Marc Chagall Art

Marc Chagall (1887-1985) The Bible, The Angel Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) REFERENCE: Catalogue raisonné Chagall Lithograph...

Marc Chagall (1887-1985) The Bible, Salomon's Prayer Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) A second illustration on the back, see photo...

Marc Chagall (1887-1985) The Bible, Rachel's Treasure Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, see photo ...

WFUNA Marc Chagall Designed Etching · Produced after the artist's death with permission from his estate Image size 8.5" x 11" #215/1000 Perfect condition Certification document on ...

Marc Chagall (1887-1985) - Le Cheval et l'Âne (The Horse and the Donkey) Etching from 1952. Edition 81 of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30...

Marc CHAGALL Opera Garnier : The Ballet, 1969 Original stone lithograph (Printed in Mourlot workshop) Unsigned and not numbered On paper 35 x 25 cm (c. 14 x 10 inch) Edited by XX Si...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 243...

Marc Chagall (1887-1985) The Bible, Adam and Eve in Paradise, 1960 Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second lithograph on the back, ...

Marc Chagall (1887-1985) - Esther Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XIX Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

There is a sense of jubilant power that Chagall emits in this particular scenery that somehow manages to stir up multiple cheerful emotions. Colors alternate between rosy fuchsia, ca...

MARC CHAGALL "ARTIST PHOENIX" SIGNED LITHOGRAPH. In excellent condition, measures 30x22. The piece comes unframed Signed and numbered 13 out of 50 L'Artiste Phénix (The Phoenix Ar...

Printed by Charles Sorlier after Marc Chagall Color lithograph on Arches paper Signed and numbered in pencil 141/300 Publisher: Maeght, Paris Reference: ...

Dreamlike and poetic, this original 1962 lithographic poster was created by Marc Chagall for his exhibition at the renowned Galerie Maeght in Paris, held during Juin–Juillet 1962. Ti...

Medium: original lithograph. The catalogue reference is Mourlot 284. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 5/8 inc...

Marc Chagall, Le Fleuve (The River), 1969, is full of rich textural tones and hues, this work displays the sensitive rendering of surreal imagery which evokes a sense of warmth and b...

Framed 25.75 x 21.75 in No. 289 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Cha...

Highly expressive and full of momentum, Marc Chagall, The Red Acrobat 1974, conveys circus performers and topsy-turvy figures scattered throughout the composition. The red acrobat to...

Marc Chagall 1887-1985 Russian Couple sur le lit (Couple on bed) Signed 'Marc Chagall' (lower right) Oil and India ink on canvas Marc Chagall's exquisite work, Couple sur le lit,...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 569 Edition 43/50 (there were also 25 artist's proofs). Image size 22 x 14.5 inches. Sheet size 29.75 x 20.75 inches. Frame size approx 35 x 27 inches. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...

Framed 25 x 22 in No. 288 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Chagall. ...

Medium: original lithograph. Catalogue reference M 133. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special editi...

Marc Chagall (1887-1985) The Bible, Esther and her Cousin Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, see pho...

Lithograph in colors on Arches paper Signed and numbered, edition 22/75 Printed by Mourlot Frères, Paris Published by Maeght Éditeur, Paris (Mourlot 412) ...

Marc Chagall (Russia/France 1887‑1985). Four tales from the Arabian Nights- Plate 3, "Then He spent the night with her embracing and clipping". Color Lithograph. 1948. Edition number 49 of 90 Framed 28"H x 24"W x 1.5"D. Signed in pencil, Inscribed Pl. 3 and numbered 49 of 90 Literature: “Marc Chagall The Lithograph LA COLLECTION SORLIER”, Distributed Art Pub Inc, 1999, p.64, No.38 Plate 3 from the series Four Tales from the Arabian Nights (1948), created after Chagall was commissioned to produce illustrations inspired by the classic Middle Eastern stories commonly known as Arabian Nights. The title itself comes directly from the story text and reflects Chagall’s characteristic lyrical, intimate, and floating composition style. In the 1940s–1950s, Chagall was commissioned to create illustrations for One Thousand and One Nights (often called Arabian Nights). The stories—filled with magic, romance, fantasy, and transformation—perfectly matched Chagall’s imaginative visual language. Chagall’s Arabian Nights...

This artwork titled "Revelations de Nozdriov" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/French arti...

Artist: Marc Chagall Title: Vision de Paris II Portfolio: 1953 Verve Vol VII No. 27-28 Medium: Lithograph Date: 1953 Edition: 6000 Frame Size: 28 1/4" x 21 1/2" Sheet Size: 14" x 20"...

Marc Chagall Dans ma Memoire, 1968 LES POEMES #8 Colored woodcut on Rives paper Unsigned Edition: 96 / 226 Image size: c 24 * 32 cm Published by Cramer Editeur, Geneva LITERATUR...

Marc Chagall "Le Nu" Lithograph in colors on Arches paper 21.25 x 14 in. (image size) 25.5 x 18.38 in (sheet size) ​​​​​​​Edition of 50 + Épreuve d'artiste Signed in pencil lower rig...

Artist: Marc Chagall Medium: Lithograph Title: Moses II Year: 1956 Portfolio: The Bible Lithographs 1956 Edition: 6500 Signed: No Reference: Cramer 25, Mourlot 126 Framed Size: 22 1/...

Carte de voeux pour Aime Maeght or Femme et Ange (Woman and Angel) Etching with woodcut, 1963 Initialed in the plate lwoer left of image (see photo) Edition: Unknown Published by Ai...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XIV Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

Marc Chagall (1887-1985) The Bible, Daniel the Prophet Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) Second illustration on back, see photo no...

"Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses. (M.465)" from Marc Chagall's...

Le Dur Désir de Durer is an original Modern Rare book and written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Pa...

Color lithograph on Arches paper, edited in 1969. Limited edition, numbered 28/75 in lower left corner. Hand signed by artist in pencil in the lower right corner. Good conditions, sl...

Marc Chagall (1887-1985) - New Year's Card Lithograph from 1957. Dimensions of sheet: 14 x 11 cm Dimensions in frame: 53.2 x 43.2 cm Printer: F. Mourlot, Paris. The work is in E...

Marc Chagall (1887-1985) - New Year's Card Lithograph from 1970. Dimensions of sheet: 14 x 11 cm Dimensions in frame: 53.2 x 43.2 cm Printer: F. Mourlot, Paris. Reference: Chaga...

Marc Chagall (French/Russian, 1887-1985) "Dédicace" 1968 Color lithograph signed and numbered ##/50 in pencil Image: 17 7/8 x 15 1/4 inches. Framed: 38 x 34 1/4 x 2 1/4 inches. ...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Les Ames mortes (by N. Gogol) is a very rare suite of etchings realized by Marc Chagall (1887-1985). Complete set of 96 etchings hors-texte and 11 etched vignettes en-texte for the ...

Jacob's Blessing  is a beautiful contemporary art realized by March Chagall in 1979.  Color lithograph printed and published by Maeght, Paris, in 1979. Ref. Catalogue Mourlot n. 94...

Sichem Removed Dina  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs...

Playful, tender, and steeped in dreamlike emotion, this original 1970 lithograph by Marc Chagall was created as a contribution to the French art review XXe Siècle—an influential publ...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Marc Chagall’s Les Fleurs Rouges (Red Flowers), 1973 exemplifies one of Chagall’s numerous depictions of a blooming floral bouquet. Pops of crimson intermingled with dark green fill ...

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Artist: Marc Chagall Title: Adam and Eve are Banished from Paradise Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" ...

Marc Chagall La grande Corbeille (The Large Basket), 1975 is a charming work that invites a voyeuristic gaze on a peaceful afternoon excursion between a mother and her son. A picture...

In Marc Chagall's The Blue Bouquet (Le Bouquet Bleu) 1974, a large, luscious violet-blue bouquet sits upon a table, dominating the right half of the composition. Chagall does not foc...

Marc Chagall (1887-1985) - Lion Judah Lithograph from 1962. Printed by Mourlot. Dimensions of work: 32 x 24 cm. Publisher: André Sauret, Monte Carlo. Reference: Mourlot 365. Th...

Framed 24.50 x 21 in No. 366 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of harmf...

Original lithograph by Marc Chagall from The Bible of 1960 Ruth glaneuse Unsigned 35 x 26 cm Excellent condition

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also numbered in pencil 28 from the edition of 90 and inscr...

XXe Siecle, No. 34, Mai 1970 Color lithograph, 1970 Unsigned (as usual for XXeme Siecle edition) From: XXe Siecle, Volume 34, 1970 Published by G. di San Lazzaro for A. Maeght, Paris...

Marc Chagall Fables : The Two Goats, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES...

Artist: Marc Chagall Medium: Lithograph Title: Isaiah Year: 1956 Portfolio: The Bible Lithographs 1956 Edition: 6500 Signed: No Reference: Cramer 25, Mourlot 141 Framed Size: 22 1/2 ...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...