Swedish Sculptures

Signed Blown Glass Fish Sculpture Josef Marcolin, w/original label stiff affixed UPDATE: Due to agreement with 1stDibs, we'll be staying through the...

This is a mid century horse figurine, made of full lead crystal, designed by Bengt Edenfalk for the Swedish brand Skruf. Skruf is a Swedish...

Vicke Lindstrand (1904-1983) for Kosta Boda. Unique glass block in blue-green mouth-blown art glass. Decorated with Sami hunting reindeer. 1960s. Measures: 19.5 x 15.5 cm. Dept...

Sven Wejsfelt (1930–2009) for Gustavsberg. Large and impressive ceramic sculpture of a pike. From the "Stim" (shoal) series. Mounted on a wooden base. Late 20th century. Marked and...

Characteristic for Swedish artist, Björn Selder, are powerful, expressive sculptures, such as this piece, in heavy materials like bronze, iron, and stone....

Stunning iridescent footed art glass vase / bowl by Bertil Vallien for Boda Abfors, circa 1980s. The bowl is in very good vintage condition and measures 8"D x 7"H. it has a wonderf...

Sculpture "Förvandlad Fågel" (Transformed bird) made by Swedish Sculptor Bengt Amundin during the 1950s. Made from cast and patinated bronze on original base from asymmetrical pine w...

Amazing cast iron midcentury sculpture / fireplace screen. Designed by Olle Hermansson for Husqvarna, Sweden 1960s. Great original condition with signs of use and age. Stamped 'OH'...

Biomorphic Sculpture Object in Aluminum by Eva & Peter Moritz for Ikea, 1980

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

Rare decorative driftwood toteme sculpture in a wabi sabi and brutalist style with a black stained foot. In good condition. Dimensions: H: 140 cm / 55" W: 25 cm / 9.85" D: 20 cm / ...

A fantastic vintage ceramic/stoneware figurine/ sculpture depicting an owl made by Thomas Hellström for Nittsjö Sweden. This is one of Hellströms' famous animals for Nittsjö Keramik,...

Glass hippopotamus by Bertil Vallien for Kosta Boda. Vallien created a zoo animal series for Kosta Boda in 1975 which was called the “Boda Zoo”. It featured z...

Carved from a single log, this 18th-century Swedish wooden horse is a rare surviving example of early Scandinavian craftsmanship. Featuring hand-pegged joinery and a primitive, scu...

Two ceramic sculptures designed by Bertil Lundgren at Rörstrand in 1970s. The sculptures are in excellent condition and stamped Rörstrand BL. They are all in excellent condition.

Harald Salomon for Rörstrand, Blanc de Chine white glazed set of six figurines Figurines in hard paste porcelain blanche de chine, depicting fantastic ...

A striking and sculptural fireplace screen designed by Swedish artist Olle Hermansson and produced by Husqvarna in the 1960s. Crafted in solid cast iron, this piece is a bold example...

Pair of mid 20th century carved solid wood lions circa 1950. Here we offer a fine pair of decorative carved lions for the ultimate installation piece.  Heavily carved out of solid w...

Sculpture "Kullatroll " by Åke Holm (1900-1980) Åke Holm is one of Sweden's most significant ceramicists.He started working as a 15-year-old for Höganäs bolaget. In 1928 he started ...

This beautifully aged, hand-carved vintage hat mold comes from the renowned hat-making company Hugo Landahl in Stockholm, Sweden. Rich in character and patina, it serves as a unique ...

Antique Nautical Tyfon Brass Foghorn Malmo Sweden Kockums Mek Verkstad This antique Tyfon nautical brass foghorn originated in Malmo, Sweden, specifically from the Kockums Mek Verks...

Rare fire screen designed by Olle Hermansson for the Swedish company Husqvarna in the middle of the 20th century. Abstract design made in cast iron. Makers mark on back.

Assorted Raku fired faces, all with their own expressions, happy or sad, strong and sure, tragic or comic, by Johan Thunell. Raku is a pottery technique in which pots are raw-glazed ...

Antique wooden horse sculpture from northern Sweden. The horse is from around 1850 and has a body in pine with original paint. The sculpture is m...

This exquisite Muonionalusta meteorite slice, originating from Sweden, showcases the captivating Widmanstätten patterns, a hallmark of its extraterrestrial origin. Its sleek finish a...

🎁 A thoughtful gift for cat lovers, folk art fans, or anyone looking to add handcrafted charm to their décor. Bring character and charm into your home with this delightful set of 3 ...

🎁 Ideal as a gift, a design accent, or a calming visual storypiece. 🕊️ Nature-Inspired Scandinavian Design Décor Bring timeless elegance and a touch of coastal serenity to your spa...

With What’s Up?/I Hear You, Frida Fjellman has developed her Erik-Höglund-inspired glass sculptures with the same individual style. Fjellman has chosen to emphasize the properties th...

Carl Milles (1875-1955), after, bronze sculpture of three fishes. Marked Millesgården. Great condition. Born in Uppsala, Sweden, Carl Milles, whose origina...

Rare bowl designed and made by Sigvard Nilsson, Söwe konst. Made during the 1950s Made from solid teak and sculpted by hand. Very good vintage condition with...

A set 6 of wonderfully sculptured art glass pieces. They are all shifting in green, white and clear glass. Made in Sweden in the mid-1950s these pi...

Paul Hoff for Kosta Boda / Svenskt Glas, four figurines in art glass. WWF. Ca. 1980s. Marked. Blue: W 9.0 cm x H 5.5 cm.

Charming glazed ceramic wall plaque depicting three owls sitting on a branch. Fabricated by EGO Stengods, Sweden, 1960s.

A plaster bust depicting a young man, signed at the bottom by Stina Edman

Beautiful plaster bust of the famous Swedish scientist Carl von Linne (1707-1778). The bust was made in the early 20th Century. Carl von Linne was a Swedish biologist and physician ...

Beautiful vintage hand-blown Art glass sculpture by Kosta Boda. This sculpture, shaped like an egg and in soft and bright hues of blues, lavender and whites was created by Monica Bac...

The myth of ”wandering” air bubbles has always been present at the glassworks of Kosta, Sweden. Bertil Vallien has given this some consideration when he made the transparent sculptur...

We are delighted to offer for sale this stunning pair of fully polished circa 395-million-year-old Ammonite Atlas Mountains fossil statues These are some of the most decorative pi...

This impressive 362 gram slice displays the beauty of the Muonionalusta meteorite. It has been sliced and polished to enhance the natural etching formed when the Muonionalusta entere...

A vintage ceramic/stoneware figurine/ sculpture depicting a bear made by the talented Thomas Hellström for Nittsjö Sweden. This is one of Hellströms' famous animals. This adorable be...

Framed set of four vintage herbaria, (circa 1930-1949, Sweden). Each herbarium (botanical) measures: 15.75 inches high x 9.5 inches wide and floats within a...

Modernist sculpture by unknown Swedish sculptor. Made in 1962 and signed with the artist name boholm and year -62. Hand carved from wood with a dark stained finish. Good vintage cond...

Natural Fold room divider by Storängen Design Dimensions: D 4 x W 70 x H 170 cm Materials: oak wood, leather straps. Available in other colors ...

This figural armillary of Atlas, constructed of metal with a copper numeric banding, hails from Sweden. Original matte black finish and mounted on a well-proportioned custom wooden pedestal also painted in black lacquer. It is missing one strip of numbers on the inside ring but makes a beautiful over-sized sculpture for a variety of decor styles. Please note the listing is for the sculpture only. The antique white pedestal...

Rare Stoneware Wall Plaque by Stig Lindberg for Gustavsberg, 1950s. Beautifully glazed relief carvings and incisions. Stamped at the back and the artist’s signature at the front in...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A gifted former ceramic designer for Rörstrand pottery, Olle Alberius came to Orrefors in 1971, and is known for utilizing numerous techniques, including Ariel, Ravenna, and graal, t...

Fantastic Polar Bear made of stoneware designed by Oscar Hartung for Ego Stengods in the 70s.

Bertil Vallien Rörstrand Sweden, c. 1965 A pair of bird sculptures glazed porcelain. 8.25 h × 11 w × 4 d in 5.25 h × 7 w × 2.25 d in Bertil Vallien is by far the most internationall...

Nice stoneware animal figurine of a bear by Tilgmans Pottery Sweden. This sculpture was made by the founder of Tilgmans Pottery - Harry Tilgman.. His initials HT are carved in the f...

Lisa Larson for Gustavsberg. Ceramic lion. From the 1970s. Marked. In perfect condition. Dimensions: H 5.0 cm x L 5.0 cm.

Charming Plaster Sculture by Ruth Milles (Sweden, 1873-1941). A young girl with a bag. Art Nouveau, dated 1906. Ruth Milles is the sister of the world famous sculptor Carl Milles. S...

Massive glass block work by Sven Palmqvist for Orrefors. Original wood base, signed.

An exceptional and rare vintage Swedish Mid-century modern handmade figurative abstract puzzle/sculpture. It is made of individual 4 pieces forming a block when assembled. Many combi...

Pair of ceramic glazed knipa ducks by Paul Hoff for Gustavsberg, Sweden This is the goldeneye duck (Knipa) from the Arkipelag series designed by Paul Hoff. There are 13 birds in t...

Swedish sculptor, Olle Hermansson is primarily known for his cast iron sculptures and fire screens in his signature Brutalist style. The characters and shapes appearing in his works ...

Lisa Larson for Gustavsberg, Sweden. Lion in glazed ceramic. Late 20th century. In excellent condition. Signed. Dimensions: L 4.0 cm x H 4.5 cm.

This is an incredible Garden Statue of Aphrodite the Greek Goddess. its in 100% Original condition with NO Cracks!

A beautiful black and green ceramic vase with yellow handles in a classic Art Deco shape, the vase is designed at Upsala Ekeby between 1932-1938. It is 16 cm (6.4") tall and about 14...

A lovely vase with a Floral Art Nouveau decor designed at Upsala Ekeby in the early 20th century. The vase is 25 cm high and in very good condition except from some scratches.