Mixed Media

Original art by John Randall Nelson depicting a cowboy with characteristics of Pop Art and Folk Art combined with a whimsical, illustrative style. The vibrant colors, cartoonish figu...

Kent Williams’ work melds the rigor of technical prowess with the iconoclast’s impulse to disrupt. Juxtaposing beautifully rendered classical forms with elements of abstraction and s...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with new communities and place-making. On...

Robert Rauschenberg Rare lifetime edition Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in di...

Valerie Jaudon Bomb II, 1994 Mixed media oil painting with varnish Signed, titled and dated on the back of the canvas in black marker Unique Frame included: floated and framed in a ...

Contemporary geometric colorful abstract painting by Texas-based artist Max Manning. The work features organic and geometric shapes in green, blue, and pink tones. Signed, titled, & ...

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with new communities and place-making. On...

Artist: Frank Rowland, American (1927 - ) Title: Untitled II Year: circa 1980 Medium: Acrylic and Collage on Paper, signed Size: 31.5 x 47.5 in. (80.01 x 120.65 cm)

Contemporary geometric colorful abstract painting by Texas-based artist Max Manning. The work features organic and geometric shapes in blue, pink, yellow, and orange tones. Signed, t...

Titled: Birds of a Feather Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower ce...

A collage by Conrad Marca-Relli from 1968. An iconic piece of 1960's minimalist multi-media art. Artist: Conrad Marca-Relli, American (1913 - 2000) Title: Ibiza Year: 1968 Medium:...

My art mirrors natural forms with biomorphic dystopian edges. In the viewer’s mind the shapes are familiarly organic yet there is a tension as one struggles to comprehend the life cy...

Carolyn Carter Blackbird Original Animal Painting Mixed Media on Paper Image Size: H 25cm x W 20cm Framed Size: H 40cm x W 34cm Sold Framed i...

This Plexiglass collage was created by Canadian artist Max Epstein. Epstein's works often feature Canadian motifs and bright colors. This collage is signed and titled at the bottom, ...

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

"Blind Folly" is a narrative and figurative mixed media work featuring hues of orange, yellow, black and green. Blair Hobbs is inspired by the works of M...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

"RFD Courant", hooked rug tapestry, rural community with country homes and buildings throughout rolling hills, lush green trees with three-dimensional leaves frame the scene, in the...

Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

Oil, Gesso, & Recycled Plastic on Canvas 70 x 36 in (178 x 91 cm) (Due to the abstract nature of this piece, it can be displayed vertically or horizontally at the discretion of...

Rem Raymond Coninckx (1904 - 1974) Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also creat...

"Beauty begins the moment you decide to be yourself" by Coco Chanel. Pure beauty lies in harmony, which expresses individuality. Each flower is beautiful, each is endowed with its ow...

Travertine Alphabet Created for Timeless Remnants — the collaborative exhibition between Grège Gallery and CWART — this travertine relief captures the essence of Conrad Willems’ scu...

Jordan Barker is a New York City based mixed media artist. Initially inspired by found objects, his first piece was a coffee table that was created from a wooden palate found in the ...

True peace can only come through the surrendering of the heart. With a brushstroke of elegance and a palette of tranquility, my artistic aim in this series is to explore the transfor...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Penuel Heber Ma...

GREG MILLER "Bayside" Acrylic, Collage on Panel 24 x 36 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship w...

Kent Williams’ work melds the rigor of technical prowess with the iconoclast’s impulse to disrupt. Juxtaposing beautifully rendered classical forms with elements of abstraction and s...

This sculpture titled "Infinite Purpose: Rainbow" is an original artwork by Kelly Kozma made of retired colored pencils & acrylic on panel. The piece measures 12”h x 7”w. Kelly ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Penuel Heber Ma...

Edition version – white hoodie with blue jeans edition painted onto genuine uncirculated $2 bill with stencil Handprints painted using UV spray paint are only visible under fluoresc...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Digital phone art collage Available in two sizes: 24 x 36 in 36 x 48 in Robert Fleischman is a recording artist/singer songwriter/producer who played...

Jane Skingley b. 1963 Hokusai Covers I, 2025 oil and collage on book cover 28 x 18 cm 11 x 7 1/8 in signed, titled and inscribed on a label attached verso Jane Skingley paints seasc...

"Lemon yellow pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the artist usi...

Is it the end, or the start of something new? Acrylic, Latex, Aerosol, Mixed Media. Jordan Barker is a New York City based mixed media artist. Initially inspired by found objects, h...

Charles Fazzino (b. 1955) I'll See Ya in Court, 2003 Limited Edition 3-Dimensional Serigraph Construction Framed: 43 x 34 1/2 in. Edition 81 of 200 Signed and inscribed bottom: 81/20...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

À portée de main, 2025 Acrylic and Spray Paint on Canvas 15 × 24 in 38 × 61 cm Comes with COA Signed by Flog

This depicts KIng David reciting Psalms, Hallelujah in Hebrew Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Israel Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, David Sharir, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Exhibitions: 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv Prizes: 1971 First Independence Day poster 1971, 23 yeaes of the State of Israel 1969 Second International Tel Aviv poster...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In ADORNED OBSOLESCENCE 01, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabi...

Acrylic and canvas collage on canvas by 20th century artist Margo Hoff (1910-2008). An abstract geometric painting in Margo's signature style of canvas collage, laying bits of canva...

Rare Keith Haring “Life is Fresh! Crack Is Wack!” 1987 sealed/unopened in its original shrink wrapping: A highly sought-after 1980s record album featurin...

This sculpture titled "You Are Here: S Thing" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. The piece measures 4"h x 4"w x 1.75"d. Kelly Kozma ...

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. This was from a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints from the Collection of The Israel Museum, Jerusalem. High Court of Australia, Canberra, Australia Artists: Abu Shakra...

This sculpture titled "Let Me Work My Magic" is an original artwork by Kelly Kozma made of colored pencil, ink & acrylic on paper, wood, chain and handmade origami wishing stars. The...

Blurring the distinction between figure and abstract settings, Swiss artist Edith Konrad’s spectral forms—human in shape—inhabit muted abstract environments punctuated by vivid burst...

This sculpture titled "You Are Here: Green" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. The piece measures 4"h x 4"w x 1.75"d. Kelly Kozma is...

Circle of Constance Howard British School, circa 1950 Cats and Flowers in a Conservatory Applique work picture Framed 60 by 50.5 cm., 23 ¾ by 20 in. (frame size 76 by 66 cm., 30 by 26 in.) Provenance: With Frost & Reed, 1950; Mrs H H Budd (?). The present work, glazed and in this original frame, was with the prominent London fine art dealers Frost and Reed in 1950 suggesting it was a work by a leading exponent of the newly fashionable and artistically acknowledged group of British textile...

The present illuminated folio page contains a fine miniature depicting four figures playing polo. Polo, also called 'chagun,' was the sport of kings and princes of central Asia and Iran, and the sport probably originated there in the 6th century BCE. Polo matches appear in a large number of early Persian texts, including in the writings of the 10th century epic writer Abu l-Qasim al-Firdawsi: He describes numerous polo matches in his famous 'Shahnameh' (The Persian Book of Kings). This particular illumination also is closely related to an example held at the Smithsonian Museum of Asian Art: a folio from 'Guy u Chawgan' (The ball and the polo-mallet) which shows a polo game with the dervish and the shah. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

This sculpture titled "You Are Here: Gold" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. The piece measures 4"h x 4"w x 1.75"d. Kelly Kozma is ...

Plaines & Mines, d’Ombre 2025.1 is a vibrant and intricate painting on wood created through the use of stencils, airbrushing, and pyrography. A hand-painted grid in vivid tones of el...

Contemporary geometric colorful abstract painting by Texas-based artist Max Manning. The work features organic and geometric shapes in blue, teal, and pink tones. Signed, titled, & d...

"Cascadia 5" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Fred Wessel's "Brugmansia Datura (Big Pink)" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2024, this piece features a bloomed stem of Brugmansia D...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...