Painted Sculptures

19th C. Santos Hand made statue Saint Joseph and child Antiques Los Angeles CA LA . Mid 19th Century Rare Hand made terracotta Clay “ Santos “ saint Joseph with Child baby Jesus . ...

Large Antique Indian Hand-Carved Brown Wooden Elephant Sculpture Indian, c. 1900 Height 99cm, width 104cm, depth 50cm This finely carved wooden elephant, crafted in India around t...

Charming Hand-Carved Folk Art Duck Decoy. The duck features wonderful patina throughout including paint and glass eye. Wonderful collectable piece to add to a grouping. We think this...

19th century portrait bust of William Shakespeare, Vividly painted, a striking portrait of the English playwright, poet, and actor. Raised on a pedestal base with a neoclassical urn....

ROYAL DOULTON - 'Pecksniff' - Vintage Dickens character ceramic figurine - hand painted - signed on the base (back stamp used between 1930 and 1993) - ...

Vintage Murray "Fire Chief" Flat Front Original Steel Pedal Car

A gorgeous character ceramic figural gnome statue - attributed to Griebel in Germany, a well known manufacturer of this kind of figures. This character statue has been made in German...

This wall sculpture by Curtis Jere is really stunning in person. A beautiful addition to a Mid-Century Modern or Hollywood Regency space. The peacock head and body are patinated cast...

A rare Minton Art Deco porcelain figurine titled Pierette designed by Fred Cooke and dating from around 1930. This delightful standing figurine stands moun...

This stylish dog sculpture dates to the late 1950s-1960s and was fabricated in Italy. The piece is in excellent condition and a real beauty! Available other Art Nouveau, Art deco an...

Pair of 20th-Century Atlas Globe Bookends Bronze & Wood Sculpture Set A striking and sculptural pair of 20th-century Atlas bookends, masterfully crafted in a rich bronze-tone fi...

Excellent large and rare Meissen figurine group from the 19th century: Apollo, clothed with a cloak, attempts to seize Daphne from behind as she flees from him and freezes into a lau...

Presenting a stunning pair of mid to late 19th century French Limoges Bisque porcelain figurines from circa 1870. One is of a lady in period dress/attire cradling a Dove. All hand-painted and decorated to the finest quality. The base is marked with the makers initials “C.H.”. She is made of fine bisque porcelain in the Old Paris porcelain style. The other is of a gentleman set...

Luxury at its finest, made by the World renowned French maker of ‘Daum’ of Nancy, France circa 1960-80. Set of 3 crystal pieces of exceptional proportions, the set crystallizes the e...

18th/19th Century Chinese Wood Sculpture Of A Emperor or General. Retains Some Polychrome Decoration And Horsehair Beard, Male Figure Seated On ...

Circa 1860-80 Staffordshire Pair of Standing Whippets, English. Eager, happy faces, each proudly displaying a rabbit at its feet; fern & grassy decorated bases. Well painted - a true...

This is a piggy bank with the shape of a carp/ koi fish. It is made with porcelain and made around 1980s in showa era. It is hand painted and you can use as a decoration. It was made...

Porcelain sculpture inspired by Athena, the Greek goddess of wisdom, tactics, and good counsel. The daughter of Zeus and Metis, Athena was the Greek goddess of wisdom, tactics and go...

Gorgeous collection of porcelain cat figurines made by Carl Scheidig Gräfenthal Porcelain Manufactory, Germany, from the period of 1935-1955. Th...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Exquisite Vintage 1950s Handcrafted Wooden Marionette with Burmese String, Reflecting Asian Opera Artistry. This splendid Burmese-Thai marionette is a testament to masterful hand carving and intricate hand painting. Adorned with ornate fabrics in red and gold colors heavily embellished with beads, sequins, colored glass, embroidery, and gemstones, this marionette is a true work of art. Whether you choose to display it on your wall, use it as a mobile to bring color to a child's room, or incorporate it into your authentic boho and ethnic decor, it will captivate your senses. A fine representation of handcrafted village folk puppets from Asia, this marionette stands out for its unique quality. What sets marionettes apart from regular puppets is their manipulation through strings controlled from above, offering an unparalleled range of movement. Operating these strings demands a high level of skill, making marionettes a cherished form of puppetry. In Asia, marionette troupes were often sponsored and patronized by royalty, and while their performances were undoubtedly captivating and entertaining, they also served a significant cultural role. This marionette is not only a collector's delight but also a stunning piece of art. It portrays Minthar, the prince, in all his vintage glory...

A fine antique German porcelain figure of a boy with a dog by world renowned makers Meissen and dating from the 19th century. The figure of a young boy in typical period dress stands...

Pair of porcelain birds designed by Danish artist Jens Peter Dahl Jensen and made in Copenhagen by Bing & Grøndahl. Model no: 1633 and 1635. Length 12 cm each. These are often r...

Pair of Fitz and Floyd Whippet dog figurines beautifully crafted in ceramic with a crackled glaze finish. The figurines depict two whippets sitting regally on green, grassy bases with black and gold trim, Each dog is hand painted in warm brown and cream tones with gold accents on the collars. They sit on a green, textured grassy platform with black and gold trim, This is a hard to find colorway in terms of the dogs, the base and the level of hand painted detail. These whippet figurines...

18th century Italian "Young John the Baptist" painting framed with purple and yellow fluorite. The painting original came from Tuscany and depicts him as a young man with a lamb. Thi...

A complete West German unisex anatomical figure of a head and torso with removal organs. Hand painted and in excellent condition. German, circa 1950...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Honor and loyalty are the supreme values of medieval knights, the heroes of a fascinating, romantic era that inspired this spectacular high porcelain limited edition. The ornamental ...

- Hand built decorative fish sculpture - made of clay collected from the potter's surroundings. - decorative motifs painted with a goat hair brush made by the potter to apply natur...

“Ritorno dai campi" is a museum quality, limited edition, handmade and hand painted, collectible Capodimonte Italian porcelain by Italian artist, S. Agostino. It is a finely detailed, very large porcelain sculpture depicting a boy riding in a hay filled, horse drawn wagon. The horse has leather reins and is lead by a man with a dog. The man is on foot and holding a hat, and is followed by a barefoot woman with a basket and a rake. The scene is decorated with flowers, a tree and a stump. Porcelain scene sits on a wooden base with a brass plaque reading "Ritorno Dai Campi Collezione Porcellane S. Agostino" Signed on the back, “Capodimonte Limited Edition no. 1/100 Made in Italy" with the artist's signature and a blue and white Capodimonte...

One of a kind, handmade earthy sculptures inspired by traditional Spanish ceramics and classical utilitarian forms. Raw, unglazed, solid. Shapes are simple and bold, echoing campanar...

Italian cold painted tole potted tulip table decoration. A white footed pot holds a symmetrical cluster of shaded pink, blue and yellow metal closed tulips....

Large vintage Talavera hand painted studio ceramic Rooster - featuring a typical brightly colored multi pattern design - unsigned - Mexico - circa 1980's. Excellent/mint vintage con...

Sculpture Leopard candleholder In hand-painted ceramic, with black candle holder in ceramic.

This wonderful Atlas, handcrafted in matte white porcelain, is now joining the Myths Collection, a series dedicated to the great Greek and Roman gods of old. Atlas, son of Iapetus an...

Vintage Mexican Tonala hand painted pottery bird Folk Art. Flora de la Cruz Acapulco Gro Mexico hand painted bird dove ceramic. Warm earth tone polych...

Whimsical Vintage Mexican Ceramic Sculpture of Parakeets Hatching from Egg, in the Style of Sergio Bustamante, Circa 1980s A large, fantastical ceramic sculpture depicting a group of vividly colored parakeets emerging from a cracked egg. This imaginative and surreal piece draws strong stylistic inspiration from the work of celebrated Mexican artist Sergio Bustamante, known for his whimsical and surreal interpretations of nature and mythology in ceramic, papier-mâché, bronze, and wood. Hand-sculpted and hand-painted in Mexico in the 1980s, the sculpture captures a moment of animated emergence, with lifelike parakeets rendered in rich, saturated hues and finely detailed textures. The surface features carefully painted cracks and openings that heighten the illusion of the birds hatching from within the egg. This clay-based ceramic piece is bursting with character and movement, making it a striking example of Mexican folk-inspired surrealism. Unsigned by the artist, yet clearly created by a skilled hand, this one-of-a-kind piece would make a bold addition to any collection of Mexican folk art, ceramic sculpture, or Bustamante-style works. Dimensions: Height: 10 in (25.4 cm) Diameter: 9 in (22.86 cm) Condition: Good vintage condition, with typical patina and surface wear consistent with age. No visible chips or repairs. A true conversation piece that captures the spirit of surrealist folk art. Sergio Bustamante style sculpture * Mexican folk art animal sculpture * Ceramic sculpture * 1980s surrealist ceramic * Whimsical Parakeets animal figurine * Vintage Mexican pottery...

Hand carved & hand painted rooster sculpture. Very folky rooster.

A finely modeled Chinese porcelain figure of the Chinese God of Longevity, Shouxing, Republic Period, early 20th century, China. The God of Longevity, called Shouxing or Shoulao, stands upright holding a dragon staff in one hand, a peach (a symbol of immortality), in the other. He is dressed in a long yellow robe...

🎁 A thoughtful gift for cat lovers, folk art fans, or anyone looking to add handcrafted charm to their décor. Bring character and charm into your home with this delightful set of 3 ...

This is a Volksted Porcelain depicting a gentleman dressed with two different colorful flower fabrics in his blouse & pants. His shoes are adorned with flowers. He is holding a rose in his right hand & a gentleman cane...

Original hand carved and painted Canadian Goose decoy from the area of Havre de Grace in Maryland. This piece came out of a collector's estate who was an avid hunter and collector...

This is a Meissen Porcelain figure group of a shepherdess and a soldier. It depicts this pastoral scene of this romantic couple, she is seated in the grass with a letter in her hand ...

Vintage Dwarf with Candle Holder, Germany ca. 1950s. Christmas Gnome with candle holder, red top and pants, green coat. Rare collector's item, hard to find, original from the GDR era...

A very fine Austrian Bronze animalier bronze study of a standing red Grouse with excellent naturalistic cold painted colours and fine intricate detail, signed with the Bergman ‘B’ i...

A Beautiful Pair of very Meissen Porcelain Figures of Hoopoe Birds Perched on White Tree Branches, with Insects and Flowers. This finely detailed naturalistic pair of exotic Hoopoe...

A very good quality pair of late 19th century Germany Meissen porcelain Parrots. Each with wonderful bold colouring, perched on tree trunks, one with cherries. Blue crossed swords to...

The piece is a unique representation of an Horse in a modern way. The animal is gently handcrafted starting from clay and all hand worked. All the pieces from Mosche Bianche are uniq...

Magnificent Austrian bronze lamp in the form of an Arab man drinking coffee sitting on an Orientalist rug in the interior of a tent. The bronze with excellent vibrant cold painted co...

18th century Italian gilded altar candlestick with a Chesapecten fossil shell formation and natural forming baroque pearls. The 18th century Italian gilded fragment was originally a...

Art Nouveau ceramic centerpiece, twelve geese designed in a circle to form a bowl. White earthenware painted in color and glazed. Designed by Michael MÖRTL (1878 - 1939) around 190...

This exceptionally elegant and imposing French Art Deco sculpture, circa 1925-1935, features a graceful young woman flanked by her two majestic Borzoi hounds, a classic subject that ...

A rare and whimsical survivor from the golden age of commercial display, this French advertising statue for Cigarettes Copain dates to the early 1920s and captures the exuberance of ...

Royal Copenhagen English Bulldog Figurine Type: Underglaze Design: Knud Kyhn Large, colorfully decorated figurine designed by Knud Kyhn from the fine Royal Copenhagen porcelain fact...

Antique porcelain sculpture by Heubach brothers from Lichte, in Thüringen Germany. Depicted is a boy with a bagpipe sitting on a rock. T...

This oversized wire Eiffel Tower makes an impressive statement wherever displayed. This eye-catching fragment, hand-painted in creamy white, certainly would be a wow factor in a home...

Circa 1680. 17thc polychrome painted ceiling panel Mounted on a later block   Measures: W48 x D11 x H39.5cm.

Sculpture tiger candleholder in hand-painted ceramic, with black candle holder in ceramic.

This ceramic Nguni ornament, crafted in South Africa by Zimele Ceramics, captures the essence of the beloved Nguni cattle, an iconic symbol in Southern African culture. Hand-sculpted...

Excellent Meisse porcelain group of the 19th century: The group was designed by Leuteritz using old moulds based on a model by Friedrich Elias Meyer from 1760: Visibly drunk Silenus,...