Hand-Painted Sculptures

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

An English Victorian period slit leg Staffordshire dog from the 19th century with textured coat and gilded collar. Created in England during the reign of Queen Victoria, this Staffor...

The "Birds Eye" sculptures by Patrick Coard Paris are an embodiment of modern abstract elegance. Expertly crafted from a luxurious black oak veneer inlaid on a fiberglass core, these...

An exceptionally fine quality highly detailed pair of Royal Dux Czech Republic pottery vivid Majolica Parrot Feathered Figures of quite generous size, Mid Twentieth Century Each ...

Goebel produced this dramatic porcelain figurine depicting a Cat, circa 1960. The piece is in excellent condition and a real beauty. Measures: height: 10.63 in (27 cm)? diameter...

Presenting a stunning pair of mid to late 19th century French Limoges Bisque porcelain figurines from circa 1870. One is of a lady in period dress/attire cradling a Dove. All hand-painted and decorated to the finest quality. The base is marked with the makers initials “C.H.”. She is made of fine bisque porcelain in the Old Paris porcelain style. The other is of a gentleman set...

Beautiful porcelain statue of Mary with baby Jesus on her arm. The statue is hand painted in beautiful colors. The statue is marked on the bottom with t...

Book Ends Wooden style acrylic Sculptures A Set Of 2 Decorative Figurines of Human Book Holder Beautifully stylized a set of figurines with a great ba...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

A fine antique 18th German porcelain figurine. By the Royal Meissen Porcelain Manufactory. Model Number 12. Depicting a Trumpeter from the 'Gallant Orchestra' series created b...

Playful stretching Tonala pottery cat figurine is decorated with beautiful hand painted abstract geometric and floral designs in blue, green, and earthy brown palette. Variations in...

A striking mid-century ceramic funny fat cat figurine that would add touch of rustic elegance to your collection. This serene feline features: - A seated pose with front paws grounde...

Italian ceramic terracotta sculpture Depicting Madonna , Virgin & Child religiousstatue Material: Earthenware terracotta, tin glaze and partially gilded Modeled and painted by h...

Antique Hand Painted Bisque Porcelain Mother & Child Figure in the Manner of Meissen c1920 Measures- 17.25"H x 9.25"W x 9.25"D

Exquisite Polychrome Spanish santo wood sculpture of St. Dominic Anonymous ca. 1700; Spain or the Spanish Americas Polychrome wood Approximate ...

Fabulous and elegant porcelain life size figure of a female whippet. Absolutely so real life like it's amazing! Such a beautiful face you want to hug this dog. 11 x 20 x 24h and weig...

Stunning and rare Lladro retired serious clown with guitar by Salvador Furio. This is titled "Serious Clown with Guitar' and was sculpted by Salvador F...

Vintage Dwarf with Candle Holder, Germany ca. 1950s. Christmas Gnome with candle holder, red top and pants, green coat. Rare collector's item, hard to fi...

Wonderful hand carved standing Baroque angel figure. Unique period piece with its original paint . Spain, circa 1650-1750 Weathered. . Measurement here below includes the wooden ba...

A fine quality therapeutic musical automaton clown toy in wonderful vintage condition. Features porcelain head, hands and feet. Made in France during the ...

Limited edition sculpture of an oriental battle horse in matte white porcelain with brown, ochre and blue tones. This majestic and elegant animal is inspired by traditional art of the Chinese Tang dynasty. The horse proudly wears its tack, typical of the upper classes, making this High Porcelain limited edition a symbol which conveys the significance this animal represented in Chinese society from ancient times: beauty, power and wealth. In this gloss finish version, the oriental horse...

This is a fabulous pair of figures of Liberty and Matrimony made by the Bow Porcelain factory between 1760 and 1764. These figures were a popular pair portraying marriage. The bow...

Playful Italian pottery cat figurine features crouching white cat with half-closed eyes, getting ready to pounce on a dragonfly flying over cat's shoulder. Elegantly sculpted ceramic...

Sculpture leopard sit in hand painted ceramic.

1970's Italian Ceramic Leopard Sculpture. Made in Italy. Very collectible and decorative.

Porcelain creation depicting a bee, part of the Awesome Insects collection. A surprising decorative design. The pollinizing species par excellence, t...

Highly detailed vintage figurine of a saddled horse in motion is hand decorated with abstract flower motifs; the decor is done in traditional blue and white palette. The heavy, sub...

18th century Italian crucifix with gold-plated kyanite, calcite crystals in matrix, and baroque pearls. The crucifix is originally from a church in Liguria. It is hand-carved and pai...

Cleopatra, the most famous queen of ancient Egypt, is represented in this masterful limited edition in High Porcelain. This exclusive high porcelain piece, made in matte porcelain...

Standout set of two pugilistic roosters crafted in metal in action poses and hand painted in dramatic colors. Signed "Made in Italy" on a brass bracelet. Left: H: 6 W: 12 D: 7 Rig...

Sculptural 18th century Italian gilded double-mounted cross on hematite with pyrite inclusions and adorned with pyrite rosettes. A matching smaller cross is mounted onto the bigger cross...

19th Century Staffordshire Unique Black & White Spaniel with Separated Foot England, Circa 1860s This distinctive 19th-century Staffordshire black-and-white spaniel figure, made in...

Limited edition High Porcelain sculpture of a dragon, the symbol of power and good fortune in Asian cultures, in a special version to commemorate Lladró’s 70th anniversary. A represe...

This highly pierced brass decorative element from France was originally the cover of a bassinoire from the 1600s. A bassinoire is a device where hot coals are inserted into a vented ...

Sculpture French Coq made in ceramic, hand painted piece.

This masterfully carved and lacquered Italian wooden female bust exemplifies the exquisite artistry of 18th-century religious artistry. Crafted with exceptional skill and precision, ...

More information coming soon… After the original Alfred Jacquemart hunting dogs from the 1800s, this pair of French cast iron sculptures dates to circa 1900. Both dogs are depicted...

Pair of life-size ceramic whippet or greyhound dog sculptures of the ribbed dogs in alert sitting positions. The dogs are hand-painted and made in Italy. The dogs nicely detailed wit...

Mid-20th century glazed ceramic elephant flower plant holder. Handmade of ceramic. Nice addition to your home, inside or Outside. This is in good condition, green color.

Pair of late Staffordshire Recumbent figures Dalmatians USA, 20th 1950s A good pair of a later Staffordshire hand painted and enameled porcelain figures of reclining Dalmatians....

Chinoiserie pagoda. Very decorative Italian painted plaster and wood three-tiered pagoda alla Mongiardino emanating from marine inspired grotto base with four masks issuing water in...

Hand-carved in the 1600s, this wooden coat of arms cartouche depicts an ornate crest atop a shaped console with several charges. The cartouche is Dutch, considerably predating the fo...

Limited edition dragon sculpture in matte porcelain with gold lustre. A symbol of power and prosperity in Eastern culture, this magical creature, the bearer of good luck, is the protagonist in this spectacular High Porcelain limited edition. The hundreds of scales covering its skin are individually hand painted with gold lustre, an extremely laborious technique requiring the expertise of the finest artists. The luminosity distinguishing its spectacular embellishment is attained by combining gloss and satin finishes, united by an iridescent metallic hue on the chest and a vivid turquoise hue on the crest. The complexity of the dragon´s...

Limited edition sculpture of a Spanish horse trotting in position in matte porcelain, embellished with blue and gold lustre on the head, chest, saddle a...

Wonderful perfectly preserved owl sculpture on a pedestal, made of white porcelain, partly gilded, handmade in the world famous German porcelain manufactory Hutschenreuther. The pol...

renowned artist Knud Kyhn (Danish, 1880-1969) and dating from around 1950. The lying seated bear is modelled lying on its back with its paws raised and scratching the base of one foo...

A rare and exceptional German Rosenthal handmade porcelain figure of a Dachshund modelled by Professor Theodor Karner (German, 1884-1966) and dating from around 1937. The dachshund f...

Wharton Esherick important sofa for Lawrence and Alice Seiver. We are pleased to offer this exceptional item, the epitome of the Americ...

Rare 19th Century Jerusalem Crucifix Cross, Highly Decorative & Mounted To An Olive Wood Frame, Engraved With Jesus and Holy Figure

One of the female characters of the most famous fantasy saga in history is faithfully reproduced in this porcelain piece which is sure to delight the countless fans of Star Wars all over the globe. Finished in white matte porcelain with touches of glaze, enamels and golden luster, the piece is decorated with the character’s signature colors. It depicts Queen Amidala in ceremonial robes, celebrating the 20th anniversary of The Phantom Menace...

A charming antique 19th Century English Staffordshire hen covered tureen or eggery, circa 1880. No maker's mark. These were typically used to store e...

This late 17th-century Portuguese Baroque sculpture in polychromed wood depicts the Madonna holding the Christ Child, carved with exquisite detail and spiritual grace. The Virgin is...

Tonala Folk Art Pottery Plate Hand Painted Flying Bird, Mexico, circa 1960's. Vintage Mexican Tonala hand painted pottery bird Folk Art. Flora de la Cruz ...

A pair of resting bronze lions on shaped walnut painted plinths modeled on the original marble sculpture by Antonio Canova. Reduction from the originals created by Antonio C...

Sculpture big cat in ceramic with gold leaf painting. Also available in ceramic integral black or in integral white finish. Gold Leaf Finish, price 1850,00€ Also available in white ...

Porcelain sculpture inspired by Athena, the Greek goddess of wisdom, tactics, and good counsel. The daughter of Zeus and Metis, Athena was the Greek goddess of wisdom, tactics and go...

A spectacular sculpture made in black porcelain, inspired by the legendary gladiators of the Roman empire. This creation represents with amazing faithfulness and detail the figure...

Art Deco Figurine of 'Mata Hari' by Capodimonte / Naples Porcelain Company Italy, circa 1925 An exceptional work, displaying grace and movement, subtly hand- painted. The seductive turban and gold earring wearing dancer draped in a White and Iron-Red Moon and Star motif garment, on a tasseled pillow. Hence our Mata Hari, attribution/suggestion. The name Mata Hari, is a Malay expression for the sun. Literally meaning “eye of the day"/ dawn of the day' This exquisite figure, depicts the The dancer (Mata Hari ?) as the sun-wearing the moon and stars. Marked with the variation Blue underglaze Crown & N. In remarkable well cared for condition, some minor wear to the gilt. The figurine stands...

Designed by Studio Chora, 2024. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. Sold as a pair. The Biomorphic series of organic light sculptures are one-of-a-kind a...

An unusual Japanese carved wood, lacquer, and gilt decorated portrait sculpture of a shogun, Edo Period, early 19th century, Japan. The unidentified shogun (possibly Tokugawa Iey...