Michael Wallner Photography

Flint Hills, KS (2014) Giclee Print on Coated Fiber Paper Image Size: 16 1/2" x h 16 1/4" COA provided Aaron Henry's eye captures beauty in Wabaunsee's ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

“Reflections No. 5” is part of a body of work called “Reflections” created by artist Rachel Berkowitz. This series is a performative, process-based series that resulted in the creati...

“Reflections No. 4” is part of a body of work called “Reflections” created by artist Rachel Berkowitz. This series is a performative, process-based se...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Andy Warhol (1928-1987) Tina Turner 1985 Unique gelatin silver print Size: 8 x 10 in (20.3 x 25.4 cm) Frame size: 16 x 17.5 in (40.6 x 44.4 cm) Unsigned Authenticated by the Authen...

Rebecca Skinner’s “Saint Olaf Church” is a 24 x 36 inch color photograph captured in the North Dakota grasslands. A solitary, weathered church stands atop a rolling hill, surrounded ...

Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...

An original Pigment inkjet print by American contemporary photographer Biff Henrich. IN CURRENT SHOW The Corridors Gallery at Hotel Henry Fall Show (no title) from The Structure of Things Part 1, 2017 Pigment Inkjet Print 40 × 60 in; 101.6 × 152.4 cm Installed in the West Wing Guest Room Corridor are works from Biff Henrich’s series The Structure of Things (Part 1). All of the photographic images presented were taken by the artist at night under moonlight, sometimes in near complete darkness. In many ways, the camera equipment was the first to “see” what is actually a nocturnal image, not fully visible to Henrich until he was back in the studio. There is a palpable quiet and haunting stillness in these images as well as a surreal quality thanks to the quality of light, reminiscent of Magritte’s “Empire of...

A typical summer scene, as beach goers flock towards the water to escape the heat. Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 7. If the exhibit...

Rebecca Skinner’s "Trolley Car #3309" is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transporta...