Austrian Sculptures

Big silvered bronze Vienna dog sculpture, 1900s. Very good detailed silvered bronze dog sculpture. Perfect as desk paperweight. We have specialized in the ...

A fabulous early 20th Century Art Deco cold painted bronze figure of a young woman holding an energetic pose lifting her shawl which is wrapped around her midriff. The bronze figure ...

A group of 3 Austrian ceramic figures attributed to Leopold Anzengruber. Manner of Walter Bosse and the Wiener Werkstatte Dimension is of dancing large figure. Note: They are all ...

Set of 8 Cold-painted bronze monkeys band sculpture attributed to Franz Bergmann. Austria, early 20th century.

Superb Old Vienna cold painted bronze lion figure Signed (impressed mark) underside "Geschutzt" for Franz Bergmann Original paint Franz Bergman ...

This antique bronze sculpture was done by Ernest Beck of Austria in approximately 1920 in a classical Revival style. The sculpture is a study of 'Nathan' a...

An Austrian Vienna late 19th century cold painted bronze study of a capercaillie This very realistic Austrian Vienna cold painted bronze study is a very pleasing example and is beau...

A Large Goldscheider Pottery Classical Roman Figure This impressive and highly decorative late 19th-century pottery figure was made at the Friedrich Gold...

An Austrian cold painted bronze study of a drake mallard duck drinking This fine bronze study of drake mallard duck was produced in Austria, circa 1930. It is very well modelled a...

Vienna bronze sculpture depicting a swing with two parrots, mounted on a circular galalith base. The two parrots are painted in various colors....

Bronze sculpture, depicting a figure of a huntress with a rifle on her shoulder and a hat, with a base in veined black marble. Original patina. Austria circa 1920.

A graceful dancer in a long, low-cut, high-slit red dress with an all-over floral pattern, her head tilted to the right, looking down, her left hand placing a downward-facing bouquet of roses on her chest and posing with her upper body tilted back, holding the end of her skirt with her outstretched right hand, in front of her on the floor a fallen rose that has come loose from the bunch. On a black, flat oval base, artist's signature ‘Dakon’ on the underside. Compare model 7991 Twin Dancers The 'Dolly Sisters' Rosie Dolly (1892 - 1970) and Jenny Dolly (1892 - 1941), known professionally as (the) Dolly Sisters, were Hungarian-American identical twin...

Very Rare Goldscheider Art Déco Figure of the 1930s: Boy with red cap on curly hair, checked jumper with large buttons, beige ski trousers, red scarf and mittens, body slightly turne...

Depiction of dancer Ruth Saint Denis (1877/79 - 1968, actually Ruth Dennis, 'Miss Ruth') performing her dance 'Radha'- Dance of the Five Senses, first performed in 1906. Dancer with ...

In 2000 a Viennese public house released the first monograph about Walter Bosse. Illustrated with various pictures it shows his highly creative potential and his influence and impact...

Austrian cold painted bronze of a Scottish Terrier, or 'Scottie Dog'. Fine naturalistic colours and good hand chased surface detail. Stamped 'AUSTRIA'. A very well preserved example...

Kneeling figure hammering a spike in the ground. Signed J. Valenta. With the 'AR' monogram for Arthur Rubinstein foundry.

Continental Austrian Hungarian (19th Cent) large iron bust of a Queen Elizabeth on plinth (signed: E. ZAGUT, Tusey. Meuse)

Art Deco bronze sculpture of dancers on a marble base made into lamp signed Tereszczuk.

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Gracefully posing dancer with head tilted to the right, tight-fitting top with bustier and floor-length, wide, front-slit, beige skirt with poppy decoration, holding it up with the arms on both sides like butterfly wings, so that the right leg placed forward can be seen through the opening. On beige oval base with light green painting...

Art Deco Goldscheider statue of an African warrior. This statue inspired the artist (painter) Luc Tuymans to create his famous work (painting) ; ...

Sculpture in Brass by Karl Hagenauer, 1950's Additional Information: Material: Brass Style: Mid century, Scandinavian Produced by Werkstätte Hagenauer Wien in Austria Dimensions (W ...

This rare set of 1920s Austrian celluloid rooster and parrot figures by Hans Hagenauer (1896-1975) feature soft, pleasing colors which contrast nicely with their brass frames and mou...

Painted wiener bronze depicting a mule, painted in different colors. Wien Austria, circa 1890.

A fabulous cold painted Art Deco bronze figure of a naked beauty in a revealing pose with very fine colour and excellent detail, raised on an onyx base and signed Adolph Additional information Height: 27 cm Condition: Excellent Original Condition Circa: 1930 Materials: cold painted bronze & onyx SKU: 7692 ABOUT Josef Adolph Josef Adolph ~ Austrian, created many small figural models in the Art Deco period around 1910-1939. Typical for Adolph and at the same time characteristic of the Art Deco era, was the depiction of the concept of modern life - in particular, that of the “modern woman” in rhythmic, sensual and aerodynamic poses taken from the new forms of dance, for which there was a lot of enthusiasm at that time. The Art Deco Period: although Art Deco derives its name from the great 1925 Paris Exhibition, ‘L’Exposition Internatlionale des Arts Décoratifs et Industriels Modernes’, the term is now generally applied to the typical artistic productions of the 1920’s and 1930’s. It might best be characterised as an attempt to unite arts with industry, embracing the machine age and repudiating the old antithesis of ‘Fine’ and ‘Industrial’ art. The sources of the Art Deco movement include Egyptian and Mayan Art, Cubisim, Fauvism and Expressionism, heavily influencing the chief force underlying all Art Deco...

Austrian Art Nouveau patinated bronze bust of Ophelia by Josef O¨fner. Like the sculpture of Maurice Bouval, O¨fner depicts Ophelia as a sleeping woman adorned with flowers. The scul...

Exceptional Austrian Putto in the style of Michael Powolny with bow, arrow and quiver on his back sitting on a colorful bed of blue bubbles. Magnificent s...

This antique cast Continental silver sculpture is hallmarked by an unknown maker, but is presumed to have been made in Europe, likely Austria or Italy, and done in a very realistic A...

Exceptional Art Deco Goldscheider figurine by Josef Lorenzl. Designed by Josef Lorenzl (1892-1950), one of the most important designers having been active for Goldscheider manufactory in the period of 1920-1940. Model 5193 was created 1923-1924. Made circa 1925-1930 Specifications: The young man dressed as a jester with a fool's cap sits on a black base. An owl sits on his left outstretched hand. With the right index finger raised, the fool seems to regulate the bird. Referring to his name, 'Eulenspiegel', which literally translated means: 'owl mirror...

Very fine cold painted Austrian Bronze study of a salmon leaping from the water. The bronze with excellent cold painted colours and very fine hand chased surface detail, raised on a shaped onyx plinth ADDITIONAL INFORMATION Height: 10 cm Width: 13 cm Condition: Excellent Original Condition with light surface wear Circa: 1900 Materials: Cold Painted Bronze and Onyx ABOUT Vienna Bronze Leaping Salmon...

Hugo Franz Kirsch (1873-1961 in Vienna) was one Austrian Pettler and ceramist of the Wiener Werkstätte. After training at the Teplitz technical school and the Munich arts and crafts school, he studied at the Viennese arts and crafts...

Art Deco bronze by well known Austrian sculptor Bruno Zach. Bruno Zach is known for his erotic bronzes. The bronze depicts semi-nude dancer covered with flower. Signed on the base"Zach"

Goldscheider porcelain eagle on rock 1900-1920 signed Goldscheider stamped fache little chi at the base.

Very Rare Goldscheider Vienna Figurine of the 1930s: Standing young, unclothed lady with chin-length blond hair, loosely holding in front of her the leash of the German shepherd sit...

Noted for his detailed and colorful work, Bergman was signing his creations with either a "B" in an urn-shaped cartouche, or "Nam Greb" for "Bergman" in reverse (these marks used to disguise his identity on the erotic works). They are also often inscribed ‘Geschutzt’, which refers to the model/design being ‘registered’ or copyrighted; or not marked at all, especially if the pieces are miniatures, circa 1900. Dimensions: Height 0.88 inches (2.2 cm) Width 0.94 inches (2.4 cm) Depth 2.07 inches (5.2 cm) Franz Xavier Bergmann...

L’opera è di ottima fattura, senza alcun tipo di imperfezione e non è stata oggetto di restauro. Essa raffigura un cervo adulto con due grandi corna e il manto della colorazione tipi...

Impressive Austrian cold painted silver bronze figure of a naked Art Deco lady in a questioning pose with one hand out, signed Adolph and raised on a tall cy...

Very rare Goldscheider Ceramic Figurine of the 1930s: The standing pretty young lady with her hair combed back and pinned up at the neck merely covers her nakedness with a large, gre...

Wearing a fez and standing by a small stool, raised on a circular base, stamped with maker's mark. Friedrich Goldscheider and his successors were by far the most important publish...

Very large Art Deco angular, cubist statue of an animal in brass with copper accents resting on the original thick rosewood plinth, stamped on the underside Austria. Highly Minimalist in design, elegantly simple in form, figurative yet abstract and perched on a natural wood specimen...

Very Rare And Exceptional Goldscheider Art Déco Ceramic Figure: Striding girl in blue coat over beige dress and matching blue cap with beige border with red embroidery pattern, gray ...

Very Rare Goldscheider Vienna Figurine of the 1930s: Depiction of a standing, elegant lady in a long, red, checkered dress with tiered flounces, matching hat and red gloves, holding ...

Viennese Bronze "Quran Teacher with Pupils" by Anton Chotka circa 1900 Charming antique Viennese bronze, "Teacher Teaching Pupils" by Anton Chotka, circa 1900. This finely detailed p...

20th century Bruno Zach bronze sculpture on Onyx Tray Marked "Zach" - Bruno Zach was an Austrian art deco sculptor in the 1920s Circa 1920s Measur...

A pair of little Vienna bronze bookends for desk representing a bulldog under a tree. Austria circa 1870.

Rare Large Goldscheider Art Deco ceramic figure around 1925 Standing Pierrette, bent slightly forward, putting one foot in front of the other, supporting her hands on her hips, smiling and looking to the right. She wears a cap over her chin-length hair, a dress patterned with bouquets of flowers and a wide ruff, over it a striped jacket and a wide, long, black cloak with a light brown-orange lining. The figure is based on a cream-colored, round base, artist's signature 'Kostial' on the back at the bottom of the cape. designed by Josef KOSTIAL...

Late 19th Vienna bronze series of 3 donkeys 4 cm high by 8 cm.

A fine and large cold painted monkey servant, Austrian Circa 1890.

A small brass giraffe of Walter Bosse for Herta Baller Austria.

Wiener bronze depicting a hen with chicks. The group is painted in different colors. Wien Austria, circa 1890.

Very rare art ceramic figurine from the early 1930s: Standing young lady with a pullman cap and bob hairstyle, head turned to the left, in a long-sleeved shirt with wide sleeves and ...

Excellent piece of Viennese Bronze Art around 1920 Cowboy in typical work clothes - shirt, baggy pants, bandana and cowboy hat - on bucking horse, holding...

A pair of Orientalist terracotta figures by Johann Maresch Austrian, Late 19th Century Man: height 49cm, width 20cm, depth 15cm Woman: height 48cm, width 20cm, depth 15cm Depicting a woman and a man of similar appearance, age, dress, and in a similarly spritely, lively, and engaging manner, these figures were made by Johann Maresch in the late nineteenth century, c.1880. A skilled Austrian maker, similar in output to the more famous Friedrich Goldscheider, Maresch gave these figures a tangible vitality and energy to their representation, showing them as hard-working yet undaunted and undimmed by their labours. Their manner of dress is similar, even down to the similarities in the colours used to paint them. She carries a bright orange-red urn...

19th century Vienna bronze: Locust.

"Daphne" by Ernst Fuchs Dramatic gilt and black patinated bronze study of a seductive young woman holding aloft a feathered display, raised on a domed base, signed and inscribed on the underside Euro Art - Venturi Arts 0998 from the limited edition produced by this foundry ADDITIONAL INFORMATION Height: 41 cm Condition: Excellent Original Condition Foundry Venturi Arte Circa: 1970 Materials: Bronze SKU: 8193 ABOUT Ernst Fuchs (13 February 1930 – 9 November 2015) was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, singer and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. Fuchs studied sculpture with Emmy Steinbock (1943), attended the St. Anna Painting School where he studied under Professor Fröhlich (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor Robin C. Anderson, later moving to the class of Albert Paris von Gütersloh. At the Academy, he met Arik Brauer, Rudolf Hausner...

A wonderful Austrian Secessionist glazed terra cotta figure, which is monogrammed on the base and incised Wien for Vienna. Very much in the style of the Wiener Werkstatte or Susi Sin...

Very rare Art Deco goldscheider ceramics figurine The young lady with a brunette page-boy head, shown is the German actress Emmy Sturm (1900-1977), is wearing turquoise silk pajamas...

Orientalist Vienna bronze sculpture by Franz Xaver Bergmann (Nam Greb) ,, Stunning depiction of woman with serving dish, exquisite detailing ...

Wonderfully charming and boasting a high level of detail, this bronze walrus also serves as an inkwell. The incredible artistry of Viennese bronze work i...