le Premier Pas A La Fortune" on hand-laid paper with a decorative giltwood frame. A charming double-entendre scene of seduction. Du Bois ...
Giltwood, Paper
1930s Set of Nine Framed American Typography Pages
Located in Downingtown, PA
Set of nine framed American typography pages. From new letters and lettering by Paul Carlyle & Guy Oring, Originally published, 1938 The pages ...
Paper
Large Framed French Etching of Versailles, Le Bassin d’Encelade
Located in Montreal, Quebec
Large Framed French Etching of Versailles – Le Bassin d’Encelade Pair of Versailles themed prints available. From Mis en Demeure, Paris.
Wood, Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monoprint on Rice Paper, USA, 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monoprints in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive ...
Paper
Harry Bertoia Framed Monotype on Rice Paper, USA 1960s
By Harry Bertoia
Located in New York, NY
Bertoia created hundreds if not thousands of one of a kind monotypes in his career, often as working drawings for his sculpture works. He employed a variety of techniques to arrive a...
Paper