Revival Decorative Objects

Bronze of Hermes with petasos on stylized landscape base with shell decoration on round marble plinth. There signed Sabatino, Naples, 1882.   

A stunning two-piece French Limoges porcelain vase / jardiniere planter / cachepot / table centerpiece / wine bottle cooler on stand, featuring exceptional "L'Escarpolette medallion ...

George V covered urn. Made by Lionel Alfred Crichton in London in 1930. Girdled urn with on stepped and stepped, raised, and gadrooned foot; s-scroll side handles with leaf cap and p...

An anatomical sculpture in plaster, depicting a skinned man standing on a round base in a classic raised arm pose. use for an anatomical study. Italy circa 1880

An exceptional late 19th century French Baccarat crystal vase, finely mounted in gilt bronze and executed in the refined Louis XVI revival taste, The vase features a beautifully prop...

This is a vintage terracotta from Italy representing a seated Cat. You can see realism in the mouth the eyes and the teeth. The colors are Brown white and blue. This sculpture has b...

19th century Swedish hand painted oak strong box circa 1820. We are pleased to offer this beautiful box, which has many uses around the home. Made from solid oak, featuring origina...

Pair of Victorian Classical sterling silver candlesticks. Made by Elkington & Co. in Birmingham 1894. Each: Tapering and fluted pillar on raised and square foot. Fluted socket with d...

Austrian Belle Epoque silver plaque with Italian Renaissance portrait, ca 1900. Rectangular with chased and engraved Leonardesque woman. Marked.

Neoclassical style pen holder and letter opener. Add style, class and organization to your desk or nightstand. Dimension is for the holder. Letter opener: 7.75" L x 5/8" D. OFFERING ...

This is a set of 5 Rudolstadt Volkstedt Figurines representing various putti or cupids. The figurines are beautifully detailed with hand painting, s...

An impressive pair of monumental ecclesiastical altar candlesticks dating from the late 19th to early 20th century. Standing an exceptional 91 cm high, these architectural candlesti...

Rare and finest Gilded bronze crucifix mounted on a oak cross. The striking details on this highest quality bronze sculpture of Christ are second to none and the antique gilt finish...

This striking pair of vintage brass candle holders channels the opulence and symmetry of Baroque design, making them both functional and dramatically decorative. What sets them apart...

A magnificent pair of cobalt blue porcelain amphora vases, created between 1890 and 1902 according to the stamps, the Pouyat porcelain factory stands out as one of the most influenti...

'Ulysse à Blois' Renaissance Style Earthenware Dish, France, 19th Century. A wonderful and very colorful neoclassical (revival) dish in Renaissance style by the renowned faience fac...

A Louis-Philippe Gothic Revival gilt and patinated bronze inkwell Rising from two-tone gilt bronze bracket feet, the patinated bronze rectangular inkwell having a band of circular...

Antique carved marble bust of composer Richard Wagner marked ‘Wagner’. Beautiful interpretation in bust form of the likeness of this artist...

Great pair of Italian Renaissance Revival wrought iron church torchères raised on a large tripod base, early 19th-century. The candleholders are finely handcrafted with elegant detailing and are black painted. Both pieces are in good condition, with original black paint, remained melted wax...

This type of candleholders are called castle or manor candlesticks in Denmark. Originally designed in the late 17th century up into the 18th century. This set dates from circa 1900-1...

Pair of French Egyptian Revival candelabra by Ferdinand Barbedienne (France, 1810-1892) Two-arm candleholder extends above a stylistic Egyp...

Antique cast iron urns from Sweden made during the late 19th century, around 1870. The garden urns are the classic medicine shape with handles at the sides. Marked “J. & C.G. Bolinde...

One of a kind and highly decorative Gothic chair from the late 1800s. If you are looking for unique and meaningful antiques to decorate your home then this sculptural and amazing workmanship chair could be perfect for you. All handcrafted in Europe in the late 1800s this striking chair is another perfect example of the highest level of workmanship that furniture makers and sculptors were combining in those days. This marvelous chair has everything that you want to see in antique and decorative art. The overall design is perfectly balanced and the frame of this chair is solely made out of a beautifully warm colored, solid walnut. Besides that this unique chair is as strong and stable as the day it was handcrafted and very comfortable to sit in. Both the beautiful walnut and the stunning antique fabric are in very good to excellent condition. However, what makes this antique chair a real masterpiece are the glorious animal carvings. Firstly, the good size lion head on the front rule comes with majestic manes and his eyes have a human-like quality to them. Secondly and most importantly are the amazing swan head and tail sculptures. Swan head sculptures in wood are extremely rare and to have found a chair with a pair of perfectly hand carved and mint condition swan heads (and necks) as armrests and with tails on either side of the backrest more than made our day. If you have a good eye for rare details then, we think, you will especially love the perfect nose holes, but also the hand carved wooden swan tail-ends. With swans symbolizing a number of great qualities and combined with the elements of water and air also being a symbol for eternal life and the circle of life, they embody a deeper meaning that makes this antique simply exquisite. Finally, the seat and back are upholstered with a finest quality and classical European antique fabric...

This vide-poche is made of porcelain. It is white in color, and was made in France in the 1970s and 80s. The sides have been gilded with gold leaf.

Stunning and small six light chandelier with gilt bronze cherub and swan sculptures. This top quality made, 19th century candle pendant or small chandelier could be perfect for you...

Horn Sculpture representing a Fish Mid-Century France 20th Century

An exuberant 19th-century Italian Rococo-style silver-leaf altar candelabra, richly carved in wood with the lively movement and theatricality collectors prize. The scrolling façade u...

Introducing our exquisite Antique Madonna & Child Sculpture/Religious Icon, originating from 19th-century Italy. This captivating masterpiece showcases...

Sculpture depicting the Sphinx in gilded bronze, resting on a black marble base, made in the 20th century Ø cm 23 Ø cm 15 h cm 32 The Sphinx is a mythological creature that has fas...

This impressive pair of 19th century Belgian candlesticks is crafted from heavy bronze and showcases exceptional craftsmanship, substantial weight, and timeless elegance. Featuring b...

Louis Simon Boizot Porcelain Figural group bathing Diana. Made by Edme Samson Paris Depicting a Mythological scene of Diana the Huntress Titled: Diana au bain The original is in...

Elegant hammered brass container with a hexagonal shape, ideal as a decorative planter, plant holder or refined piece of furniture. The craftsmanship and warm patina of the brass len...

Large French Faience Vase Neo-Renaissance Circa 1900. H / 17.5 inches. Hairline.     

Very Finley cast Antique French (19th century) patinated bronze sculpture after the original by Etienne Alexandre Stella (French, D 1892) depicting an Allegory of Autumn measuring ...

"Highland Mary" (also known as Highland Mary or a portrait of Mary Campbell) Carved White Marble Sculpure by Benjamin Edward Spence (British, 1822–1866). A fine full-length, life-size neoclassical carved statue depicts the subject of Robert Burns’s poem Highland Mary (Mary Campbell), shown as a young woman standing in a contemplative pose. The sensual carved figure with a gentle contrapposto stance, weight resting on her left leg, right foot slightly advanced, and her head tilted downward with a solemn, introspective gaze. Her hair is centrally parted and styled in soft classical waves framing the face. She wears a long, fitted floor-length gown with a buttoned bodice and full skirt falling in graceful folds, over which is draped an asymmetrically arranged, heavily fringed plaid shawl (tartan implied through carved texture). Both hands are clasped together at her chest in a reflective gesture, fingers gently interlaced. She wears simple low-heeled slippers. The sculpture stands on a plain circular marble plinth. The work exhibits the refined carving and smooth finish characteristic of Spence’s mid-19th-century neoclassical style, with particular attention to the soft drapery, fringe details, and textural contrast between fabric and skin. Multiple versions of Highland Mary are known (including examples in the Royal Collection, Walker Art Gallery, Liverpool, and Sefton Park Palm House), with minor variations in pose and attributes; the present example corresponds to the clasped-hands composition. Signed: B.E. SPENCE Ft. ROMAE - 1862 Provenance / Literature note: Frequently exhibited and replicated during the Victorian period as one of Spence’s most celebrated works, inspired by the tragic romance between Mary Campbell and the poet Robert Burns. Benjamin Edward Spence (1822–1866) was a 19th century English sculptor, who spent much of his professional life in Italy. He was born in Liverpool in December 1822, the son of William Spence, a sculptor who later in life became a partner in a business house in Liverpool, and gave up the profession. In 1846 he was awarded the Heywood silver medal and a cash prize by the Royal Manchester Institution for a group in clay of the death of the Duke of York at the battle of Agincourt. His father was persuaded by John Gibson to send Edward to Rome. There he entered the studio of Richard James Wyatt, and also received help from Gibson. He died at Livorno (then known as Leghorn) on 21 October 1866. Between 1849 and 1867 Spence contributed to the exhibition of the Royal Academy five times: in 1850 with "Ophelia", in 1856 "Venus and Cupid", in 1861 "Hippolytus", and in 1867 "The Parting of Hector and Andromache". He contributed "Highland Mary" to the Exposition Universelle 1855, and two works, "Finding of Moses" and "Jeanie Deans before Queen Caroline", to the International Exhibition 1862. A number works of his that were not exhibited in England were engraved for the Art Journal. Works: • Highland Mary 1853, Buckingham Palace • Venus and Cupid, Philadelphia Museum of Art • Statue of Lavinia for Mr Holmes of Liverpool (1849) • Statue of Ophelia for Thomas Brassey MP (1850) • Tomb of Richard James Wyatt in the Protestant Cemetery, Rome (1851) • Highland Mary at Osborne House (1854) • Bas relief in a monument to Ann Catherine Jane Smith...

A refined pair of neoclassical style gilt bronze (ormolu) furniture mounts, featuring elongated flame-form silhouettes with finely cast foliate decoration. Originally conceived as de...

Patinated Bronze Bust of a Young Girl by Alfred Rolle (American/Russian, b.1816). This sculpture portrays a youthful girl with softly rounded features, expressive eyes, and delicatel...

Elegant set of 2 metal boxes mod. Solaria in nickel & brass designed and made in Italy by Nella Longari, a well-known Milanese antique dealer, decorator and designer from the 1970s. ...

Extraordinary stone and marble sculpture depicting a panther in a hunting stance, carved with exceptional realism and dynamism. Every detail of the animal's body-from the focused muz...

This is a French Porcelain Apothecary Jar. It depicts a cylindrical lidded jar with white background hand painted in the front with two palms with coiled snakes at each side and besi...

1980's Mexican aquamarine hurricane glass shade candle holder. From the center of glass shade, the inner pewter candle liner holds a pillar size candle and appears to float when illu...

Pair of George V sterling silver candlesticks. Made by Hawksworth, Eyre & Co Ltd in Sheffield in 1925. Each: Urn socket with detachable bobeche mounted to pillar on raised and kn...

Female Figural "Melodie" Sculpture / Mantelpiece French Empire Revival "A neoclassical sculpture of a woman (representing classical allegories such as "Melodie") holding a lyre. P...

Good size and impressive make, Gothic church altar crucifix. This ornate and all hand-crafted, bronze table crucifix comes with a good quality made a...

These elegant Neoclassical style metal and brass covered urns are a striking expression of timeless European design, blending refined architectural form with beautifully executed dec...

Pair of candleholder carved and giltwood With multiple glass pieces inlay.

Baroque Revival Wood Bust of a Putto on Faux Marble Lacquered Base – 19th Century A charming and soulful 19th-century Baroque Revival carved wood bust depicting a cherubic putto. Thi...

Pair of finely engraved gilt brass European Gothic Revival pricket candlesticks Anonymous Europe; 19th century Gilt Brass Approximate size: 17 (h) x 5 (w) x 4.5 (d) in. This pai...

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

Francesco Stanga Bust Of Child In Marble Of Carrara 1837 signed and dated on the back of the bust. The sculpture depicts a four-year-old and nine-month-old child with a joyful dispos...

Pair of neoclassical figural candelabra in silvered and gilt bronze designed by the French author, essayist and artist, Judith Gautier (1845-1917), signed and dated 1886, depicting ...

Auguste Joseph Peiffer (1832-1886), French sculptor born in Paris, which produced essentially bronzes with allegorical and mythological subjects. This work is a beautiful child holding his hunting dog on a leash...

This is a vintage terracotta from Italy representing a seated Cat. You can see realism in the mouth the eyes and the teeth. The colors are Brown white and blue. This sculpture has b...

A beautiful 19th century cast iron outdoor candelabra sculpture, featuring a classical karyatid supporting an urn adorned with five pointed candle holders. Originally intended for ou...

Heavily cast and on the larger side.

Bronze “The Messenger of Marathon” by Max Kruse (1854–1942), Gladenbeck Foundry, Berlin, design 1881. Small bronze sculpture by Max Kruse depicting the Messenger of Marathon, mounte...

This is a vintage terracotta from Italy representing a seated Cat. You can see realism in the mouth the eyes and the teeth. The colors are Brown white and blue. This sculpture has b...

A striking set of vintage Baroque Revival candlesticks in silver-plated bronze, richly cast with scrolling foliage, cherub masks, and acanthus motifs. Likely made for ecclesiastical ...

Pair of Francis I sterling silver 3-light candelabra. Made by Reed & Barton in Taunton. Each: Central socket on spool base to which are mounted two reeded wraparound branches, each t...

A scarce Victor Barbizet covered terrine formed as a rustic basket of fish, France, circa 1870. The two piece terrine has a lid showing a variety of g...