Sterling Silver Sculptures

Pontifical Guard Uniform - Swiss Guard in Sterling silver with enamel and gold finish. The base of the miniature is in plexiglass, while the body that s...

A very nice mid-century sterling silver dual dolphin pod sculpture, circa 1970s. The piece is in very good vintage condition with a nice patina and measures 7"W x 4.5"D x 4.5"H. The...

Pheasant by Alcino Silversmith 1902 is a handcrafted piece in 925 sterling silver with bone beak The piece is totally handcrafted, hammered and ...

Penguin by Alcino Silversmith 1902 is a handcrafted piece in 925 sterling silver with ostrich egg application and black onix eyes. This penguin is a contemporary sculpture made of chiseled silver plate applicated to the natural emu egg...

Giraffe nº 5 by Alcino Silversmith 1902 is a handcrafted piece in 925 Sterling Silver with articulated neck, hammered and chiseled by excellent craftsmen, giving this piece a much hi...

Figure realized in sterling silver using the lost wax process. The details are gilded and enameled. The figure is 19.5 cm high and depicts a 15th century French soldier with Jousting Lance and shield The wood square base is 7 cm high where there is an engraved label "Armatura Francese XV° Secolo" - "French Armour...

Hallmarked in London in 1977 by Richard Comyns, this handsome, Sterling Silver Cow Creamer, is a charming example. The cow creamer measures 4"(10cm) tall,...

Wonderful abstract bracelet cuff. sterling silver stamped. it's seven inches long and straight an incredible design. a piece of art. Mid-Century, Space Age, Hollywood Regency, Ecle...

Pheasant by Alcino Silversmith 1902 is a handcrafted piece in 925 sterling silver with bone beak The piece is totally handcrafted, hammered and chiseled by excellent craftsmen, gi...

Pair of Elizabeth II sterling silver fowl. Made by Edward Barnard & Sons in London in 1965. Two roosters with crowns, wattles, and flamboyant flouncy tails. One has a raised talon an...

Triptych niche with a sculpture of the crowned Virgin Mary with the enthroned Child Jesus located in the center, flanked by scenes from the life of the Virgin Mary on the doors. Gilt...

Hallmarked in London in 1968 by Edward Barnard & Sons Ltd, this handsome pair of Elizabeth II period, Sterling Silver Fighting Cockerels, are cast in the traditional fighting pose. T...

Presenting a captivating collection of nine meticulously crafted American silver snowflake ornaments, each one representing a distinct year's edition. Among them, three have been exp...

Spring is an original modern artwork realized in 1970s. Realized by Euroesse (label on the back) The artwork is realized on silver plate and gold leaf. Includes frame.

Solid sterling silver bull and bullfighter miniature. Both the bull and the bullfighter were made with the casting technique and then chiseled to bring out the details. The precisi...

A Pair of Opulent Sterling Silver-Gilt 925 Camel Incense Burners on Giltwood Stands, Circa 1900 Masterfully crafted, these pieces epitomize the grandeur and sophistication of the pe...

Heron by Alcino Silversmith 1902 is a handcrafted piece in 925 sterling silver with orange agate application. The piece is totally handcrafted, hammered and chiseled by excellent ...

A Pair of Artistically created birds for table decor, silver-plated roosters - ideal for a coffee table or bookends. These figures are Art Deco Sculpture! They are each unique from o...

Contemporary Brown Agate bowl with horse by Alcino Silversmith 1902 is a handcrafted piece in 925 Sterling Silver and natural brown agate, hammered and chiseled horse application han...

Add a touch of vintage charm to your jewellery collection with this beautiful elephant ring holder. Crafted from high-quality metal with silver plating, it is the perfect addition to...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A sterling silver chain with pendant. Chain is sterling as well and 24” long

Buffalo carved in verdite hardstone sculpture figure with handmade applications and base in sterling silver 925 is a vintage sculpture with a conte...

Penguin by Alcino Silversmith 1902 is a handcrafted piece in 925 sterling silver with ostrich egg application and black onix eyes. This penguin i...

A bespoken sterling silver jewelry suite of bold design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The set consists of a highly sculptural choker necklace and a pair of...

A pair of realistically modeled as a male and female penguins, the hinged heads opening to reveal a bottle compartment Mario Buccellati was one of the most remarkable Italian jeweler...

Figure realized in sterling silver using the lost wax process. The details are gilded and enameled. The figure is 18 cm high and depicts a 15th century Italian...

Antique 19th century very rare pair of Victorian novelty cast solid silver and cut-glass comports, formed as a pair of male gardeners dressed in 18th century costume, standing on an elaborate Rococo designed base and both holding a woven flower basket...

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

Pair of antique solid silver cockerels or roosters in an attitude of fighting. These fighting cockerels are created with a wonderful attention to detai...

Horse in black lacquered resin with a sterling silver armor with Italian XIV Century Knight in sterling silver armor with golden and enamelled details.

What every pig lover must have. Only a couple of inches big but full of personality. This tiny sterling piglet sleeping sweetly with wonderful sculptural details down to its curly ta...

Hallmarked in London in 1994, this charming, Sterling Silver Model of an Elephant, is realistically cast. The elephant measures 4.25"(11cm) tall, by 5.75"(14.5cm) wide, by 3"(7.5cm) ...

Hallmarked in London in 1979 by Barnards, this Elizabeth II period, Sterling Silver Model of a Sandpiper, is handsomely cast in a natural pose, and is presented on a green stone base...

Figure realized in Sterling Silver using the lost wax process. The details are gilded and enameled. The figure is 18 cm high and depicts a 15th century Italian soldier with sword and dagger The wood square base is 7 cm high where there is an engraved label "Armatura Inglese XV° Secolo" - "English...

Italian Sterling Silver and Polished Agate Fish Sculpture, Hallmarked, 1970s 6" W x 4" H x 1" D Charming and sculptural, this mid-20th century Italian fish-form objet d’art combine...

Owl Kachina by Gaspar, sterling and turquoise figure. Some of the Turquoise is missing from the base as seen in photos. Marked sterling on bottom.

A sublime box handcrafted by American silversmith, John Prip, comprising a hollowed and polished granite river stone inset with rim and finished with a handwrought lid, both in sterl...

This stellar powerful and conversational silvered bronze and sterling silver limited edition abstracted love lips or heart sculpture was commissioned by Christofle and designed and executed by a young Chinese woman artist named Xiao Hui Wang. This is the first time in Christofle history that a young Chinese artist, albeit a woman was asked to create this commission. It is signed and numbered on the bottom. It is signed with the artists name not terribly legible, then Christofle then 08/66 then France. The base is very heavy and is sterling silver. The top is silvered bronze and was lacquered. The base cannot be lacquered because it is sterling silver. We have not seen another one on line or anywhere else. The original monumental sculpture was first created on the occasion of the Shanghai Expo and stands elegantly in monumental form at the flagship Hilton in Singapore. This is a great symbol of how the masters of silver which are Christofle have transcended the art of the table to the art of the living in sensuality. This is stellar sensual and sexy sculpture that will elicit conversation. It creates reflections of magnitude from the surface and each angle is a different representation. It is extremely heavy and came in its own crate from Paris. It is a piece de resistance of a great sculpture no doubt. This must be trucked. This will need a great pedestal in your home or can sit on a large monumental cocktail...

Heron by Alcino Silversmith 1902 is a handcrafted piece in sterling silver 925 with natural malachite egg and natural grenade eyes! The piece is totally handcrafted, hammered and c...

Pair of sterling silver models of Pheasants, English import marks for London 1926 Neresheimer & Co. The pheasants, male and female of usual form, realistically textured, chased feath...

This contemporary modern piece is composed by a vintage carved chinese natural Jade Bowl with handmade sterling silver 925 base by Alcino Silversmith 1902. This piece was designe...

Heron by Alcino Silversmith 1902 is a handcrafted piece in sterling silver 925 with natural malachite egg and natural grenade eyes! The piece is totally handcrafted, hammered and c...

Sterling silver swashbuckler, Cartier, circa 1910.

Contemporary Three Elefants Base by Alcino Silversmith 1902 is a handcrafted piece in 925 Sterling Silver, hammered and chiseled by excellent crafts...

This spectacular sterling figure of a Navajo spirit dancer by renowned Navajo silversmith Toby Henderson is highly detailed, circa 1980s, by Toby Henderson, Dine-Navajo, American. Heavily worked and excessively concha stamped, it is the perfect way to connect with the spiritual world through Dine art! Excellent condition. Remarks: "Bring the balance of self and universe into your home." Size: 5 1/2 inches high by 2 inches wide Weight: 88.7 grams Hallmarks: TH below a partial sun, maker's mark for Tobey...

Contemporary Lapis Lazuli ashtray with sterling silver 925 apllications is a modern piece by Alcino Silversmith 1902. This piece was designed and...

An extremely rare Harry Bertoia sterling silver brooch "Ginko Leaves." The brooch has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.77. This piece comes from a private collection. Provenance will accompany the piece. The Brooch measures: 2.94 " long x 1.5 " wide x .30 " deep. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The brooch and closure are all handcrafted and the clasp is his unique design. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise...

A magnificent, fine and impressive pair of antique European silver cow creamers; an addition to our continental silverware collection These magnificent antique cast 13 löthige silver creamers have been realistically modelled in the form of a bull and a horned cow, each in the style of 18th century creamers. Each creamer is embellished with Fine details reproducing the details of the bull/cow's hide and facial features. The back of each piece is fitted with a hinged shaped cover encompassed with floral decoration and surmounted with a finial modelled in the form of a fly/insect. The bull and cow's tails function as the creamer's handle. Creamers of this combination, incorporating both the cow and bull, are unusual and rare to the market. 13 löthige/loth is the equivalent of .812.5 (812.5/1000). Condition These antique silver cow creamers...

Figure realized in Sterling Silver using the lost wax process. The details are gilded and enameled. The figure is 17.5 cm high and depicts a 15th century German soldier with sword ...

Hallmarked in London in 1970 by Richard Comyns, this handsome pair of sterling silver Partridges, are realistically cast. The female measures 4.5"(12cm) tall, by 7"(18cm) from beak t...

Carrying import marks for 1937 by Israel Segalov, this very rare pair of Sterling Silver Owl Models, were originally made in Germany for the English market, by the great model making...

An exceptional, fine and impressive vintage cast English sterling silver model of a labrador; part of our animal related silverware collection. This exceptional, fine and impressive vintage silver dog ornament...

Mythic Fish by Alcino Silversmith 1902 is a handcrafted piece in Sterling Silver 925 and horn, hammered and chiseled by excellent craftsmen, giving this piece a much higher future va...

Hallmarked in London in 1967 by Richard Comyns, this handsome, pair of Sterling Silver Pheasants, are realistically cast and hand finished. The male measures 6.25"(16cm) tall, by...

Resin sculpture depicting "The Phoenix" covered in pure 999 silver. The sculpture is the 33rd piece of a limited edition work of 499 made by the Etruria silver factory in Florence at...

Set of 4 Classical cast sterling silver figures. Made by Buccellati in Italy. Adroitly draped Bacchus babes wave garlands and leaves. Vaguely allegorical and wholly buck naked with c...

signed 'Gio Ponti', silver hallmark '800', numbered '12' ,solid silver. height 20 × 17 x 8.5 cm circa 1978 In the 1920s, Gio Ponti began numerous collaborations, notably with the Chr...

A magnificent, fine and impressive pair of antique German sterling silver presentation ornaments in the form of birds; part of our ornamental silverware collection These magnificent antique sterling silver presentation/table ornaments have been realistically modelled in the form of birds perched on branches. Each silver bird is ornamented with embossed and chased decoration, reproducing the details of the anatomical features and feathers. The branches are embellished with fine embossed and chased features replicating the natural bark and annual growth rings. The organic textured bases of the silver models stand to the original mahogany wood turned bases. The hallmarks struck to each base of these exceptional table ornaments include: Maker's mark: n (L. Neresheuner & Co) Importer's mark: BHM (Berthold Hermann Muller) Import mark: London, England Silver quality/purity mark: 925 (.925 sterling, 925/1000) Date mark: k (1925) Additional mark: Hanau marks These magnificent presentation silver...

Astonishing swan in glass and Sterling Silver from the 20th century The glass in a form of a nautilus shell, the setting finely chiseled in the natural setting...