1910s Decorative Objects

Daum Nancy Wheel‑Carved Cameo Glass Vase with Applied Roses, France, c.1910 An exquisite Daum Nancy cameo glass vase, crafted in white glass overlaid in soft green and finished with ...

Condition: Original Vintage Condition This early Arts & Crafts hammered copper footed bowl by Roycroft is a beautiful example of American handcrafted design from the 1910s. The rou...

A beautiful and highly decorative seven-piece Louis Comfort Tiffany Favrile glass serving set, comprising one larger central bowl accompanied by six matching smaller individual bowls...

Vase "Monnaie du Pape" made in frosted glass with grey patina by René Lalique in 1914. Molded and engraved signatures. Perfect condition. Sublime patina. Height: 23.5 cm. ...

A rare Moorcroft for Liberty & Co green glazed flamminian ware cannister shaped vase dated 1913. Flamminian Ware was produced between 1905 and 1915 and was produced for renowned...

An outstanding pair of vases by Jean Massier, France's most renowned Art Nouveau ceramic artist. Modeled after nature, the vases take the form of reeds—featuring a distinctive uppe...

A handsome and very elegant photograph frame, the perfect addition to any interior, from traditional to ultra-modern. Made from English sterling silver, the backing from solid Engli...

Wonderful Edwardian Bent Wood Hat Box with metal riveted banding for support on all edges. Great for storage, European Early 1900's. 18" x 11" high.

Elegant thrown porcelain vase with an expansive and vibrant aquamarine crystalline glaze on a sand colored base by master French ceramist Taxile Doat, from the University City Porcelain...

A charming lidded box in the shape of a pair of dogs—two terriers of different colors—crafted in Austria around 1910. The object is made of solid bronze and features cold-painted de...

Form design by Martin Fritzsche (1911), décor design by Adolph Flad; underglaze blue scepter mark and red imperial orb mark; 1763–1913 jubilee mark; impressed letter 'W'; month and y...

A cigar or desktop catchall box from Austria in the 1900s, made of patinated brass and wood, sounds like a unique and valuable antique. The fact that this particular box is an antique from the early 1900s adds to its value and collectability. Depending on the condition and other factors such as the brand or maker, it could be worth a significant amount of money to collectors of antique smoking...

An early 20th century Chinese export famille rose porcelain jewelry casket of square form. The hand painted decoration features vibrant pink peonies, t...

French Art Deco Porcelain Pigeon Candy Box by Edouard Marcel Sandoz for Haviland Limoges, 1916 A rare and exquisite French Art Deco porcelain pigeon candy box, designed by the celeb...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Pair of sterling silver, Edwardian Period, Neoclassical-Style, column-form candlesticks, made in the city of Sheffield, England, year hallmarked for 1911, Fordham and Faulkner - make...

A simple yet very stylish Doulton Lambeth art pottery vase applied with exquisite floral patterning attributed to renowned artist John Broad and dating from around 1920. The stonewar...

A slender, gently tapering cylindrical form with softly rounded shoulders and a short neck, finished in a distinctive high-fired art pottery glaze. The exterior exhibits a rich, spec...

A fine antique English solid sterling silver box with all over repousse decoration, the domed lid incorporating a vacant cartouche in the centre. The hinged lid is in perfect workin...

We have assembled an collection of 10 Art Deco decorative and hand made decanters made in Sweden during the early 1900s to 1930s . They used to have functionality as well as looking ...

A rare and beautiful Lavanite vase decorated with Elephants. Art Nouveau circa 1910. Probably made by W. Henker & Co in Berlin during the 1910s. Marked Lavanit Patent under the vase....

An elegant antique decorative casket box, made in Spain in the early 20th century and finely executed in gilt bronze & silvered with lined interior. This richly detailed box refl...

Delicate soliflore vase with berries and leaves decor. Multi-layered glass, with a decor intricately cleared with acid through vivid crimson red against a deep yellow glass ground. T...

This exceptional Tiffany Studios Tripod candlestick with Feather Favrile glass shade was created in the United States by Tiffany Studios of New York during the early 20th century, ci...

Perfume Bottle "Eucalyptus" made in glass with green patina by Rene Lalique in 1919.  Molded signature. Perfect condition.  Extremely rare and desirable model.  Exceptional patina. ...

Monumental Antique Art Nouveau Andre Delatte Cameo Glass Vase

A spectacular large Loetz Austria studio art glass vase, showcasing the exceptional craftsmanship and luminous iridescent effects for which Loetz glass is renowned. This impressive v...

Beautiful silver photo frame Good clear hallmark for Birmingham 1919 Good condition Original oak back Free UK shipping  

Moser & Cie Silver and Blue Guilloché Enamel Quarter Repeating Carriage Clock, circa 1910 A particularly fine and unusual Swiss silver and translucent blue guilloché enamel quarter-repeating carriage clock, retailed by the celebrated firm Moser & Cie, circa 1910 and made for the Russian market. The rectangular silver case is beautifully decorated to the front, sides and top with rich translucent royal-blue enamel over finely engine-turned guilloché decoration. Different patterns have been employed across the case, including an especially attractive radiating sunburst design beneath the dial, which gives the enamel remarkable depth and brilliance as it catches the light. The clock is surmounted by an elegant scrolling silver carrying handle, with the quarter-repeat button positioned centrally on the top of the case. The white enamel dial is signed “MOSER & CIE”, with stylised black Arabic numerals and an outer minute track. Particularly attractive are the original gold hands, providing a luxurious contrast against the white dial and vivid blue guilloche enamel. The rear silver door opens to reveal a high-quality Swiss quarter-repeating movement, which strikes the hours and quarters on demand when the button on the top of the clock is depressed. Of particular interest, the movement is stamped NOCTURNE and BREVET 30225. Nocturne was a specialist Swiss maker of sophisticated small clock movements and is particularly notable for having supplied movements to Cartier, placing the mechanism within the sphere of the finest Swiss-made luxury clocks of the early 20th century. The combination of a Nocturne quarter-repeating movement with a case retailed by Moser & Cie is especially appealing. The combination of Swiss and Russian marks is particularly appropriate for H. Moser & Cie, whose history was intimately connected with Imperial Russia. Heinrich Moser, born into a Swiss watchmaking family in Schaffhausen in 1805, travelled to Russia as a young watchmaker and established H. Moser & Cie in St Petersburg in 1828. The company rapidly developed a prestigious clientele amongst the Russian aristocracy and Imperial Court, while its watches and movements were produced through Moser's Swiss manufacturing operations. By the late 19th and early 20th centuries, H. Moser & Cie had become one of the most respected names in the Russian luxury watch trade, with its Swiss manufacture producing everything from straightforward watches to highly complicated timepieces for its wealthy Russian clientele. This clock dates from the fascinating final period of that relationship, shortly before the Russian Revolution brought the firm's Imperial Russian business to an end. The combination of H. Moser & Cie, translucent guilloché enamel, high-grade silver, Imperial Russian provenance and a complicated repeating movement makes this an especially rare survival from the golden age of Russian luxury objects. Dating from the years immediately preceding the Russian Revolution of 1917, this clock is a particularly evocative survival from the final period of Imperial Russia, when firms such as Moser commissioned some of the finest Swiss manufacturers to produce luxury objects for their Russian clientele. The silver case bears Swiss silver marks, together with a Russian import/control mark, consistent with its manufacture in Switzerland for the Russian market. With its rich blue guilloché enamel, gold hands, sophisticated quarter-repeating Nocturne movement, Moser & Cie signature and Imperial Russian provenance, this is an exceptionally attractive and highly collectable example of an early 20th-century luxury travelling clock...

Rene Lalique clear and frosted glass L'elegance perfume bottle. This pattern features two dancing female figures amongst flowers. Sepia stained relief details. Moulded, 'R. LALIQUE' ...

Large Edwardian Bent Wood Hat Box with metal riveted banding for support on all edges. Has a lot of period labels including Cunard Ships, with 4 feet as well to sit upright. Great fo...

Italian liberty roses stained-glass windows, 1910s Pair of rectangular stained-glass panels with light-colored frames, made of leaded glass. Both feature the same design, with a symm...

Large antique Swedish Cookie advertising tin. Beautiful decoration piece, nice addition to your kitchen or just to display in every room. Found at an estate sale in Stockholm, Sweden...

A very handsome top-quality four finger cigar case or box made from a heavy gauge of solid English sterling silver weighing 151 grams / 4.86 Troy Ounces. The case is in near mint co...

French Brass Picture Frame, Circa. 1910. Offered is a large beautifully executed French brass Arts and Crafts picture frame with a butterfly and flowers. Great patina!

The name Fabergé evokes images of art, beauty, mystery, and craftsmanship beyond anything that could be imagined at the time. Effortless Perfection. The first impression when obser...

Vase "Monnaie du Pape" made in red amber glass by Rene Lalique in 1914. Molded signature on bottom. Perfect condition. Exceptional and very rare color. height : 23 cm Félix Marc...

This head and hand are all that remain of Vally Wieselthier’s masterpiece installed at the Wiener Werkstätte America's Manhattan NYC showroom. For an en situ photo see: Ronald S. Lauder Neue Galerie...

Vase "Six Figurines et Masques" made in frosted glass with electric blue patina by René Lalique in 1912. Engraved signature. Perfect condition. Very beautiful patina. Height:...

Elegant silver photo frame Good clear hallmark for Birmingham 1913 Good condition Original velvet back Free UK shipping  

A stunning example of Art Nouveau craftsmanship, this model #196 sterling silver centerpiece was designed by Johan Rohde for Georg Jensen. Crafted in 925 sterling silver and weighing...

An exceptional Bohemian cut crystal vase manufactured by Carl Meltzer & Co. in Langenau near Haida, circa 1915–1916. The design is associated with the renowned Haida School of Gl...

Exceptional antique jewelry box attributed to Tiffany Studios, crafted in bronze and decorated with elegant glass paste in soft white and ochre tones. Made in New York, USA, around 1...

A gorgeous Arts & Crafts or Art Nouveau period Favrile iridescent art glass scalloped bowl By Louis Comfort Tiffany for Tiffany Studios (signed to the underside) USA, Circa 1910 M...

This box was handcrafted out of cardboard. The box is designed as two books in a folder with luxury binding. The box can be opened to reveal a secret compartment. The spines of the b...

Classic early 1910s Austrian letter opener. It has a nice patina. I did not clean it, so the next owner can decide what he wants to do with it. This highly collectible antique piece ...

Vase "Six Figurines et Masques" made in frosted glass with grey sepina patina by René Lalique in 1912. Engraved and molded signatures. Perfect condition. Very beautiful patina. ...

Antique Awaji pottery vase from the Danto kiln, successor to the famous Minpei kiln, featuring three different views of irises around the sides. Circa 1910. The flowers have been inc...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

A large hand-made model of an Alpine kitchen circa 1910, in a walled surround with canted corners and turned feet, having exquisitely detailed furniture, appliances and fittings craf...

This is an iconic design of Lalique made in white glass in 1919. This example is in deep blue electric glass with a hand written block letters signature . The condition is excellen...

Rare nude Art Nouveau celluloid handle Straight Razor. This is a great antique straight razor with a detailed Art Nouveau Nude standing in a gr...

A very rare organic ribbed Louis Comfort Tiffany blue Favrile miniature vase in the Jugendstil style. Beautifully signed 'L. C. Tiffany Inc Favrile' Then (indistinctly) '7168 U' and ...

A naturalistic shaped and fine detailed elephant figurine from the Art Nouve era dating to around 1910. The elephant is marked with a green unidetified manufacturer's mark.

Charming square jeweley or trinket velvet box featuring ornate gold gilt metal rocaille embellishments. The interior is lined in yellow moire fabric. Wonderful piece for a vanity or ...

A small and delightful Japanese yellow ground cloisonne round trinket or incense box, Meiji Period, circa 1910, Japan. The small box of squat, round shape, and may originally have b...

This Mintons majolica basketweave planter, made in England in 1911, is a green glazed ceramic jardiniere distinguished by its richly modeled relie...

A striking and impressive Loetz quality Tango art glass hand-blown bowl piped with a black glass rim and legs by renowned Austrian Sculptor, Ceramist and Des...

Daisy Makeig-Jones for Wedgwood. 'Woodland Elves VIII - Boxing Match. A Large Octagonal Fairyland Lustre Bowl, circa 1920. The interior is decorated with elves engaged in a boxing m...

Longwy Enameled Ceramic Vase, France, early 20th Century. Hand-decorated ceramic vase with enameled glaze. Overall multicolored floral blossoms on vibrant blue background. Marked on ...