Revival Decorative Objects

This elegant pair of mid-20th-century decorative garniture vases by renowned maker Jacob Petit showcases the timeless beauty of French porcelain. Each vase is crafted in a unique cor...

Leon Pilet (French, 1840-1916) "Cleopatra" Patinated and Gilt Bronze Sculpture, late 19th century, the seated queen holding a fan, signed to urn, on a Portoro marble plinth. 12.5" H...

A set of four very heavy tall cast Brass Church style candlesticks, a stunning addition to any festive table setting or mantle piece These sturdy and solid candlesticks are in Antiqued Brass finish, 13cm Wide x 42cm High and each weighs 2.83Kg and the neck is suitable for standard diameter dinner candles Made by Bella Figura Lighting...

Pair of neoclassical alabaster and polychrome scagliola urns, Florentine workshop, last quarter del XVIII secolo. Provenance: dukes of Fitz-James and heirs. This rare pair of neocl...

This elegant pair of Italian Rococo style mirrored sconces exudes timeless sophistication and decorative charm. Each sconce is finely crafted with a petite form, featuring a single c...

A most impressive pair of French Napoleon III Second Empire Period Egyptian Revival style gessoed, gilded and polychrome painted wood and gilt metal foliate scroll arm nine light candle sconces. Hand-crafted in France, most likely Parisian work, circa 1870s, exceptionally executed sculptural form, very high quality, extremely impressive statement pieces Dimensions: (approx) 36" High, 22" Wide, 10.5" Deep (each) Provenance/Acquisition: Acquired from reputable auction house, Heritage Auctions...

Imagine lightly clad maidens dancing together in the sun amid the spring grasses. Some scenes never lose their allure, even after 2600 years. Nineteenth-century Europeans were inspir...

A very rare tall antique 19th century Old Paris figurine Vieux Paris Depicting a couple with sheeps and a goat Very detailed with applied roses o...

Created by Mexican artist Jorge Marín, this bronze statue illustrates his signature themes of balance, flight, and mythic masculinity. A muscular, winged male figure perches with ele...

Vintage Italian Florentine polychrome wood with gold leaf pricket. candlestick.

A vintage brass letter opener with a Greek-Key like design on handle, circa 20th century. Dimensions: .63" W x 7.5" Long. Other desk accessories available separately, search 1stDibs ref. #s: Italian desk/letter organizer...

Imagine these in your fireplace with the flames burning on all sides. These beautifully and all handcrafted, large and fire-gilt bronze andirons are made to stand in your fireplace ...

French Empire style (19th Cent) bronze reclining sphinx figure mounted on a rectangular black marble base

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

French vintage bust of an anonymous Greco-Roman lady in larger-than-life scale, her noble likeness rendered in chalk-white plaster. Her hair is pulled high on her head, bound by a la...

This magnificent three-piece mantel clock garniture exemplifies the height of French Empire Revival design in the 19th century—where classical grandeur, refined materials, and superb craftsmanship converge to create a work of both artistry and precision. The Clock (Centerpiece) The clock stands as a figural masterpiece rooted in the Empire aesthetic. Its rectilinear case is crafted from deeply polished black Belgian marble (or slate), the dark surface setting a dramatic stage for the richly gilded bronze ornamentation. Above, a patinated bronze figure of a seated muse—likely Clio, the Muse of History, or Urania, the Muse of Astronomy—rests elegantly beside a lyre, symbolizing art, knowledge, and harmony. The frieze features remarkable ormolu embellishments, including medallions depicting the Arethusa head type, inspired by ancient Greek coinage from Syracuse, Sicily (circa 400 BC). The base is finished with bold scrolled tiger feet...

A fine antique Irish sterling silver footed bowl by William Egan, County Cork, 1911. The bowl having an everted rim above a stepped globular body which i...

Very Finley cast Antique French (19th century) patinated bronze sculpture after the original by Etienne Alexandre Stella (French, D 1892) depicting an Allegory of Autumn measuring ...

This pair of objects were made around 1900 to 1910 in Italy. They are crafted from hand-molded terra cotta that has been marbleized with colored slip and fired in low heat creating a...

German Rococo 800 silver coach-and-pair ornament, ca 1900. A fancy vehicle with leafing scrollwork harnesses to two galloping horses, forelegs raised, under the direction of the coac...

Solid silver 800 silver neo-Gothic silver table clock. The clock was made in casting and chiselling. Mechanical mechanism

19th century carved oak liege bowl circa 1880. Good quality carved oak liege bowl from France.  Ideal table top item, beautifully hand carved from solid oak with vines around the to...

This Urn is a decorative Urn. It has Been made in France circa 1930. The color of the porcelain is white. it is signed with the Gien stamp underneath.

Pair of Gothic Revival wrought iron copper finished candleholders, Spain, 1950s Stylish pair of Brutalist period three-arm wrought iron candleholders with copper finish. These candleholders stand...

A Fine Pair of Napoléon III Gilt-Bronze and Patinated Bronze Athéniennes Modelled in the Classical Antique Style, Attributed to Henri Picard. The bronze impressed with the number R...

A fine vintage German porcelain figurine. In the style of Höchst Porcelain. In the form of a woman in toga sculpting a marble bust atop a plinth. Signed in the plinth for the art...

Coppia Di Vasi Circolari In Legno Laccato color avorio e dorato con curvi manici in ferro battuto e dorato, appoggiati su di una alta base quadrata laccata in color avorio che sostie...

Pair of antique (19th century) French silvered bronze ewers in the French Louis XVI style, after the original designs by Sigisbert-Francois Michel (1728-1811). One with the figure of...

Porphyry Urn in rich shades of reds. Look close to see specks of white mixed in. Urn is in very nice condition with no chips or cracks. Monumental Urn that would set the stage in ...

Pair of antique patinated bronze vases with variegated green marble pedestals in the Roman neoclassical style featuring finely cast figur...

Giltwood Cartel Wall Clock Complete Original Key, Enameled Face, Pendulum Offered for sale is, a lovely and very decorative cartel wall clock with a heavy gilt finish from Sweden or...

Made in Italy, 1960s. This scene sculpted by Carlo Mollica recalls the mythological figures of Leda and the Swan (Zeus). It is made in polychromed porcel...

Gilded and Patinated Bronze Mounted Renaissance Revival Mantel Clock with blue enamel detail This highly ornamented clock from the renowned E.F. Caldwell company is an incredible ex...

These Polish candlesticks are in the Baroque taste, vigorously modelled and boldly conceived. They were originally Sabbath candlesticks but they might well be used for secular purpo...

Elegante Coppia di sculture figurative italiane in alabastro intagliato a mano del 1834, una coppia di busti toscani raffiguranti due figure di gusto neoclassico, in abiti ottocentes...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

Rare Piero Fornasetti Milano porcelain dish. From the Commedia Dell'arte collection. Depicting Dottor Balanzone in white with a blue mask and red boots. Comes with detachable wall...

Refined cobalt blue crystal amphora with decorative carvings in classical style, resting on an elegant base of clear crystal and chiseled gilded metal. Il design richiama lo splendor...

Antique Egyptian Revival Art Deco enameled 800 grade silver gilt cloisonne enamel box, Italy, circa 1925. The hexagonal shaped lidded box having a hinged lid, decorated with a head o...

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. in 1950. Each: Central socket on bell-form base to which are mounted 2 split-mounted...

One of a kind and highly decorative Gothic chair from the late 1800s. If you are looking for unique and meaningful antiques to decorate your home then this sculptural and amazing workmanship chair could be perfect for you. All handcrafted in Europe in the late 1800s this striking chair is another perfect example of the highest level of workmanship that furniture makers and sculptors were combining in those days. This marvelous chair has everything that you want to see in antique and decorative art. The overall design is perfectly balanced and the frame of this chair is solely made out of a beautifully warm colored, solid walnut. Besides that this unique chair is as strong and stable as the day it was handcrafted and very comfortable to sit in. Both the beautiful walnut and the stunning antique fabric are in very good to excellent condition. However, what makes this antique chair a real masterpiece are the glorious animal carvings. Firstly, the good size lion head on the front rule comes with majestic manes and his eyes have a human-like quality to them. Secondly and most importantly are the amazing swan head and tail sculptures. Swan head sculptures in wood are extremely rare and to have found a chair with a pair of perfectly hand carved and mint condition swan heads (and necks) as armrests and with tails on either side of the backrest more than made our day. If you have a good eye for rare details then, we think, you will especially love the perfect nose holes, but also the hand carved wooden swan tail-ends. With swans symbolizing a number of great qualities and combined with the elements of water and air also being a symbol for eternal life and the circle of life, they embody a deeper meaning that makes this antique simply exquisite. Finally, the seat and back are upholstered with a finest quality and classical European antique fabric...

This is a Neoclassical Style Pair of Gilt Bronze Candelabras. It depicts a pair of heavy bronze candelabras with four arms and fours sconces engraved with swags. The sconces have rou...

A fine and rare 19th-20th century neoclassical Revival style silver plated metal and cut-glass centerpiece in the manner of Christofle. The boat-shaped ornately body with finely chas...

A substantial textured metal cobra snake candlestick holder with a gold gilt skin, circa early-20th century. Also great as a standalone decorative ob...

Striking elegant classical form Lovely thick lustrous patina Juxtapses with modern and contemporary interiors and collections Could be electrified as a floor standing lamp The pan wi...

Stunning Pair of 7-candle Gothic Revival Brass Candelabra Anonymous Europe; 19th century Brass or bronze Approximate size: 13 (h) x 21 (w) x 4 (d) in. This pair of European bras...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

Viennese tabletop jewelry box or chest. Wood, enamels, bronze. Austria, second half of the 19th century. Requires restoration. Rectangular table...

A beautiful and elegant Medici-type vase in white glazed ceramic in perfect condition. It presents a prestigious decoration in pure gold leaf on the edges. This is an important work ...

A nice pair of antique candelabras, made of brass. The candelabras have ornate ornaments and dolphins at the base. They date from about 1890. The bottom is covered with red felt. Bot...

This pair of large and rare Majolica planters is a true collector’s treasure, showcasing exquisite craftsmanship and bold artistry. Each two-piece pedestal planter is sculpted in a d...

A large pair of continental 19th-20th century porcelain cachepot vases, Planters or Wine Coolers, each decorated with mountain and lakefront scenes with horse drawn carriages and a p...

This is a Set of Carl Thieme Potschappel Porcelain Pair of Urns and Centerpiece Bowl. It depicts a pair of lidded potpourri urns hand painted w...

The Predynastic era, spanning approximately 4500 to 3100 BCE, marks the earliest shaping of Egypt’s visual and material identity. It was a formative age when utility, spirituality, a...

A pair of Swedish Girandoles Candelabra in cobalt blue glass, glass tears and gilded bronze. The base is made of white marble, from which a column emerges in cobalt blue glass that supports the gilded bronze balustrade...

Gilt bronze eagle and marble ball clock. France, circa 1900.

Removable top lid. Rams head figural. Bronze. Marble base. Fruit and leaf decorated. Rams feet at base. 57" h x 21 3/4" diameter. Condition Slightly loose at base. Wear to bronze. Sm...

This is a Renaissance revival style large Majolica amphora vase with rectangular pedestal. Their background are hand painted cobalt blue and decorated with an off-white relief of Gre...

This pair of antique garnitures are unsigne, but presumed to have originated from France and date to approximately 1875 and done in the Sevres style. The garnitures are done in porce...

A clear glass single candelabra made in the Murano factory in Venice, circa 1930. The elaborately decorated column on a circular base supports a mid level bowl from which six 'S' sha...