Neoclassical Decorative Objects

Goerz Tenax Folding Medium Format Roll Film With A Zeiss Ikon Compur With C.P.Goerz Berlin Dogmar 12.5cm F6.3 Prime Lens With A Leather Case Shutter speed 1 - 1/250 Takes 6.5 x 4 c...

A Fine Pair of Neoclassical Grand Tour Period Hand Carved Verde Antico Marble Figures of Recumbent Lions, After a Model by Antonio Canova (1757–1822) Each lion is carved in verde an...

A Highly Important and Very Rare Pair of Italian Life-Sized Carrara Marble Figures of Dancer Sculptures: Danzatrice con le Mani sui Fianchi & Danzatrice col Dito al Mento ( Danci...

A Fine pair of Neoclassical/Empire white ground porcelain and 24K Gilt Decorated vases with Double Lion head Handles, produced by the Manufacture Nationale de Sèvres, each marked ben...

Pair of neoclassical black and white Giustiniani urns with contrasting foliate rims and scrolled handles on low plinths. Italy, circa 1780s. Dimensions: 7.75" H x 4.5" W handle to ha...

Classical Gilt and Patinated Bronze Sculpture of a Greek Woman, 20th century, the standing figure adjusting her dress, on a square plinth. 31.5" H x 8.5" W x 8.5" D.

A finely executed late 19th century Italian carved alabaster bust depicting Marguerite (Gretchen), the tragic heroine from Johann Wolfgang von Goethe’s Faust. Dating to approximately...

A finely crafted early 20th century American decorative vase by Tiffany Studios, circa 1920. This trumpet-form vase combines hand-blown Favrile glass with a patinated gilt bronze dec...

Louis XVI Style Patinated and Gilt Bronze and White Marble Three Piece Clock Set, late 19th century, comprising a globe clock, with strike on bell timepiece movement, supported by th...

A beautiful English blue and white Jasperware box, in the Neoclassical Style, by Wedgwood, England, 1968. Box is blue and white stoneware with a 'rotunda' style dome lid decorated wi...

Finely carved mythological roman subject of Bacchus or Dionysus in limestone. Excellent condition from an estate of Veneto. Measurements: Statue cm 180, base cm 85. Price is not inc...

With soft creamy mushroom tan leather, this leather tray is fraught with detail: the topstitching of each leather panel, the narrow leather straps that hold the stainless steel handl...

Impressive pair of neoclassical 19th century French wall sconces crafted with a beveled mirrored backplate with reverse etched architectural designs and a perfectly aged oxidized fin...

This is a large scale majestic white Italian horse head bust. It is unmarked and in very good condition. It most likely dates to the later part of the 20th century.

A impressive late 18th century French sandstone sundial mounted on a custom lade iron stand. The Latin numerals finely carved at both sides an...

A beautiful English antique Wedgwood Jasperware blue and white oblong jewelry dish in the Neoclassical Style, circa late-19th century, Engl...

Nephrite jade and gilded silver desk frame. Beautiful neo classic desk picture frame, created in Moscow Russia, back in the 1915. Carefully crafted in the Russian imperial and Louis XVI style, with solid gilded silver, translucent nephrite green jade...

Shepherd Boy after Bertel Thorvaldsen Biscuit porcelain Late 19th century 33.5 x 14 x 18 cm After Thorvaldsen's plaster model from 1817 in the Thorvaldsen Museum, Copenhagen, inve...

Psyche revived by Cupid’s kiss. After Canova. Beautifully carved in fine statuary marble. The winged young man who has just landed on a rock where a ...

A beautiful all leather horse animal sculpture, in the Ralph Lauren style, circa late-20th century. This hand-crafted piece is clad in a light ...

Tiffany & Co. brass pagoda-form carriage clock is an exceptional piece blending classic timekeeping with refined architectural form. Modeled in the style of a traditional pagoda...

Large fire-gilded bronze pendulum clock on lion's paws with a rectangular pedestal featuring lyre and torch motifs. Above it rises the full-figure depiction of the god Apollo with a ...

Early 19th Century German 13 Loth Silver Repoussé Landscape Box, Hanau, Circa 1820 Measures: 2.25" W x 1.5" D x 0.75" H / 62 Grams A finely worked small silver box crafted in 13 l...

Neo classic vesta box by Louis Kuppenheim. A beautiful vesta box, created in Germany in the turn of the 20th century, back in the 1900. This superb pocket oval box was carefully crafted with neo classical patterns in solid .900/.999 silver. Show exceptional workmanship with remarkably details as you expect from the iconic jewelry workshop of Louis Kuppenheim. It is fitted with a hinge and a tension element for fastening opening and closing. Actually this box can be easily used as a pill box. Weight: 24.3 Grams, (15.58 Dwt). Measurements: 46 mm by 25 mm by 17 mm (1.81 x 0.98 x 0.67 Inches). Hallmarks: Stamped with German pre 1922 marks, the maker's mark LK inside an oval cartouche associated to the workshop of Louis Kuppenheim, the mark for the silver assay 900 and signed in the border rim, "LK .900". Louis Kuppenheim The company was grounded in 1854 by Louis Kuppenheim (1824-1889) and Heinrich Witzenmann, specialized in silver and gold and -enameled artefacts. On the World Exhibition in 1900 the firm received a gold medal for a letter opener. In that same year the company opened a branch in the Rue Richelieu 67 in Paris. In these years some designs by Hans Christiansen were executed, amongst them very delicately enameled silver cigarette cases. The enamels on the several silver and gold pieces was of very high standard, and sometimes even gems like rubies were applied. Very famous were the ladies silver vanity cases with cute animals like cats and monkeys...

A beautiful antique iron Greek key architectural fragment on a custom black steel mount. USA, Early 20th Century Fragment measures 1.75ʺW × 0.63ʺD × 13.25ʺH Mount base measures: ...

Lovely pair of Wedgwood jasperware vases, beautiful neoclassical style item decorated with white antique-style scenes on a sky-blue background...

An empty box for a letter opener, created by Faberge. This is an empty antique presentation box, created in Russia by the Luxury house of Faberge, circa 1915. The box is in pretty g...

This antique Worcester porcelain dessert set was hand-gilded in England during the Regency period, around 1820. Created by Flight Barr Worcester, the set features the distinctive "St...

Box sevres porcelain octagonal format Decorated with flowers inside (hand-painted) Bronze frame Perfect condition Circa 1900 origin France.

Antique (19th century) French silvered bronze centerpiece bowl or jardiniere by Christofle, 20 by 13 3/4 by 6 inches, features engraved crests paying tribute to the CERCLE NATIONAL D...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Edwardian Georgian sterling silver sugar basket. Made by Tiffany & Co. in New York, ca 1910. Bowl round and pierced; c-scroll swing handle and raised and stepped foot. Detachable cob...

Pair of 19th Century Meissen gold & white neoclassical serpent handled vases. Germany, circa 1880s Design attributed to E.A. Leuteritz Hard to find a pa...

Decorate a lady's desk or dress a shelf with this elegant antique statue. Crafted in France circa 1870, the spelter composition stands on a circular base and depicts a young female b...

Sevres porcelain box Origin France Circa 1900 Interior decoration (flowers) bronze mount hand painted box.

A pair of very finely-chiselled French gilt bronze candlesticks crafted in the neoclassical style. The decoration is extremely intricate, particularly on the circular base and tulip-...

A powerful and iconic vintage sculpture, this piece is a masterful reproduction after the celebrated 1872 masterpiece "David" by French sculptor Antonin Mercié. Cast in metal with a ...

A gorgeous antique 19th-Century French gilt bronze ormolu bow and garland appliqué tabletop fragment or swag with an easel back. This stunning piece is finely cast and heavy with a l...

A collection of 5 life size antique wooden and composite mannequin hands in various poses. All with original untouched surface. Appropriate aging and wonderful crackled painted surfa...

Pair of exquisite monumental centerpieces with bronze work in the the Manner of Pierre-Philippe Thormire, 1751-1843. The pair in the form of reticulated gilt grape vine...

Elevate your garden or interior with this elegant handcrafted Anduze-style bowl planter by La Madeleine, produced in southern France and rooted in the long-standing Provençal pottery...

A fine Wedgwood jasperware candlestick, neoclassical style item decorated with white antique-style characters and trees on a sky-blue backgroun...

A fairly large 19th century French bronze statue of the Milo of Croton on a stepped marble base after the original marble statue by sculptor Edme Dumont (1...

A exquisite and monumental 19th century German bisque porcelain mantel clock depicting the Three Graces. This impressive late 19th-centur...

Beautiful Murano hand blown Italian art glass vase. Created by a Fratelli Toso company. Blue core with colorful murine and light blue applied handle. A beautiful piece of art for any...

A gorgeous antique Neoclassical or Grand Tour style bronze compote dish or tazza By Tiffany & Co. Paris, France, Early 20th Century Measures: 7"W x 7"D x 5.75"H. Good original vi...

Pair of antique (19th century) French Louis XVI style figural patinated and gilt bronze three-light candelabra depicting neoclassical maidens, and mounted on unique dark variegated m...

A gorgeous cast plaster Neoclassical Grand Tour style female head bust of Diana the Huntress goddess sculpture USA, 21st Century Measures: 8"W x 5"D...

Vintage Neoclassical or Empire style tall brass urn / cassolette / amphora vase with scrolled handles and a repousse band showing a vine of roses and small blossoms winding around bu...

Plaster bust of Diana of Versailles, a statue of the Greek goddess Artemis.   

A beautiful example of classic English transferware, this vintage Spode Copeland Italian cachepot features the maker's iconic 1816 ‘Italian’ pattern—rend...

Bust fragment of Venus, goddess of Love, seduction, and beauty in Roman mythology. The original statue dates back to the 5th century BC. Sourced by Martyn Lawrence Bullard from Paris...

A large 18th century Italian white statuary marble portrait medallion from the workshop of Orazio Marinali (1643-1720). One of two similar marble medallions we are selling, this pie...

Pair of Continental Carved and Polychromed Wooden Cornucopias, 19th Century These finely carved and polychromed wooden cornucopias exemplify the enduring symbolic power of the horn of plenty in European decorative arts. Each composition is rendered in high relief, the ribbed horn issuing an abundant cascade of fruit and vegetables—pomegranates, grapes, melons, pumpkins, gourds, citrus, corn, and floral sprays—arranged with exuberant Baroque fullness. Now mounted on forged iron bases for display, the pair measures 20" high × 28" wide × 3.5" deep, including stands 12.5" x 6" (carvings alone 28" wide × 17" high × 3.5" deep). The Cornucopia in History Originating in antiquity, the cornucopia (Latin cornu copiae) was first associated with Amalthea, the goat who suckled the infant Zeus, whose horn became a miraculous source of nourishment. In Roman culture it was carried by deities of abundance—Fortuna, Abundantia, and Ceres—as an emblem of civic prosperity and the cycles of nature. Revived in the Renaissance and Baroque periods, the cornucopia became a favored motif in architecture, painting, and decorative arts, symbolizing divine blessing, seasonal plenty, and the wealth of the natural world. Iconography of the Fruits and Vegetables The profusion of produce is not merely decorative but encodes symbolic meanings rooted in both classical and Christian traditions: Pomegranates—fertility, eternal life, and resurrection. Grapes—festivity, vintage, and the Eucharistic blood of Christ. Melons and Watermelon Slices—sensual abundance, refreshment, and ephemeral pleasure. Pumpkins and Gourds—autumn harvest, transformation, and the cycles of plenty. Corn (Maize)—sustenance and prosperity, reflecting New World influence on European symbolism. Citrus Fruits—health, luxury, and Mediterranean prosperity. Floral Sprays—seasonal beauty and the transience of life, underscoring vanitas themes common in still-life art. This allegorical language aligns the carvings with the broader European tradition of abundance imagery found in still-life painting, silverwork, and architectural ornament. Continental Style and Possible Origin The sculptural density, dramatic overlapping of forms, and naturalistic rendering suggest a Continental origin, likely Austrian, German, or Italian, c. late 19th century. While Swedish decorative carving of the same era tends toward flatter surfaces and folk stylization, these examples embody a more theatrical Baroque and Rococo inheritance, later enhanced with a polychrome or silver-toned surface to heighten their decorative impact. Originally conceived as architectural appliqués...

For the horse lover, this unique life size bronze horse head bust with artist applied patina by California Artist & Sculptor Roy T. “Tom” Bill (1946-2017). Tom received his BA in Art...

Bronze sculpture soldier in armor Onix base origin France circa 1900 natural wear Very good condition the measurements are with its base.

Set of Two Murano Hand-Blown Glass Cozeta Mini Ribbon Vases, Italy A charming set of two hand-blown Murano glass mini ribbon vases showcasing vibrant cobalt blue, emerald green, and...

Outstanding centerpiece or footed bowl in carved alabaster and bronze. France, 1930s. This stunning carved alabaster centerpiece bowl stands up ...

Exceedingly Rare and Important pair of Museum quality old English sterling silver Cymric candlesticks.  Exceptional example of silver from the Art...

Beautiful handcarved giltwood bird ornament. Italy circa 1780-1820 . Weathered and small losses Measurements individual and include the wooden base. H:23,5cm W:41cm D:6,5cm