William Burns Art

Signed impressionist oil on canvas landscape circa 1950 by sought after French painter Edouard Cortes. The work depicts an evening scene of the Place de la Republique square in Paris France. The ground, bare trees and buildings are covered in a dusting of white snow. The street lights are glowing and the Monument a la Republique is visible in the distance. Signature: Signed lower left Dimensions: Framed: 19"x24" Unframed: 13"x18" Provenance: International Galleries - Chicago c. 1950 This work is included in the Catalogue Raisonne of the painters work "Edouard Cortes (1882-1969) : The Complete Works" Ref: EC001317 A photo certificate of authenticity accompanies the painting Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Duomo of Milan with peasants is a modern artwork realized by an Italian Artist in 18th century. Mixed colored oil on canvas 40x33cm with frame included. Good conditions.

Michel Loeb (French, 1931- ) "Le Petit Clocher" Oil on Panel Painting Frame: 22.5" X 26" Image: 14.5" X 17.75" Hand signed bottom left Oil on board Fauve painting of a French countryside scene with trees, farmers and houses. Michel Loeb, 1930- painter, was born in Saint-Cloud. Lives and works in Luberon. Art naïf. Pointillist, Fauvist, Surrealist, Dadai artist, unclassifiable, highly original, unique art. His works radiate a light, a love of colors, of the absurd, of the funny, of the tender and of the poetic. French Naive art. Galerie Felix Vercel showed his work. Whether in color or black & white, in painting, sculpture or a lithograph print, the world of Michel Loeb is a poetic, joyful and exuberant paradise, where humor and fantasy are never far away. Extravagant works that sparkle like their iconoclastic author whose titles often say a lot. Each work is executed with great attention to detail, often under the magnifying glass, by this former jeweler, including its very large formats. Michel Loeb has drawn parallels to his masters of painting, facetious but always majestic winks and the desire for paintings in the style of Vincent Van Gogh, Paul Gauguin, Edward Hopper, Hokusai. Michel Loeb is a painter born in Saint-Cloud. He first trained as a jeweler and diamond dealer like his father and painted as an amateur. He devoted himself to painting from 1970, after his meeting with the famous art dealer Félix Vercel, who then took him under contract and exhibited him in Paris, New York and Tokyo. Galerie Felix Vercel in Paris (Avenue Matignon) and New York (Madison Avenue) showed artists as Pablo Picasso, Fernand Leger, Armand Guillaumin, Maurice Utrillo and Claude Venard. He is part of School of Paris artists that included Marcel Cosson, Jean Jansem, Claude Salomon, Michel Kouliche, Bernard Buffet, Bernard Lorjou, Jean Dufy, and others. Naive art was then in fashion and his work enjoyed great success; he has prepared no less than one exhibition per year since this period. Recently he had the opportunity to present his work in Provence, Oslo or Shanghai. Since 1988, he has settled in Oppède, in the Luberon, among vineyards, scrubland and olive groves where he draws his inspiration. His work is simimilar in its childish naive appeal and is reminiscent of Henri Maik and Gustavo Novoa. In the French tradition of Séraphine de Senlis, Ferdinand Cheval, Henri Rousseau, Louis Vivin...

Edwadian early Twentieth Century Impressionist English Landscape Oil Painting of Findon, Sussex. William Lee Hankey - Large Framed Oil Painting. English Landscape with Sun dappled ...

Signed oil on canvas board figures in cityscape circa 1940 by sought after French impressionist painter Edouard Cortes. The work depicts an autumnal scene of the the Arc de Triomphe,...

George Curtis transcended the typical Hudson River School style with this painting. While in the Hudson River School, painters often created warmer landscapes of the American country...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting depicts "Orpheus and the Animals." The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him. Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing. In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear. An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations. In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants. The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving. The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...

Ross Stefan (1934-1999) Image Size: 16 x 25 Frame Size: 26 x 34 Medium: oil on canvas "Just Enough Shade" Born in Milwaukee, Wisconsin, Ross Stefan became a painter of western scenes...

Charlotte Buell Coman A View from Highland Inn, Stroudsburg, Pennsylvania, 1911 Signed lower left Oil on canvas 25 x 27 inches Provenance The artist (with) Macbeth Gallery, New York...

Juan Varea (1956) - Almond trees in bloom Riells - Oil on canvas Oil measures 46x55 cm. Frameless. Licensed in fine Arts. Faculty of Fine Arts. Barcelona. His painting is preferab...

"Waiting Figure" is a Post War abstract landscape oil on canvas painting by Roland Petersen in 1967. The artwork is 68 x 56 inches and, with the frame, is 69 3/8 x 57 1/2 x 3 inches....

This beautiful landscape painting is full of pastel greens and soft pinks depicts workers in the field. The oil color creates a heavy impasto texture and looks as rich as the fields ...