Revival Decorative Objects

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

Pair of antique (19th century) French silvered bronze ewers in the French Louis XVI style, after the original designs by Sigisbert-Francois Michel (1728-1811). One with the figure of...

Antique Baccarat faceted art glass paperweight with closepack cane millefiori mushroom at center, surrounded with a blue torsade ribbon. Paperweigh...

Pair of Elegant Geometric Mid-Century Bookends, Italy 1970s

Pair of 19th Century French Egyptian Revival Porphyry Obelisks w Ormolu mounts. Please note: Though a pair, one obelisk is 34 1/2" and the other 35" The shorter obelisk is due to a ...

Mantel clock softwood decorated mahogany inlaid in light wood with flowers and foliage. White enameled clock face with Roman and Arabic numerals. Empire style, circa 1900. Measures...

A pair of 19th century Wedgwood majolica vases, made circa 1889 in the Renaissance Revival style. Reflective of the wave of historicism in 19th-century England, these Wedgwood majol...

A pair of Sevres style fond rose / pink urns with with openwork a gilt brass band of stylized flowers mounted to rim, body is hand painted courting figures t...

An unusual Austrian polished steel and cut Schardinger Granite table clock, neo Gothic. Made around. 1840. The case and base in very good condition and with the original pendulum. Fi...

A spectacular feat of engineering and artistry, this 19th-century skeleton clock was created by John Smith & Sons of Clerkenwell. The Clerkenwell Borough of Central London has fo...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

This is a Marble Bas-Relief of Two Apostles. It depicts a large and heavy uprise white Carrara marble bas-relief/ sculpture of two apostles standing up together. The left one is Sain...

On offer is a late 19th-century bronze bust of King Henri IV of France (Henry IV, 1553–1610), also known as "Good King Henry". It is secured atop a turned plinth column and a stepped...

Antique original French faience Bonbonniere or simply Bonbon Box with Bronze mounts made at the factory of Veuve Perrin, Marseille sometime between 1748 -1803. Flowers and insects pa...

Large Art Deco inkwell in neo-Egyptian style, silver-plated metal and crystal, England, early 20th century. Gorgeous silvered metal inkwell with two bottles (ink and sand) made of g...

A rare and elegant example of early 19th-century English barware, this Regency-style gilt bronze wine cooler was masterfully crafted in England circa 1828. Designed as both a functio...

Carl Ranch's eff. small antique mantel clock is a beautiful and unique timepiece crafted in France in the 1850s. The case of this exquisite clock is designed in the Rococo Revival st...

Pair of rock crystal candlesticks with brass mount. Rock crystal is a colorless and transparent natural stone, valued for its beauty and versatility in jewelry and decorative objects...

The elaborately carved snuff box with a scene of two mermaids on the cover and deeply carved shell on the reverse.

ROBINSON & LEADBEATER (Manufacturer) - "Evening Dew" (Title) - (After) James Pradier (Designer 1790-1852) - Antique English Parian ware Neoclassical style sculpture on an integrated ...

A highly decorative mid-19th century French figural mantel clock, likely dating to circa 1845–1860, featuring an elaborate Rococo Revival composition with abundant floral ornament, s...

Carved Alabaster Floor Lamp. Outstanding Neoclassical carved alabaster urn lamp with handles on column pedestal stand, Spain, 1930s-1940s T...

This is a set of 5 Rudolstadt Volkstedt Figurines representing various putti or cupids. The figurines are beautifully detailed with hand painting, s...

This crater-shaped vase made out of coated crystal is a work from the Baccarat glasshouse, between 1862 and 1867, when similar models were displayed at the Parisian World’s Fair, whe...

German porcelain figurine. Young gardener. 20th century. Measures: 14.6 x 6 cm. In very good condition. Minimal chips on the rake. Stamped.

Heavily cast and on the larger side.

A nice clock of the same period as Caldwell and with Chelsea works of Boston. With key.

A very fine and rare German, 19th century figural porcelain liquor dispenser fountain. The two-part allegorical Baroque style fountain depicting a sta...

1950s italian Torino hand-painted glazed ceramic sculpture of a girl with dress and dog signed by C. Mollica By: C. Mollica Material: ceramic, paint Technique: molded, pressed, pain...

This anatomical écorché model of the human legs dates from circa 1940–1950 and originates from a plaster workshop in Brussels, a center long associated with the production of academic anatomical casts...

This rather gorgeous porcelain vase is in the Greek Revival taste and is attributed to the English maker, Samuel Alcock & Co. The transfer printed designs feature a classical fig...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A faience lion candleholders, crafted circa 1880 by the renowned French artist Émile Gallé, exemplifies the bold spirit and refined artistry of late 19th-century decorative arts. A m...

A Meissen polychrome porcelain pair of tabletop statues with a male with a monkey and young woman playing a hurdy-gurdy. The woman wears a richly detailed traditional costume in mag...

A pair of 19th-century Meissen porcelain figurines in Rococo Revival style, depicting a romantic couple in floral costumes. These finely detailed polychrome porcelain figures captur...

Exquisite Italian Capodimonte-style plant stand featuring a beautifully sculpted cherub (putto) holding an ornate openwork basket. This stunning figural pedestal is richly detailed w...

A charming mid-19th-century French Neo-Gothic freestanding decorative object, masterfully hand-carved from solid marble circa 1850. The piece features deeply undercut foliate motifs ...

This beautiful desk timepiece is a rare strut clock, in the form of a gilded scallop shell, with an engine turned silvered roman dial set behind a bevelled glass with distinctive fle...

Pair of Egyptian Revival Gilt and Carved Wood Lion Motif Benches, with crocodile embossed leather seats. 21" H x 35" W x 30" D. Provenance: From a One Central Park West Estate.

A pair of Baroque-style Limoges porcelain figurines was designed by Alpinien Margaine (French, active after 1854) and produced by the renowned Gibus et Cie foundry (1853–1972). Craf...

A most impressive and extremely high quality true pair of French 19th century Neo-Classical st. Egyptian Revival patinated bronze, ormolu and marble statu...

This clock set is designed in the Egyptian Revival style, which was in vogue in Europe and America in the 19th century. The fashion was kick-started by Emperor Napoleon I’s campaign in Egypt in 1798-1799. This led to the publication of ‘Le Description de l’Égypte’ (The Description of Egypt) in 1809 (and a second edition in 1830), which documented various aspects of Egyptian culture, including the pyramids, antiquities, ancient and modern buildings, Egyptian clothing...

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

An extraordinarily whimsical and rare late 19th-century antique Venetian Murano glass scent decanter or perfume bottle, beautifully documented in 3.jpg. This exceptional vessel showc...

A desk clock in the shape of an Egyptian obelisk made by LeCoultre with an 8 day movement in the base, a crisp silvered dial and gilded numerals and batons set beneath a perspex obelisk. The black lacquered base has gilt mounts that continue the theme and repeat on all four sides. This is an extremely handsome small clock ideal as a gift or use as a desk clock, the dial is visible through the obelisk, the fine fully jewelled LeCoultre eight day movement is wound from the base, dating from the 1960's this mid century clock...

Vintage Farber Bros. Brass and Black Metal Decorative Box, Renaissance Revival Style. A distinctive vintage decorative box bearing the Farber Bros., N.Y.C. mark, featuring an ornate...

Italian silver compote late 19th century, with mark of G. Accarisi of Firenze/Florence. The compote is in the form of a shallow bowl held aloft by a model of Mercury based on the scu...

Decorate a dining table or mantel with this elegant pair of antique silver-plated candelabras, crafted in France circa 1910. Each piece features two scrolling arms issuing from a cen...

A pair of 19th Century French figural Sculpture mounted as table lamps, featuring Gilt spelter sculptures of women in classical attire, attributed to Sculptor Sculptor Etienne Henri ...

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Antique Italian Renaissance Revival Carved Oak Wood 20"Lion Figures, Architectural Elements - a Pair. Item features right and left forms with carved lions holding a shield. Circa Lat...

A hand-painted porcelain figure of a young woman playing a hurdy-gurdy, mounted on an ornate base. Dating from the early 1900s, this piece beautifully captures the rural charm and f...

A Meissen polychrome porcelain statue with a performer dressed in flamboyant red trousers with gold detailing, a patterned shirt, and a royal blue coat with elaborate gilding. Resti...

LOUIS JULIEN (JULES) FRANCESCHI French, 1825-1893 The Goddess Isis Patinated bronze signed to the edge of base "J. FRANCESCHI" cast circa 1890-1900 Item # 409LRJ22W A very fi...

Measures : Tallest caryatid : Height 225 cm (88.6 in.) ; width 65 cm (25.6 in.) ; depth : 40 cm (15,7 in.) Two smaller caryatids : Height 183 cm (72 in.) ; width 55 cm (21.6 in.) ; depth : 21 cm (8,3 in.) An outstanding set of three monumental black marble and bronze caryatid planters in the Greek style attributed to G. Servant. All three are caryatid terms on pedestal: the tallest one is shaped as a Grecian woman with her antique drapery and gilt bronze ornaments, such as belt, necklace, headband and garlands, surmounted by an Ionic capital supporting a large planter adorned with foliage pattern and a vase in patinated and gilt bronze. Two smaller planters complete the set, using the same ornamental patterns: the Grecian head...

This matched pair of faience lion candleholders, crafted circa 1880 by the renowned French artist Émile Gallé, exemplifies the bold spirit and refined artistry of late 19th-century d...

A pair of Tall Ebonised Tri Leg Torcheres. Perfect for adding a touch of vintage charm to any room. These stands feature a beautiful patina that enhances their timeless appeal. Ideal...

We are delighted to offer for sale this stunning very rare oversized Gothic Revival circa 1840 Victorian wine cooler or planter A very nice decorative and well made piece, the Lio...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

A pair of Princely candelabra. Exceptionally fine engraved and moulded bronze. Fully moulded Designed figurines (Victoria). Overhead and hand held torch formed shaft with 12 fully...