Joan Miró Art

Joan Miró La Mélodie Acide - 9 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme III/VI (Woman III/VI), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published and pri...

Joan Miró La Mélodie Acide - 11 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IV, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnage (Figure), from the album Les Revolutions Sceniques du XXe Siecle, originates from the 1975 edition published by ...

These exquisite lithographs by Joan Miro (1893–1983), titled Personnages (Figures), from the album Les Revolutions Sceniques du XXe Siecle, originate from the 1975 edition published ...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Les Essencies de la Terra Exhibition (M. 625) Year: 1969 Medium: Lithograph on Gua...

Lithograph, 1971 Handsigned by the artist in pencil and annotated II/XXIV Publisher : Le Soleil noir (Paris) Printer : Arte Adrien Maeght (Paris) Catalog : [Maeght 748, p.131] 47.00 ...

Joan Miro, Spanish (1893 - 1983) - A Toute Epreuve (D 231) Avant la lettre, Year: 1958, Medium: Woodcut on Arches, Edition: 130, Size: 12.75 x 9.75 in. (32.39 x 24.77 cm), Printer: ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled La danseuse espagnole (The Spanish Dancer), from the folio Derriere le miroir, No. 139–140, originates from the 1963 editio...

Author: Joan Miró Title: L'Otarie Savante Year: 1978 Technique: Etching, Aquatint and Carborundum. Signed and numbered by hand 46 of a print run of 50 copies. Certified by the Funda...

This double-page lithograph by Joan Miró comes from Derrière le Miroir No. 203, published in 1973 by Maeght Éditeur, Paris (Maeght Number 890). Spanning pages 4 and 5, it was issued ...

This exquisite lithograph by Joan Miro (1893–1983), titled Le prophete (The Prophet), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Ma...

This exquisite lithograph by Joan Miro (1893–1983), titled L'etoile (The Star), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Maeght E...

Joan Miro Composition with Three Stars Stone lithograph in colors (printed in Atelier Maeght / Arte) Printed signature in the plate On Arches vellum 38 x ...

Joan Miró La Mélodie Acide - 5 Color lithograph Year: 1980 Edition: 1500 Signed in the stone - lower right Numbered in pencil - lower left Size: 8.2 × 6.6 on 12.9 × 9.9 inches Catalo...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

This exquisite lithograph by Joan Miro (1893–1983), titled Letoile et La femme dans la nuit (The Star and the Woman in the Night), originates from the historic 1966 folio Derriere le...

Artist: Joan Miro Title: Joan Miro (Plate 7) Portfolio: Joan Miro Medium: Lithograph Date: 1956 Edition: Unnumbered Frame Size: 15 1/4" x 21 1/2" Sheet Size: 9" x 15" Signature: Unsi...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

The 1964 original lithograph by Joan Miró, created for Barcelona’s Sala Gaspar, is an exquisite example of the artist’s innovative use of printmaking to express his distinct surreali...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme Assise III/V (Seated Woman III/V), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publi...

For Alberti, For Spain!  is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of XXVIII/LX. There ...

Joan Miro, Spanish (1893 - 1983) - Anti-Platon (D 325), Year: 1962, Medium: Etching on pearl Japon, Edition: 125, Image Size: 3.5 x 5 inches, Size: 13 x 10.25 in. (33.02 x 26.04 cm)...

This exquisite lithograph by Joan Miro (1893–1983), titled Figure noire sur fond bleu (Black Figure on Blue Background), from the folio Derriere le miroir, No. 87–89, originates from...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe V Catalogue Raisonne...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreinte de main sur fond bleu-vert (Handprint on Blue-Green Background), from the folio Derriere le miroir, No. 87–89, or...

Joan Miró La Mélodie Acide - 7 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Joan Miró Litografia Original VIII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau,...

Covr for derrière Le Miroir is a Lithograph realized in 1963 by Joan Mirò (1893-1983). Published on "Derrière Le Miroir, no. 139-140. The description on the rear. Good conditions...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreintes de mains sur fond bleu-vert et jaune (Handprints on Blue-Green and Yellow Background), from the folio Derriere l...

Artist: Joan Miro Medium: Lithograph Title: Prints from the Mourlot Press (Frontispiece) Year: 1964 Edition: 2200 Sheet Size: 10" x 7 1/2" Framed Size: 17 3/4" x 14 1/2" Reference: C...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IV, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Ma...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau X/X (Woman and Bird X/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publ...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph XI, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

Joan Miró Litografia Original VII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, ...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Joan Miró "Femmes et Oiseaux devant la Lune" Original pochoir stencil print in five colors Reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and publish...

Les Revolutions Sceniques du XXe Siecle - I (Cramer 207) Joan Miro, Spanish (1893–1983) Date: 1975 Lithograph Image Size: 12 x 10 inches Size: 14.5 in. x 10 in. (36.83 cm x 25.4 cm) ...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph V, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Mae...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Maeg...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Mae...

Lithograph on vélin paper. Paper Size: 12.5 x 20 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. Composition avec formules chimiques showcases Miro’s unique blend of poetic abstraction and playful symbolism, merging scientific notations with his characteristic visual language of organic forms and vivid color harmonies. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 34. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 87–89, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1956 Notes: Excerpted from the folio (translated from French), Miroir Miro and Oasis Miro are extracted from the album by Jacques Prevert and Georges Ribemont-Dessaignes devoted to Miro. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Composition...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Mae...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VIII, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel,...

This exquisite lithograph by Joan Miro (1893–1983), titled Chien aboyant a la lune (Dog Barking at the Moon), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1953. This playful and dreamlike composition captures Miro’s characteristic blend of whimsy, symbolism, and abstraction. The image—an iconic motif of a small dog gazing up and barking at the moon—embodies both humor and mystery, evoking themes of desire, solitude, and wonder. Through bold shapes, floating lines, and radiant color, Miro transforms a simple scene into a poetic meditation on the connection between the earthly and the cosmic. Executed as a lithograph on velin du Marais paper, this work measures 14 x 21 inches, with centerfold and stitch perforations as issued. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Chien aboyant a la lune (Dog Barking at the Moon), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, 1953 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 21 inches, with centerfold and stitch perforations as issued Inscription: Signed in the plate and unnumbered as issued Date: 1953 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro: Lithographs. Leon Amiel, 1972, illustration 189. Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, published by Editions de la revue Verve, Paris, 1953 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Miro’s collaborations with Teriade for Verve exemplify his capacity to blend spontaneous imagery with profound poetic resonance. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Chien aboyant a la lune, Miro Verve...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Joan Miro Plate IV from Espriu. Year: 1975 Handsigned in pencil Edition: HC (Hors Commerce) aside from the edition of 50. On watermarked Sala Gaspar Publisher : Sala Gaspar, Barcelo...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Joan Miró’s Ubu aux Baléares is a luminous example of the artist’s late graphic work, bringing together his unmistakable visual language—playful, instinc...