Cork Sculptures

Abstracted sculpture of a reclining woman leaning on her elbows, made of coloured concrete ore pumice, unreadable signed on the underside.  

Handmade and hand painted ceramics from one of the mother countries, Portugal, these beautiful pieces for your table will add a modern touch and are perfect to mix and match. These m...

Elegant matte white stoneware with a minimalist design This tableware combines modern design with artisanal craftsmanship. Perfect for anyone who loves to throw a dinner party or just wants to match a black...

Scroll down and click "view all from Seller" to see more than 400 other unique products. In Stock in Los Angeles Minnie mouse white and silver, pop sculpture figurine Measures: Heig...

Chinese rosewood inlaid plant stand, the marble inset with soft earth tones. It is inlaid with engraved mother of pearl in the leaf and vine pattern...

An essential, Minimalist tray that easily lends itself to multiple uses. At the table, in the kitchen, in the dining room. In simlicity is beauty. Size: 40 x 2.2 cm, smooth finishin...

A Queen Anne style mahogany plant stand with tripod cabriole legs from The Bartley Collection. The stand has a round top and a slender turned pedest...

A fabulous vintage Boho totem sculpture. A chic Abstract composition rendered in wood. Acquired from a Palm Beach estate.

Secession plant stand with brass fittings. Professionally stained and repolished.

Tokkuri in Green Guatemala Marble. Size: 6.5 x 13 cm, smooth finishing. Commercial name: Kadomatsu Tokkuri, Jap Vegetation collection by Michele Chiossi, Sculptor born in Tuscany. ...

A charming Austrian midcentury shaker set from the 1950s, displaying a cute monkey holding salt and pepper shakers. A humorous design by Walter Bosse, manufactured by Hertha Baller i...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...