Salvador Dalí Art

Salvador Dali (1904-1989) - Quevedos Visioner, Planche IV Etching from 1975. The edition of 295/300. Dimensions of work: 66 x 50 cm. Hand signed. Publisher: Galerie Börjeson, Ma...

Salvador Dali (1904-1989) - Final Apotheosis Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 38 x 28 cm. Publisher: Editeuropa Anslat/Bergrgruen. Refe...

Salvador Dali (1904-1989) - Apotheosis Etching from 1974. Dimensions of work: 56 x 38 cm. Hand signed. Publisher: Leblanc. Referencja: R. Michler, L.W. Lopsinger, Salvador Dal...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Transfiguration" *Signed by Dali in pencil lower right Year: 1973 Medium: Original Etching on Auvergne paper Limited edition: 90/10...

Salvador Dali (1904-1989) - Sainte Lucie Etching and watercolour from 1974. The edition 219/450. Dimensions of work: 90 x 63.5 cm. Hand signed. Reference: Field, 73-3; Michler, ...

ARTIST: Salvador Dali TITLE: Les Metamorphoses Erotiques MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Edita: a L'Erotitiade/Editions des trois continents EDIT...

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil 116 from the edition of 145, with ...

This artwork titled, "Apollon" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is hand signed...

ARTIST: Salvador Dali TITLE: Florals Rose MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 99/350 MEASUREMENTS: 21.6" x 29.4" Framed: 33" x 41" YEAR: 1972 FRAMED: Yes CON...

Salvador Dali (1904-1989) - The Writer's Whim Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 38 x 28 cm. Publisher: Editeuropa Anslat/Bergrgruen. Ref...

Salvador Dali (1904-1989) Hell 8 - The Angry woodcut Plate signed 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCES : Field p. 189 à 200 / Michl...

The Mock Turtle's Story is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random...

ARTIST: Salvador Dali TITLE: Le Cirque Le Fou (Clown) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Berggruen, Paris EDITION NUMBER: 135/175 MEASUREME...

Salvador Dali (Spanish, 1904-1989), "The Glory That Was Spain", Drypoint and Etching with Pochoir, 1975, signed in pencil lower right, numbered edition "XXI / L" [21/50] lower left, ...

ARTIST: Salvador Dali TITLE: Tauramachi Surrealiste Bullfight with Drawer MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: 101/150 MEASUR...

Drypoint on Japon nacré paper, 1963-65. Signed by Dalí in pencil, lower right, and numbered XXXI/C in pencil, lower left. From the Mythology series. Published by Editions Argillet,...

Salvador Dali (1904-1989) - Rome and Cadaqués Etching from 1972. Edition of 117/275. Dimensions of work: 57 x 76 cm. Hand signed. Publisher: Éditions Graphiques Internationales,...

Artist: Salvador Dali Title: Divine Comedy Purgatory Canto 18 Decomposition Medium: Woodcut Measurements: Paper: 10.5" x 13" Frame: 13.75" x 17.5" Condition: Excellent. This p...

Salvador Dali (1904-1989) - Leda Etching from 1965. The edition 67/150. Dimensions of work: 76 x 56 cm. Hand signed. Publisher: Pierre Argillet, Paris. Reference: Michler/Löpsi...

Salvador Dali (1904-1989) - The Sad Garde Drypoint etching from 1975. The edition of 89/249. Dimensions of sheet: 13.8 x 18.9 in (35 x 48 cm) Dimensions in frame: 20.5 x 24.4 in...

Salvador Dali (1904-1989) - Le Singe et le Léopard (The Monkey and the Leopard) Etching from 1974. The edition of III/CXX on Richard de Bas paper. Dimensions of work: 76 x 56 cm. ...

Petits Nus Apollinaire 6 (1967–1972) by Salvador Dalí. Etching on Japon paper, edition EA. Artwork dimensions: 7 × 3 inches (17.78 × 7.62 cm). Framed dimensions: 22.25 × 18.25 inches...

Salvador Dalí­ Enigma of The Rose (Death) from Visions Surrealiste, 1976 Lithograph Hand Signed right Edition EA lower left Sheet size 75 x 54 cm Printer: Torrents, Spain ; Gordon, ...

Salvador Dali (1904-1989) - King Marc's Camp Etching from 1969. Dimensions of work: 45 x 33 cm. Hand signed. Publisher: Pamela Verlag, New York. Reference: R. Michler, L.W. Lop...

Salvador Dali (1904-1989) - The Doomed Lovers Etching from 1969. Dimensions of work: 45 x 33 cm. Hand signed. Publisher: Pamela Verlag, New York. Reference: R. Michler, L.W. Lo...

Salvador Dalí (Spanish 1904 - 1989) Thou arte all faire, my love: there is no spot in thee, from Song of Songs of Solomon (Field 71-14I; M&L 476) Engraving with pochoir in colours h...

ARTIST: Salvador Dali TITLE: Fantastic Voyage MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 139/300 MEASUREMENTS: 22" x 30" YEAR: 1965 FRAMED: No CONDITION: Excell...

Salvador Dali (1904-1989) - Sator Drypoint etching with roulette from 1969. The edition 4/95. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Pierre Argillet, Paris. Re...

Salvador Dali (1904-1989) - The Divine Love of Gala Drypoint etching with stencil from 1973. F171/195 on BFK Rives paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Transworld...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche X Lithograph from 1973. Edition 10/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpent...

Salvador Dali - The Violet Boot - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field ...

Drypoint etching with stencil on BFK Rives paper, edited on 1971 Limited edition, numbered as 141/150 in lower left corner.
 Hand-signed in pencil by artist in lower right corner. P...

Salvador Dalí, Homage to Venice, 1975 Photolithograph in colors with embossments on Japon paper Hand signed lower right Numbered E95/250 Sheet size 53.5 x 75.5 cm Printer: Jean Paul Loup...

Artist: Salvador Dali Portfolio: Les diners de Gala Title: Les Suprenes de Maillaise Liliputiens Year: 1975 Medium: Lithograph and Engraving, signed and...

TECHNICAL INFORMATION Salvador Dali Tristan & Isolde 1972 Lithograph in Black and White Surface Rowlux with Color Added, Covered with Transparent and with Blue, Gold and Red ...

Artist: Dali, Salvador Title: The Sun Series: The Hippies Date: 1969 Medium: drypoint with added color Framed Dimensions: 33" x 28" Unframed Dimensions: 25.5" x 20" Signature:...

Salvador Dali (1904-1989) - Le Cheval s’étant voulu venger du Cerf (The Horse that Wanted Revenge on the Stag) Etching from 1974. The edition of III/CXX on Richard de Bas paper. D...

Artist: Salvador Dali (1904–1989) Title: Nude with Snail Breasts (Nu aux seins d’escargots) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.25 inches (37.78 x 28.58 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Cercle du Livre Precieux, Paris Printer: Haasen, Boileau and Cappelle, Paris Catalogue raisonne references: Field, Albert, and Salvador Dali. The Official Catalog of the Graphic Works of Salvador Dali. S. Dali Archives, 1996, illustration 67-4; Michler, Ralf, et al. Salvador Dali: Catalogue Raisonne of Prints. Prestel, 1994, illustrations 174–187 Notes: Excerpted from the folio (translated from French), Dali illustre Casanova was realized at the expense of the Cercle du Livre Precieux by Haasen, Boileau and Cappelle for the print of engravings and by Viglino, art printer for the text, under the direction of Claude Talon. The draw has been completed, April 14, 1967. Justification of the draw—a single example on Japon nacre, to which were added V original watercolors and V inked copper plates, as well as a suite of engraved lines on silk, a suite on papier de Rives, and a color suite of the XIV illustrations, numbered I. II examples on Japon nacre, including II original watercolors, II inked copper plates, a silk suite of engraved lines, and a color suite of illustrations, numbered II and III. V examples on Japon nacre, including an original watercolor, an inked copper plate, a silk suite of engraved lines, and a color suite of illustrations, numbered IV to VIII. XVII examples on velin pur chiffon de Rives, to which were added a silk suite of engraved lines and a color suite of illustrations, numbered IX to XXV. CCCLXV examples on velin pur chiffon de Rives, numbered XXVI to CCCXC. In addition, some examples marked H.C. were produced for the publisher and his friends. Additional notes: This exquisite engraving in colors by Salvador Dali (1904–1989), titled Nu aux seins d’escargots (Nude with Snail Breasts), from the folio Dali illustre Casanova (Dali Illustrates Casanova), originates from the 1967 edition published by Cercle du Livre Précieux, Paris, and printed by Haasen, Boileau and Cappelle, Paris. The composition exemplifies Dali’s extraordinary command of classical engraving combined with his visionary Surrealist imagination, where erotic symbolism, meticulous draftsmanship, and psychological suggestion converge in an evocative interpretation of the literary world of Giacomo Casanova. In Nu aux seins d’escargots (Nude with Snail Breasts), Dali transforms the female nude through the unexpected incorporation of snail-like forms into the breasts, creating an enigmatic fusion of human anatomy and the natural world. The snail, associated with sensuality, vulnerability, fertility, and the cyclical rhythms of life, introduces a provocative dimension of metamorphosis and organic transformation, while the nude figure evokes intimacy, desire, and the enduring traditions of classical figurative art. These associations resonate with Casanova’s celebrated memoirs, whose accounts of romance, seduction, and intrigue provided Dali with a rich imaginative framework for exploring the complexities of eroticism and human relationships. Through his characteristic combination of technical precision, provocative symbolism, and imaginative ambiguity, Dali transforms the human body into a psychologically charged meditation on sensuality, transformation, and the mysteries of the subconscious mind. Dali illustre Casanova (Dali Illustrates Casanova), published in Paris in 1967 by Cercle du Livre Précieux, represents a distinguished collaboration between Salvador Dali’s visionary Surrealist imagination and the literary legacy of Giacomo Casanova, the celebrated eighteenth-century Venetian adventurer, writer, and chronicler of European society. Conceived within the tradition of the French livre d’artiste, the publication unites original graphic works, literary narrative, and exceptional craftsmanship in a refined edition intended for collectors of fine art and illustrated literature. Casanova’s memoirs, renowned for their vivid accounts of romance, intrigue, travel, aristocratic society, and the complexities of human desire, provided Dali with a particularly fertile imaginative framework through which to explore his lifelong fascination with eroticism, symbolism, psychological transformation, and the irrational dimensions of human experience. Rather than approaching the literary subject through conventional illustration alone, Dali interprets the world of Casanova through his distinctive Surrealist vocabulary, transforming objects, figures, and symbolic motifs into enigmatic compositions that evoke the sensuality, theatricality, and psychological tensions of the narrative. Through its synthesis of eighteenth-century literary culture, Surrealist symbolism, original etching, and traditional French bookmaking, Dali illustre Casanova stands as an important expression of Dali’s engagement with the illustrated book and his ability to reinterpret historical literature through the imaginative possibilities of modern art. SALVADOR DALI (1904–1989) was a Spanish painter, draughtsman, printmaker, sculptor, designer, filmmaker, and writer whose astonishing technical virtuosity, theatrical imagination, and psychologically charged dream imagery established him as one of the most celebrated and recognizable artists of the twentieth century and one of the defining figures of the Surrealist movement. Born in Figueres in Catalonia, Spain, Dali demonstrated exceptional artistic talent at an early age and later studied at the Real Academia de Bellas Artes de San Fernando in Madrid, where he absorbed the traditions of Renaissance draftsmanship, Spanish Golden Age painting, and the radical visual innovations transforming modern European art. During this formative period he became aware of the revolutionary achievements of Pablo Picasso, whose Cubist experiments reshaped modern painting, while also engaging with the poetic symbolism of Joan Miro, the experimental photography of Man Ray, the conceptual provocations of Marcel Duchamp, the sculptural investigations of Alberto Giacometti and Alexander Calder, and the spiritual abstraction of Wassily Kandinsky. In the late 1920s Dali moved to Paris and joined the Surrealist circle led by Andre Breton, quickly distinguishing himself through his extraordinary technical skill and his ability to translate psychoanalytic ideas into unforgettable visual form. It was during this period that he developed the paranoiac-critical method, a process intended to access the subconscious through controlled irrational associations, enabling him to create images that shift between multiple interpretations and symbolic meanings. Through this method he produced some of the most iconic works of modern art, including The Persistence of Memory, The Great Masturbator, and Soft Construction with Boiled Beans, paintings that introduced imagery such as melting clocks, distorted landscapes, and dreamlike spaces rendered with the precision of Old Master painting. Throughout his prolific career Dali worked across painting, sculpture, printmaking, jewelry design, photography, theater, literature, and film, collaborating with figures such as Luis Bunuel on the landmark Surrealist film Un Chien Andalou, designing the dream sequence for Alfred Hitchcock’s film Spellbound, and even producing experimental animation with Walt Disney. Dali also became one of the twentieth century’s most prolific printmakers, producing extensive bodies of etchings, lithographs, and illustrated works that brought Surrealist imagery to collectors worldwide. His flamboyant public persona and instantly recognizable mustache made him a cultural icon, yet beneath the spectacle lay a disciplined artist deeply informed by art history, drawing inspiration from Renaissance and Baroque masters such as Leonardo da Vinci, Raphael, Velazquez, and Vermeer while pushing painting toward psychological and symbolic exploration. Dali’s imaginative universe influenced generations of artists across many disciplines, including Andy Warhol, Jeff Koons, Damien Hirst, Matthew Barney, and numerous contemporary painters, photographers, filmmakers, and designers exploring dream imagery, hyperrealism, symbolism, and the subconscious mind. Today his works are held in many of the world’s leading museum collections, including the Museo Nacional Centro de Arte Reina Sofia in Madrid, the Salvador Dali Museum in St. Petersburg, Florida, the Museum of Modern Art in New York, the Centre Pompidou in Paris, the Tate in London, and the Art Institute of Chicago. Salvador Dali’s paintings, sculptures, drawings, and graphic works remain among the most recognizable and widely collected works of twentieth century art, and the highest auction record for a painting by Salvador Dali is Portrait de Paul Eluard (1929), which sold for 21,671,500 GBP at Sotheby’s London on February 10, 2011, confirming his lasting importance in the international art market and the continuing demand for his visionary works among collectors worldwide. Salvador Dali Nu...

Artist: Salvador Dali (1904–1989) Title: Girl and Pig (Jeune fille et cochon) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 ...

Artist: Salvador Dali (1904–1989) Title: Eye Watches from Peephole (Œil regardant par le trou de serrure) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.25 inches (37.78 x 28.58 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Cercle du Livre Precieux, Paris Printer: Haasen, Boileau and Cappelle, Paris Catalogue raisonne references: Field, Albert, and Salvador Dali. The Official Catalog of the Graphic Works of Salvador Dali. S. Dali Archives, 1996, illustration 67-4; Michler, Ralf, et al. Salvador Dali: Catalogue Raisonne of Prints. Prestel, 1994, illustrations 174–187 Notes: Excerpted from the folio (translated from French), Dali illustre Casanova was realized at the expense of the Cercle du Livre Precieux by Haasen, Boileau and Cappelle for the print of engravings and by Viglino, art printer for the text, under the direction of Claude Talon. The draw has been completed, April 14, 1967. Justification of the draw—a single example on Japon nacre, to which were added V original watercolors and V inked copper plates, as well as a suite of engraved lines on silk, a suite on papier de Rives, and a color suite of the XIV illustrations, numbered I. II examples on Japon nacre, including II original watercolors, II inked copper plates, a silk suite of engraved lines, and a color suite of illustrations, numbered II and III. V examples on Japon nacre, including an original watercolor, an inked copper plate, a silk suite of engraved lines, and a color suite of illustrations, numbered IV to VIII. XVII examples on velin pur chiffon de Rives, to which were added a silk suite of engraved lines and a color suite of illustrations, numbered IX to XXV. CCCLXV examples on velin pur chiffon de Rives, numbered XXVI to CCCXC. In addition, some examples marked H.C. were produced for the publisher and his friends. Additional notes: This exquisite engraving in colors by Salvador Dali (1904–1989), titled Œil regardant par le trou de serrure (Eye Watches from Peephole), from the folio Dali illustre Casanova (Dali Illustrates Casanova), originates from the 1967 edition published by Cercle du Livre Précieux, Paris, and printed by Haasen, Boileau and Cappelle, Paris. The composition exemplifies Dali’s extraordinary command of classical engraving combined with his visionary Surrealist imagination, where symbolic imagery, meticulous draftsmanship, and psychological suggestion converge in an evocative interpretation of the literary world of Giacomo Casanova. In Œil regardant par le trou de serrure (Eye Watches from Peephole), Dali transforms the human eye and the intimate act of looking through a concealed opening into an enigmatic meditation on voyeurism, curiosity, secrecy, and forbidden desire. The eye, one of the most powerful recurring symbols within Surrealist art, evokes perception, consciousness, and the mysteries of the subconscious mind, while the peephole introduces associations with concealed observation, erotic intrigue, and the tension between revelation and concealment. These themes resonate with Casanova’s celebrated memoirs, whose accounts of romance, seduction, and clandestine encounters provided Dali with a rich imaginative framework for exploring the complexities of human desire. Through his characteristic combination of technical precision, provocative symbolism, and imaginative ambiguity, Dali transforms the simple act of observation into a psychologically charged exploration of temptation, intimacy, and the mysteries of human experience. Dali illustre Casanova (Dali Illustrates Casanova), published in Paris in 1967 by Cercle du Livre Précieux, represents a distinguished collaboration between Salvador Dali’s visionary Surrealist imagination and the literary legacy of Giacomo Casanova, the celebrated eighteenth-century Venetian adventurer, writer, and chronicler of European society. Conceived within the tradition of the French livre d’artiste, the publication unites original graphic works, literary narrative, and exceptional craftsmanship in a refined edition intended for collectors of fine art and illustrated literature. Casanova’s memoirs, renowned for their vivid accounts of romance, intrigue, travel, aristocratic society, and the complexities of human desire, provided Dali with a particularly fertile imaginative framework through which to explore his lifelong fascination with eroticism, symbolism, psychological transformation, and the irrational dimensions of human experience. Rather than approaching the literary subject through conventional illustration alone, Dali interprets the world of Casanova through his distinctive Surrealist vocabulary, transforming objects, figures, and symbolic motifs into enigmatic compositions that evoke the sensuality, theatricality, and psychological tensions of the narrative. Through its synthesis of eighteenth-century literary culture, Surrealist symbolism, original etching, and traditional French bookmaking, Dali illustre Casanova stands as an important expression of Dali’s engagement with the illustrated book and his ability to reinterpret historical literature through the imaginative possibilities of modern art. SALVADOR DALI (1904–1989) was a Spanish painter, draughtsman, printmaker, sculptor, designer, filmmaker, and writer whose astonishing technical virtuosity, theatrical imagination, and psychologically charged dream imagery established him as one of the most celebrated and recognizable artists of the twentieth century and one of the defining figures of the Surrealist movement. Born in Figueres in Catalonia, Spain, Dali demonstrated exceptional artistic talent at an early age and later studied at the Real Academia de Bellas Artes de San Fernando in Madrid, where he absorbed the traditions of Renaissance draftsmanship, Spanish Golden Age painting, and the radical visual innovations transforming modern European art. During this formative period he became aware of the revolutionary achievements of Pablo Picasso, whose Cubist experiments reshaped modern painting, while also engaging with the poetic symbolism of Joan Miro, the experimental photography of Man Ray, the conceptual provocations of Marcel Duchamp, the sculptural investigations of Alberto Giacometti and Alexander Calder, and the spiritual abstraction of Wassily Kandinsky. In the late 1920s Dali moved to Paris and joined the Surrealist circle led by Andre Breton, quickly distinguishing himself through his extraordinary technical skill and his ability to translate psychoanalytic ideas into unforgettable visual form. It was during this period that he developed the paranoiac-critical method, a process intended to access the subconscious through controlled irrational associations, enabling him to create images that shift between multiple interpretations and symbolic meanings. Through this method he produced some of the most iconic works of modern art, including The Persistence of Memory, The Great Masturbator, and Soft Construction with Boiled Beans, paintings that introduced imagery such as melting clocks, distorted landscapes, and dreamlike spaces rendered with the precision of Old Master painting. Throughout his prolific career Dali worked across painting, sculpture, printmaking, jewelry design, photography, theater, literature, and film, collaborating with figures such as Luis Bunuel on the landmark Surrealist film Un Chien Andalou, designing the dream sequence for Alfred Hitchcock’s film Spellbound, and even producing experimental animation with Walt Disney. Dali also became one of the twentieth century’s most prolific printmakers, producing extensive bodies of etchings, lithographs, and illustrated works that brought Surrealist imagery to collectors worldwide. His flamboyant public persona and instantly recognizable mustache made him a cultural icon, yet beneath the spectacle lay a disciplined artist deeply informed by art history, drawing inspiration from Renaissance and Baroque masters such as Leonardo da Vinci, Raphael, Velazquez, and Vermeer while pushing painting toward psychological and symbolic exploration. Dali’s imaginative universe influenced generations of artists across many disciplines, including Andy Warhol, Jeff Koons, Damien Hirst, Matthew Barney, and numerous contemporary painters, photographers, filmmakers, and designers exploring dream imagery, hyperrealism, symbolism, and the subconscious mind. Today his works are held in many of the world’s leading museum collections, including the Museo Nacional Centro de Arte Reina Sofia in Madrid, the Salvador Dali Museum in St. Petersburg, Florida, the Museum of Modern Art in New York, the Centre Pompidou in Paris, the Tate in London, and the Art Institute of Chicago. Salvador Dali’s paintings, sculptures, drawings, and graphic works remain among the most recognizable and widely collected works of twentieth century art, and the highest auction record for a painting by Salvador Dali is Portrait de Paul Eluard (1929), which sold for 21,671,500 GBP at Sotheby’s London on February 10, 2011, confirming his lasting importance in the international art market and the continuing demand for his visionary works among collectors worldwide. Salvador Dali Œil regardant par le trou de serrure (Eye Watches from Peephole), Salvador Dali Casanova, Dali illustre Casanova, Dali 1967 engraving, Salvador Dali color engraving, Dali Cercle du Livre Précieux Paris, Dali Haasen Boileau Cappelle, Dali vélin pur chiffon de Rives, Dali Surrealist print, Dali eye...

Artist: Salvador Dali (1904–1989) Title: Cut Cucumber (Concombre coupe) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.2...

Salvador Dali (1904-1989) - Quevedos Visioner, Planche V Etching from 1975. The edition of 295/300. Dimensions of work: 66 x 50 cm. Hand signed. Publisher: Galerie Börjeson, Mal...

Salvador Dali (1904-1989) - Quevedos Visioner, Planche I Etching from 1975. The edition of 295/300. Dimensions of work: 66 x 50 cm. Hand signed. Publisher: Galerie Börjeson, Mal...

Salvador Dali lithograph “1966 sundial” signed and numbered. Measures 21x24 in good condition • Albert Field Catalogue Raisonné Number: Field 66-5 • Found in: "The Official Catalog...

Artist: Salvador Dali (1904–1989) Title: Large Flask (Grande fiole) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.25 in...

Salvador Dali (1904-1989) - Asher Etching from 1973. The edition of 77/195. Dimensions of work: 65.5 x 50 cm. Hand signed. Publisher: Transworld Art, Fribourg, Switzerland. Ref...

ARTIST: Salvador Dali TITLE: Le Decameron L'ange Gabriel MEDIUM: Etching on Japon Paper SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Pamela Verlog EDITION NUMBER: XIX/X...

Artist: Salvador Dali (1904–1989) Title: Ants, Nails and Flies on Nude (Fourmis, clous et mouches nus) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.25 inches (37.78 x 28.58 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Cercle du Livre Precieux, Paris Printer: Haasen, Boileau and Cappelle, Paris Catalogue raisonne references: Field, Albert, and Salvador Dali. The Official Catalog of the Graphic Works of Salvador Dali. S. Dali Archives, 1996, illustration 67-4; Michler, Ralf, et al. Salvador Dali: Catalogue Raisonne of Prints. Prestel, 1994, illustrations 174–187 Notes: Excerpted from the folio (translated from French), Dali illustre Casanova was realized at the expense of the Cercle du Livre Precieux by Haasen, Boileau and Cappelle for the print of engravings and by Viglino, art printer for the text, under the direction of Claude Talon. The draw has been completed, April 14, 1967. Justification of the draw—a single example on Japon nacre, to which were added V original watercolors and V inked copper plates, as well as a suite of engraved lines on silk, a suite on papier de Rives, and a color suite of the XIV illustrations, numbered I. II examples on Japon nacre, including II original watercolors, II inked copper plates, a silk suite of engraved lines, and a color suite of illustrations, numbered II and III. V examples on Japon nacre, including an original watercolor, an inked copper plate, a silk suite of engraved lines, and a color suite of illustrations, numbered IV to VIII. XVII examples on velin pur chiffon de Rives, to which were added a silk suite of engraved lines and a color suite of illustrations, numbered IX to XXV. CCCLXV examples on velin pur chiffon de Rives, numbered XXVI to CCCXC. In addition, some examples marked H.C. were produced for the publisher and his friends. Additional notes: This exquisite engraving in colors by Salvador Dali (1904–1989), titled Fourmis, clous et mouches nus (Ants, Nails and Flies on Nude), from the folio Dali illustre Casanova (Dali Illustrates Casanova), originates from the 1967 edition published by Cercle du Livre Précieux, Paris, and printed by Haasen, Boileau and Cappelle, Paris. The composition exemplifies Dali’s extraordinary command of classical engraving and his visionary Surrealist imagination, bringing together the human figure, insects, and symbolic objects in a provocative exploration of desire, vulnerability, and mortality. Ants and flies, recurring motifs within Dali’s artistic vocabulary, evoke decay, anxiety, and the passage of time, while nails introduce associations with physical sensation and suffering. The juxtaposition of these elements against the nude figure creates a psychologically charged image that reflects the sensuality, eroticism, and intrigue of Casanova’s celebrated memoirs. Through meticulous draftsmanship and imaginative symbolism, Dali transforms familiar forms into an enigmatic meditation on human desire and the subconscious mind. Dali illustre Casanova (Dali Illustrates Casanova), published in Paris in 1967 by Cercle du Livre Précieux, represents a distinguished collaboration between Salvador Dali’s visionary Surrealist imagination and the literary legacy of Giacomo Casanova, the celebrated eighteenth-century Venetian adventurer, writer, and chronicler of European society. Conceived within the tradition of the French livre d’artiste, the publication unites original graphic works, literary narrative, and exceptional craftsmanship in a refined edition intended for collectors of fine art and illustrated literature. Casanova’s memoirs, renowned for their vivid accounts of romance, intrigue, travel, aristocratic society, and the complexities of human desire, provided Dali with a particularly fertile imaginative framework through which to explore his lifelong fascination with eroticism, symbolism, psychological transformation, and the irrational dimensions of human experience. Rather than approaching the literary subject through conventional illustration alone, Dali interprets the world of Casanova through his distinctive Surrealist vocabulary, transforming objects, figures, and symbolic motifs into enigmatic compositions that evoke the sensuality, theatricality, and psychological tensions of the narrative. Through its synthesis of eighteenth-century literary culture, Surrealist symbolism, original etching, and traditional French bookmaking, Dali illustre Casanova stands as an important expression of Dali’s engagement with the illustrated book and his ability to reinterpret historical literature through the imaginative possibilities of modern art. SALVADOR DALI (1904–1989) was a Spanish painter, draughtsman, printmaker, sculptor, designer, filmmaker, and writer whose astonishing technical virtuosity, theatrical imagination, and psychologically charged dream imagery established him as one of the most celebrated and recognizable artists of the twentieth century and one of the defining figures of the Surrealist movement. Born in Figueres in Catalonia, Spain, Dali demonstrated exceptional artistic talent at an early age and later studied at the Real Academia de Bellas Artes de San Fernando in Madrid, where he absorbed the traditions of Renaissance draftsmanship, Spanish Golden Age painting, and the radical visual innovations transforming modern European art. During this formative period he became aware of the revolutionary achievements of Pablo Picasso, whose Cubist experiments reshaped modern painting, while also engaging with the poetic symbolism of Joan Miro, the experimental photography of Man Ray, the conceptual provocations of Marcel Duchamp, the sculptural investigations of Alberto Giacometti and Alexander Calder, and the spiritual abstraction of Wassily Kandinsky. In the late 1920s Dali moved to Paris and joined the Surrealist circle led by Andre Breton, quickly distinguishing himself through his extraordinary technical skill and his ability to translate psychoanalytic ideas into unforgettable visual form. It was during this period that he developed the paranoiac-critical method, a process intended to access the subconscious through controlled irrational associations, enabling him to create images that shift between multiple interpretations and symbolic meanings. Through this method he produced some of the most iconic works of modern art, including The Persistence of Memory, The Great Masturbator, and Soft Construction with Boiled Beans, paintings that introduced imagery such as melting clocks, distorted landscapes, and dreamlike spaces rendered with the precision of Old Master painting. Throughout his prolific career Dali worked across painting, sculpture, printmaking, jewelry design, photography, theater, literature, and film, collaborating with figures such as Luis Bunuel on the landmark Surrealist film Un Chien Andalou, designing the dream sequence for Alfred Hitchcock’s film Spellbound, and even producing experimental animation with Walt Disney. Dali also became one of the twentieth century’s most prolific printmakers, producing extensive bodies of etchings, lithographs, and illustrated works that brought Surrealist imagery to collectors worldwide. His flamboyant public persona and instantly recognizable mustache made him a cultural icon, yet beneath the spectacle lay a disciplined artist deeply informed by art history, drawing inspiration from Renaissance and Baroque masters such as Leonardo da Vinci, Raphael, Velazquez, and Vermeer while pushing painting toward psychological and symbolic exploration. Dali’s imaginative universe influenced generations of artists across many disciplines, including Andy Warhol, Jeff Koons, Damien Hirst, Matthew Barney, and numerous contemporary painters, photographers, filmmakers, and designers exploring dream imagery, hyperrealism, symbolism, and the subconscious mind. Today his works are held in many of the world’s leading museum collections, including the Museo Nacional Centro de Arte Reina Sofia in Madrid, the Salvador Dali Museum in St. Petersburg, Florida, the Museum of Modern Art in New York, the Centre Pompidou in Paris, the Tate in London, and the Art Institute of Chicago. Salvador Dali’s paintings, sculptures, drawings, and graphic works remain among the most recognizable and widely collected works of twentieth century art, and the highest auction record for a painting by Salvador Dali is Portrait de Paul Eluard (1929), which sold for 21,671,500 GBP at Sotheby’s London on February 10, 2011, confirming his lasting importance in the international art market and the continuing demand for his visionary works among collectors worldwide. Salvador Dali Fourmis, clous et mouches nus (Ants, Nails and Flies on Nude), Salvador Dali Casanova, Dali illustre Casanova, Dali 1967 engraving, Salvador Dali color engraving, Dali Cercle du Livre Précieux Paris, Dali Haasen Boileau Cappelle, Dali vélin pur chiffon de Rives, Dali Surrealist print, Dali ants...

Artist: Salvador Dali Title: Le Portrait de la Fontaine Portfolio: Le Bestiaire de La Fontaine Medium: Engraving on Richard de Bas paper Year: 1974 Edition: XII/CXX Framed Size: 36 3...

Salvador Dalí (1904 - 1989) The Sacred Love Of Gala, from After 50 Years of Surrealism (Field 74-8J, M&L 674) Etching with drypoint and extensive hand-colouring, 1974 signed and insc...

Artist: Salvador Dali (1904–1989) Title: Six Eggs (Six œufs) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.25 inches (3...

This piece is a lithograph from the original ink drawing with added color. It is from Dali's suite of 6 lithographs entitled "Le Jungle Humaine", which he created in 1976. This piece...

Salvador Dali (1904-1989) - Frontispiece Etching from 1973. The edition of 77/195. Dimensions of work: 65.5 x 50 cm. Hand signed. Publisher: Transworld Art, Fribourg, Switzerlan...

Salvador Dali (1904-1989) - Portirait of the Signatures Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 38 x 28 cm. Publisher: Editeuropa Anslat/Bergrg...

Salvador Dali (1904-1989) - Joseph Etching from 1973. The edition of 77/195. Dimensions of work: 65.5 x 50 cm. Hand signed. Publisher: Transworld Art, Fribourg, Switzerland. Re...

Artist: Salvador Dali Title: Méditation orogenique from pansy Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed (S....

Salvador Dali (1904-1989) - Calderón de la Barca Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 38 x 28 cm. Publisher: Editeuropa Anslat/Bergrgruen. ...

Salvador Dali (1904-1989) - Grenade et l’ange (Pomegranate and Angel) Lithograph with drypoint etching from 1969. The edition E.C. /b on Auvergne paper. Dimensions of work: 74.5 x...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...