Gold Sculptures

A rare enamel, gold and rock crystal figure of Emperor Maximilian I by Reinhold Vasters, Aachen, In the Renaissance style, circa 1870. The g...

A rare 18K gold, enamel and diamond mounted carved labradorite turkey / Capercaillie bird sculpture on a petrified wood base, attributed to Manfred Wild, Idar-Oberstein, Germany. Very finely crafted of the highest quality and best color Madagascar labradorite with excellent labradorescence. The entire hand carved turkey displays and excellent shimmer effect known as labradorescence. Madagascar labradorite, rich in the phenomenal characteristics of this remarkable gemstone which displays an ever-changing sheen, that is extremely suitable for the rendering of this turkey bird...

An Incredible, Large, and Rare Lapidary Sculpture of a Hand-Carved and Hand-Polished Semi-Precious Citrine Falcon Mounted on a Large Natural Specimen 'McEarl' Rock Crystal Base with a 18K Gold Beak and 18K Gold Legs and Talons, Signed by Zadora and dated 1994. This extraordinary near flawless specimen of hand-carved and hand-polished citrine is stunning. The large bird is carved from one giant piece of semi-precious citrine stone and conveys a highly detailed appearance with each section of the feathers hand-etched and hand-carved to appear as life-like as possible. The eyes are an impressive emerald-green color and made up of tsavorite cabochons. The magnificent beak, legs, and talons are made of 18K solid gold' each gorgeously shiny or burnished to represent how a life-like falcon would be. Even the inside rim of the eyes are set in 18K solid gold. The base is a stunning giant piece of natural rock crystal, most probably mined from the famous 'McEarl' rock crystal mine in Arkansas. Each section of this masterpieces was put together from different areas of the world where these natural stones were mined and put together by the master stone sculpture Zadora, known for his incredible pieces of lapidary objects which are in the best lapidary collections...

The red and gold marine lady is inspired by many cultural reminiscence of Italy. Corals inspired by our mediterranean see, gold elements for luxury art. A gentle reinassance face emb...

Figure of a crusade in the military form of the seventh made by the recognised Italian master Giuseppe Vasari (1934 - 2005) presumably in the seventies. Marked on the back. Bronze wi...

'Flow Petit No 20' is a unique artwork by the Danish artists, Egeværk. It is created from Wengé sourced from Africa - Congo and Cameroon - (wood, FSC* certified) with an inlay of 24c...

A stunning pair of Italian 19th century giltwood wall appliqués–decorative elements to enhance the architectural program–likely obtained from a church or cathedral as they are flat a...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A Magnificent and Quite Rare English Asprey Signed Orientalist Motif Masterpiece with Dessert Palm Tree and Parcel-Gilt Silver Camels having Diamond Eyes. Gorgeously constructed in ...

"TuttiTappi (Surprise!)", 2022, porcelain found object, earthenware and 18k gold Measures: H 34 x 16 cm Real 18K gold has been applied through third firing on the internal sculpt...

Beautiful vintage Murano hand blown white and gold flecks Italian art glass duck sculpture. The piece is created in the Pulegoso technique, with thousands of bubbles within the piece...

Murano hand blown Italian art glass bird sculpture or figurine features a minimal, restrained palette of dark red and off-white with delicate gold lead, or aventurine, accents. The ...

An 18K gold, diamonds, amethyst, tourmaline, bloodstone, carved emerald, opal and jasper toucan bird resting on a gold tree branch, mounted on a carved malachite base. A very rare and unique gold-mounted jeweled object...

A masterwork of monumental lapidary craftsmanship, this exceptional sculpture presents Hvsang and his child attendants, an arhat of the Buddha, exquisitely carved from a single massi...

This is a unique custom surfboard featuring a marquetry deck incorporating 24 carat gold leaf, designed and hand-crafted by the w o o d p o p studio which specialises in marquetry an...

18th century Italian gilded scroll fragment mounted on a polished red and white hematoid quartz heart. The piece is inspired by "The Sacred Heart" in Catholic art history which symbo...

Exquisite Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain sculpture from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock prints show they were being widely sold as good luck charms by the 1850s. The beckoning cat comes in two varieties. The more common right-handed beckoning cat (with right paw raised) is said to bring money and wealth to its owner, and are to this day frequently seen in shops and restaurants in Japan. The less common left-handed cat is said to be inviting friends and acquaintances to hearth and home. The “mori” style refers to raised loops and other decorative motifs applied by squeezing a tube of slip onto the body of the cat much like applying frosting to a cake. The cat boasts the traditional Kutani colors of bright green, red and yellow presented against an dark blue background, and is generously accentuated with gold. The red kerchief with a knotted amulet in the back and two bells on the side also identify this as a traditional Kutani piece, as do the perked ears turned outward. A stamp indicating it is produced in Kutani region of Japan appears at reverse side of this beckoning cat scultures...

A highly unusual carved painted, gilt and gem-set tortoise carapace resembling the mythical Cosmic or World-bearing Turtle Probably Germany, late 19...

French Louis XVI style life sized Sevres biscuit porcelain bust of Marie-Therese Louise Di Savoia-Carignano on a gilt decorated blue glazed so...

Beautiful vintage set of Murano hand blown blue green iridescent and gold flecks Italian art glass apple and banana figures / sculptures. The pieces are documented to designer Alfred...

Sculptural 18th century Italian distressed gold leaf angel wing with calcite crystals and mounted on an antique Italian metal pan drip tray. These calcite crystals are from Elmwood...

This is a great sculpture. Please check details on photo. It's part of a group of probably four figurines representing the four seasons. This is the spr...

Pair of 19th century Italian hand-carved and gilded angel wings on calcite crystal points in matrix. The pair hand-carved gilded and gilded angel wings are originally from a histor...

Beautiful vintage Murano hand blown orange, controlled bubbles and gold flecks Italian art glass birds on tree branch sculpture. Attributed to designer Alfredo Barbini. The birds are...

Pair of playful Murano glass elephants. Dark nearly black amethyst glass with lots of gold. Circa 1950's. Possibly by Barbini. # rare not signed large paris pr...

Beautiful, extra large, vintage Murano hand blown orange to white and gold flecks Italian art glass horse head / knight chess piece sculpture. Attributed to Master glass artist and d...

1940s original Mauro Manetti gold plate owl ice bucket with metal insulation, made in Italy. Keeps the ice cubes frozen for a long time as the lid sits tight on the bucket. Highly ...

Beautiful vintage Murano hand blown Sommerso red, and gold flecks Italian art glass baby bird figurine. Attributed to the Seguso Vetri D'Arte workshop. A drawing of a similar figure ...

Sculpture skull golden youth. Skull made in marble dust resin and chromed in gold finish. With head piece decorated with different golden youth symbols. Champagne bottle, Minnie M...

Antique Buddha Head Sculpture on Plinth - Spiritual Home Décor & Interior Design Accent Beautiful antique-style Buddha head sculpture, Resin bronze finish on plinth. Perfect for ...

Beautiful vintage Murano hand blown emerald green and gold flecks Italian art glass swan sculpture / bird figurine. The swan has an elegant long thin neck with outstretched wings. Th...

Beautiful, antique, early Murano hand blown Sommerso red, controlled bubbles and gold leaf Italian art glass fish sculpture on clear base. Created in the manner of designer Flavio Po...

A unique 1970s French Dore/Golden bronze sculpture with a large amethyst and quartz clusters and oyster shell. Biography: Claude Victor Boeltz, the European surrealist master artis...

Glorious Late 19th to Early 20th Century Ecclesiastical Religious Art Sacred Heart of Jesus plaster statue sculpture upon a gilded wood base. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear even if it has been refinished or restored. Specifically, his hands only had the wire structure so new hand-molded & crafted hands were created by our professional craftsmen and the wood on the base was bad so it has been given a new gilded wood base. He has many chips in the plaster that have been repaired and the whole statue has been shellacked. Please see photos, zoom in for details, and see long description as they are part of the condition report. We attempt to portray any imperfections. Circa, Late 19th – Early 20th Century. Heaven knows we could all use a little more Jesus in our lives!! Well, your prayers have just been answered!!! This is an absolutely magnificent Ecclesiastical Religious Art plaster statue of The Sacred Heart of Jesus. He is comprised of hand sculpted and hand painted plaster and he stands about 43 inches tall upon a square flat edge gilded wood base. He has handsome, realistic, intricately hand painted facial features, and his glorious dark brown shoulder length hair drapes gracefully upon his shoulders. He wears a lovely, flowing robe featuring the Sacred Heart symbol upon his chest and his beautiful bare feet are exposed at the base of his robe. His enticing hands are open and reaching out as if to welcome you into his arms. The Most Sacred Heart of Jesus is one of the most widely practiced Catholic Faith devotions wherein the heart of Jesus Christ is viewed as a symbol of “God’s boundless and passionate love for mankind.” The Sacred Heart is depicted as a flaming heart shining from behind with divine light, pierced by the lance with a bleeding wound, and encircled by the crown of thorns. And Christian faith depicts it more as a flaming heart, while the wounds and crown of thorns allude to the manner of Christ’s passion and the flames a furnace of ardent love. You can depict it how you choose! We believe that his original home was most likely a wonderful old church where he was admired for many years. Due to his materials, he should only be exhibited indoors…. Which is exactly where we all need the Lord to be anyway… on the inside!!! He will be absolutely divine in your entry way or heavenly in a sunroom surrounded by indoor foliage or faux plants & trees. He has an all-over “perfectly imperfect” aged patina, a few “character enhancing” chips that you would expect given his vintage age, and an angelic aura...

Beautiful and large, vintage Murano hand blown deep pink over white, and gold flecks Italian art glass bird sculpture. The figure is documented to the Salviati company. I have anothe...

Beautiful vintage set of Murano hand blown gold flecks Italian art glass gourd, tomato and pepper figures / sculptures. The pieces are documented to the Barovie and Toso company. Cre...

Southern Costa Rica or Western Panama, circa 800 to 1500 AD. A very fine example of the goldwork of the Veraguas-Chiriqui-Diquis region. A pendant in Carbonera style of a supernatural being, a composite monster with human torso and feline (probably jaguar) head. The figure is set in a frame decorated with little animal heads, one at each corner. The hands have also turned into animal heads. In place of genitalia is a stylized serpent head suspended by a twisted cord that was supposed to continue across the frame. A minor casting accident prevented it form being attached to the frame. A modern goldsmith would solder in two short lengths of twisted wire, but the ancient goldsmith did not have the equipment to make such repair. A double thread ending in spirals goes across the frame behind the neck of the figure, helping to fill up the frame and avoiding a large empty space. The word "thread" reminds us that the twisted and straight cords were, in the original wax model of the pendant really extruded wax threads, turned into metal by the lost wax (cire perdue) process. The braid pattern on the frame is illusory, just two twisted threads of extruded wax laid side by side. The goldsmith made the toes out of extruded wax thread too, very decorative as well. The piece comes with a certificate of authenticity by Mr. Robert Sonin, 5 May 2006. ref. photo roll 3301. A world renowned expert on Pre-Columbian Artifacts...

Beautiful vintage Murano hand blown bright red, dark purple and gold flecks Italian art glass fish sculpture. The piece is documented to designer Archimede Seguso. It is created in t...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

A 14K Gold Mounted Agate Bird on Fluorite Stone, Mounted on Black Glass, 20th century. A really nice and cool object - a true collectors piece. Part of a...

Rare and spectacular abstract art glass orb sculpture of a deep space nebula in the shape of a disc. An absolutely gorgeous exmaple of the finest cosmic glass art that radiates iride...

Sculptural 18th century Italian mecca miniature fragment with fossil agate coral. The fragment was originally part of an 18th century Italian candlestick from a historic church. I...

Early 18th century Italian angel wall piece with a crown of elestial crystal quartz and coordinating baroque pearls. The angle artifact has been naturally distressed with age. The c...

Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain piece from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock...

Beautiful and very rare, vintage Murano hand blown iridescent clear, black, purple and gold flecks Italian art glass Wiseman nativity figure, sculpture. The piece is attributed to de...

Gold Flecks Acid Green & Cream Ribbons Murano Art Glass Fish Figure, Italy 1940s A lovely Murano glass fish sculpture with colorful ribbons i...

Bonsai Tree by Pierre Salagnac Material: Bronze, 24K gold, brass Dimensions: H 100 x 70 x 70 cm Type: one-of-the-kind Year: 2023 Revealing the organic curves of nature in the metal block with great talent, Pierre Salagnac has made a name for himself in the world of interior design thanks to his Bonsai Trees that he has “planted” all over the world. The artist creates the trunk by sculpting the shape and texture directly into the bronze material. The 265 different models of leaves are molded, casted and chiseled one by one then finished with 24k gold. The floor part is sculpted from brass and also finished in 24k gold, before being embedded in a traditional Japanese ceramic pot...

Sculpture of Womanin Silver Foil and Gold Italy 1970s Guido Mariani

18th century Italian cross mounted on a polished pink hematite quartz heart and adorned with aurora (sunset) quartz and a natural-forming cross shaped baroque pearl. The 18th centu...

18th century Italian "Young John the Baptist" painting framed with purple and yellow fluorite. The painting original came from Tuscany and depicts him as a young man with a lamb. Thi...

A special musical design object for lovers of music and transforming technology. This is a handcrafted model of the first gramophone, elaborately crafted and true to detail despite ...

This substantial natural Crystallized Gold from the famed Mockingbird Mine in California exhibits a strikingly intricate structure. This prime specimen truly epitomizes the rare beau...

Beautiful vintage Murano hand blown Sommerso golden honey amber and gold flecks Italian art glass puppy dog sculpture / figurine. The piece is created in the manner of designers Arch...

Beautiful and cute, vintage Murano hand blown black and orange with gold flecks accents Italian art glass clown sculpture and bowl. Attributed to designer Alfredo Barbini, for the Salviati company. The figure has a green hat with gold, pink hair, clear head with large eyes and exited facial expressions. The arms are in clear glass with Sommerso gold leaf and yellow gloves on the hands. The body is the actual bowl with black outside and orange inside. The clown stands on oversized white and gold leaf shoes with large black soles. Would make a great display piece on any desk, coffee table or credenza. It can be displayed 2 ways. Fill it with candy when laying down or display it as a sculpture standing up. Mid-century era. A must for the Barbini clown...

PRESENTING A GLORIOUSLY QUIRKEY AND WHIMSICAL Maitland Smith Gilt Bronze Monkey Paper Towel Holder. Made by the well known maker, Maitland Smith,...

Beautifully made large 19th century Siam standing Buddha sculpture in gilt bronze sold through the Karl Springer showroom on custom ebonized wood ...

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Possibly by Verdura, circa 1970, Italy. A very good quality and unusual gold mounted jeweled object...

18th century Italian station of the cross on calcite crystals in matrix with a natural-forming baroque pearl. This is the second station of the cross in a group of 14 and originall...

Late 17th century Italian gold leaf angel wing with a coordinating baroque pearl and unique fossilized aragonite. The hand-carved angel wing was once part of a heavenly, angelic dep...

Statue De Nuestra Señora De Los Desamparados (The Virgin of the Forsaken) with 18Kt Gold Italy, 1980. This Madonna is the protector of Valencia. My grandfather in 1990, on the occas...