Joan Miró Art

Artist: Joan Miro Title: Plate IV Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2" x...

With expressive fervor and graphic impact, this striking work demonstrates Miro's exquisite use of line. Heavy-handed black contours figure an otherworldly face, colored with vibrant...

Created in 1978 this work was one of twenty one illustrations Miró executed for Carlos Franqui’s collection of poetry entitled Album 21. A character gazes at the viewer, its eyes wid...

Lithograph on archés paper, 1981 "Magie Blanche II" Hand signed and numbered Certified by the Joan Miró Foundation Copy 12/100 Part of the suite “Allegro vivace”. Work reflected in ...

Original Lithograph 19.5 x 29.5 inches

Artist: Joan Miró Title: Series “Enrajolats” Year: 1979. Technique: Etching with aquatint on Arches paper, copy 26/30. Signed and numbered in pencil. The series “Enrajolats” consists...

Joan Miró “Album 21” 1978 Colored lithograph on Archés paper Signed and hand numbered 41/75 Presents certificate from National Art Brokers Inc Work refl...

Artist: Joan Miró Title: Series “Enrajolats” Year: 1979. Technique: Etching with aquatint on Arches paper, copy 5/30. Signed and numbered in pencil. The series “Enrajolats” consists ...

Author: Joan Miró Title: BARB III Year: 1987 Technique: Engraving with carborundum 11/75. Signed and numbered in plate. Print run of 75 copies Sizes: 65 x 50 cm. Framed Dupin 1223

Aquatint in Black and White from "Series II" by Joan Miró. Aquatint etching from 1947, printed in 1952-1953 Edition of 13, in complete approx. 20 Exemplars. The present artwork i...

This original etching and aquatint in colours is monogrammed in pencil by the artist “M" at lower right corner. It is also hand numbered in pencil 72 from the edition of 75, at the...

Author: Joan Miró. Title: Les essències de la terra. Year: 1969 Technique: Lithography. Copy 81/140; Signed and numbered by hand. Measurements: 76 x 58 cm Justified: Mourlot 626, li...

Author: Joan Miró Title: El llibre dels Sentits Year: 1981 Technique: Engraving 21/50. Print run of 50 copies Sizes: 92 x 73 cm. Framed Edited by Sala Gaspar. Catalogue raisonné Miró...

Joan Miró, 1973 Lithograph on Archés paper Signed in pencil Exemplary 49/50 Dupin 922

Autor: Joan Miró Título: “Son Abrines II” Año: 1987 Técnica: Grabado H.C. Firma Estapillada Apart from the standard edition of 75 Medidas: 91 x 70 cm. Enmarcado Catalogue raisonné Mi...

Joan Miró, 1973 Etching and aquatint Signed and numbered by hand Certified by the Joan Miró Foundation on the back of the painting Copy 44 of 50 Catalogue raisonné Miro Engraver v...

Joan Miró Sala Gaspar Barcelona 1973 Numbered Lithograph Poster. Color lithograph on paper. Signed in the plate. 74 × 55 cm (29.1 × 21.7 in.). Original color lithograph poster creat...

Author: Joan Miró. Title: Personnage a la Flèche Noire Year: 1977. Technique: Etching and aquatint. Edition 42/50 copies, signed and numbered by hand. Certified by the Fundació Joan ...

This exquisite lithograph by Joan Miro (1893–1983), titled Japan, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Bijutsu Shupan Sha, Tokyo, and printed by La Poligrafa, Barcelona, 1974. The work reflects Miro’s lyrical mastery of biomorphic form, symbolic purity, and gestural spontaneity, embodying the visionary abstraction that made him a defining figure of twentieth century modernism. Executed as a lithograph on Guarro velin paper, this work measures 7.87 x 15.47 inches (20 x 39.3 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of La Poligrafa, Barcelona. Artwork Details: Artist: Joan Miro (1893–1983) Title: Japan Medium: Lithograph on Guarro velin paper Dimensions: 7.87 x 15.47 inches (20 x 39.3 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1974 Publisher: Bijutsu Shupan Sha, Tokyo Printer: La Poligrafa, Barcelona Catalogue Raisonne References: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 194 Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 937. Condition: Well preserved, consistent with age and medium Provenance: Published by Bijutsu Shupan Sha, Tokyo; printed by La Poligrafa, Barcelona, 1974, in an edition of MD About the Publication: Miro escultor (Miro as Sculptor), published in 1974 by Bijutsu Shupan Sha in Tokyo, is a richly produced lithographic edition created to accompany and celebrate Joan Miro’s expanding work in sculpture during the late 1960s and early 1970s. Printed by the renowned La Poligrafa workshop in Barcelona one of the most important printers of modernist and postwar graphic art the publication formed part of a larger project intended to document and disseminate Miro’s sculptural innovations to an international audience. During this period, Miro turned increasingly toward three dimensional form, collaborating with foundries and experimental workshops to transform his biomorphic vocabulary into bronze, painted wood, ceramics, and mixed media assemblages. The publication Miro escultor functioned both as an artistic portfolio and as an interpretive document, presenting lithographic translations of sculptural ideas that were simultaneously graphic works in their own right. The edition of MD examples reflected Bijutsu Shupan Sha’s commitment to high quality multiples and the broader 1970s movement to democratize access to contemporary art through carefully produced prints. Today, the publication stands as a testament to the intersection of Miro’s painterly gesture, his graphic discipline, and his growing fascination with spatial and sculptural expression. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro’s inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro’s work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby’s, London, on June 19, 2012. Joan Miro Japan...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (...

This exquisite lithograph by Joan Miro (1893–1983), titled Denmark, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Galerie Borjeson, Malmo, and ...

This exquisite lithograph by Joan Miro (1893–1983), titled Portugal, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Publicacoes Europa-America, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sweden, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Galerie Borjeson, Malmo, and printed by La Poligrafa, Barcelona, 1974. The work reflects Miro’s lyrical mastery of biomorphic form, symbolic purity, and gestural spontaneity, embodying the visionary abstraction that made him a defining figure of twentieth century modernism. Executed as a lithograph on Guarro velin paper, this work measures 7.87 x 15.47 inches (20 x 39.3 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of La Poligrafa, Barcelona. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sweden Medium: Lithograph on Guarro velin paper Dimensions: 7.87 x 15.47 inches (20 x 39.3 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1974 Publisher: Galerie Borjeson, Malmo Printer: La Poligrafa, Barcelona Catalogue Raisonne References: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 209 Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 938. Condition: Well preserved, consistent with age and medium Provenance: Published by Galerie Borjeson, Malmo; printed by La Poligrafa, Barcelona, 1974, in an edition of MD About the Publication: Miro escultor (Miro as Sculptor), published in 1974 by Galerie Borjeson in Malmo, is a richly produced lithographic edition created to accompany and celebrate Joan Miro’s expanding work in sculpture during the late 1960s and early 1970s. Printed by the renowned La Poligrafa workshop in Barcelona one of the most important printers of modernist and postwar graphic art the publication formed part of a larger project intended to document and disseminate Miro’s sculptural innovations to an international audience. During this period, Miro turned increasingly toward three dimensional form, collaborating with foundries and experimental workshops to transform his biomorphic vocabulary into bronze, painted wood, ceramics, and mixed media assemblages. The publication Miro escultor functioned both as an artistic portfolio and as an interpretive document, presenting lithographic translations of sculptural ideas that were simultaneously graphic works in their own right. The edition of MD examples reflected Galerie Borjeson’s commitment to high quality multiples and the broader 1970s movement to democratize access to contemporary art through carefully produced prints. Today, the publication stands as a testament to the intersection of Miro’s painterly gesture, his graphic discipline, and his growing fascination with spatial and sculptural expression. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro’s inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro’s work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby’s, London, on June 19, 2012. Joan Miro Sweden...

This exquisite lithograph by Joan Miro (1893–1983), titled Iran, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Art Conseil, Paris, and printed ...

This exquisite lithograph by Joan Miro (1893–1983), titled England, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Ediciones Poligrafa, S.A., Ba...

This exquisite lithograph by Joan Miro (1893–1983), titled Italy, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Grafica Contemporanea, Milan, a...

This exquisite lithograph by Joan Miro (1893–1983), titled Composition (Composition), from the album Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), originates from the 1965 edition published by Redfern Gallery, London; printed by Mourlot Freres, November, 1965. This artwork reflects Miro’s poetic abstraction, where floating forms, rhythmic line, and vibrant visual symbols coalesce into a dreamlike composition that captures the artist’s exploration of spontaneity, imagination, and the subconscious. Executed as a lithograph on velin d’Arches paper. 10 x 7.5 inches. Signed in the plate and unnumbered as issued. The impression reflects the exceptional quality associated with the Mourlot atelier, renowned for its collaborations with the most important artists of the twentieth century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition (Composition), from Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), 1965 Medium: Lithograph on velin d’Arches paper Dimensions: 10 x 7.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1965 Publisher: Redfern Gallery, London Printer: Mourlot Freres, Paris Catalogue Raisonne: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 91; Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 332. Condition: Well preserved, consistent with age and medium Provenance: From Les Lithographies de L'Atelier Mourlot, Paris, published by Redfern Gallery, London, 1965 Notes: Excerpted from the album (translated from French), This album was published on the occasion of the exhibition, "The Mourlot Workshop" at The Redfern Gallery, 20, Cork Street London WI, December 7, 1965 to January 31, 1966. There were printed of this work M examples on velin d’Arches, and C examples on velin de Rives BFK, reserved for the artists, collaborators, and friends of the Imprimerie Mourlot and the Redfern Gallery. About the Publication: Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), published in 1965 by the Redfern Gallery in London, stands as a landmark publication dedicated to one of the most important print ateliers of the twentieth century. Produced in conjunction with a major exhibition highlighting the achievements of the Mourlot workshop, the album celebrates the collaborative relationship between artists and master printers that defined modern lithography. Mourlot Freres, based in Paris, worked closely with leading figures of modern art, including Picasso, Miro, Chagall, Braque, and many others, providing the technical expertise necessary to translate their visions into lithographic form. The publication presents a curated selection of original lithographs that exemplify the range, innovation, and artistic excellence of the atelier, reflecting both the technical mastery of Mourlot and the creative diversity of the artists it supported. Printed with exceptional care and distributed through an international gallery context, the album represents a significant moment in the history of twentieth century printmaking, bridging the worlds of exhibition, publication, and artistic production. Today, it remains highly regarded by collectors and scholars as a definitive document of the Mourlot workshop’s central role in shaping modern graphic art. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary birds, stars, and bold spectral forms emerging from flat planes of color that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately 37.06 million USD, achieved in June 2012 at Sotheby's London for Peinture (Etoile Bleue) (1927). Joan Miro Composition...

This exquisite lithograph by Joan Miro (1893–1983), titled La Bague du sanglier (The Boar’s Ring), from the album Lithographies et eaux-fortes originales, livres illustres originaux,...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Joan Miro, Album 19, originates from the 1963 edition published by Sala Gaspar, Barce...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Joan Miro, Album 19, originates from the 1963 edition published by Sala Gaspar, Barce...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Joan Miro, Album 19, originates from the 1963 edition published by Sala Gaspar, Barce...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Joan Miro, Album 19, originates from the 1963 edition published by Sala Gaspar, Barce...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Joan Miro, Album 19, originates from the 1963 edition published by Sala Gaspar, Barce...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New York, and printed by Mourlot Freres, Paris, this work reflects Miros transition into a period of bold experimentation, marked by heightened chromatic intensity and the poetic abstraction that defined his mature style. Executed on velin paper, this lithograph measures 12 x 9.25 inches (30.48 x 23.5 cm). As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This composition preserves Miros signature balance of spontaneity, surrealist symbolism, and rhythmic line, affirming his ability to translate imagination into visual poetry. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans titre (Untitled), from Miro Recent Paintings, 1953 Medium: Lithograph on velin paper Dimensions: 12 x 9.25 inches (30.48 x 23.5 cm) Inscription: Unsigned and unnumbered, as issued Date: 1953 Publisher: Pierre Matisse Gallery, New York Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 album Miro Recent Paintings, published by the Pierre Matisse Gallery, New York Notes: Excerpted from the album, This album has been printed by Mourlot Freres in Paris for Pierre Matisse at the occasion of the artists sixtieth anniversary and the presentation of his recent work at the Pierre Matisse Gallery, 41 East 57th Street, New York, 22. The edition has been limited to C examples on LXVI velin dArches a la forme " which contain an original lithograph in black signed by the artist and numbered I to C, and MCCL examples on velin numbered CI to MCCCL. A few extra examples has been printed and reserved for the artist, the publisher and their collaborators. Paris 23 October 1953. About the Publication: Miro Recent Paintings was published in 1953 by the Pierre Matisse Gallery in New York to coincide with an important exhibition celebrating Joan Miros sixtieth anniversary. As one of the most influential gallerists of the twentieth century and the son of Henri Matisse, Pierre Matisse played a pivotal role in introducing European modernism to American audiences. This commemorative album served both as an exhibition document and as a fine-art publication, printed by the renowned Mourlot Freres in Paris, the leading atelier for color lithography during the modernist era. Known for collaborating with major figures such as Pablo Picasso, Georges Braque, and Henri Matisse, Mourlot brought exceptional technical refinement to Miros lithographs, capturing the spontaneity, gestural movement, and chromatic vibrancy characteristic of his mature period. The albums intricate production included multiple paper types and edition distinctions, with a principal run on velin and a deluxe edition on velin dArches that featured an original signed lithograph. As a historical artifact, Miro Recent Paintings reflects both the international reach of Miros career and the essential role of transatlantic collaboration in shaping the midcentury art world. Today, this album remains an important and collectible example of postwar fine-art publishing, representing the enduring partnership between Miro, Pierre Matisse, and the master printers of Mourlot Freres. Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 28; Mourlot, Fernand, and Miro, Joan, et al. Joan Miro Lithographe I : 1930-1952. A.C. Mazo, 1972., nos. 206-209. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro lithograph, Miro Recent Paintings, Miro Pierre Matisse Gallery, Miro Mourlot...

This exquisite lithograph by Joan Miro (1893–1983), titled La chasseresse (The Huntress), originates from the December 1965 folio Derriere le Miroir, No. 155, published by Maeght Edi...

This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled Figures davant el mar (Figures Before the Sea), originates from the historic 1934 album D'Aci i d’Alla, Numero Extraordinari de Nadal dedicat a l’art del segle XX. Published by Llibreria Catalonia, Barcelona, under the direction of Antonio Lopez Llausas, Editeur, Barcelona, 1934, and under the supervision of Joan Prats, Barcelona, and Josep Lluis Sert, Barcelona; printed by Pochoir Publicity Art, Barcelona, under the direction of J. Mateu, Barcelona, 1934, the work reflects Miros early mastery of Surrealist biomorphism and his exceptional sensitivity to the pochoir technique, whose saturated, hand-applied colors were ideally suited to his luminous Mediterranean palette. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 11.1875 inches (33.02 x 28.42 cm). Unsigned and unnumbered as issued. Printed by Pochoir Publicity Art, Barcelona, under the direction of J. Mateu. Artwork Details: Artist: Joan Miro (1893–1983) Title: Figures davant el mar (Figures Before the Sea), from the album D'Aci i d’Alla, Numero Extraordinari de Nadal dedicat a l’art del segle XX, 1934 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 11.1875 inches (33.02 x 28.42 cm) Inscription: Unsigned and unnumbered as issued Date: 1934 Publisher: Llibreria Catalonia, Barcelona; under the direction of Antonio Lopez Llausas, Editeur, Barcelona, with the supervision of Joan Prats and Josep Lluis Sert Printer: Pochoir Publicity Art, Barcelona; under the direction of J. Mateu Catalogue raisonne reference: Dupin, Jacques, and Joan Miro. Miro Engraver 1928–1960. Rizzoli, 1984, illustration 13. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 11. Condition: Well preserved, consistent with age and medium Provenance: From the album D'Aci i d’Alla, Numero Extraordinari de Nadal dedicat a l’art del segle XX, 1934, published by Llibreria Catalonia, Barcelona About the Publication: The 1934 album D'Aci i d’Alla, Numero Extraordinari de Nadal dedicat a l’art del segle XX, stands as one of the most ambitious, sophisticated, and culturally significant Catalan art publications of the interwar period, conceived at a moment when Barcelona was a thriving hub of artistic modernity. Produced by Llibreria Catalonia under the direction of Antonio Lopez Llausas, with the close involvement of Joan Prats and Josep Lluis Sert—two of the most influential Catalan cultural figures of the twentieth century—the album embodied a vision of Catalonia as an active, forward-looking center of international avant-garde thought, connected intellectually and aesthetically to Paris, yet deeply rooted in Mediterranean identity. Unlike standard periodicals, D'Aci i d’Alla functioned as a hybrid fine art album, design object, and critical journal, integrating essays, photography, architecture, poetry, and original artworks in a unified modernist aesthetic. The 1934 Numero Extraordinari, devoted to twentieth-century art, was particularly ambitious in scope: it surveyed the newest movements in modernism while highlighting Catalonia’s unique contributions to the international avant-garde. Its inclusion of an original Joan Miro pochoir...

This exquisite lithograph by Joan Miro (1893–1983), titled Miro a l'encre II (Miro in Ink II), originates from the 1972 album Indelible Miro. Published by Societe Internationale d'Ar...

This exquisite lithograph by Joan Miro (1893–1983), titled Miro a l'encre I (Miro in Ink I), originates from the 1972 album Indelible Miro. Published by Societe Internationale d'Art ...

This exquisite lithograph by Joan Miro (1893–1983), titled Jardin au clair de lune (Garden in the Moonlight), originates from the 1973 album hommage a Teriade (Homage to Teriade). Published by Centre national d'art contemporain, Ministere des affaires culturelles, Paris, and printed by Mourlot Freres, Paris, 1973, this work reflects Miros lyrical fusion of symbolic form, radiance, and dreamlike abstraction in honor of one of the most important art publishers of the 20th century. Executed as a lithograph on velin paper, this work measures 12.95 x 9.41 inches. Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the modern era. Artwork Details: Artist: Joan Miro (1893–1983) Title: Jardin au clair de lune (Garden in the Moonlight), from the album hommage a Teriade (Homage to Teriade), 1973 Medium: Lithograph on velin paper Dimensions: 12.95 x 9.41 inches (32.89 x 23.9 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1973 Publisher: Centre national d'art contemporain, Ministere des affaires culturelles, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustration 896. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 168. Condition: Well preserved, consistent with age and medium Provenance: From the 1973 album hommage a Teriade (Homage to Teriade), published by Centre national d'art contemporain, Ministere des affaires culturelles, Paris; printed by Mourlot Freres, Paris, 1973 About the Publication: Hommage a Teriade (Homage to Teriade) is a distinguished 1973 album created as a tribute to the legendary art publisher Stratis Eleftheriades, known as Teriade, whose collaborations shaped the history of 20th century illustrated books and fine art periodicals. Published by the Centre national d'art contemporain under the French Ministry of Cultural Affairs, the album brings together original lithographs and contributions from major modern artists who worked closely with Teriade across decades of groundbreaking editorial projects. As founder of the visionary publications Verve and the artists' books tradition that flourished in mid-century France, Teriade collaborated with many of the century's greatest painters, including Miro, Matisse, Chagall, Picasso, Giacometti, and Braque, elevating the union of text and image to new artistic heights. Printed by Mourlot Freres, the album exemplifies the highest standards of artistic production, honoring Teriade's legacy through exceptional lithographic craftsmanship and curatorial intention. As both a historical document and a fine art object, it remains one of the most significant tributes ever produced to a publisher whose influence helped shape the visual culture of modernism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Jardin au clair de lune 1973, Miro lithograph, Miro hommage a Teriade, Miro Mourlot...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1973 album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculpture...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1973 album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculpture...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1974 album miro sculpture (Miro Sculpture). Publi...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1974 album miro sculpture (Miro Sculpture). Publi...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

This exquisite lithograph by Joan Miro (1893–1983), titled L’Oiseau s’envole sur la zone poussée d’or sur les collines ensoleillées (The Bird Flies Over the Golden Zone on the Sunlit...

This exquisite lithograph by Joan Miro (1893–1983), titled Femme et oiseau en tourment (Woman and Bird in Torment), originates from the 1967 folio Derriere le miroir, L'oiseau solair...