Joan Miró Art

Medium: original lithograph. Printed in 1956 for the art revue Derriere le Miroir (issue number 87-88-89) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (380 x 555 mm). T...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated...

Lithograph, 1976 Handsigned by the artist in pencil and numbered 71/99 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) lithography and carborundum This lithograph is based on the poster created for the inauguration of the Joan Miró Foundation...

Joan Miró “Barcelona Series” 1972 Etching, aquatint and carborundum engraving. Copy “Bona tiré”. Signed and justified in pencil Work reflected in Miró engraver vol.II, pag.228/nº59...

Joan Miro (1893-1983) - Herbes d'été (Summer Grasses) Lithograph from 1967. The edition of 99/100 on Arches paper with full margins. Dimensions of sheet: 31.1 x 23.2 cm Dimension...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

This exquisite lithograph by Joan Miro (1893–1983), titled Denmark, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Galerie Borjeson, Malmo, and ...

Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 19 1/4 inches (320 x 490 mm). This work was published as a folded ...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreintes de mains sur fond bleu-vert et jaune (Handprints on Blue-Green and Yellow Background), from the folio Derriere l...

Artist: Miro, Joan Title: M. 784 from Ubu aux Baléares Series: Ubu aux Baléares (Ubu of the Balearic Islands) Date: 1971 Medium: Lithograph on Japon paper Unframed Dimensions: ...

Joan Miro (1893-1983) Cat, Small Bird and Black Hand, 1970 Original lithograph Printed signature in the plate On vellum 83 x 60 cm (c. 33 x 24 in) Excellent condition

Oiseau solaire, oiseau lunaire, etincelles (Solar Bird, Lunar Bird, Sparks) Color lithograph, 1967 Published in "Revue XXe Siecle, Volume 28 Published by San Lazzaro Printed by A. Ma...

The 1964 original lithograph by Joan Miró, created for Barcelona’s Sala Gaspar, is an exquisite example of the artist’s innovative use of printmaking to express his distinct surreali...

This double-page lithograph by Joan Miró is featured on pages 16-17 of Derrière le Miroir No. 186, published by Maeght Editeur in Paris in 1970. The lithograph, which includes a fold...

Joan MIRO Composition with red and yellow circles, 1961 Original lithograph (Printed in Arte / Maeght Workshop). On wove paper 31 x 24 cm (c. 12 x 10 in) Edition San Lazarro, 1961 ...

Medium: original lithograph. Printed by Mourlot in 1981 and published for the "Miro Lithograph IV" catalogue raisonne. Size: 12 1/2 x 9 1/2 inches (318 x 245 mm). Not signed.

Joan Miró (1893-1983) Maravillas con variaciones acrósticas En El Jardín de Miró (1975) Lithograph Size: 29.5 x 23.25 in (75 x 59 cm) Frame size: 38.5 x 30 in (97.94 x 76.05 cm) Fr...

Medium: original lithograph. Catalogue reference: M 236. Printed by Mourlot in 1956 and published in Paris by Maeght for the Jacques Prevert catalogue. Size: 9 x 7 3/4 inches (228 x ...

Joan Miro (Spanish, 1893-1983), "Lithograph V", Lithograph in Colors, 1975, from the "Lithographe II" series, published Maeght Editeur, signed in pencil lower right, numbered edition...

Medium: original lithograph. Printed in Paris in 1965 at the Mourlot Frères atelier and published by the Pierre Matisse Gallery in an edition of 1200 for the "Miro Cartones 1959-1965...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

For Alberti, For Spain! it's an artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 62/90. Reference: Dupin 926 Printed on Fabriano paper, Printed ...

This original lithograph by Joan Miró, titled "Lithografia III," is a first printing published in "Joan Miró Lithographs Volume II" in 1975 by Maeght Editeur in Paris. This particula...

Joan Miro (Spanish, 1893-1983), "Lithograph VII", Lithograph in Colors, 1975, from the "Lithographe II" series, published Maeght Editeur, signed in pencil lower right, numbered editi...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

JOAN MIRÓ  Plate 10 from Le Lezard aux Plumes d'or, 1967 Lithograph  Hand signed lower right Edition EA Sheet size 40.5 x 55.5 cm Published by Louis Broder, Paris Reference Mourlot 5...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph V, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Mae...

Lithograph, 1958 Edition : 49/100 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : [Queneau 204, Mourlot 136 p.52] 52.00 cm. x 148.00 cm. 20.47 in. x 58.27 in. (paper) ...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...

" CENTENARI CENTRE EXCURSIONISTA " Lithography CATALOGADO .MIRO LITOGRAFICO 6, PAG 10,REF 1085. 1976 82X63 CM Edition 100 Copies + HC on paper Guarro Numbered 50/100 Printed and edit...

Aquatint, 1962 Handsigned by the artist in pencil and numbered 74/75 Publisher : Maeght (Paris) Printer : Maeght (Levallois-Perret) Catalog : [Dupin 342] 52.00 cm. x 80.50 cm. 20.47...

Joan Miro (Spanish, 1893-1983), "Lithograph II", Lithograph in Colors, 1975, from the "Lithographe II" series, published Maeght Editeur, signed in pencil lower right, numbered editio...

Joan Miró Homenatge a Joan Prats 11, 1971 Lithograph Hand signed lower right Numbered 8/75 Sheet size 65 x 86 cm Print and publisher: Poligrafa, Barcelona Reference: Mourlot 727

This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Oiseaux (The Three Birds), from the album XXe Siecle, Nouvelle serie, XXIXe Annee, No. 28, originates from the 19...

Joan Miró Litografia Original IX (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, M...

Facsimile on paper, 1964 Printer : Daniel Jacomet (Paris) Dedication "Per Violette i Josep Llorens Artigas, de tot cor" and printed signature LCD4599

Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the ...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Joan Miro Surrealist Garden (Sculptures), c. 1974 Original lithograph Signed in the plate On Arches vellum, size 54 x 76 cm (c. 21 x 30 inch) REFERENCE : catalog raisonne "Miro lit...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This lithograph, titled "Cosmos II" (1967), is featured on page 10 of Derrière Le Miroir (DLM) No. 164/165. DLM is a prestigious French art magazine, published until 1982, known for ...

This exquisite lithograph by Joan Miro (1893–1983), titled Miro a l'encre II (Miro in Ink II), originates from the 1972 album Indelible Miro. Published by Societe Internationale d'Ar...

This exquisite lithograph by Joan Miro (1893–1983), titled L’anneau (The Ring), originates from the 1961 folio Derriere le miroir, No. 128. Published by Maeght Editeur, Paris, under ...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe III Year: 1976 Edition: 5,000 Image Size: 10" x ...

This exquisite lithograph by Joan Miro (1893–1983), titled Chien aboyant a la lune (Dog Barking at the Moon), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1953. This playful and dreamlike composition captures Miro’s characteristic blend of whimsy, symbolism, and abstraction. The image—an iconic motif of a small dog gazing up and barking at the moon—embodies both humor and mystery, evoking themes of desire, solitude, and wonder. Through bold shapes, floating lines, and radiant color, Miro transforms a simple scene into a poetic meditation on the connection between the earthly and the cosmic. Executed as a lithograph on velin du Marais paper, this work measures 14 x 21 inches, with centerfold and stitch perforations as issued. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Chien aboyant a la lune (Dog Barking at the Moon), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, 1953 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 21 inches, with centerfold and stitch perforations as issued Inscription: Signed in the plate and unnumbered as issued Date: 1953 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro: Lithographs. Leon Amiel, 1972, illustration 189. Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, published by Editions de la revue Verve, Paris, 1953 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Miro’s collaborations with Teriade for Verve exemplify his capacity to blend spontaneous imagery with profound poetic resonance. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Chien aboyant a la lune, Miro Verve...

Aquatint and etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and print...

This original double-page lithograph by Joan Miró is featured on pages 10-11 of Derrière le Miroir No. 203, published in 1973. The lithograph includes a visible fold line down the ce...

Joan Miró Astre et Fumée (Star and Smoke), 1967 Etching, aquatint and carborundum in colours on Mandeure rag paper Hand signed lower right Edition HC Sheet size 75 x 56 cm Published ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

Joan Miró Untitiled from Derriere Le Miroir, 1973 Lithograph Sheet size 38 x 56 cm A center fold as issued. Unsigned FREE SHIPPING

Joan Miró Untitiled from Derriere Le Miroir, 1973 Lithograph Sheet size 38 x 56 cm A center fold as issued. Unsigned FREE SHIPPING

Joan Miró Untitiled from Derriere Le Miroir, 1973 Lithograph Sheet size 38 x 56 cm A center fold as issued. Unsigned FREE SHIPPING

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 38 x 80 cm Published by Maeght Editeur, Paris Reference: 924802-1975 FREE SHIPPING

Joan Miró Untitled from Derriere le Miroir, 1956 Original lithograph. Unsigned Size 38 x 28 cm Published in Paris by Maeght Reference: Mourlot 226 FREE SHIPPING

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 38 x 28 cm Published by Maeght Editeur, Paris Reference: 924802-1969 FREE SHIPPING

Joan Miró Untitled from Derriere le Miroir, 1956 Original lithograph. Unsigned Size 38 x 28 cm Published in Paris by Maeght Reference: Mourlot 226 FREE SHIPPING

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 38 x 28 cm Published by Maeght Editeur, Paris Reference: 924802-1969 FREE SHIPPING

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 38 x 28 cm Published by Maeght Editeur, Paris Reference: 924802-1969 FREE SHIPPING

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 38 x 56 cm Published by Maeght Editeur, Paris Reference: 924802-1974 FREE SHIPPING