Ormolu Clocks

This large, gilt bronze wall clock is a magnificent and highly unusual piece. At the centre of the design is a circular enamel dial, with Arabic...

This exquisite late 19th-century French Louis XVI-style mantel clock exemplifies the elegance of the period, featuring intricate champlevé enamel work set against a backdrop of sumpt...

A magnificent large scale French 18th century Coromandel and ormolu Grandfather Clock, by André Furet. This very unique and high quality clock is raised by rectangular base with a li...

A true museum piece, this beautifully sculptural clock could easily find its home in a traditional environment, or be a functional and explosive counterpoint to a minimalist interior...

FREE WORLDWIDE SHIPPING ON OUR COLLECTION OVAL SHAPE TABLE CLOCK WITH BRASS BRACKET From our European Ceramics collection, we are delighted to offer this Sevres Style Porcelain Tab...

Exceptional 19th century French mantel clock from the Napoleon III period, executed in refined Louis XVI style and combining richly contrasting materials including patinated bronze, ...

Small mantel clock with bas-relief France Bronze, enamel early 19th century Dimensions: H x W x D: 33 x 19 x 9 cm Description: Antique, fire-gilt portal clock with figurative, Gre...

A most spectacular and sensational quality French mid 19th century Louis XVI st. clock in ormolu signed ‘BEURDELEY À PARIS’. The large scaled clock is raised by bun supports decorate...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

Antique neoclassical style three-piece gilt bronze clock set French, late 19th century Measures: Clock: Height 57cm, width 74cm, depth 23cm. Candelabra: Height 83cm, width 27cm, d...

Antique French Green Onyx Champlevé Enamel Marble Ormolu Pedestal Clock French, Late 19th Century Height 136 cm, Width 41 cm, Depth 33 cm An impressive French pedestal clock in gr...

A superb and high quality French 19th century Louis XVI st. patinated Bronze, Ormolu and Rouge Griotte marble clock, by Jean Francois Denière. This stunning clock is raised by four O...

A very fine and substantial ormolu clock by the clockmaker Vincenti. Stunning Rococo balloon form of sweeping acanthus swags, scrolls and floral flourishes. To the top of a beautiful...

A very impressive gilded ormolu Louis XVI style clock garniture, the clock and candelabra being supported by winged cherubs, scrolling swags and foliage and classical mask...

An exquisite French Empire ormolu and cut-crystal clock, c. 1815, attributed to Baccarat. Made from the finest quality mercury gilding ormolu, this c...

Are antique French Louis XV ormolu mantel clock of Hannibal and Scipio signed Amant. This rare and unusual clock, in extremely fine condition an...

French Art Nouveau bronze dore grandfather clock with marble & onyx pedestal top and base. *Not working

Charles X "The Serpent and The Eagle" Ormolu Clock, circa 1830, the circular dial with strike on bell movement, signed "Charles a Paris", surmounted by the serpent and the eagle from...

A very finely cast gilt bronze clock depicting Psyche at her toilet. The reflective mirror of polished bronze and that each element is cast separately then screwed on is an excellent...

An exceptional French gilt bronze mantel clock marketed by Tiffany & Co, with classical cast gilt figures of a boy and girl reading on each side of the clock, a central raised panel ...

A very impressive and stylish early 19th Century gilded ormolu and green marble mantle clock, having two classical maidens either side feeding Rams, an Eagle above the circular white...

Gilt bronze eagle and marble ball clock. France, circa 1900.

Louis XVI Style Ormolu and Alabaster Portico Mantel Clock, late 19th century, the circular enamel dial, with strike on bell movement, surmounted by an urn and supported by four flute...

A superb early antique French ormolu and Sèvres style porcelain clock. It is made of exquisite ormolu (finely gilded bronze) mounted with very finely painted Sèvres style porcelain, ...

A Fine Napoléon III Gilt-Bronze Three Piece Clock Garniture Comprising a mantel clock and a pair of seven-light figural candelabra. Designed as a celebration of music and lyric poe...

Antique French Louis XVI style gilt bronze cartel clock French, late 19th Century Height 63cm, width 28cm, depth 10cm This elegant cartel clo...

A Superb Coromandel-Veneered Mantle Clock The case constructed of very well-figured Coromandel giving the maximum amount of decorative effect, with gilt bronze accents; the plinth base of rectangular form, with everted stepped corners, and precisely chased gilt bronze figures, two representing Mercury-the god of travel and merchants with his winged helmet and coin purse in hand; the others representing Fortuna-the goddess of luck; the sides glazed, with mooresque arcaded pierced mounts enclosing a vase, in gilt bronze with overlapping palm trees above: the top of domed form with an octagonal platform, surmounted by an architectural dome, its engraved detail and structure reminiscent of Byzantine prototypes. The silvered chapter ring with Roman numerals for the hours, and within an arabesque dial divided into quadrants, with the key aperture at 6 o'clock. Below, the manual calendar, and a semi-circular thermometer. The dial signed by the retailer "Hunt & Roskell / London." The mechanism replaced with a one-year duration movement by Achille Brocot. English, circa 1860 A closely related clock, by Thomas Cole, though not bearing his signature, with a case of identical form and differing bronze decoration, previously with Butchoff. A third known coromandel-veneered example, also unsigned, is discussed by John...

An exquisite Louis XV style gilt and patinated bronze cartel clock. The eight-day two train bell striking movement, with vertically planted platform cylinder escapement and stamped with S. Marti et Cie MEDAILLE D'ARGENT. 1889 roundel and serial number 647 to backplate. The dial formed as a deep blue and gold flecked enamel dome applied with gilt Roman numerals and stars set within billowing clouds interspersed with sunburst rays. Applied with three patinated bronze cherubs in flight, around the dial attending to a floral garland. Amongst the clouds can be found a pair of doves, a horn and arrows, a quiver and bow. This coupled with the cherubs and flower garland would suggest this clock was made as a love token or wedding present. The symbolism of love, marriage and fertility, the cherubs representing the three Greek Erotes...

A stunning and high quality French 19th century Louis XV. st. ormolu, patinated bronze and Rouge Griotte marble clock. The clock is raised b...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Designed in the French Rococo style, this clock and barometer set have been beautifully ornamented with scrolling foliate gilt bronze forms. The two are diamond shaped, with symmetri...

A very good quality French 19th century gilded ormolu and pink Sevres porcelain mantel clock. Having monopodia supports, a putti supporti...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

An exceptional quality three-piece clock set designed in a grand neoclassical style by 'Domange Rollin Rue de Bretagne Paris'. France. The set is comprised of a central clock and tw...

A fine French Louis XVI Style gilt and patinated bronze and white marble figural mantel clock with a figure of a drummer cherub. The brown patina cupid, seated on gilt-bronze clouds ...

Measures: H: 25 1/2 in / 64.7 cm ; W: 22 1/4 in / 56.5 cm ; D: 9 1/2 in / 24.2 cm An exceptional quality three-piece clock set designed in a grand neoclassical. The set is compri...

A superb and substantial ormolu clock from a design by the 18th century bronze founder Robert Osmond and made by the famous Compagnie des Bronze of Bruss...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...

Large gilt, patinated bronze and marble clock set by Raingo Frères French, Late 19th Century Clock: height 73cm, width 29cm, depth 28cm Candelabra: height 66cm, width 30cm, depth ...

A fabulous over one hundred and sixty year old Parisian neoclassical style Bardiglio marble three piece mantel set. Born in Paris, France in the mid 19th century, featuring an an...

Precioso reloj de sobremesa francés, Imperio, siglo XIX, en bronce dorado al mercurio y malaquita. Movimiento mediante maquinaria París de suspensión de hilo, con soneria sobre camp...

A sensational and extremely high quality French 18th century Louis XV Period Kingwood and Ormolu mounted clock, signed Lacan À Paris, Circa. 1770. This stunning tall case clock displ...

French Directoire period ormolu and patinated bronze mantel clock signed Maniere a Paris. A magnificent antique French Directoire mantel clock in patinated bronze and finest ormolu signed Maniere a Paris for Charles-Guillaume Maniere who was working in the Rue...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

A beautiful original antique French clock modelled in the Louis XVI style as two charming cherubs carrying the clock on laurel wreaths. The pendulum with applied musical motifs, swin...

This remarkable French mantel clock is a work of exceptional quality, created during the Restoration or Charles X period, circa 1820 to 1830. While it retains the architectural balan...

FRENCH RESTAURATION ORMOLU & PATINATED BRONZE FIGURAL MANTEL CLOCK OF ROMAN PHILOSOPHER HORATIUS Paris, circa 1820; silk-suspension movement signed "Etablissement Barbot de Paris" 2...

A remarkable example of mid-1700's French horology, this Louis XV period Pendule à l’Éléphant showcases the technical mastery and playful elegance characteristic of the Rococo era in...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

A magnificent turn of the late 19th / early 20th century French three piece mantel set, retailed by the renowned Bailey Banks and Biddle, with movement by Samuel Marti of Paris. The stunning antique...

An elegant and high quality French mid 18th century Louis XV Period Ormolu and stained Horn Cartel clock, signed Faucheur à Paris, circa 1750. This stunning clock is comprised of a g...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

A French Charles X period gilt bronze figural mantel clock circa 1825. Saint-Nicolas-d'Aliermont and Paris, c. 1825. The sculptural group represents an allegory of navigation or Hop...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

Signed on dial "Jn Pre Calame A PARIS" with later key. Movement not guaranteed.

A fine Louis XVI-style large gilt-bronze and greige Rococo marble figural mantel clock is surmounted by three dore bronze putti figures hanging floral adornments among clouds with lo...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Magnificent 19th century French mantel clock garniture in the Napoleon III style, comprising a finely sculpted mantel clock and a matching pair of large candelabra. Executed circa 18...