Pablo Picasso Art

Artist: Pablo Picasso Title: Oval Head of Man Looking Straight (Plate XXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" She...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

Pablo Picasso (1881-1973) - Tête d'homme barbu Felt-tip pen from 1971. Dimensions of work: 16.5 x 16.5 cm. Hand signed. This work is accompanied by a certificate from the Comité ...

- with the stamped signature on the lower right, as issued - numbered 15/50 - dated in the plate 29.3.71 - from the Suite 156 - published by Galerie Louise ...

Picasso Quatre Poissons Polychromes (Four Polychrome Fishes), 1947 is a wondrous mixture of color and charm. In the center of the dish are three fish, e...

Created in 1953, Pablo Picasso Paysage (Landscape) A.R. 208 is an earthenware clay plate, painted in blue, green, brown, white and black. Numbered from...

Femme couchée et deux visages, from Suite 156, 1970 signed on lower right, dated in the plate higher right Georges Bloch, Catalogue de l'oeuvre gravé et lit...

Created in 1953, ceramic Picador A.R. 200 is a round plate of white earthenware clay with oxidized paraffin decoration (brown, green, white) in a stanniferous enamel bath...

Tête d’homme barbu by Pablo Picasso is a powerful and expressive portrait that highlights the artist’s mastery of form and character. The image depicts a bearded man, constructed thr...

Le Sculpteur by Pablo Picasso is a compelling and refined representation of the artist at work. The composition focuses on a sculptor figure, reduced to essential lines and forms, ye...

Artist: Pablo Picasso Title: The Eye (Plate X) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signed and numbe...

Homme nu assis en Tailleur, Plate 121 from Series 347 (B. 1600; Ba. 1616). Etching on wove paper. Hand signed and numbered by the artist. Edition 47/50. Image size 3.5 x 2.5 inches...

A whimsical portrait in vivid colors, this work appeals to our response to color, texture, depth and space. There is a wonderful interplay between ...

Pablo Picasso A.R. 403 Spanish Dish with Toros Plat Espagnol au Toros 1957 15.7” round Edition of 100 Red earthenware clay, glaze decoration, knife engrav...

Pablo Picasso A.R. 519 Le Verre Sous La Lampe 1964 13” x 10” Edition of 100 Terracotta clay, inscribed 'Edition Picasso' with the Madoura stamp. Ramie 519 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

Artist: Pablo Picasso Title: Monogram "L" with Landscape (Plate XXXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Sig...

Pablo Picasso - Painter and His Model - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Cramer, 128 Unsigned an...

Artist: Pablo Picasso Title: Monogram "J" with Landscape (Plate XI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed:...

PABLO PICASSO Spanish, 1881-1973 VISAGE DE FEMME (A.R. 192) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 154/200 / Madoura' (underneath) whi...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and development...

Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching. The work is unnumbered and part of the catalog raisonné. Although the work was originally created in 1905, it ...

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title: The Workshop L’atelier, 1927 Technique: Original Hand Signed and Numbered Etching on Wove Paper Paper size: 47...

- original lithograph - frontispiece from the monograph La Jeune Parque by Paul Valéry, copy no. 231 - chalk on transfer paper, transferred to stone - edition: 525 - cat. raisonné M...

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Pablo Picasso A.R. 412 Scène de Tauromachie 1959 16.5” round Edition of 100 White earthenware clay, partially glazed. Ramie 412 is a Madoura ceram...

Pablo Picasso (1881-1973) - Élégie d'Ihpetonga, Masks of Ashes, Planche III Lithograph from 1949. A copy from a limited edition of 16/64 (photocopy of the colophon is included). O...

Le Sculpteur au Travail by Pablo Picasso offers a fascinating glimpse into the act of creation, focusing on a sculptor immersed in his work. The composition captures the figure in a ...

Artist: Pablo Picasso Title: Monogram J (Plate II) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3...

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...

Pablo Picasso Painter in a Hat, Bearded Model and Naked Woman Spectator, 1963 Etching 18 x 14 ½ in Ed. 38 / 50 Georges Bloch catalogue raisonné as No. 1130 A number from this editio...

Pablo Picasso ceramic Vase deux anses hautes (Vase with Two High Handles), 1951 A.R. 213 also titled La reine (The Queen), 1953 is a remarkable example of Picasso's artistic research...

Signed and numbered to lower margin ‘46/125 Picasso’. This work is number 46 from the edition of 125 printed by Arnéra, Vallauris and published by Musée Municipal d'Art Moderne, Cére...

PABLO PICASSO (1881-1973) Etoile de mer (Unique) Terre de faïence bowl, painted and partially glazed, circa 1952-62, unqiue, stamped Madoura plein feu on the underside. Claude Pica...

This ink drawing is dated 26.1.60.II in ink in the upper image. Picasso created this work on Tuesday 26th January 1960. Provenance: Forum Fine Art, Zurich Private Collection, Switz...

This black and white composition by Pablo Picasso is part of the Suite des Saltimbanques series of works from 1905. Prepared by the artist early in his career, the work demonstrates ...

This captivating portrait by Pablo Picasso features an artist in the foreground rendered in profile while a nude model reclines against a bed with her leg crossed over her knee and h...

Standing before the large nude sculpture, the model admires the statue before her in this work by Pablo Picasso. Nude like herself, the model's presence in the studio creates a balan...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "L`Ecuyère (The Horsewoman)" Unsigned, signed in the plate (printed signature) lower right Year: 1960 Medium: Lithograph on white wo...

An early and stunningly beautiful hand-painted ceramic bowl created by Picasso in 1955, Visage measures 5 inches (12.8 cm) in diameter and is Inscribed 'Edition Picasso/Madoura' (bot...

Pablo Picasso 1881-1973 Spanish Guitare sur un guéridon (Guitar on a pedestal) Gouache on Western wove paper laid on board Signed “Picasso” (upper left) Picasso’s prolific career has been marked by many grand love affairs, both romantic, intellectual and creative. Beyond his lovers like Olga Khoklova and Dora Maar and his intellectual muses like Georges Braques and Gertrude Stein, Picasso’s greatest love and inspiration was perhaps a humble instrument: the guitar. Whether it be the Old Guitarist from his early blue period, his groundbreaking series of three-dimensional guitar sculptures from his nascent explorations in Cubism, or his Mandolin and Guitar composition’s grander explorations with color and biomorphic shapes, the guitar is an elusive calling card for modern art’s greatest genius. In Guitare sur un guéridon, Picasso intertwines his signature guitar and a bowl of fruit. These two elements are playfully brought together and skillfully anchored on the tabletop by a square positioned at the center of the composition. The result is a captivating and harmonious arrangement that showcases Picasso's artistic ingenuity in blending these everyday objects into a visually striking and cohesive composition. This rare gouache was created during the pivotal summer of 1920. During this time, Picasso lived in Juan-les-Pins, a small coastal resort town in the South of France away from the confines of the city and the fallout of World War I. With this newfound freedom, Picasso entered an exciting and innovative creative period and began to interrogate the connections between Neoclassicism and Cubism. Picasso created a series of gouache paintings characterized by their flat, geometric nature, sinuous contours and strikingly vivid colors. Though not a complete departure from his previous Cubist works, this series showcased the influence of the Surrealists, especially the biomorphic subconscious explorations of Joan Miró, upon Picasso’s oeuvre. While the breadth of his creativity grew, he returned back to a familiar motif — the guitar — with a renewed sense of vigor and excitement. Guitare sur un guéridon’s undulating lines and biomorphic appeal bring Picasso's preoccupation with the guitar into deeper focus. The sinuous lines of guitar mirror...

Discover the artistic brilliance of Pablo Picasso through his iconic artwork, Personnages et Nu (Characters and Nude), created in 1960. This captivating piece centers around a female...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Pablo Picasso 1881-1973 Spanish Buste d'homme barbu (Bust of a Bearded Man) Signed "Picasso" (upper right) and dated "8.4.65" (en verso) Oil on canvas Pablo Picasso and his work transcend art history: they have achieved global celebrity within both academic circles and popular culture. More than any other artist, his ever-evolving, evocative style has come to define modern art of the 20th century, and to this day he continues to gain recognition. The most compelling of his works offer a glimpse into the psyche of the master himself, and the present work can be counted among these. Combining saturated color with a jarring simplicity, Buste d'homme barbu represents an important series of bearded men portraits that the artist composed during the last few years of his life. These works are among the most highly personal and intimate of his career, and they serve as remarkable examples of his mature style with their highly modern expressivity. Many of Picasso's works from his last years capture the visage of his wife Jacqueline, who was his chief model during this period. In April, however, at his home studio in Mougins, France, Picasso changed direction and produced a series of individual portraits of men. His male subjects derive from various sources. Often they were self-referential portraits; often they referenced his father, Spanish painter José Ruiz...

PABLO PICASSO Spanish, 1881 - 1973 CHOUETTON (A.R. 135) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic va...

Lozenge with Dancer and Hind (#620, Ramie) Red Earthenware Clay Edition Madoura Picasso, 93/500 (Verso)

Turned Pitcher Edition of 76/300 White Earthenware Clay, Oxidized Paraffin Decoration, White Enamel, Black 5.12 x 5.71 inches

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developme...

Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...

Drawn in 1912 by Picasso, this fine piece of work is a recognizable mark of his unique style. "Homme dans un interiéur jouant de la guitare", 1912 is on cream laid paper, with abstra...

JOIE DE VIVRE (A. Ramié no. 346) stamped, marked, engraved and numbered 'Madoura Plein Feu/Empreinte Originale de Picasso (underneath) unglazed white ea...

Pablo Picasso "Diurnes" (Femme Assise En Pyjama De Plage II) 1962 Linocut printed in ochre and brown, 1962, on Arches paper Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...

Fish Pitcher 1952 Turned Pitcher 13 cm x 21 cm/approx 8 1/4 x 4 3/4 inches Red Earthenware Clay, Decoration in Engobes Black, White Edition Madoura Picas...

A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In an excellent hand-carved museum frame with all acid-free conservation materials. ...