Ceramic Sculptures

Castañas (chestnuts) is a sculpture made of a series of cups. The individual pieces can be rearranged to create different shapes, and can also be us...

Galileo Chini for S. Lorenzo Mugello Floence, Italy 1920s "PAX ET BONUM" glazed earthware Excellent condiction Measures: H 30 cm.

Terra cotta facade block from Chicago Stock Exchange. Architect Louis Sullivan. Includes new custom mount.

Rare French Majolica black poodle signed Keller & Guerin Pitcher Saint Clement, Circa 1900. Measure: Height / 12 inches.    

19th Century Meissen Birdcage Grouping Germany Circa 1880 This enchanting 19th-century Meissen birdcage grouping, made in Germany circa 1880, is a re...

Joelle Deroubaix Original abstract stoneware ceramic sculpture Elegant black ceramic glazes colors 20th mid-century French design Unique piece Signed at the base Me...

Chinese export porcelain large mythical figures, Probably of Shouxing, God of Longevity Circa 1775 The two Chinese Export figures stand on green shaped bases and although they a...

Napoleon as Caesar Weathered Terracotta Bust, 20th Century.

WPA terracotta buffalo sculpture by Anthony Vozech, circa 1930s. Dimensions: 8” wide 20” high 22” deep. Minor wear on the bottom edge. Anthony Vozech was an Ohio artist that did WPA work in the 1930s and 1940s. One of his most famous works was an aluminum and limestone relief...

An unusual Austrian art pottery sculptural figure of St Christopher carrying the Christ child across a river attributed to renowned Austrian sculptor, Ceramist, designer and teacher Michael Powolny (Austrian, 1871-1954) and probably dating between 1920 and 1930. The hand-crafted figure shows St Christopher with the Christ child on his shoulder and a wooden staff...

Lenci porcelain figurine, Turin, by Helen Konig Scavini, "Mamma," 1930s Lenci porcelain figurine, Turin, designed by Helen Konig Scavini, 1930s. The pi...

Wemyss Ware Pottery Cat with Chrysanthemum Decoration and Glass Eyes, England A charming example of early 20th-century British ceramics, this Wemyss Ware pottery cat captures the wh...

A magnificent and quite large, Baroque style, Museum Quality, Antique Meissen Porcelain Grouping of Mars, the God of War, Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, better known as Catherine the Great. Mars, the Roman God of war, is seen wearing a Roman war attire on his white double horse-drawn chariot. While seated, Mars is seen holding the handle of his sword. On his head is a beautiful silver helmet...

Lenci, ceramic 1931, San Sebastiano, autorizzato Giovanni Grande.

Lovely vintage ceramic tropical pink flamingo, Made in Italy. No chips or breaks. Beautiful colors! Perfect for the tropical island, Palm Beach look. Dimensions: 39 H x 12 D. Please ...

This ceramic sculpture delicately depicts a Russian Borzoi greyhound, a dog breed known for its slender, elegant silhouette. Crafted from glazed and hand-painted ceramic, the piece s...

Italian glazed ceramic pitcher in seagull form by Bruno Gambone (circa 1970s). A very rare Bruno Gambone piece never before encountered by this gallery...

Sculpture FUNGHI 18 by Zanellazine Ceramics Dimensions: W 13 x D 6 x H 40 cm Materials: Red clay, Turquoise semi-refractorie clay, White fireclay. About: Giovanna Zighetti, ceramis...

Pretty blue vintage modern pottery aquamarine art signed by Erica artist. Measures: 1.88 tall x 3.63 diameter. Original vintage condition. See images please.

Vintage German glazed ceramic head by Scheurich from the 1960's.

Laurent Petit French abstract ceramic sculpture, circa 2010. Signed at the base Original and elegant abstract ceramic form. Large variations of colors. Red, ornage, white...

Incredibly graphic post-modern ikebana ceramic vase by known U.S. artist Libby Ware. The vessel is cylinder like evoking a variety of ideas. The deep dark g...

A vintage Chinese ceramic life Size heron bird sculpture from the Mid-20th Century, with green glaze, cream accents and textured green base. We have more ceramic heron sculptures ava...

This solid agateware cat was hand-crafted in Staffordshire, England, around 1770 from laminated salt-glazed stoneware. An exceptional example of 18th-century English ceramics, it co...

This sophisticated and alluring Mid-Century Modern Sculpture was realized in France circa 1950. Executed in terra cotta with a oil rubbed bronze colored glaze, the work presents an abstract and dynamic form- bristling with verve. An elongated form rises from an elliptical base offering both smooth and curvilinear aspects as well as faceted ones concluding in a curved tongue-like appendage with a pointed end. Additionally, there is what appears to be a lug or nut cantilevering from side of the piece, suggesting metamorphosis or some kind of animatronic influence. The amorphic form recalls the highly stylized renderings of tools by Lee Lozano...

- Good original condition. - In retro Brussel style. - Made by Jihonet.  

Pair of German Berlin porcelain 18th century figures of Asian man with cymbals and lady with parrot. Female figure has painted signature and "U" impre...

Antique Meissen porcelain figurine. Boy with flower basket. Model 149. Approx. 1900. Measures: 12.8 x 6.5 cm. In excellent condition. Stamped. 1st factor...

An5 Sculpture by Eglė Šimkus Unique Piece. Dimensions: D 11 x H 22 cm. Materials: Clay. My name is Eglė Šimkus, and I was born in Lithuania in 1990 to a R...

Pair of Ming dynasty fish roof tiles, circa 1600.

This pair of Baroque-style Limoges porcelain figurines was designed by Alpinien Margaine (French, active after 1854) and produced by the renowned Gibus et Cie foundry (1853–1972). C...

A Monumental 19th Century French Hand-Painted Majolica Rooster Vase Signed by Jerome Massier. The body is modeled in high relief with a textured surface simulating feathers. The tail...

Elevate your decor with the Haeger Ibex Ceramic Sculpture. Crafted in deep black ceramic, this piece captures the majesty of the Ibex with a contemporary twist. Haeger's meticulous c...

Pablo Picasso Grosse tête, profil gauche, 1965, Sculpture en terre H. 28 cm, Larg. 9,5 cm R.A Coulage à la barbotine Blanc Tiré à 50 exemplaires numérotés R.747 à gauche Editon Pi...

A charming set of 5 ceramic bear figurines was designed by Knud Kyhn for Royal Copenhagen in 1957, showcasing his mastery in depicting playful and lifelike animals. This collection i...

A fabulous vintage Boho Abstract bust. A chic matte finish with beautiful texture detail

An important stoneware sculpture by Tim Orr. Handwritten signature at the base " Tim Orr ". Circa 1970- 1980. One pair is available.

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 25 cm (10") high including the stand. It do have a lovely brown and yellow colo...

1282 Hand made Medusa sculpture.

Large Danish ceramic giraffe, 1960s. In beautiful blue and brown tones.

Superb Italian Greyhound dog sculpture, made in terracotta, circa 1950.

Chinese Plates hand Painted with different colors set of 5 China 1960

Elegant pink Majolica serving dish decorated with a three green vine leaves, the handle formed as a fox peering into the bowl with its tail appearing on the mottled underside signed ...

Eugene BLOT (1830-1899) French sculpter "Fishermen" Terracotta subject, Signed on the base.

Antique 19th century Staffordshire porcelain flatback figurine in the shape of a horse painted with black stripes to resemble a zebra, prancing on a grassy oval base. Dimensions: 6....

Robert and Jean Cloutier sculpture horse. Made with glazed ceramic. Ceramic box. A fine black enameled sculptural horse shaped box. Signed Circa 196...

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 25 cm (10") high including the stand. It´s in excellent condition and it has a ...

No.106 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: Ø 17 x H 28 cm Materials: black stoneware, satin cream glaze Variations of si...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

1930s Swabian Hallic Country Pig Made of Terracotta A vintage statue of a Swabian hallic country pig. It was used as shop window decoration in a German butchery. The statue is made ...

German porcelain figurine. Young gardener. 20th century. Measures: 14.6 x 6 cm. In very good condition. Minimal chips on the rake. Stamped.

Wedgwood Black Basalt Jasperware American President George Washington Bust From a private collection Free international shipping

Harmfull ceramics sculpture by Alina Rotzinger Dimensions: H 35 x W 30 x D 20 cm. Materials: high temperature ceramics, oxide pigments and dead flowers. Composed by Alina Rotzin...

Article: Ceramic stoneware object set of 2 Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925-2005 Decade: 1980s Th...

Porcelain stonewar stylized pigeon Italian production Studiolinea COM 1970 white.

This series is made up of some glass and some ceramic works. These works are highly unique form and looking. Norihiko Terayama created them from damaged vases, coffee cups and so on....

IRENEÈ ROCHARD Horse heads in motion, titled "Vers le But", edited by Reveyrolis Paris, Bronzier d'Art. Important and rare 1930s sculpture in terracotta with bronze effect finish, s...

A very impressive and large Danish Art Deco L Hjorth (Bornholm) art pottery elephant decorated in white glazes by Gertrud Kudielka (1896-1984) and dat...

Age Art Deco porcelain figurine from Hungarian porcelain Hollóháza About Holloaza Hollohaza porcelain is one of the oldest porcelain manufactory ...

A late 19th / early 20th century arts and crafts peacock tile in the manner of 19th century English potter and tile designer, William De Morgan (1839-1917). Though this 6-inch tile i...