Painted Sculptures

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This painted limestone relief is an exquisite example of New Kingdom relief carving from the apogee of Egyptian artistic production. Carved in raised relief - a labour-intensive tech...

PRE-OWNED GOODS ARE EXEMPT FROM IMPORT TARIFFS FOR U.S., UK, AUSTRALIAN & CANADIAN CUSTOMERS. THEREFORE, NO IMPORT TARIFFS WILL BE APPLICABLE TO YOUR PURCHASE. Bjørn Wiinblad (1...

An exceptionally fine quality highly detailed pair of German Karl Ens pottery porcelain Parrots Feathered Figures of quite generous size, late Nineteenth, early Twentieth Century. ...

Group of sculptural 19th century Italian gilded fragments mounted with fossil coral and adorned with hand-gilded shells with rock coral bases. This exclusive eight-piece collection ...

1995 Italian Bitossi Flavia blue ceramic elephant figurine. Blue crackle ceramic finish with green accents. Retains brand sticker and brand stamp on the underside.

This is a manekineko cat object. It is made with porcelain and it was made around 1980s in Showa era. Dimensions. 8 x 8.5 x H13 cm The maneki-neko is a common Japanese figurine ...

Painted plaster pig from the first half of the 20th century, originating from France. Originally, these plaster sculptures were displayed in shop windows or in butchers' and delicate...

Delightful and finely detailed cold-painted Vienna bronze figurine depicting two young birds perched on a large feather. Dating to circa 1900, this charming piece exemplifies the exq...

A fine quality vintage Danish porcelain model of seated Siamese cat by renowned and sought after makers Royal Copenhagen and dating from around 1980. The large, seated cat is beautif...

Amazing baroque panel depicting a crowned reliquary . Beautiful weathered with traces of its original silver, gilding and colour. Italy circa 1750 Weathered, small losses . Measureme...

Charming vintage sculpture of a sleeping grey and white tabby cat was designed by Erik Nielsen for Royal Copenhagen. Highly detailed porcelain figurine was hand-decorated with extra ...

An amusing early 20th Century cold painted Austrian bronze group of two cats enjoying a game of billiards. The bronze with excellent vibrant colour and fine hand finished surface det...

Beautiful hand carved Baroque angel. Unique period piece with traces of its old paint . Spain, circa 1750 Weathered. Several small losses and old repair. Measurement here below in...

For your consideration, Pedro Friedeberg life is just amazing, very talented artist in all kind of mediums. One of his most iconic pieces is the famous hand chair, originally produce...

An exceptionally fine quality highly detailed pair of Royal Dux Czech Republic pottery vivid Majolica Parrot Feathered Figures of quite generous size, Mid Twentieth Century Each ...

ROYAL DUX - Vintage porcelain French Bull Dog figurine - small size - featuring a brown and white coat with articulated eyes and snout - gloss finish - signed on the base, original f...

A delightful and rare Austrian Wiener Keramik pair of pottery sparrows by renowned sculptor and ceramicist Michael Powolny (Austrian, 1871-1954) and dating from around 1907. Michael...

Vintage pair of Staffordshire cat sculptures feature the right and the left tabby cats (as they will be displayed), reclining on oval cushions whil...

'Pichet Espagnol' ceramic piece from the Madoura Pottery (A.R. 245) by Pablo Picasso (1954). A fired, unglazed ceramic pitcher in the form of a stylise...

A substantial and relatively large pair/set of Italian male and female cast plaster busts, in the Greco-Roman style, circa early to mid-20th century, Italy. Busts, Apollo and Diana, ...

Wonderful hand carved winged angel head with its original color and gilding. France, circa 1750 Weathered and small losses and old repair. Treated against woodworm. Measurement here...

A stunning French Rambervilliers art pottery figure of a dog by renowned artist Jean-Baptiste Alphonse Cytère and dating from the early 20th century. Alphonse Cytère was a renowned...

Vintage ceramic cat figurine features hand-painted pink sponge ware decor with black accents on face and paws. The cat depicted sitting with tail curled around the hind legs, slightl...

Beautiful Cheetah - Italian ceramic, perfect condition, produced in 1960s. We have also another big cats for sale, check our products. Only one unique piece available. Signed "made i...

A gorgeous character ceramic figural gnome statue. This character statue has been made by a unknown Company in Germany, in the 1910s or older. Absolutely gorgeous item with lots of c...

This rare white porcelain rabbit figurine, with striking red eyes, is a creation of Marcel Édouard Sandoz, designed for the Swiss porcelain manufacturer Langenthal. The figurine is m...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative sculpture. Mini White Dalmatian Dog Sculpture was produced in Italy. Only...

Italian ceramic, perfect condition, produced in 1960s. We have also another big cats for sale, check our products. Only one unique piece available.

Early 20th century continental decorative carousel horse circa 1900. Unique continental painted merry-go-round horse circa 1900. Excellent opportunity to own this highly decorative ...

Italian ceramic, perfect condition, produced in 1960s. We have also medium and large black panthers, check our products.

A lovely large 20" Mid-Century Italian majolica basket of lemons topiary centerpiece. No maker's mark. Freshen up your kitchen or breakfast room with this charming hand painted arran...

LLADRO - Vintage matte finish ceramic figure - bending girl dressed in her nightgown - retired - factory stamp to the base - Spain - mid 20th century. Excellent vintage condition - ...

Fabulous pair of hard to find old English Setters by Hubley C1930 in excellent antique condition with whats left of the original paint. No breaks or cracks, just alot of wear to the ...

These are a beautiful set of NINE porcelain Monkey Figures or Figurines all playing in a Band made by Sitzendorf, Germany, circa 1910. What makes these figures special is the excell...

This amazing German chandelier features a delicate hand-carved and polychrome hand-painted mythical lady or mermaid with a scaly fishtail. The adorable and handsome lady is holding a cartouche-shaped shield. The light fixture is hung on a chain suspension, mounted on real antlers, and decorated with red and yellow wrought iron...

A beautiful and detailed German porcelain English bulldog sculpture designed by Fritz Diller in 1914, for porcelain Maison, Rosenthal, circa ...

Unique and adorable late 19th or very early 20th-century smaller-size chandelier - Lüsterweibchen. Finely hand-carved from linden wood, a unique piece, made by a master wood carver ...

A stunning and quality pair German Rosenthal mid-century large porcelain doves designed by renowned sculptor Fritz Heidenreich (German, 1895-1966). The ...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative sculpture. Mini White Poodle Dog Sculpture was produced in Italy. Only on...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative sculpture. Horse sculpture was produced in England. Only one item available.

Very nice saint figure. Hand carved wood with glass eyes Italy, circa 1800-1850. Weathered, small losses.

A fine antique German porcelain figurine. By Meissen. In the form of a barefoot young girl in a dirndl dress carrying a wicker basket full of many different flowers. Atop a Rococo-style gilt plinth. Marked to the base with Meissen's blue underglaze crossed swords mark / an impressed 9 / an incised 'No. 5'. Simply a wonderful antique Meissen figurine...

Endearing pair of stylish and quality carved turtle bookend. If you like animal sculptures in general and turtles and turtle sculptures in particular then you will love this pair ...

A large and stunning Italian hand painted abstract figurative sculptural 'Guerriero' (warrior or fighter) ceramic vase by Elio Schiavon (1925-2004) dating from around 1960. This very stylized hand crafted vase portrays a figure holding a shield and is hand painted in textured colored enamels on a contrasting light grey ground. The figure has a painted face with locks of hair and what may be a beard and supports a rounded shield on their right shoulder. The vase is signed SCHIAVON ERHART to the base. Elio Schiavon studied at the Scuola d'Arte Ceramica...

A scarce vintage ceramic art sculpture by legendary 20th century Mexican artist Sergio Bustamante (b.1949). Fantastical surrealist style hand pa...

Finest quality, very large, handmade porcelain sculpture figurine of a "Csikós on Horseback" has been created for Herend by the famous sculptor, Bela Markup and expertly hand-painted...

Whimsical carved figure of skin diver , spear fisherman . Decked in wet suit with spear gun and fresh catch . Hand carved in Italy late 1960s into the ...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

16th century Italian carved and polychromed figure of a male saint or prophet with a wonderful presence. Shown holding an open book in his right hand with flames at his feet, mid-16t...

A stunning Minton majolica pottery figure depicting a girl harvester figurine dating from 1864. The figure sits raised on a round pedestal base and holds a large oval shaped basket u...

Very attractive painting of Maria with the baby Jesus. Painted on metal. France circa 1800-1850 Weathered and small losses.

Sculpture Danish dog In hand painted ceramic.

This wonderful, whimsical, and naughty bronze by the Bergman Foundry is a real joy. Highly detailed casting and meticulously painted bronze has the added feature of a toy, you can p...

An attractive early 20th Century Art Deco cold painted silver bronze figure of a young energetic beauty in a stretched pose, raised on a decorative black and green onyx base and sign...

"Cats Playing Billiards" by Franz Bergman An amusing early 20th Century cold painted Austrian bronze group of two cats enjoying a game of billiards. The bronze with excellent vibrant...

A stunning French Art Deco glazed pottery sculpture of a circus elephant balanced on a ball dating from around 1925. The figure made from a terracotta colored clay portrays an elepha...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

20th century Original painted heavy cast iron door stop full body cow doorstop.This is a three dimensional cow door stop.

A pair of lovely figures of young children with beautiful hand painted facial features. One holds a bell and is leaning on a tree stump base and the other child with floral leaves. S...