French Sculptures

Terracotta bust of a Chinese man, "Chih Fan Han Yang" by artist, Jean Mich. The high quality bust depicts an image of a smiling Chinese man. It was created by Hungarian born artist, ...

Car Mascot "Archer" in glass by René Lalique in 1926. Molded signature. Perfect condition. Very beautiful model. Height: 12 cm Félix Marcilhac, René Lalique - Catalogue Raisonné d...

A large 19th century patinated bronze group titled: "Amalthea and Jupiter's Goat" after Pierre Julien (French 1731-1804) The goddess portrayed as nude but for drapery held across her breasts and falling to her lap, seated on the back of the goat with her right foot raised to rest on a rock outcrop. Signed: Julien Circa 1880. Height: 34" (86.3 cm) Width: 21" (53.3 cm) Depth: 15" (38.1 cm) Pierre Julien's model of Amalthée et la chèvre...

Stunning French Art Deco bronze patina spelter figure with a decorative motif design sitting on a beautiful Portoro marble (5 cm of thickness), signed Armand Godard, depicting an ele...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

The iconic ultimate in French symbols. Fabulous blacksmith work, in old rivetted iron from the 1930s. Beautifully carried out and detailed. An expert believes it must have taken 2 months to carry out such work. The tower is assembled in 3 parts so it is easy to move. Perfect for a shopping mall...

The unusual model bronze dating to the late 19th century cast as a patinated bronze cherub holding two large strawberries with the vine looping over the back of the cherubs neck as i...

Vintage French ceramic pitcher / vase (circa 1950s) by Jacques Blin. The pitcher in the form perhaps of a proud French coq is in a subtle hue covered in Blin's trademark misty glaze....

French Art Nouveau Marble Bust of Female Beauty. Signed Proff Mattey.

Lumina Famous, very decorative Art Deco object. Slightly smaller than the famous Clarté Designed in France during the roaring 1920s by “Max Le Verrier” (1891-1973) Original Max Le Verrier, signed Art Deco style, France Lighted sculpture made in Régule (spelter) Socle in black marble (could have a different marbleization than the picture) Green patina, handwork, patina could be different Dimensions: Width 36 cm Height 65 cm (with glass ball) Height 54 cm (without glass ball) Depth 16 cm. The story behind: In 1928, Max Le Verrier designed after a live model, the famous CLARTÉ, a woman with a illuminated ball - the main piece of his artistic work. In fact, he needed three different models: one for the head, one for the upper part of the body and one for the legs. For this last part he asked an African-American dancer...

Bronze sculpture of a cat by Emmanuel Fremiet, 19th century. A bronze sculpture of a cat by Emmanuel Frmiet, 19th century, Napoleon III period. H: 8cm, W: 7cm, D: 4cm

French Art Deco style patinated metal deer sculpture on onyx base. Measures: Width 48 cm. height 25 cm.      

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

Victoria: bronze sculpture with a brown patina of a victorious warrior, on a red marble base This bronze is entitled "Victoria" and is signed by the artist Emile Picault Emile Pica...

19th century antique bird paperweight/hunting trophy in chased and patinated bronze on a marble base, after Comolera. Mounted on red marble.

Pair of finely chaste bronze and dore bronze of dog and cat. Very life like.

“Covetousness” by Pierre Le Faguays. Stone and bronze sculpture. France, CIRCA1920. “Art Deco and other Figures” Bryan Catley (1978), pag 189.

A sensational and monumentally scaled French mid 19th century white Carrara marble statue. The most impressive and statement making statue ...

Pecten latissimus Fossil on Wooden Base. This extraordinary fossil specimen showcases a stunning group of Pecten latissimus, or scallop shells, beautifully preserved and mounted on a...

Car Mascot Hood Ornament "Levrier" (Greyhound) made in glass by Rene Lalique in 1928. Molded signature. Perfect original condition. Really be...

Seal Stamp "Dindon" (turkey) made in butterscotch glass by René Lalique in 1925. Engraved signature on the edge. Perfect condition Measure: height: 6 cm Félix Marcilhac, René Lali...

A very handsome antique French Animalier bronze greyhound sculpture, paperweight, circa 1900. The bronze in the style of Emmanuel Fremiet, mad...

Beautiful female mannequin head made from plaster servings as an advertising bust in a shop. It was used to be displayed at a shopcounter or vitrine....

19th century French bronze sculpture, Faison (Pheasant) signed "F. Pautrot". Bronze figure of a pheasant standing on a naturalistic base. Ferdinand Pautrot (1832 - 1874) was born in ...

A monumental French patinated bronze bust of William Shakespeare, after Houdon, by F. Barbedienne Foundry, circa 1870. Masterfully and realistically sculpted in solid bronze, this...

Rare lighting object by Jacques Vojnovic, signed by the artist. The object has been produced in 1983 as part of a very limited edition. Good overall c...

Isidore Jules Bonheur (French, 1827-1901) ‘Le Grand Jockey ‘ Signed 'I Bonheur' and with foundry stamp PEYROL EDITEUR'. Bronze, rich mid-brown pa...

This miniature cast bronze architectural desk thermometer sculpture of a European monument dates to the 19th century to commemorate one of the Grand T...

A bust of a young child. A happy expression.

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects Beau...

Presenting a magnificent bronze equestrian sculpture titled "Amazon" by the renowned artist Erté, also known as Romain de Tirtoff. This exceptional piece, numbered 335 out of a limit...

OPPOSING PAIR OF BRONZE FIGURES Form our Bronze Sculpture collection, we are delighted to offer this French opposing pair of Bronze Figures Allégorie du Printemps by Ferdinand Barb...

Superb patinated bronze sculptural composition by A. Plisnier of two Fennec foxes huddling together manufactured and smelted by the Gorini Frères Foundry...

This striking sculpture, signed by renowned French sculptor M. Guiraud Riviere, masterfully captures the dynamic movement of a horse and rider. The figure is crafted in bronze with e...

Antonine de Saint Pierre, by. Sculpture entitled “Anna”, in red lacquered metal. Work of a contemporary French artist. Dimensions: H 50 x W...

Vintage Art Deco style wood stylized horse head sculptures bookends. Great to use on a desk as a paper weight or decorative objects around the house or office. Art Deco stylized hors...

Oversized vintage sculpture made of fine brass after J. Moigniez for Kingston. This sculpture is meticulously decorated with detail giving it a realistic feel. The piece includes two...

This stunning mid-20th century handcrafted and mouth-blown glass sculpture by the renowned Daum France is a true masterpiece. It beautifully captures the majestic polar bear standing...

A very fine and large French 19th century white marble bust of a young beauty, purported to be a young "Marie Antoinette" (Queen of France 1755-1793), by René Rozet...

Unmatching pair of bronze dove bird sculptures or paperweights. France, 1930s Art Deco sitting dove bird and standing dove bird figurines on black marble pedestals. Measures: Sta...

An Art deco bronze sculpture by Pierre Le Faguays (1892-1962) . An exotic dancer holding a bunch of grapes artistically in her hands whilst posing. It is in excellent original condit...

Hand-sculpted ceramic Sculpture or decorative vase "Kanan" with stylized face One of a kind handmade piece signed by the French ceramicists DALO, 2025 The height is 37 cm

Mid 19th Century French Processional Figure A wonderful example of a mid 19th Century hand carved processional figure of a well dressed lady. All with original clothing intact inclu...

Beautiful antique bookends signed by the french artist "Franjou". Zinc Cast on a marble base.

Edouard Marcel Sandoz (1881-1971) Figure "Pierrot Musicien", ca. 1917. Hard-paste porcelain with a white glaze, and painted gold. Signed to the base, appears to be Théodore Havil...

Pair of decorative sculptures in the shape of herons, made of brass with a shiny finish. These pieces stand out for their stylized and minimalist design, with elegant lines that capt...

Large 19th century French sculpture by L. & F. Moreau depicting a young girl holding a bowl of berries seated on cresting waves and a bird in flight. Made of spelter, or pot metal, with a beautiful warm, rich chocolate brown patina. Signature on base: L.&.F. Moreau L.&.F. Moreau two brothers who were perhaps best known for creating highly ornate clocks...

An excellent mid 19th Century French Animalier bronze study of a game bird proudly holding its catch of the day with very fine intricate hand chased surface detail and very fine rich...

Clarté, iconic 84 cm / 33 inch tall Art Deco style figural table lamp of a standing nude holding a glass shade by Max Le Verrier with foundry mark. Designed in 1928. Posthumous conte...

French Art Deco antelope sculpture by Charles Lemanceau at Sainte-Radegonde, France, 1920s. Ceramic sculpture named "Antelope standing". Illustrated in the Sainte-Radegonde catalogue...

Majolica boar tureen, circa 1950.

Art Deco bust of a woman. Silvered bronze sculpture of a moderniste lady. Mounted over a Italian marble base. Signed on the base Auscher. France 1930 Perfect desk piece or paperweigh...

A Large and Important Multi-Patinated Bronze Figure of an Arab Warrior by Henri Honoré Plé. Signed Henri Plé to the base. The figure is finely modelled as an Arab warrior, with sw...

The only example we have ever seen, this large (33 inch high) bronze sculpture of a superbly-conditioned athlete about to put the shot was made by Louis Marie Jules Delapchier in the...

Bronze Horse Sculpture A stunning and meticulously crafted horse sculpture that captures the essence of equine grace and beauty. This beautiful piece, cast in bronze and cold painte...

Terracotta Majolica Snail Bavent Normandy circa 1900.

A wonderful antique Palissy majolica plate with a large lobster and other crustaceans. Anterior rim pierced for hanging. Circa 1920.

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Adrien-Étienne GAUDEZ (1845-1902). A classical 19th century statue in patinated bronze of a seated young woman, dressed in flowing robes, her attention caught by a fluttering bird pe...

Diana of Gabii in bronze on a basic in marble. Beautiful patina, Cast by Fumiére & Cie, Paris