Marc Chagall Art

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Soleil noir (The Black Sun), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'...

Marc CHAGALL Memory of the Natal Land Original stone lithograph On paper 31 x 24 cm (c. 12 x 10 inch) Edited by Teriade, 1969 REFERENCES : Catalog raisonne Mourlot #572 Excellent ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Coq Rouge (The Red Rooster), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This striking composition captures Chagall’s enduring fascination with rural symbolism, love, and memory, distilled through his vibrant palette and dreamlike imagination. In Le Coq Rouge, the radiant crimson rooster stands as a central figure of vitality, awakening, and spiritual renewal—a recurring motif throughout Chagall’s oeuvre that evokes both the folklore of his native Vitebsk and the universal themes of creation and rebirth. Set against a lyrical background of floating forms and luminous color harmonies, the composition blends the earthly and the celestial, uniting pastoral nostalgia with mystical poetry in a single, timeless image. Executed as a lithograph on velin paper, this work measures 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Le Coq Rouge (The Red Rooster), from Chagall, 1957 Medium: Lithograph on velin paper Dimensions: 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1957 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 203. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34. Condition: Well preserved, consistent with age and medium Provenance: From the album Chagall, published by Maeght Editeur, Paris, 1957 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. About the Publication: The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, stands among the most celebrated achievements of postwar art publishing. Each lithograph in the volume exemplifies Chagall’s lyrical imagination and mastery of color, reflecting his poetic dialogue between the visible and the invisible. Through the refined technical collaboration between the artist and the master printers at Mourlot, Chagall’s painterly vision was brought to life on paper with exquisite precision and luminosity. Directed by Aime Maeght, this edition elevated the art of the illustrated album to new creative heights, uniting craftsmanship and artistic expression in a publication that remains a touchstone of modernist printmaking. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Le Coq...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Marc Chagall Fables : The Wolf and The Lamb, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 c...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Offrande (The Offering), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publish...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

This exquisite lithograph by Marc Chagall (1887–1985), titled Tamar Belle-Fille de Judas (Tamar, Daughter-in-Law of Judah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This emotionally charged and symbolically rich composition depicts the story of Tamar, daughter-in-law of Judah, who secures her justice through faith and courage. Chagall’s lyrical interpretation infuses the biblical episode with empathy and transcendence, portraying Tamar not merely as a figure of defiance, but as an embodiment of dignity, destiny, and divine justice. The fluidity of his line and ethereal use of light convey the spiritual depth that defines Chagall’s biblical imagery, uniting the moral and the mystical. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Tamar Belle-Fille de Judas (Tamar, Daughter-in-Law of Judah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Tamar...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux en gris (The Lovers in Gray), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This tender and poetic composition captures Chagall’s timeless fascination with love, memory, and the dreamlike interplay of human emotion. Les Amoureux en gris embodies the artist’s lyrical synthesis of intimacy and imagination, rendered with the delicate tonal subtlety and symbolic depth that characterize his finest graphic works. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the exquisite craftsmanship of the Draeger Freres atelier, celebrated for its precision and tonal richness in printing fine artworks. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux en gris (The Lovers in Gray), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. About the Publication: This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les Amoureux...

Marc Chagall (1887-1985) - Poèmes, Planche II Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensions...

Marc Chagall (1887-1985) - Vision de Paris Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Marc Chagall (1887-1958) Bible : Elijah on Mount Carmel (Elie sur le mont Carmel), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13...

Performing in the circus is an original artwork realized in the 1960s by Marc Chagall. Mixed colored lithograph. The artwork represents a typical compostion in the Chagall style.

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise et son peuple (Moses and His People), from the album Le Message Biblique, Marc Chagall (The Biblical Message, Marc...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Ciel des Amoureux (The Lovers’ Sky), from the album The Lithographs of Chagall, Volume II, originates from the 1963 e...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Marc Chagall (1887-1985) - Nativité Lithograph from 1950. Dimensions of work: 38 x 56 cm. Plate signed. Publisher: Tériade, Paris. The work is in Excellent condition.

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Marc Chagall (1887-1985) The Bible, Jericho's Spies in the Moolight, 1960 Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on t...

Hand Signed and numbered in pencil. On wide margins. Edition of 74/100. Total book edition of 200. Very good condition. From the series "Les Fables de La Fontaine...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux au clair de lune (Lovers in the Moonlight), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This enchanting composition epitomizes Chagall’s poetic vision of love, light, and dreamlike transcendence. Les Amoureux au clair de lune captures the tenderness of two lovers bathed in moonlight, suspended in a luminous harmony that merges the earthly and the celestial with Chagall’s signature grace and lyricism. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the exquisite craftsmanship of the Draeger Freres atelier, celebrated for its precision and tonal richness in printing fine artworks. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux au clair de lune (Lovers in the Moonlight), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. About the Publication: This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Naissance (The Birth), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsena...

This exquisite lithograph by Marc Chagall (1887–1985), titled Pleurs de Jeremie (The Tears of Jeremiah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Rev...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Feu d’artifice (The Fireworks), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de...

Marc Chagall (1887-1985) The Bible, The Forbidden Fruit Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second original lithograph on the back, se...

This exquisite lithograph by Marc Chagall (1887–1985), titled David sauve par Michal (David Saved by Michal), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve...

Marc Chagall (1887-1985) - Paradise I Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Marc Chagall (1887-1985) The Circus : The Dream of the Bride, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raisonn...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux sous la Lune (The Lovers under the Moon), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This tender and poetic composition exemplifies Chagall’s lifelong fascination with love, dream, and transcendence. Les Amoureux sous la Lune radiates intimacy and serenity, its nocturnal palette and floating forms capturing the timeless romance between lovers united under the moon’s luminous gaze. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the exquisite craftsmanship of the Draeger Freres atelier, celebrated for its precision and tonal richness in printing fine artworks. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux sous la Lune (The Lovers under the Moon), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. About the Publication: This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les...

Marc Chagall (1887-1985) - Moses Receiveing the Tabels of the Law Lithograph from 1956. Dimensions of work: 35 x 25.2 cm. Publisher: Tériade, Paris. Reference: Mourlot 123. On t...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Baiser (The Kiss), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (M...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Marc Chagall Fables : The Goats and the Lion, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gal...

This exquisite lithograph by Marc Chagall (1887–1985), titled Rachel derobe les Idoles de son Pere (Rachel Steals Her Father’s Idols), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This poignant and symbolic composition illustrates the biblical episode in which Rachel secretly takes her father Laban’s household idols, an act that represents both defiance and devotion. Chagall’s interpretation imbues the scene with mystery and spiritual complexity, transforming it into a meditation on faith, transformation, and the tension between tradition and revelation. With his characteristic use of fluid lines and emotional resonance, Chagall elevates this intimate moment into a timeless vision of courage and divine purpose. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Rachel derobe les Idoles de son Pere (Rachel Steals Her Father’s Idols), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Rachel...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Chanteuse (The Singer), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsen...

This exquisite lithograph by Marc Chagall (1887–1985), titled Ruth aux pieds de Booz (Ruth at the Feet of Boaz), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This intimate and poetic composition portrays the biblical moment when Ruth, in an act of humility and devotion, lays at the feet of Boaz. Chagall’s masterful interplay of tenderness, faith, and symbolic light transforms this nocturnal scene into a vision of spiritual union and divine grace. The figures, rendered with his distinctive lyricism and fluid lines, embody the artist’s enduring fascination with love, compassion, and redemption. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Ruth aux pieds de Booz (Ruth at the Feet of Boaz), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Ruth...

This exquisite lithograph by Marc Chagall (1887–1985), titled David sauve par Michal (David Saved by Michal), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Lit (The Bed), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. n...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Chevaux et les Nus (The Horses and the Nudes), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne,...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Acrobate (The Acrobat), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsena...

This exquisite lithograph by Marc Chagall (1887–1985), titled Mere et Enfant a la Tour Eiffel (Mother and Child at the Eiffel Tower), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Mere et Enfant a la Tour Eiffel embodies Chagall’s lyrical vision of Paris as a dreamscape infused with love, family, and wonder. Through his composition with floating forms, he transforms the city’s iconic architecture into a poetic symbol of affection and imagination. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Mere et Enfant a la Tour Eiffel (Mother and Child at the Eiffel Tower), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 94. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Mere et Enfant a la Tour Eiffel 1954, Chagall Mother and Child at the Eiffel Tower, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Femme au Comptoir (The Woman at the Counter), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, B...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cheval Brun (The Brown Horse), from the folio Derriere le miroir, No. 44-45, originates from the 1952 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1952. This lyrical composition captures Chagall’s mastery of color, symbolism, and dreamlike vision—melding folklore and spirituality into a poetic reflection on imagination and the natural world. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Le Cheval Brun (The Brown Horse), from the folio Derriere le miroir, No. 44-45 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1952 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne References: Cramer, Patrick. *Marc Chagall: The Illustrated Books*. Geneva: Patrick Cramer Publisher, 1974, no. 21; Mourlot, Fernand. *Chagall: The Lithographs*. Monte Carlo: Andre Sauret, 1960, no. 61. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 44-45, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1952 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for *Les Amoureux* (1928). Marc Chagall Le Cheval Brun Derriere le miroir No. 44-45, Chagall Mourlot Freres, Chagall Maeght...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Musiciens Vagabonds (The Wandering Musicians), from the album The Lithographs of Chagall, Volume II, originates from ...

Artist: Marc Chagall, Russian (1887 - 1985) Title: Femme avec Parapluie from Derriere le Miroir Year: 1964 Medium: Lithograph Size: 14.5 x 21.5 in. (36.83 x 54.61 cm) Frame Size: 23 ...

Etching and aquatint on Japan paper. Hand Signed and numbered. Edition of 16/35 prints. Excellent condition. Ref. Cramer, The Illustrated Books,, no. 2.

Marc Chagall (1887-1985) - The Angel Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

Marc Chagall (1887 Peskowatik - 1985 Saint-Paul-de-Vence), Bible Verve, 1956. Color lithograph from Verve ‘Bilder zur Bibel’, Editions de la Revue Verve, No. 33-34, Teriade Paris, 19...

Paper Size: 12 x 9.5 inches ( 30.48 x 24.13 cm ) Image Size: 12 x 9.5 inches ( 30.48 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Marc Chagall (1887-1958) Bible : Aaron and the Candle (Menorah), (Aaron et le chandelier), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm (c. 1...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Oiseaux (The Birds), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal...