Ormolu Decorative Objects

A most elegant pair of French 19th century Louis XVI st. ormolu and white Carrara marble candelabras. Each three arm candelabra is raised by a triangular white Carrara marble base wi...

A sensational and large scaled pair of Japanese 19th century Imari porcelain and French 19th century Louis XVI st. Ormolu mounted vases. The pair of vases are raised by square Ormolu...

An Ormolu bust of a 16th century Prince, by Rancoulet French, Late 19th Century Height 72cm, width 42cm, depth 22cm Made by the skilled and renowned French artist and sculptor Ernest Rancoulet, (French, 1870-1915), this excellent gilt-bronze bust was made in the late nineteenth century, in fine neoclassical style. Rancoulet was best known for mythological scenes and figures, and depictions of athletes. He was also known for depictions of members of high society, often aristocratic women, exhibiting for a number of years at the Paris Salon, producing many exceptional likenesses, busts, and figurines, such as this. In this work, the sitter, envisioned as a 16th century Prince or nobleman of sorts, towards out and towards the left. He wears a plumed hat and a high collared cape, with a typical period frilled ruff. His tunic is elaborately decorated with jewellery. A portrait full of character and vitality, this work is an excellent representation of Rancoulet's work, and of French Neoclassical sculpture...

A Beautiful Late 19th Century Gilt Bronze and Marble Three Piece Clock Set – Lieutaud Paris The excellent quality clock case in white marble with figures of Venus and Cupid embracin...

A very good quality 19th century French gilded ormolu, Champlevé enamel and onyx clock garniture. Having an impressive pair of six branch candelabra with white onyx urns, inset champ...

A stunning French 19th century Louis XVI st. white Carrara marble, Ormolu and jeweled dial clock. The most elegant lyre shaped clock is raised on a stunning white Carrara marble base...

Gilt bronze jardinière with hardstone fruits French, Early 20th Century Height 15cm, width 57cm, depth 26cm The jardinière is wonderfully cast from gilt bronze and filled with a se...

A rare and very fine 19th century French Louis XVI style ormolu mounted white marble 3-piece Rotary (Annular) clock set comprising a clock and a pair of 3 arms candelabra. The urn s...

Restauration gilt bronze mounted crystal lyre mantel clock French, circa 1820 Measures: Height 67cm, width 23cm, depth 14cm This superb mantel c...

A very fine early 19th century French Kingwood, ormolu-mounted jardinière, the shaped rectangular removable leather top lifts up to reveal a zinc liner, this leads down to a fine qua...

French three-piece tortoiseshell and gilt bronze clock set French, late 19th century Clock: Height 55cm, width 26cm, depth 15cm Candelabra: Height 46cm, width 22cm, depth 20cm ...

An elegant French 19th century Louis XVI st. ormolu frame. The rectangular frame displays its original glass pane framed within a finely chased Coeur de Rai pattern and beaded design...

French gilt bronze and enamel three-piece clock set French, late 19th Century Clock: Height 45cm, width 26cm, depth 14.5cm Candelabra: Height 31.5cm, width 21cm, depth 9cm This char...

A beautifully and high quality pair of French 19th century Louis XV st. Cloisonné and Ormolu candelabras, signed F. Barbedienne. Each six arm candelabra is raised by a square Ormolu ...

This striking and highly detailed mantel clock is made entirely of ormolu, and is surmounted by the figure of an Eastern nobleman. He wears typical dress of his location and period: ...

A fine pair of ormolu amphora-shaped urns standing on marble pedestals, late 18th century or Empire period circa 1800. High end production attributed to French bronze maker Claude Ga...

A fine pair of ormolu sconces, 3 lights each, Empire period, early 19th century period circa 1810. Attributed to Claude Galle. Mercury gilt has been outstandingly preserved after ove...

An enchanting 19th century French gilded ormolu and patinated bronze Louis XVI style clock garniture. The four branch, Rococo influenced candelabra each supported by three classical...

This elegant bust of a young woman was created by the acclaimed sculptor, Affortunato Gory (Italian, fl. 1895-1925). Affortunato Gory (also known as Fortunato Gory) studied under the...

This ormolu (gilt bronze) mantel clock is a stunning piece of design, which features beautiful neoclassical style low-relief decorations and three-dimensional sculptures. The clock takes the form of a tall rectangular case with a circular white enamel dial near its top. This dial features black Roman Numerals and the maker’s signature, ‘Robin/ à Paris’. The dial is displayed behind a glass lens within a foliate bezel. The case is decorated in its upper corners with rosettes, and in the lower section with a stylised depiction of a swan. The case is topped by a sculpture of a wreath, propped up on a roll of paper or parchment. To the left of the case, there is a full-length statue of a man who wears a classical robe and holds a mirror. A lyre leans against the right side of the case. The clock is set on a wide rectangular base which is decorated with a low-relief scene taken from the classical myth of Dido and Aeneas...

An attractive and richly detailed French mid 19th century Louis XVI st. ormolu and patinated bronze signed Delesalle statue. The statue with an oval patinated bronze base has two fem...

A wonderful French 19th century Louis XVI st. Ormolu, Patinated Bronze, and Black Belgian marble statue of 'La Fortuna'. Fortuna is raised on a mottled black Belgian marble pedestal ...

19th Century (Early) French Charles X Ormalu Lyre Decoration

A very fine Russian giltbronze mounted malachite veneered paperweight dating from the early to mid-19th century. The plinth of rectangular form surmounted by a fully sculpted giltbro...

Constructed in a fine quality two-tone ormolu case, and adorned with rose ground ‘Sevres’ style panels to both front and sides, depicting; rising from oblate toupie feet, the domed case is of modest breakfront form, with a flambeaux urn atop, having tea rose garlands conjoining the body; the clock face delineates the hours in Roman numerals in white cartouches, and is driven by an eight day movement, striking on a bell, with the backplate having the retailer’s stamp, ‘E & S Watson...

A superb quality and impressive large scale pair of French 19th century Renaissance st. Rouge Griotte and ormolu nine arm candelabras, signed F. Barbedienne. Each is raised by a square Rouge Griotte marble base with an ormolu ‘C’ scrolled support in a lion paw design amidst scrolled acanthus leaves. Above is an ormolu laurel band below the fluted marble pedestal...

Beethoven bronze two candle lamp, Soho location.

A striking and large scale true pair of French 19th century Louis XV st. patinated Bronze and Ormolu candelabras. Each nine arm candelabra is raised on a uniquely shaped pierced Ormolu stepped pedestal with scrolling foliates designs, floral decorations, and a central bow. Above the bases are two patinated Bronze cherubs dressed...

This mantel clock is a wonderful piece of French Neoclassical design. It is an unusual and very beautiful item, which has been expertly crafted from gilt bronze (ormolu). The clock will add elegance and sophistication to a mantelpiece. The clock features a table-form body which is topped by a classical urn. The urn is crowned by a pomegranate finial and mounted with twin handles in the shape of rams’ heads with rings in their mouths. The urn is decorated with twisted and cabled fluting, a belt draped with foliate swags, panelled motifs and a ropework band. The urn stands on a table-shaped body which is surmounted by outward-pointing pinecone finials and laurel branches. The stepped tabletop has scalloped corners and is decorated with an egg-and-dart and leaf-and-dart band, as well as a central Green Man mask. This top is supported on six legs which feature leafy scrolled tops draped with swags and hoof feet. Between the legs, there is a drum clock...

Antique 19th Century Bourbon restauration malachite and gilt bronze mantel clock French, 1827 Dimensions: Height 65cm, width 32cm, depth 20cm This beautiful early 19th Century m...

An enchanting 19th century Louis XVI style gilded Bacchus influenced ormolu mantel (fireplace) clock depicting three putti rolling a barrel on the back of a cloven hoofed putti. The ...

A fine quality large 19th century French gilded ormolu and Champlevé enamel clock garniture, having cherubs perched on top and to the sides, turned finials and columns. Bright coloured classical motif enamel decoration, flanked by a pair of...

Small, rectangular, enamel coffer decorated with mythological scenes that are framed with spiraling lines of ormolu and attached with flowers at the corners. The Rape of Proserpina by the god Pluto adorns the lid. The front and back of the box are decorated with images of Diana being woken by her nymphs and the Rape of Europa. The sides have images of Mercury educating Cupid and a bath scene...

An important pair of Louis XIV Sèvres style vases, hand-decorated with cartouches of the king, his family and mistresses. The lids are moulded into crowns; wit moulded porcelain swag...

A Very Fine Pair of French Late Empire Patinated Bronze & Well Grained creamy white statutory Marble Grand Tour Twin Handle Tazza of large and heavy proportions First quarter of the...

Antique 19th Century French pair of ormolu mounted on rouge griotte, nine light candelabra. Formerly with central vases, the scrolled candlearms ...

Large Chinese Canton famille verte ormolu mounted porcelain vase Chinese, 19th Century Height 107cm, diameter 37cm This magnificent Chinese vase from Canton is decorated in the so-c...

A striking French 19th century Louis XVI st. ormolu, patinated bronze, silvered bronze and marble statue of Diana The Huntress inscribed "Réduction Sauvage". The statue is raised by ...

By Arthur WAAGEN (active 1869-1910). Japanese-style clock set. Made out of spelter. Representing a young woman dressed in a kimono

Art Deco gilt bronze sculpture of a woman by Rochlitz Continental, c. 1920 Measures: Height 30.5cm, width 16cm, depth 13cm This fine g...

A very impressive and fine quality pair of early 19th century gilded ormolu 13 branch candelabra, each with wonderful scrolling foliate decoration, supported by three classical maide...

A good quality 19th century French gilded Ormolu comport, having scrolling and pierced Rococo influenced decoration. Batch 37 57015 CEKZ

This Sèvres style porcelain vases in this pair are mounted with gilt bronze. The overall design scheme is exceptionally ornate, the bronze casting and the painted porcelain betraying...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

A stunning and high quality French 19th century Neo-Classical st. ormolu and white Carrara marble clock. The clock is raised by fine circular mottled ormolu feet below the solid whit...

Large French ormolu and cut glass vase French, 20th Century Height 80cm, diameter 36cm This extraordinary glass and ormolu (gilt bronze) vase was crafted in 20th century France....

A superb pair of French 19th century Louis XVI st. Belle Époque period patinated bronze and ormolu vases. Each vase is raised by a square patinated bronze base with concave corners a...

Antique French Animalier Gold Ormolu Gilt Bronze Bird Figure Sculpture Pheasant French Ormolu (Gilt Bronze) Late 19th Century Dimensions: H x W x D: 13cm x 20cm x 4.5cm This fi...

A late 19th century French Cloisonné enamel and ormolu mounted covered tureen, the richly decorated cloisonné enameling with floral and foliate motifs are executed in vibrant hues of...

Pair of gilt-bronze mounted Sèvres porcelain lamp bases by Picard French, Late 19th Century Height 52cm, width 21cm, depth 16cm These superb pieces are a pair of Sèvres style po...

A charming and very high quality French 19th century Louis XVI st. patinated bronze, ormolu, and Notre Dame marble statue signed Clodion. The statue is raised on an elegant Notre Dam...

A superb example of an early English tea poy of compact proportions. First quarter of the 19th century, Regency period. The rectangular hinged lockable lid with corner canted angles, enclosing four lidded compartments, above an exquisitely hand carved foliate and leaf capped column with shaped platform base ending on finely carved claw feet. Condition: Superb condition with no losses to inlays, interior foil linings are quite worn, very nice untouched surface patination. Lock and key are present and working, original metal castors are also present. Measures: Height: (overall as shown) 30” (76cm), width: 19” (48cm), depth: 13.75” (35cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping offered...

An exceptional true pair of French 19th century Louis XVI st. patinated bronze, ormolu and Black Belgian marble statuettes of Apollo and Daphne. Each ...

A breathtaking example of French artistry, this Antique Sèvres Bleu Céleste Porcelain Jewelry Casket epitomizes opulence and refinement. Crafted in...

A handsome and extremely high quality French 19th century patinated bronze and ormolu bust, titled ESRHOLIER and signed by EMILE LOUIS PICAULT. The bust is raised by a square base with a fine bottom ormolu fillet and a lovely mottled design. At the front is a unique and most decorative family crest amidst charming oak leaves inscribed 1350 and hanging in a gargoyle's mouth. At the center is an ormolu plaque inscribed "ESRHOLIER 14ème...

A stunning and high quality true pair of French 19th century Louis XVI st. patinated Bronze, Ormolu and Gris St. Anne marble statues of Mercury and Fortuna, after a model by Louis Gu...

An exquisite and most unusual pair of French 19th century Louis XVI st. Black Belgian marble, silvered bronze and ormolu vases. The pair are raised by a mottled Black Belgian marble ...

A magnificent and monumentally scaled Italian early 19th century solid Porphyry and ormolu urn, circa 1810. The most impressive urn is raised by a circular base with a fine stepped and mottled border. At the center is an impressive and most decorative reeded design below the smooth elegantly curved body with richly sculpted scrolled handles at each side. Above the curved neck is the removable lid also decorated with a beautiful reeded design, mottled band, and centered by a striking ormolu acorn finial. All original gilt. Porphyry was Imperial Rome’s most prestigious stone for columns, vases, and other objects. The word “porphyry” comes from the Latin word for purple, which was the color of nobility to the Romans. Porphyry is considered the Imperial Stone of the Roman Empire. In the year 18 AD, the Roman Legionnaire Caius Cominius discovered a beautiful purple stone in the eastern desert of Egypt. It was a deep purple color with flecks of larger white crystals and was perfect for carving. This porphyry quickly became the most prestigious stone for the elite of Rome and Byzantium. For centuries the Romans quarried this treasured stone...

A Pair of Late 19th Century Gilt and Patinated Bronze Six Light Candelabra After Claude-Michel Clodion Each vase of tapering form applied with two grotesque masks hung with laurel garlands above a frieze cast in relief with depictions of putti pulling the drunken infant Silenus, surmounted by a waisted neck with central square candelabrum issuing six acanthus scrolled branches. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

This is a wonderful and highly decorative antique Victorian ormolu mounted coromandel four piece desk set by the renowned London maker of luxury items, Betjemann & Sons, cira 1860 in...