Revival Decorative Objects

Pair of English Gothic Revival-style (19th Century) bronze dore 3 arm candelabras with center arms. (PRICED AS Pair) 6.5" base diameter

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A French alabaster vase from the 20th century, cradled in a hand-forged wrought-iron stand. The vessel is carved from richly veined alabaster, its surface alive with soft caramel, iv...

Of rectangular shape, decorated with gothic cathedral arcades, with two wells and two pen holders, raised on a Siena marble base raised on scrolled feet. Between the twelfth and six...

18th century Italian hand carved and painted wood Madonna statue depicts the virgin Mary in contemplative prayer, and poised in triumph over evil. Orig...

Monumental Gothic-style (possible English Aesthetic Movement) (19th Century) painted and decorated carved altar style candlestick.

Charming clock in the shape of a Rocaille-inspired cartel in chiseled and gilded bronze. Scalloped marine-inspired decor representing a trophy with oars, dolphins, reeds and flowers ...

This an Empire Style Bronze Candle holder or Candlestick. It depicts a gilt bronze candle holder decorated with a high relief of wheat branches, grapes vines, acanthus leaves, bay le...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...

Pair of rock crystal candlesticks with Black Onyx mount. Rock crystal is a colorless and transparent natural stone, valued for its beauty and versatility in jewelry and decorative o...

The finely detailed & proportioned cast spelter figure of Neptune, dramatically poised with trident in hand, seated atop a realistically modelled hand carved...

English Gothic Revival-style (1st Quarter 20th Century) oak letter box with tracery carved sides and top

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

Box with metal marquetry. Wood, metal. Possibly French school, 19th century. Has damage. Requires restoration. Rectangular chest with a flat lid that has a dark wood interior decor...

Solid bronze mortar and pestle set from the 20th century, featuring raised scrollwork and the embossed “ATRAL” pharmaceutical emblem, 1950s edition for a Portuguese Pharmaceutical co...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Circa 1880, this impressive antique American bronze bust depicts the celebrated playwright William Shakespeare with a calm, contemplative expression. Modeled in Renaissance dress, th...

Antique French Neoclassical Louis XVI Style Gilt Brass Gold Photo Picture Frame France Brass, glass, paper Late 19th Century Dimensions: H x W: 21cm x 11cm (external) 16.5cm x...

19th Century Egyptian Revival green onyx and bronze garniture mantle clock with two obelisks, with the clock mounted and flanked by ormolu sphinxes and all parts of the set featuring...

Pair of George V sterling silver candlesticks. Made by Lionel Alfred Crichton in London in 1917. Each: Tapering and fluted pillar supporting urn...

Antique original French faience Bonbonniere or simply Bonbon Box with Bronze mounts made at the factory of Veuve Perrin, Marseille sometime between 1748 -1803. Flowers and insects pa...

Antique bronze Mephisto candlesticks in the Gothic Revival style, dating from circa 1880. The Mephisto figures are seated on stools and hold up vases decorated with bats. Mephistophe...

A textured metal cobra snake candlestick holder with a gold gilt finish on 'skin', circa early-20th century. Piece can also work as a standalone decorative object. Dimensions: 3" Wid...

Medusa marble sculpture, Head of Medusa the Gorgon, sculpture of the head of Medusa, a mythological figure,. carved from white Carrara marble, with an antique patina, and set on a Ro...

Pair of French 19th-20th century baroque style patinated bronze figural chenets (Andirons). Each chenet topped with a cherub standing on a stand flanked by styrs and royal goat-heads...

Life size antique marble bust of a male in the classical Roman style wearing a toga. Carved in pure white statuary Carrara marble. Signed and dated “W. Theed Sc, Copio 1872” ...

Very large Renaissance revival frame, wood and stucco gilded, second quarter of the 19th century, circa 1835, French « Troubadour » style. Two etiquettes at back indicate that he fr...

Porcelain figurine, Porcelain figure, Bagpiper, Shepherd, Musician, Shepherd boy with sheep and dog, Bagpipe player, Galant scene, Rococo style, 18th Century Style, Antique porcelain...

Hand-carved from solid wood during the French Restauration or Louis-Philippe period (circa 1820-1850), this neoclassical candlestick is designed in the distinct form of a classical a...

A Large 19th Century French Black Marble, Patinated, and Gilt-Bronze Vase Attributed to Charpentier & Cie. This remarkable vase is attributed to the workshop of Charpentier & Cie., ...

The elaborately carved snuff box with a scene of two mermaids on the cover and deeply carved shell on the reverse.

Pair of finely modeled and cast 19th century bronze candelabra in the neo-Grecian, Greek Revival style, attributed to the Barbedienne foundry of Paris. Each 12 inches across and 38 i...

This stunning antique French fireplace is unusual for its stylistic fusion, which combines motifs from a range of different design periods. Most striking are the neo-Gothic depict...

Italian Reniassance style bronze triangular- shaped jardiniere with dolphin feet (19th Cent.)

A delightful carved and polychrome figure of the young Christ. From the De Wispelaere workshops in Bruges and dating to the later 1800s. Being well carved and of good proportions. At...

 Pair of Meissen Porcelain Neo-Rococo Figural Reticulated Centerpiece Compotes on Stands A set of porcelain rocaille bowls with gilt branch handles have been painted and adorned wit...

Antique French Neoclassical Louis XVI Style Gold Gilt Bronze Picture Photo Frame France Bronze, glass Late 19th Century Dimensions: H x W: 21cm x 12cm (external) 15.5cm x 10cm...

A highly decorative mid-19th century French figural mantel clock, likely dating to circa 1845–1860, featuring an elaborate Rococo Revival composition with abundant floral ornament, s...

An elegant sculpture crafted from exquisite white Carrara statuary marble, finely carved. The sculpture depicts Venus bathing, inspired by the work of Falconet, a well-known French s...

A Pair of Early 19th Century Meissen Porcelain Figures of Swans. This pair of swans portrays the graceful form of these birds with a level of artistry that is truly exceptional. The...

This decorative bronze vase is finished with gilt and was hand made in the 1990s in the Eyptian Revival style. A great shot of colour to any room and this piece would make a lovely,...

Not sure how why or who. Detroit artist studio made large cast aluminum claw with sharp talons. Wonderfully eery and macabre. There is a drill bit cast...

Refined pair of carved Carrara marble candelabra. The candelabras have a Doric column shape, with a fluted, truncated-cone shaft, lending a unique and exceptional touch to the entire...

Ceramic Model of a Warwick Vase Ceramic Model of a Warwick Vase. After Clodion. With egg and dart rim, the vessel cast in relief with cherub heads and entwined branch-form handl...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

This is a large pair of vintage display vases. An Italian, ceramic and gilt finished baluster urn, dating to the late 20th century, circa 1980. A bold and decorative pair, offering e...

Coppia Di Vasi Circolari In Legno Laccato color avorio e dorato con curvi manici in ferro battuto e dorato, appoggiati su di una alta base quadrata laccata in color avorio che sostie...

American Post-War Design terra cotta Egyptian design vase with hieroglyphics in carved relief with faces, symbols and birds (signed by ROBERT BENTLEY)

Beautiful pair of amphora vases in white and blue porcelain, richly decorated on each side with beautiful polychrome floral compositions framed by handles with openwork motifs of ori...

Large Heavy Brass Gothic Pestle and Mortar An unusual pair and very heavy probably made for the preparation of herbal treatments rather than for culinary use The mortar is clean in...

A mid-19th Century well-cast Model of the Sphinx of Giza mounted on veined marble base.

Rare and finest Gilded bronze crucifix mounted on a oak cross. The striking details on this highest quality bronze sculpture of Christ are second to none and the antique gilt finish...

Exquisite Italian Capodimonte-style plant stand featuring a beautifully sculpted cherub (putto) holding an ornate openwork basket. This stunning figural pedestal is richly detailed w...

Pair of Neo Gothic Vases, Bronze and Gilt Bronze, England 1830, Ram Heads These Neo Gothic vases, crafted in England in 1830, exemplify the intricate artistry and opulence character...

Impressive mantel garniture composed of a central clock surmounted by a winged sphinx and flanked by two obelisks. The ensemble is richly decorated with Egyptian symbols engraved and...

Alfred Boucher (French, 1850-1934), ‘Diana the Huntress’, A Near Lifesize Statuary Marble Group. Modelled nude with head turned looking to her left, striding forward holding the greyhound by its collar with her right hand and a giltwood bow in her left hand. On an integral carved base with foliage support. Signed 'A. BOUCHER' Boucher’s choice of pose is deliberately indebted to the celebrated mid-16th century painting of Diana the Huntress by an anonymous artist of the School of Fontainebleau. The painting is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana, who is shown nude, walking forward beside a greyhound, looking over her left shoulder and holding a bow. Another clear antecedent for Boucher’s ‘Diane the Huntress...

Louis Hottot Pair of 19th-Century French Bronze Tazze: Africa and America An extraordinary pair of late-19th-century French patinated and gilt-bronze figural tazze by Louis Hottot (...

This piece is an antique French Louis XV Rococo–style wall sconce crafted in gilt brass designed as a decorative wall-mounted candle holder. Description Type: Single-arm wall-mounte...

PAIR 19th century solid marble Louis XVI Pedestals ~ Columns were designed to provide symmetry while displaying a particularly special work of art, sculpture, vase or other keepsake....

This monumental sculptural candelabra, titled “Imperial Bloom Candelabra,” is conceived as a richly ornamented composition in sterling silver. The design draws inspiration from natur...