British Sculptures

Inspired by planetary forms and textures, Atelier001's Cosmic Collection artfully explores the interplay of metal properties with a curated selection of patina finishes. This pendan...

'Vug in Purple & Orange' is a unique handblown sculpture by the British artist, Samantha Donaldson. Created by layers of coloured glass, the transparent colours merge and create fur...

Exceptionally rare Scottish 20th Century Bronze Statue by the Acclaimed Scottish Sculptor, Ann Henderson RA (1926-1976). Title: Flowers. This sculpture was exhibited at The Royal Aca...

Elevate your garden with the charm of English mid 20th Century design through this delightful pair of sheep table top or garden ornaments. Crafted with met...

Crafted with exquisite detail, this English early 20th Century cast iron door stop is shaped like a charming Scottie dog, evoking a lifelike presence. The intricate design captures t...

A decorative pair of 16th century carved oak corbels. Each intricately hand carved to showcase the head of a man with fine details of flowing locks and thick beards. Backed onto oa...

Sculpture woman and child in life-size scale. All made in solid brass in vintage finish. Exceptional piece.

An early 19th century English carved mahogany sculpture of a griffin, circa 1820; one of two similar we have for sale. This piece is prominently in the style of the late 18th/early ...

"Highland Mary" (also known as Highland Mary or a portrait of Mary Campbell) Carved White Marble Sculpure by Benjamin Edward Spence (British, 1822–1866). A fine full-length, life-size neoclassical carved statue depicts the subject of Robert Burns’s poem Highland Mary (Mary Campbell), shown as a young woman standing in a contemplative pose. The sensual carved figure with a gentle contrapposto stance, weight resting on her left leg, right foot slightly advanced, and her head tilted downward with a solemn, introspective gaze. Her hair is centrally parted and styled in soft classical waves framing the face. She wears a long, fitted floor-length gown with a buttoned bodice and full skirt falling in graceful folds, over which is draped an asymmetrically arranged, heavily fringed plaid shawl (tartan implied through carved texture). Both hands are clasped together at her chest in a reflective gesture, fingers gently interlaced. She wears simple low-heeled slippers. The sculpture stands on a plain circular marble plinth. The work exhibits the refined carving and smooth finish characteristic of Spence’s mid-19th-century neoclassical style, with particular attention to the soft drapery, fringe details, and textural contrast between fabric and skin. Multiple versions of Highland Mary are known (including examples in the Royal Collection, Walker Art Gallery, Liverpool, and Sefton Park Palm House), with minor variations in pose and attributes; the present example corresponds to the clasped-hands composition. Signed: B.E. SPENCE Ft. ROMAE - 1862 Provenance / Literature note: Frequently exhibited and replicated during the Victorian period as one of Spence’s most celebrated works, inspired by the tragic romance between Mary Campbell and the poet Robert Burns. Benjamin Edward Spence (1822–1866) was a 19th century English sculptor, who spent much of his professional life in Italy. He was born in Liverpool in December 1822, the son of William Spence, a sculptor who later in life became a partner in a business house in Liverpool, and gave up the profession. In 1846 he was awarded the Heywood silver medal and a cash prize by the Royal Manchester Institution for a group in clay of the death of the Duke of York at the battle of Agincourt. His father was persuaded by John Gibson to send Edward to Rome. There he entered the studio of Richard James Wyatt, and also received help from Gibson. He died at Livorno (then known as Leghorn) on 21 October 1866. Between 1849 and 1867 Spence contributed to the exhibition of the Royal Academy five times: in 1850 with "Ophelia", in 1856 "Venus and Cupid", in 1861 "Hippolytus", and in 1867 "The Parting of Hector and Andromache". He contributed "Highland Mary" to the Exposition Universelle 1855, and two works, "Finding of Moses" and "Jeanie Deans before Queen Caroline", to the International Exhibition 1862. A number works of his that were not exhibited in England were engraved for the Art Journal. Works: • Highland Mary 1853, Buckingham Palace • Venus and Cupid, Philadelphia Museum of Art • Statue of Lavinia for Mr Holmes of Liverpool (1849) • Statue of Ophelia for Thomas Brassey MP (1850) • Tomb of Richard James Wyatt in the Protestant Cemetery, Rome (1851) • Highland Mary at Osborne House (1854) • Bas relief in a monument to Ann Catherine Jane Smith...

A set of three mid-18th century Delft style tiles by Sadler & Green of Liverpool dating from circa 1765. Ex. private British collection, these decorative antique tiles are each tra...

Staffordshire lions one mid 19th century and on late 19th century. Both seated and well painted.Oval bases with green shrubbery.

A very good stone bust of Julius Ceasar, hollow inside and in overall very good condition. 24" high 25" wiide 15" depth You are welcome to view this item at our showroom, please p...

Nan Nan Liu's sterling silver sculpture reflects her creative interest in natural forms and energies. In this profoundly dynamic and Kinetic example of her...

White Direction I Hand Crafted Sculpture by Rachael Heritage Each Piece is Unique Dimensions: D 26 x W 26 x H 38.5 cm Materials: recycled card, fibre-cement, white burnished plaster....

Bronze sculpture of a lesser snow goose with pierced eyes, precariously balanced on one leg and surmounted on a circular base. The goose in a multi-tonal blue/green patina. Signed on...

Life-size draped classical male ship's figurehead of English 19th century origin. The carving is quite similar to that of the figurehead rescued from the HMS...

English Regency style(19/20th Cent) large white glazed terra cotta elephant figure with raised trunk (as is)

'Solar Storm Sky Blue over Ice Blue I' is a unique handblown and cut glass artwork by the British artist, Kate Jones of Gillies Jones. In the artist's own words: “This new body of ...

English Victorian silver plated bronze figure of horse and jockey jumping grass fence on white onyx rectangular shaped base

A fabulous quality Early 20th Century life size carved female torso in the classical style, very well executed in wonderfully figured walnut, the sculpture is in excellent condition ...

'Landscape Blue on Blue I' is a unique blue and aqua hand-blown and etched glass sculptural plate by the British artist Kate Jones, with a painted ste...

Created from solid cast glass, Heike Brachlow’s intriguing sculpture Halycon is based on a concept called D-form, a three-dimensional form created by jo...

An antique neoclassical style patinated bronze trident sculpture, mounted on a limestone base. Originally a sculptural fountain, this mid 19th century English piece now stands as a ...

This striking early 20th-century English cast stone lion statue embodies the timeless appeal of traditional garden ornamentation, blending strength, symbolism, and understated elegan...

'Elixir in Apricot & Sunset Red' is a unique handblown and sculpted glass artwork by the Danish and British artists, Hanne Enemark & Louis Thompson. The outer glass form contains a ...

A very large antique Victorian brass lobster-form box. English, Late 19th Century. Measures: Height 34cm, width 91cm, depth 41cm. This exceptional piece is a remarkably large brass box...

"Pastoral Abundance": Pair of Victorian Staffordshire Cow & Calf Spill Vases, Circa 1860-80 A charming and impressive pair of large Victorian Staffordshire pottery spill vases, ...

Signal-Low, On Base Sculpture in Fibre Cement & Plaster by Rachael Heritage Unique Piece Dimensions: D 20 x W 22 x H 33 cm. Materials: Fibre-cement and burnished plaster. Shapes for...

Pair of Derby Figures depicting 'Welch Tailor and his Wife on Goats' circa 1800. These Derby figures were originally copied from the Meissen originals ( sculptor J J Kaendler). Th...

This Mid-20th century bronze sculpture is a delightful representation of a Scottie Dog or Scottish Terrier, capturing the essence of this iconic breed's spirited personality. Crafted...

Thomas Messenger and Sons 'Atlas' Sculpture Silvered Bronze Lamp Base, England circa 1835. English William IV period, bronze table lamp by the Birmin...

A mid 19th century plaster portrait bust of 3rd century BC Roman general and politician, Marcus Claudius Marcellus (270-208 BC), ex. Holkham Hall, Norfolk. Inscribed to the front of ...

A 19th century Tudor revival glazed encaustic tile by Godwin of Lugwardine; one of 8 similar we have available. Dating to circa 1865, this antique tile is inspired by earlier Gothic...

An interesting ø28.5 cm (11 and ¼ inch) round neoclassical encaustic tile by Minton & Co. (stamped) depicting a sea nymph or mermaid. This unusual tile is a rare find and possibly un...

Inspired by planet-like shapes and textures, the Cosmic collection plays with both metal properties and a selection of patina finishes. Six finely hand-spun brass plates make up thi...

This heartwarming mid-20th century concrete dog spaniel garden ornament exudes an authentic vintage charm that adds a touch of personality to any outdoor or indoor space. The petite ...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

'Horse in the Rain V' bronze sculpture by Dame Elisabeth Frink Created in 1985 Signed on the base 'Frink 5/8' Includes signed copy of 'Elisabe...

A superb collection of 6 antique plaster models after the ancient 6th century BC Parthenon Frieze. Supplied loose, these mini friezes are presented in a wooden tray and mounted on a ...

This is a unique custom surfboard featuring a marquetry deck incorporating 24 carat gold leaf, designed and hand-crafted by the w o o d p o p studio which specialises in marquetry an...

A 19th Century Passion Of Christ Triptych by the Campbell Brick & Tile Co. This set of 3 tiles are thought to make up a larger set of Encaustic tiles depicting different symbols of ...

An antique 6-inch glazed tile by W. T. Copeland (stamped) depicting a handpainted blue-grey Delft style illustration of a Cavalier soldier on horseback. Ex. British collection, this...

BG 446 handcrafed sculpture by Bronwen Grieves Dimensions: D 40 x W 18 x H 18 cm Materials: black stoneware white slip. Other models can be done. Fired to 1180 c Bronwen Gri...

One of a kind multicolour wall art piece, hand crafted in stucco marmo. Due to the nature of the process, any shape, form or figure can unintentionally emerge from the organic mass. Thus the end result makes for an intriguing and entertaining visual experience. In this wall art for example, beyond the initial glance, one can see a whimsical illustration...

1950’s Large Original Shop Cast Weighing Scales. High quality weighing scales by Vandome & Hart Ltd London. Made from cast aluminium they are fully working but sold as a decorative ...

Antique Victorian quality bronze figure of a Cossack on horseback kissing his wife farewell with his sword and rifle at his side and mounted on quality bronze horse A splendid ex...

Hallmarked in London in 1985 by Wakely & Wheeler, this handsome, Sterling Silver model of a Horse, stands on a wooden plinth with an applied silver plaque, and is realistically cast....

An original piece of English folk-art sculpture by the acclaimed British sculptor Guy Taplin (b. 1939). Eight individual wooden birds carved and painted, th...

Minton Parian model of clorinda modelled exhausted from the fight, with her armour on, helmet at her feet, signed to the reverse John Bell. Dimensions: height 13.5 inches. width 8...

An iconic design by British designer Tom Dixon, this full-scale woven wicker motorcycle was created during his tenure as Head of Design at Habitat in...

A charming English 19th century leather baby bear with glass eyes.

A stunning three hooped ‘Pagoda Pot’ by Dorset potter Alan Ashpool, with a flared bowl to the top, tiered forms made from a mixture of thrown and slipcast sections joined together, culminating in a bell shaped base. Predominantly in an ecru colourway, followed by a dark grey glaze, then a turquoise/blue glaze, culminating in a stunning bronze manganese glaze. There are also beautiful blue flecks in the ecru finish, which were created in the firing process. A wonderfully impressive and tactile piece measuring 40cm in height, in very good condition with no chips or cracks. Alan Ashpool backstamp to the base alongside the original address label. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

'Abstracted Land Aqua Blue over Grass Green' is a unique handblown and cut glass artwork by the British artist, Kate Jones of Gillies Jones. In the artist's own words: “This new bo...

'Climbmate' is a beautiful garden and landscape substantial sculpture. Standing tall at two meters this stunning artwork piece took over five months to create with much attention t...

The "Duet" Modernist Geometric Sculpture by Paul Mount (1922-2009) is made in Polished and textured stainless steel. Originating from England Circa 1970, this sculpture features two ...

Elegant little carved wooden horse from the 19th century in polychrome wood Very beautiful polychromy which has a lot of charm Old child's toy with the front wheels which moves ...

A rare 19th century plaster portrait bust of Homer after an almost identical plaster design by Italian sculptors Carlo and Filippo Albacini, depicted in herm-type style with a detail...

A rare plaster plaque depicting baby Orangutans, Signed and dated 1910. Apparantly this was the first casting from a bronze mould as a test by a bronze sculptor. Mounted in an origin...

'Better Off Dead' is one of the British artist and Blown Away II series winner, Elliot Walker's ongoing body of still life artworks. These compositions have the poise of classical pa...

19th century Parianware figure of mother and child raised up on circular base. Dimensions Height 16 inches Width 6 inches Depth 6 inches.