Marc Chagall Art

XXe Siecle, No. 34, Mai 1970 Color lithograph, 1970 Unsigned (as usual for XXeme Siecle edition) From: XXe Siecle, Volume 34, 1970 Published by G. di San Lazzaro for A. Maeght, Paris...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Peintre et son Double (The Painter and his Double), from the folio Derriere le miroir, No. 246, originates from the 1...

A very good impression of this color lithograph. Signed and numbered 38/50 in pencil by Chagall. Catalogue reference: Mourlot 541

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Etching realized by Chagall in 1929, and printed by Tériade in 1952. It belongs to the Series "Les Fables de La Fontaine". Edition of 200. Hand signed and numbered in pencil. Pri...

Marc Chagall Der Engel (The Angel), 1960 Lithograph Hand Signed lower right Numbered 13/100 Image size: 32x26.5 cm Frame size: 76 x 63.5 x 5 cm Printed by Mourlot, Paris. Publishe...

Marc Chagall, Russian (1887 - 1985) - Self Portrait, Medium: Etching on Papier A La Main, Image Size: 9.5 x 7.25 inches, Size: 19.25 x 13 in. (48.9 x 33.02 cm), Description: From t...

Framed 25.75 x 31.88 in No. 992 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of ha...

Artist: Marc Chagall Medium: Original Lithographic Poster, 1963 Dimensions: 26 x 19.5 in, 66 x 49.5 cm Classic Poster Paper - Excellent Condition A Printed at the Atelier Mourlot in 1963, this original lithographic poster was printed to commemorate the life of writer Vladimir Maïakovski with a poetic evening dedicated to his writings on what would be his 70th birthday...

Conclusion de l'ecclésiaste is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lith...

Artist: Chagall, Marc Title: Profile and Red Child Date: 1960 Medium: Lithograph Unframed Dimensions: 12 3/4 x 9 1/2" Signature: Unsigned Edition: book edition Literature: Mo...

Artist: Marc Chagall Medium: Lithographic Poster, 1977 Dimensions: 30 x 20.75 in, 76.2 x 52.7 cm

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche V Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Marc Chagall La Peintre et son double Artist: Marc Chagall Medium: Lithograph Title: La Peintre et son double (Derrière le Miroir #246) Portfolio: Derrière le Miroir Year: 1981 Editi...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Tour Eiffel Verte (The Green Eiffel Tower), from the album Chagall, originates from the 1957 edition published by Mae...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Hagar in the desert  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signatur...

Marc Chagall (1887-1985) - Poèmes, Planche XIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

Artist: Marc Chagall Title: The Circus Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/2" Image Size: 12 1/2" x 9 1/2" ...

Etching and drypoint on Montreal paper, belonging to the suite "Les Fables de La Fontaine" (table n.57). Published in 1952. Edition of 200, m...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Artist: Marc Chagall (Russian, 1887-1985) Title: Le Geai Pare des Plumes du Paon Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Montval Laid paper Image (plate mark) size: 11.5 x 9.5 inches paper size: 14.85 x 11.15 inches Signature: Signed in the plate as issue Publisher: Teriade, Paris Printer: Maurice Potin Condition: Excellent Frame: Framed in a custom wooden black and silver frame, with silver color bevel and fabric matting. Framed size is 26 x23 inches Description: From the suite les Fables De La Fontaine...

Hand Signed and numbered. Edition of 100 prints. Matting included. Ref. Kornfeld, no. 41 IIb. Published by Albert Morance, Paris. Excellent condition. Bella Rosenfeld was a Jewish...

Marc Chagall (1887-1985) - Meeting of Jacob and Rachel at the well Etching from 1958. Edition 31 of 100 Enhanced with watercolour by the artist. Dimensions of work: 52 x 37 cm. ...

Marc Chagall "Paris de ma fenêtre" 1969-1970 Lithograph in colors on Arches paper 32.5 x 23.75 inches (image size) 39.5 x 27.5 inches (sheet size) ​​​​​​​Edition of 50 + 25 AP Signe...

Marc Chagall (1887-1985) - The Heron Etching from 1952. Edition 19 of 85. Signed in plate to upper left. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm....

Artist: Marc Chagall Title: The Accordionist (Derriere le Miroir 99-100) Portfolio: Derriere le Miroir Medium: Original Lithograph Date: 1957 Edition: 2500...

An impression of "Le Poisson Bleu" (The Blue Fish) from the Jacques Lassaigne book "Marc Chagall" with 15 unsigned lithographs. This is one lithograph of...

Framed 25 x 22 in No. 288 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Chagall. ...

Acrobate  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Printed b...

Medium: original lithograph. Catalogue reference: Mourlot 608. Printed in Paris at the atelier Mourlot in 1970 for the art revue XXe Siecle (No. 34) and published by San Lazzaro. Siz...

Marc Chagall (1887 Liozna near Vitebsk – 1985 Saint-Paul-de-Vence), Jerzy Ficowski: Lettre à Marc Chagall with five etchings by the artist, 1969 Technique: etching on paper Dimensio...

Hand Signed. Edition of 100 prints. From the series “Les Fables de La Fontaine”.

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Pulled from Volume II of the Lithographs of March Chagall. Published by Mourlot on 1960 Éditions André Sauret, Monte-Carlo. Unsigned and unnumbered, as issued Artist: Marc Chagall, Russian (1887 - 1985) Title: Angel Bay Year: 1960 Medium: Lithograph Size: 12 in. x 9 in. (30.48 cm x 22.86 cm) Frame: 20 x 17 inches Editor: Andre Sauret Publisher: George Braziller...

Artist: Marc Chagall, Russian (1887 - 1985) Title: Femme avec Parapluie from Derriere le Miroir Year: 1964 Medium: Lithograph Size: 14.5 x 21.5 in. (36.83 x 54.61 cm) Frame Size: 23 ...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall II, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...

Marc Chagall (1887-1985) - Le Cantique des Cantiques Lithograph from 1975. The edition of 146/200. Dimensions of sheet: 68 x 53.5 cm Dimensions in frame: 87 x 71 cm Hand signed....

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

Marc Chagall, Russian (1887 - 1985) - The Circus, Portfolio: Lithographs Book I, Year: 1960, Medium: Lithograph, Size: 13 x 9.75 in. (33.02 x 24.77 cm), Printer: Mourlot Freres, Par...

This artwork titled "Revelations de Nozdriov" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/French arti...

This exquisite lithograph by Marc Chagall (1887–1985), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 235, originates from the 1979 edition published by Maeght ...

Framed 25.75 x 21.75 in No. 402 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Cha...

Marc Chagall (1887-1958) Bible : Isaiah's vision (Vision d'Esaïe), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13.1 inch) INFORM...

Marc Chagall (1887-1985) The Bible, The escape of David, 1960 Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, se...

Artist: Marc Chagall Title: Vision de Paris II Portfolio: 1953 Verve Vol VII No. 27-28 Medium: Lithograph Date: 1953 Edition: 6000 Frame Size: 28 1/4" x 21 1/2" Sheet Size: 14" x 20"...

Medium: original lithograph. Catalogue reference: Mourlot 81. Printed in 1952 at the atelier Mourlot for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriad...

"Carte de Voeux #731" is an original lithograph greeting card by Marc Chagall. It is in the Chagall Catalogue Raisonne and is from a rare edition of only 200. It depicts a face and a bird in Chagall's signature whimsical modernist style. 5 1/2" x 4 1/4" art 21" x 18 1/4" frame Marc Chagall was born in Liozno, near Vitebsk, now in Belarus, the eldest of nine children in a close-knit Jewish family led by his father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 253...

Chagall, Marc. BOUQUET DE NUIT. Mourlot 693. Lithograph, 1973. Edition of 30. Numbered and signed in pencil. 25 1/2 x 18 3/4 inches, 647 x 476 mm. (image); 34 3/8 x 25 1/4 inches, 87...

Artist: Marc Chagall Title: The Green Clown Medium: Lithograph Year: 1966 Edition: 1500 Framed Size: 17 7/8" x 15 1/4" Sheet Size: 10" x 7 3/4" Reference: Cramer 67 Signed: Unsigned

Marc Chagall (Russian/French, 1887-1985), "Les Vendanges" [The Harvest], Lithograph in Colors, 1961, from Daphnis et Chloe, unsigned and unnumbered as issue, printed by Mourlot, Pari...

Original lithograph by Marc Chagall from The Bible of 1960 "Agar dans le désert" Unsigned 35 x 26 cm Excellent condition