Marc Chagall Art

Amnon And Tamar is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Pri...

Micah speaks to the daughter  is an artwork realized by Marc Chagall, 1960s.  Jonas and the whale is an artwork realized by Marc Chagall, 1960s.  Lithograph on brown-toned paper, n...

Nimrod  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Printed by ...

Micah speaks to the daughter  is an artwork realized by March Chagall, 1960s.  Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned l...

The face of Israel  is a an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. ...

Naomi and her daughters is an artwork from the Series "The Bible", realized by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 un...

Artist: Marc Chagall (Russian, 1887-1985) Title: l' Avare Qui a Perdu son Tresor Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Montval Laid paper Image (plate mark) size: 11.5 x 9.5 inches paper size: 14.85 x 11.15 inches Signature: Signed in the plate as issue Publisher: Teriade, Paris Printer: Maurice Potin Condition: Excellent Frame: Framed in a custom wooden black and silver frame, with silver color bevel and fabric matting. Framed size is 25 x22.75 inches Description: From the suite les Fables De La Fontaine...

Artist: Marc Chagall Title: Rachel Hides Her Father's Household Goods Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4...

Lithograph, 1925. Image Dimensions: 30 x 24 cm Hand signed and numbered. Edition of 100 prints. Shipped from Italy.

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 251...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 1. Year: 1948, Medium: Etching on MBM, Image Size: 10 x 7.75 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Referen...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall III, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), P...

Artist: Marc Chagall Title: Ruth at the Feet of Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 2...

"Inspiration" is an original lithograph by Marc Chagall published in the "Lithographs of Marc Chagall vol. II". The book was published in a limited edition of 6000. Size: 12.5 x 9.5...

Marc Chagall (1887-1985) - Kain and Abel Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shi...

Marc Chagall (1887-1985) - Job in Despair Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent cond...

"Then the Lord sayde unto Aaron, "Goe meete Moses in the wildernesse." And he went and met him in the mount of God and kissed him.(M.449)" from Marc Chagall's "The Story of Exodus," ...

Marc Chagall, Russian (1887 - 1985) - Joshua Armed by The Eternal, Portfolio: Bible Series, Year: 1956, Medium: Etching on Montval, Edition: 295, Image Size: 11.5 x 9.25 inches, Si...

Marc Chagall, Russian (1887 - 1985) - Self Portrait with Decorated Hat, Year: 1928, Medium: Etching on Wove Paper, Edition: 560, Image Size: 8 x 5.75 inches, Size: 19 x 13 in. (48....

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall IV, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...

Original lithograph by Marc Chagall from The Bible of 1960 "Eve maudite par Dieu" Unsigned 35 x 26 cm Excellent condition

Marc Chagall, Russian (1887 - 1985) - Self Portrait, Medium: Etching on Papier A La Main, Image Size: 9.5 x 7.25 inches, Size: 19.25 x 13 in. (48.9 x 33.02 cm), Description: From t...

"Then the Lord sayde unto Aaron, "Goe meete Moses in the wildernesse." And he went and met him in the mount of God and kissed him.(M.449)" from Marc Chagall's "The Story of Exodus," ...

Lithograph, 1967 Handsigned by the artist in pencil and numbered 68/75 Publisher : A.C. Mazo, Paris Printer : Mourlot, Paris Catalog : [Mourlot 535 p.141-148] 64.50 cm. x 49.50 cm. ...

This lithograph by Chagall is a first edition lithograph from Chagall's Lithographs Volume II. Artist: Marc Chagall, Russian/French (1887 - 1985) Title: The Clown with Flowers Year:...

La Tranchée is a beautiful black and white etching on watermarked BFK Rives paper, realized in 1958 by the artist Marc Chagall (Vitebsk, 1887 - St. Paul de Vence, 1985). This is an ...

Artist: Marc Chagall Title: Tamar, Daughter-in-Law of Judah Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Si...

Marc Chagall, Russian (1887 - 1985) - Chapter 5 from Les Ames Mortes, Year: 1948, Medium: Etching on Arches, Image Size: 5 x 8 inches, Size: 15 x 11.25 in. (38.1 x 28.58 cm), Refer...

Not Signed. From the series "Les Fables de La Fontaine". Catalogue Sorlier No 154. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over ...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 252...

Artist: Marc Chagall Title: Nocturne at Vence Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x ...

Artist: Marc Chagall (Russian, 1887-1985) Title: l'Ivrogne et sa Femme Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Montval Laid paper Image ...

Signed on plate. Edition of 335 prints. Plate n. 67 from the series : “Les Ames Mortes”. Cat. Matignon n.77 p.59 Image Dimensions : 27.6 x 21.3 cm This artwork is shipped from Italy...

Marc Chagall, Russian (1887 - 1985) - Poesie De Mots Inconnus (Ex-Libris), Year: 1949, Medium: Etching with Aquatint, Edition: 158, Image Size: 5 x 3.25 inches, Size: 13 x 10 in. (3...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 2. Year: 1948, Medium: Etching on MBM, Image Size: 10 x 7.75 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Referen...

Signed on plate. Edition of 335 prints. Plate XL (supplementary suite) from the series "Les Ames Mortes". Cat. Matignon n.42 p. 44. Includes passepartout : 70 x 50 cm Image Dimension...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall V, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pri...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 11, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm),...

Marc Chagall, Russian (1887 - 1985) - Refused Plate for the Bible Series, Portfolio: Bible Series, Year: circa 1956, Medium: Etching, Image Size: 13.25 x 10.25 inches, Size: 17.75 ...

Marc Chagall, Russian (1887 - 1985) - Le Violoniste, Year: 1931, Medium: Etching, Edition: 565, Image Size: 8 x 6 inches, Size: 13.25 x 8.75 in. (33.66 x 22.23 cm), Printer: Louis F...

Marc Chagall Original Lithograph Title: Couple With a Goat 1970 Dimensions: 32 x 24 cm From the art revue XXè siècle Reference: Mourlot #608, Cramer, Books, No. 84 Unsigned and unum...

Marc Chagall The Tree of Jesse (L'Arbre de Jessé ), 1960 Colour lithograph on Arches paper Hand signed lower right Edition 88/90 lower left Image size: 5...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 8, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), P...

Artist: Chagall, Marc Title: Ruth at the Feet of Boaz Series: Bible Date: 1960 Medium: Lithograph Unframed Dimensions: 13 15/16 x 10 7/16 inches...

Marc Chagall (1887-1985) - Boaz wakes up and sees Ruth Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast ...

Marc Chagall The Tables of the Law Lithograph from Vitraux pour Jerusalem 1962 Printed by Mourlot Dimensions: 32.5 x 24.5 cm Publisher: André Sauret, Monte-Carlo Reference: Mourlo...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 9, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), ...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 7, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), P...

Original lithograph by Marc Chagall from The Bible of 1960 "Adam et Eve et le fruit défendu" Unsigned 35 x 26 cm Excellent condition

Artist: Chagall, Marc Title: Profile and Red Child Date: 1960 Medium: Lithograph Unframed Dimensions: 12 5/8 x 9 1/2" Signature: Unsigned Edition: book edition Literature: Mo...

Original lithograph by Marc Chagall from The Bible of 1960 Rencontre de Ruth et de Booz Unsigned 35 x 26 cm Excellent condition

Isaiah's Prayer Etching, c. 1931-1939 Signed in the plate (see photo) Plate No. 99 From: La Bible. L'Ancien Testament (105 plates) Edition of 275 unsigned (there were an additional 2...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 248...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : 232 Ref : B2

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Original lithograph by Marc Chagall from The Bible of 1960 Rahab et les espions de Jéricho Unsigned 35 x 26 cm Excellent condition

Marc Chagall Original Lithograph Frontispiece for the book "Le Plafond de l'Opéra de Paris (The Ceiling of the Paris Opera)" by Jacques Lassaigne (Paris...