Marble Decorative Objects

This solid bronze sculpture depicts a reclining nude woman on sheets, holding a cigarette in a pose of elegance and repose. Adopting the artistic language of Fernando Botero (1932–20...

Art Deco panther circa 1930. Spelter sculpture with a green patina on a black marble base (Belgian Surfin). Signed Rochard on the base. In very good condition, 1 chip on the corner o...

These very nice 4 mortars are made of white marble. This is a French work, 18th century.

Wonderful C.Jere table sculpture of 3 flying eagles on a solid marble base. I love the large scale size of this table top sculpture along with the subjec...

A wonderfully unique true pair of French 19th century Louis XVI st. Terra Cotta and Marseilles Pink marble busts. The busts are of a young boy and you...

A nice high quality Neo classical grand tour homage by Theodore and Alexander. It depicts an animal claw with a cavity on top for displaying something. It is cast of bronze and moun...

An early 20th century bronze figure of a nude man throwing a rock, marked 1905 to the base along with a monogram of the letters ‘S’ and ‘W’. Mounted on a contrasting white marble pli...

Lysis high dancer sculpture, portraying a nude maiden. Her waist is covered by a textured skirt with long draping fabric attached to her wrists. The statue is mounted to a black marb...

Continental German (late 19th Cent) sculpted terra-cotta master mask mold of a smiling face with a mustache & goatee and intitials "P.H." displayed on a square black marble base stan...

Circa 1980s abstract Curtis Jeré chrome & brass free form ribbon kinetic table sculpture with ball on round black marble base, retains Artisan House - C-Jere decal. Chrome has minor ...

An antique bronze figure of Lorenzo De Medici, after Michelangelo, inscribed ‘Michel-Ange’. This well made and patinated antique bronze, raised on a green marble plinth depicts ‘Lor...

A very fine and large Italian 19th-20th century Carrara marble group "Allegory to Music" depicting five Bacchic putti musicians playing various instruments. The finely carved Palatia...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

The 19th Century Napoleon III Marble and Bronze Inkwell is a luxurious collectible item that exudes elegance and sophistication. Made with marble and bronze materials, this inkwell showcases a design from the era of Napoleon III, adding a touch of historical charm to any workspace or desk. Its craftsmanship and unique style make it a standout piece for collectors of antique writing instruments...

Marble bowl "Paros L" by Enzo Mari, 1964.

Pair of Italian busts from the Grand Tour, representing the Greek philosopher Socrates and the Emperor Septimius Severus, sculpted in bronze, with a chiseled bronze base and marble c...

Alfred the Penguin – Art Deco Figurine An enigmatic and elegantly sculpted penguin, this piece pays homage to Alfred, the iconic silent companion fro...

Mr. Pattison was educated at the Francis W. Parker School in Chicago, Yale and the Yale School of Fine Arts. (B. 1916 - 1999) In 1939, he was granted Yale's first traveling fellowship, enabling him to study and work in China and Japan for 12 months. Mr. Pattison's many other prestigious prizes included the Logan, Eisendrath, and Pauline Palmer Awards from the Art Institute of Chicago. The Logan prize, awarded in 1942, was for a bronze titled "Kneeling Women." In 1951 Mr. Pattison placed first in the Metropolitan Museum's contemporary American sculpture show. Between 1940 and 1970 alone, Mr. Pattison had 10 one-man shows in Chicago. His work is on display in some of the world's most renowned museums, including the Art Institute; the Metropolitan Museum of Art and the Whitney Museum of American Art in New York City; the Corcoran Gallery in Washington, D.C.; and the Israeli State Museum in Jerusalem. His public commissions include installations for the Mayo Clinic...

TOGATUS STATUETTE Depicting a male figure dressed in a toga and himation, held by his right hand. Presence of a prop on the right thigh, implying that this fragment was part of a sta...

Wonderful 19th-century Italian Neoclassical style white marble sculpture of reclining River Nymph or Water Nymph (woman). The nymph is shown relaxed and serene resting on an urn from...

19th century French, Charles X bronze, brass and sienna marble table clock from the Empire period. Signed Ravrio Bronzier, ca 1820 France.

Sculpture Bust Roman in solid hand carved marble lightly red tinted and grey tinted. Exceptional piece. Available now on stock.

The special work of the horse head creates an elegant and dignified aura from compressed marble, while at the same time re-emphasizing the elegance of the horse, one of the most aest...

This superb quality French Louis XV style clock set is a magnificent example of fine 19th-century decorative art, combining the elegance of gilt bronze with the timeless beauty of wh...

Lifesize Marble Classical Figure Neoclassical Elegance Variegated carved Marble C20th

This beautiful Art Deco figural sculpture of a female dancer made in France during the vibrant Art Deco era of the 1920s, captures an Orient...

Excepcional escultura francesa en bronce fundido a la cera perdida, finamente patinado, sobre peana de mármol rouge griotte y bronce dorado al mercurio, datada en el siglo XIX, circa...

Pair of 19th century bronze gold-plated two-arm cherub figural candelabras. F. Linke Gilt bronze cherubs with two arm candelabras, mounted on white marble pedestal, circled by gilt b...

Each urn cast with frieze of classical figures, raised on a bronze-mounted rouge griotte square marble base. The lampshades are silk and custom made by Blanche Field...

This nice mortar is made of white marble. This is a French work from 18th Century

This pair of fine candelabra torcheres take form on a monumental scale, each of them standing almost two and a half metres tall. The casting is superior in its quality and could be attributed to one of the 19th century masters, such as Deniere or Barbedienne. Each torchere is formed of a fluted veined marble column set...

"Ferdinando Vichi", Florence 1875-1945. Romantic figure of sitting woman. Made in marble, sitting on a chair made of bronze, original pedestal of green, Italian marble. Sign. Vichi. Ca. in 1900. (In two pieces) Ferdinando Vichi (1875-1945) was a central figure in the production of Florentine sculpture...

Beautiful Marble and Bronze Vide-Poche, France late 19th Century. The tray is made of a wonderful stuctured red marble. On top is lying a bronze putto, nicely chiseled.

A fine pair of French 19th century marble and ormolu mounted figural urn three-light table lamp candelabra. The ovoid white marble body surmounted with a pair of mermaids holding han...

Large and substantial piece by Florida sculptor Silvia Jaffe. Jaffe is a winner of multiple awards for her sculpture from the Norton Guild as well as others. Her work can be seen at ...

A fascinating Italian Grand Tour collection of hand-worked 19th century specimen marble fragments and semi-precious stones, many with original collector’s labels. This diverse set i...

A Stunning Late Grand Tour Collectors Box 19th Century Mahogany & Ebony Pietra Dura Karlsbad, Germany. The Lid Is Decorated with Marble And Agate Geometric Motifs. With Continen...

Pair of opposing bookends in brass with stylized leaping gazelles, mounted on dark marble plinths.

Pair of French 19th Century Green Marble and Bronze Vases/Urns Dimensions: H: 22" x W: 10" x D: 9"

A red Verona marble inkwell with a central, extremely refined, lost-wax bronze sculpture in the Neoclassical Grand Tour style, depicting the head of Antinous depicted as Dionysus in ...

Gilded and Patinated Bronze Mounted Renaissance Revival Mantel Clock with blue enamel detail This highly ornamented clock from the renowned E.F. Caldwell company is an incredible ex...

A marble topped three scroll torchere on triform base with carved paw feet. Bespoke sizing, design adaptations and finishing available. Please note we are currently working to a 30-3...

French late 19th century spelter sculpture by Hippolyte Moreau fitted with original 1 7/8" thick rouge griotte marble base. Hippolyte was one of the famous Moreau brothers, all of whom were sculptors. He was born in Dijon France in 1832 and died in 1927. This statue, in a warm chocolate brown patina depicts a diaphanously dressed woman with flowing scarf overhead and winged cherob at her side resting on the crest of a wave and shell. Hippolyte Moreau exhibited in the Salon des Artistes Français at the turn of the century and won a medal at the Universal Exposition in 1878 and another at the 1900 World Expo. Most of his works are preserved in the Museum of Fine Arts in Dijon. The light beige pedestal...

An elegant decorative composition featuring a large natural shell used as a container, holding a carefully curated selection of seashells and small coral fragments. The piece rests o...

Beautiful miniature bust of an elegant young woman. France, circa 1900. High quality workmanship gilded bronze on a marble base. Signed "Eug.Hannoteau" by the French artist and sc...

Elegant Art Deco style sculpture of a woman with hoop signed by the French artist C. Charles, cast at the Max Le Verrier foundry. The art metal sculpture has a lovely green patina an...

Satyr sculpture, satyr bust, satyr with grapes, marble satyr Satyr's head with grapes carved on beautiful white Carrara marble, Resting on a turned base of white Carrara marble The...

Italian modern round centerpiece in black marble, 1970s Round-based black marble centerpiece plate. There is a round plate in the center, surrounded by circular engravings. It can be...

Pair of bookends in veined green marble with orthogonal structure. On the marble base there are two identical metal sculptures, depicting two Toucan birds with an amber ball...

A Very Special Pair of Louis XVI Style Ormolu Mounted Verde Antico Marble Urns and Cover. Each with grape finials. The handles formed ram’s head, raised upon a waisted sole and dome...

A Very Fine Gilt-Bronze Clock With A White Marble Base by François Linke. The case signed 'Linke'. This rare example of a clock by François Linke has a twin train eight-day mov...

A large (almost life-sized) antique Carrara marble statue of a Roman legionary. Dressed in typical Roman soldier costume and with sword and shield in ...

Beautiful and interesting form in this Brutalist sculpture depicting a couple dancing. Classic modernist sculpture, well executed. This mid-century modern figurative sculpture will ...

This elegant pair of 1880s French marble cassoulets exemplifies the refined decorative artistry of the late 19th century. Each piece is crafted from ...

A handsome and high quality French 19th century Louis XVI st. Ormolu and black Belgian marble centerpiece, signed F. Barbedienne. This stunning centerpiece/tazza is raised on a circu...

Magnificent "Dorso Masculino" sculpture in Carrara marble from the 20th century. Italy Measures: H. 108cm x 37cm Perfect conditions.

This bronze horse statue, captures the dynamic energy of a galloping stallion in mid-stride. Every muscle, tendon, and curve is carefully sculpted, reflecting both strength and elega...

Alluring Art Deco patinated bronze nude sculpture laying gracefully on a marble and onyx base, while also reclining on a bronze rock figure. Made in France, 20th Century. Dimensions:...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...

Large Torso of Laocoon in Giallo Antico marble, 77 cm high. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Indicative shippin...