Ormolu Clocks

Gilt-bronze and Tortoiseshell Clock and Barometer set by Gleizes French, 19th Century Height 115cm, width 30cm, depth 7cm In the Louis XV style, t...

A most elegant French 19th century Louis XVI st. Rouge Griotte marble and ormolu mounted clock signed Le Merle Charpentier Bronzier, Paris Rue Charlot. The clock is raised b...

A rare Chinoiserie style gilt-bronze and enamel figural clock. This elegant and sophisticated clock has a finely chiselled gilt-bronze case with gold and enamel highlights. It dep...

A very good quality 19th century French gilded ormolu and white marble mantel clock, having a central urn, flanked by Pan like figures each with hoof feet. Swags and drapes of foliag...

A very good quality 19th century Louis XVI style gilded ormolu clock garniture, the clock having a classical urn finial with garlands, ribbons and foliate decoration. The white ename...

A striking and most decorative French 19th century Neo-Classical st. ormolu and Rouge Griotte marble three piece garniture set signed Japy Frères. The impressive clock, which Japy Frères won a gold metal for this clock in 1855, at the center is raised by a rectangular Rouge Griotte marble base with fine bun feet and a striking wrap around Coeur de Rai and pierced palmettes bands at the mottled border. The white enameled clock face displays pierced hands and Roman hour numerals set within the mottled ormolu bezel with intricately detailed beaded and foliate designs with two charming and most unique butterflies. A beautiful maiden is seated above draped in a wonderfully executed flowing garment while breastfeeding a charming winged cherub with an anchor, a quiver, and an ewer at their side. The pair of urns are displayed at each side and are each raised by elegant square bases with a bottom ormolu band and an exceptional wrap around mottled band. Above the square Rouge Griotte pedestal...

From the Restauration period; comprising a central clock and a pair of flanking vases, the central vase shaped clock with circular dial signed 'AUG. de Boussiard' and twin ormolu swa...

An elegant and high quality French 19th century Charles X Period Baccarat Crystal and Ormolu garniture set. This wonderful garniture set consists of a clock and pair of urns, raised ...

A magnificent French 19th century Louis XVI st. Rouge Griotte marble and ormolu clock by Raingo Frères, Paris. At the base are stunning ormolu mounts of rosettes and scrolled foliate...

Elegant antique clock garniture set, crafted from striking pink-veined marble and adorned with ornate gilded bronze details. This exquisite...

A French Garniture de Cheminée in the Chinoiserie Taste Constructed in blue turquoise porcelain with gilt highlights, Algerian onyx and bronze, ...

An elegant French 19th century Louis XVI st. Gris St. Anne marble and ormolu pedestal clock. The rectangular shaped pedestal clock is raised by ormolu topie shaped legs below a mottl...

A very good quality French 19th Century Louis XVI style gilded ormolu and 'Severs' style pink porcelain mantel clock. In the form of a vase with an inset clock face, an eight day dur...

A Nice Late 19th Century Gilt and Patinated Bronze Three Piece Clock Set The heavily bronze mounted clock with three putti, bronze designs of flowers, birds and instruments, sitting...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period ormolu, white Carrara marble, Lapis Lazuli, and Baccarat crystal garniture set retailed by...

Very fine and rare green onyx, porcelain, cloisonné enamel and ormolu mantel clock French, Late 19th Century Height 64cm, diameter 23cm This beautiful piece is an exceptionally unusual and equally beautiful mantel clock, crafted from a variety of materials, used to showcase an array of superb decorative arts and techniques. Made in France in the late nineteenth century it is formed of green onyx, porcelain (the vase on top), cloisonné enamel and ormolu. The dials are set upon three columns of ormolu, mounted on green onyx, and framed with enamel in red, white, and blue, floral motifs. The dials are adorned with lettering in both French and Spanish, and measure time, temperature, and pressure. An elegant decorative vase mounts the clock, crafted from porcelain, and similarly decorated with enamel elements. Rare in design and even rare in terms of pure quality, it forms a unique antique timepiece...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

An elegant French late 19th century Louis XVI st. Patinated Bronze and Ormolu clock. The clock in the shape of the Urn of Prosperity is raised by a square base with concave corners a...

This fine and unusual mantel clock is a rare model produced in France for the British market. The case incorporates a finely cast and chased figure of a lady in medieval dress, almos...

A superb original antique French Rococo clock by Samuel Marti. Formed of sinuous leafy curves with floral foliate swag all in finely gilded bronze. The clock stands on a beautifully ...

This graceful, joyous antique clock set is a reminder of why the 19th century Parisian clockmaking firm Raingo Freres is so highly revered: the beautiful...

A very good quality late 19th century French Sevres style porcelain and gilded ormolu clock garniture. Having a pair of cherubs either side of the clock and central urn, classical ha...

French 19th Century Louis XVI Ormolu & Marble Clock Set by Samuel Marti. Samuel Marti et Cie clocks can be found on display at the Metropolit...

A Garniture de Cheminée in The Egyptian Manner Constructed in Algerian onyx and ormolu, comprising a large clock and two side pieces; rising f...

A stunning and most impressive French 19th century Louis XVI st. Ormolu, Onyx and marble clock and pedestal, retailed by Camerden & Forster. This most rare set is comprised of a rich...

A breathtaking antique French Belle Époque period (1871-1914) porcelain mounted mixed metal mantel clock. Born in France in the late 19th / early 20th century, fine quality Parisian work, exceptionally executed in luxuriously opulent 18th century Louis XV Rocaille taste, finished on all sides so it can be placed anywhere in the room, featuring a visually striking sculptural floral fiolate adorned gilt metal case, heavily embellished with fine porcelain flowers...

An outstanding late 19th century gilt bronze mantel (fireplace) clock by Dagrin and Philippe By Dagrin and Philippe A large gilt bronze, beautifully dressed sculpture...

A wonderful quality late 19th century French Louis XVI style gilded ormolu and Champlevé enamel clock garniture, the clock having a two handled turquoise enamel urn with swags above ...

An elegant and high quality French 19th century Louis XVI st. white Carrara marble and ormolu clock. The clock is raised by foliate topie shaped feet below the oblong shaped white Ca...

An ormolu cased Cartel clock by Vincenti & Cie Constructed in gilt bronze, depicting a well modelled figure of Father Time, carrying his scythe, with a winged cherub surmount, hou...

A very good quality late 19th Century French Louis XVI style Champleve enamel clock set. The clock having a classical scene of a cherub handing flowers to ...

A good quality French gilded ormolu, bronze and rouge marble mantel clock, in the Louis XVI style. Having Doves above the clock face, an enamel dial with an eight day movement, chiming on the hour and half hour. Bronze putti on either side play the pipes and mounted on a rouge marble base. Maker name; Hamilton and inches...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period patinated bronze, ormolu, and Rouge Griotte marble clock attributed to Henry Dasson. The c...

A magnificent French mantel clock in patinated bronze and original ormolu. Modeled with figures of two classically dressed females sitting back to back against the clock drum and rea...

A period Louis XVI Ormolu Cartel Clock, also known alternatively as 'Cartel d'Alcove' or 'œil de bœuf Cartel d’Alcove' or bull's eye, the circular dial headed by a cockerel, within a...

An elegant French 19th century Louis XVI st. ormolu nine light chandelier. The chandelier is centered by an outstanding bottom acorn inverted finial amidst richly chased acanthus leaf patterns. Each S scrolled arm is decorated with fine acanthus leaves ending in striking floral candle cups and reeded twisted bobeches. The reeded straight central fut leads up to a large, attractive acanthus leaf canopy. With all original gilt throughout. Julien Le Roy (1686-1759) a renowned 18th Century Parisian...

A large and impressive, very good quality French gilded ormolu clock garniture. The clock supported by a pair of Caryatids, decorated with swags and classical motifs, four bevelled g...

An exceptional and extremely high quality French 19th century Louis XVI st. Belle Époque period marble and ormolu three piece garniture set signed Raingo Frères, Paris. The clock and original matching pair of candelabras are raised by impressive marble bases with the clock raised on reeded block feet at the front and elegant fluted topie shaped feet at each side. At the center is a striking fitted ormolu plaque with lovely scrolled acanthus leaves and Rinceau shaped scrolls flanked by lovely fluted designs with fitted ormolu foliate chandelles. Impressive intricately detailed cornucopias lead up each side with beautiful ripe fruit and blooming flowers tied with a wonderfully executed flowing ribbon. The enameled clock face displays elegant pierced ormolu hands and Roman numeral hour markers and Arabic numeral minute markers centering the signature and framed within the ormolu bezel with a fine laurel band and the original hand blown glass. The graceful arch shaped top displays a superb ormolu reserve of the eternal flame, a quiver, and a bow tied to a berried laurel wreath with a ribbon symbolizing peace, prosperity, and protection. At the center of each candelabra is a remarkable spiral fluted support centered by four elegant curved supports with fine foliate accents and charming swaging chains. Above is the impressive richly chased acorn finial above the two curved fluted arms also adorned with remarkable chains and large acanthus leaves leading to lovely foliate candle cups. All original gilt throughout. Candelabra dimensions: H: 13" L: 8.5" D: 4.25" Raingo Fréres, established in 1813 in Paris, specialized in the high precision clock...

A symbolic skeleton clock from the French Directoire period. A rectangular Carrara marble plinth with bronze toupie feet with knurled decoration supports an ormolu 'arc-de-ciel', wi...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

Fine antique French Empire Ormolu mantel clock of a chariot drawn by two winged horses carrying the chariot with a female figure. Thi...

A spectacular and unique French early 19th century Louis XVI st. ormolu mantel clock, signed by Chapsal a Paris. The clock is raised on finely chased swan supports below a rectangula...

A stunning and very high quality French mid-19th century Louis XVI st. ormolu and Rouge Griotte marble clock, stamped L. Oudry, Paris. The c...

A superb example of neoclassical artistry, this antique Louis XVI style mantel clock was crafted in Italy circa 1834. Rich in symbolism and detail, the clock features a finely cast g...

A Louis XVI style gilt bronze and Sèvres style porcelain mounted figural clock, Allegorical of the Arts. The dial signed 'Colin, Paris'. The movement stamped 'Vincenti et Cie'. ...

Exceptional Late 19th Century French Louis XV Style ormolu and Sevres style porcelain 3 piece clock garniture set Dial marked: Richond / Boult. / Montmartre 21 Paris; Movement marke...

A Very Fine French 19th Century Louis XVI Style Plum-Mahogany and Ormolu Mounted Tall-Case Regulator attributed to Revollon. The Roman numeral dial signed: Revollon - M. Lion, with h...

Late 19th century french Louis XVI ormolu gilt bronze mantel clock by Lemerle-Charpentier & Cie. By: Lemerle-Charpentier & Cie. Materi...

French Empire period gilt bronze mantel clock French, early 19th century Measures: Height 50cm, width 36cm, depth 12cm This mantel clock, wrought from gilt bronze during the French Empire period, features a rectangular base, set above four bun feet, the front of the base adorned with a gilt bronze relief panel...

FRENCH RESTAURATION ORMOLU & PATINATED BRONZE FIGURAL MANTEL CLOCK OF ROMAN PHILOSOPHER HORATIUS Paris, circa 1820; silk-suspension movement signed "Etablissement Barbot de Paris" 2...

An enchanting and very good quality French 19th Century grey marble and gilded ormolu clock garniture, each piece with a patinated bronze cherub seated hold candle sticks either side...

A beautiful Louis XVI style drum-head clock of refined classical design, retaining exceptionally fine original gilding of rich and lustrous tone. The movement is by the esteemed make...

1900 Antique French Ormolu Gilt Bronze Elegant Lady Marble Base Ball Clock Here we are offering a beautiful French bronze elegant lady figure ball clock. The elegant lady is made of...

A magnificent and very large original antique French Rococo cartel wall clock. Asymmetrically modelled in the Louis XV style, the dial bursting through the swirling clouds as the sun...

19th century French decorative toleware garniture set, circa 1880. Fine example of a 3 piece garniture set, hand painted toleware decorated with ornate ormolu mounts. Clock fitted w...

A fine, early antique French clock by André Hoffmann of Paris, the movement by Vincenti et Cie, circa 1850. It is beautifully made in ormolu (fir...

A fine early to mid-19th century French Ormolu and Porcelain Mounted mantel (fireplace) Clock of outstanding Quality and impressive proportions. Eight-day duration movement, striking...

Louis XVI Style Patinated and Gilt Bronze and White Marble Three Piece Clock Set, late 19th century, comprising a globe clock, with strike on bell timepiece movement, supported by th...

A miniature carriage clock timepiece by Thomas Cole and his brother James Fergusson Cole. The eight day single fusee movement with english lever escapement. The case is decorated with the ‘Rose and Trellis’ pattern as seen on another of Coles clocks retailed by Edward Dent with the same handle and case construction ( JB Hawkins, “The Hawkins Pictorial Survey of Cole Clocks...

A very pleasing 19th century French gilded ormolu and white marble mantel clock, having a cherub holding a torch and a bow and arrow, leaning against the inset eight day chiming clock.