Marc Chagall Art

Marc Chagall, Russian (1887 - 1985) - Gravure XXII from Poemes, Year: 1968, Medium: Woodcut, Size: 14.5 x 11.25 in. (36.83 x 28.58 cm), Printer: Atelier Lacouriere et Frelaut, Paris...

Hagar in the desert  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signatur...

"Inspiration" is an original lithograph by Marc Chagall published in the "Lithographs of Marc Chagall vol. II". The book was published in a limited edition of 6000. Size: 12.5 x 9.5...

Marc Chagall (1887-1985) Paris, Lovers of the Champs de Mars, 1965 Original lithograph after a watercolor (Mourlot Workshop) Printed signature in the plate On vellum 30 x 24 cm (c...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise I (Moses I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Littera...

This exquisite etching by Marc Chagall (1887–1985), titled Pliouchkine ramassant sous le pont (Pliouchkine Gathering Beneath the Bridge), originates from the celebrated folio Nicolas...

Marc Chagall (Russia/France 1887‑1985). ”L’Oranger”. Year 1975 Signed and numbered Marc Chagall 8/50. Colour lithograph printed on Arches. Framed 35.5H x 28W x 2D Inches Illustr...

This exquisite etching by Marc Chagall (1887–1985), titled La Maison de Sobakevitch (The House of Sobakevitch), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, E...

This exquisite etching by Marc Chagall (1887–1985), titled Attroupement des paysans (Gathering of Peasants), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Jonas by Marc Chagall (1887-1985) Indian ink...

This exquisite lithograph by Marc Chagall (1887–1985), titled Sara et Abimelech (Sarah and Abimelech), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue...

Isaiah's Prayer Etching, c. 1931-1939 Signed in the plate (see photo) Plate No. 99 From: La Bible. L'Ancien Testament (105 plates) Edition of 275 unsigned (there were an additional 2...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Marc Chagall (1887-1985) - Paradise II Original Lithograph from 1960. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 233. On the reverse: another o...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall IV, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...

Artist: Marc Chagall Medium: Lithographic Poster, 1977 Dimensions: 30 x 20.75 in, 76.2 x 52.7 cm

Hand-signed in pencil with the artist's monogram in the lower right. This is a hand watercolored etching. Edition of 90/100 prints. On Montreal paper. This beautiful etching comes ...

The 1975 original poster by Marc Chagall for the Musée National Message Biblique is a remarkable fusion of fine art and printmaking, embodying the deep spirituality and vivid imagina...

Medium: original lithograph. Printed in 1981 for the art revue Derriere le Miroir (issue number 246) and published in Paris by the Maeght atelier. Sheet size, including margins: 15 x...

Original colored lithograph, hand signed by the artist Marc Chagall lower right middle. Sight size is 13.75 by 10 inches. This was the cover for Lithograph 3 published by Mourlot in...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Artist: Marc Chagall (Russian, 1887-1985) Title: From the suite "Les Fables De La Fontaine" Year: 1927 Medium: Original etching Edition: fom...

This wonderful original etching with drypoint  was realized by Marc Chagall  in 1924. Hand-signed in pencil by the artist "Marc Chagall" at the lower right corner. It's an artist pro...

Marc Chagall (1887-1985) The Bible, The escape of David, 1960 Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, se...

This exquisite lithograph by Marc Chagall (1887–1985), titled David et Absalon (David and Absalom), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Ar...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XXV Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

Marc Chagall (1887-1985) The Bible, Daniel the Prophet Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) Second illustration on back, see photo no...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Ange (The Angel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litter...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Ciel des Amoureux (The Lovers’ Sky), from the album The Lithographs of Chagall, Volume II, originates from the 1963 e...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Couple a l'Arbre (The Couple at the Tree), from the album The Lithographs of Chagall, Volume II, originates from the ...

Marc Chagall La Peintre et son double Artist: Marc Chagall Medium: Lithograph Title: La Peintre et son double (Derrière le Miroir #246) Portfolio: Derrière le Miroir Year: 1981 Editi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cheval Rouge (The Red Horse), from the album XXe Siecle, XXXIIe Annee, Nouvelle serie, No. 34, Juin 1970, originates ...

In 1963, the Musée Galliera in Paris hosted the exhibition Les Peintres Témoins de Leur Temps (Painters as Witnesses of Their Time), a significant event that brought together some of...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Le Village (The village) Original lithograph in colors, listed in the artist's catalog raisonne of his prints, 1977 From: Derriere le Miroir, No. 225, Edition 15,000 as published in...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Marc Chagall (1887-1985) Tall Nude with a Fan, 1924 Original etching On vellum 34 x 51,5 cm (c. 14 x 20 in) REFERENCE: Catalog raisonne Kornfeld #39 INFORMATION : Beautiful proof...

Marc CHAGALL Colorful Bouquet of Flowers Stone lithograph in colors (Mourlot workshop) Engraved by Sorlier under the supervision of Marc Chagall Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFORMATION : Edited for the portfolio Les Peintres mes amis (Les Heures Claires...

This artwork titled "Notre Heros Tenait a Etre Pres" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/Fren...

Framed 24.50 x 21 in No. 366 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of harmf...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Clown Amoureux (The Loving Clown), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

Marc Chagall, Russian (1887 - 1985) - The Circus, Portfolio: Lithographs Book I, Year: 1960, Medium: Lithograph, Size: 13 x 9.75 in. (33.02 x 24.77 cm), Printer: Mourlot Freres, Par...

Marc Chagall The House in My Village, 1960 Lithograph Hand signed lower righter Edition 16/40 lower left Frame size 56 x 42.5 x 3 cm Image size 32 × 25.5 cm Frame included Referenc...

Framed 25.75 x 21.75 in No. 286 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Cha...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Pantheon (The Pantheon), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by ...

The face of Israel  is a an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. ...

Framed 24 x 21 in No. 399 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chagall....

Marc Chagall (1887-1985) The Bible, Adam and Eve banished from Paradise Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the...

Lithograph in colors on Arches paper Signed and numbered, edition 22/75 Printed by Mourlot Frères, Paris Published by Maeght Éditeur, Paris (Mourlot 412) ...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Marc Chagall - A Midsummer Night's dream - Original Handsigned Lithograph 1975 Dimensions: Sheet : 97.5 x 71.5 cm Image : 80 x 60 cm Handsigned and numbered Edition: 50 Reference: ...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Medium: original lithograph. Reference: Mourlot 282. Printed in Paris in 1960 at the Mourlot atelier for the frontispiece of the "Chagall Lithographe I" catalogue. Sheet size: 12 1/2...

Etching on Montval paper, realized between 1927 and 1930. Table from "Les Fables de La Fontaine", published in 1952 in and edition of 200. Hand signed in pencil. Very good conditi...

MARC CHAGALL (1887–1985) André Malraux, Et Sur la Terre... A complete artist's book from 1977, printed on BFK Rives wove paper. It includes 15 etchings with aquatint, along with the...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 569 Edition 43/50 (there were also 25 artist's proofs). Image size 22 x 14.5 inches. Sheet size 29.75 x 20.75 inches. Frame size approx 35 x 27 inches. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...

WFUNA Marc Chagall Designed Etching · Produced after the artist's death with permission from his estate Image size 8.5" x 11" #215/1000 Perfect condition Certification document on ...

Hand Signed. Edition of 100 prints. From the series “Les Fables de La Fontaine”.