Paul Denham Mixed Media

Eliza Barchus (American, 1857-1959) Mt. Shasta, California Signed Lower Left Titled Verso 11 x 14 inches 13.75 x 16.75 inches with frame Eliza Rosanna L...

Artist Commentary: A cold foreboding fantasy with a dark blood red sky... Keywords: Abstract, minimalist, blue, red, brown, purple, plant, flower, still-life Artist Biography: Robert Crooker was born in Massachusetts in 1951. A life long Red Sox fan, he saw the likes of Frank Malzone, Yaz, George Scott, Rico, Jim Lonborg all play in years gone by. He has been married for over 27 years with 4 children, and 2 grandchildren. In the Mid-1970’s, Robert started collecting Vintage Disney Collectibles...

Anchored Up Turquoise baylimited_edition Original painted in acrylic Edition number 120 Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:.1cm as s...

For over a decade, Santorini has inspired Jacobson with its magical beauty and radiance. Many believe Santorini to be the location of the lost city of Atlantis. This painting expresses the eternal stillness, beauty and mystery of the island at night. The glittering lights of the villages crest the tops of the island and the reflections of the light shimmer on the dark turquoise waters of the Caldera. Jacobson creates her paintings with many layers of acrylic paint on canvas, giving her work a luminous and translucent quality. The vivid, saturated, jewel-like colors and strong compositional elements express the spiritual essence of nature. On gallery wrapped canvas. Linda Jacobson's paintings are lyrical abstractions inspired by her love of landscape and its elements: form, movement, light, and what she perceives to be its essence an energy or quality that goes beyond visual appearance. Born in Los Angeles, she received her BFA from California State College, Northridge, and graduated Summa cum Laude from the prestigious Art Center College of Design where she was mentored by pioneer California modernist Lorser Feitelson. Her work has been featured in solo and group exhibitions in galleries and museums throughout the United States and abroad, including MRG Fine Art, in Los Angeles; Gallerie Rohling, Berlin, Germany; California State University Channel Islands in Ventura; Karpeles Museum in Santa Barbara, California; BG Gallery in Santa Monica; George Lawson...

acrylic on canvas signature, title, year, dimension, medium, and arrows on verso. b. 1942, Elgin, OK “I don’t want the paintings to be like you’re looking at a landscape. I want th...

Of his work, Peter Hoffer says "These latest paintings are my most recent in the Landscape series. The surfaces of these works, in contrast to the slick glossy finish, are further st...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the way trees grate...

"Untitled 6", oil painting of a tree by Peter Hoffer. Peter Hoffer is a Canadian artist who has enjoyed a successful career in Northern America. Peter Hoffer portrays trees. He invi...

Beautiful pastel toned landscape with blue mountains on a summer day. Possibly signed by John Walker '73 in lower left corner. Dimensions Without Frame: H 17 in x W 22 in. x D 1.5 in.

"Untitled 5", oil painting of a tree by Peter Hoffer. Peter Hoffer is a Canadian artist who has enjoyed a successful career in Northern America. Pe...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the way trees grate...

Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...