Revival Decorative Objects

Viennese tabletop jewelry box or chest. Wood, enamels, bronze. Austria, second half of the 19th century. Requires restoration. Rectangular table...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

Rococo Revival Dresden Porcelain Footed Bowl, by Helena Wolfsohn, circa 1890 A finely hand-painted and richly modeled Rococo Revival porcelain bowl, attributed to the Helena Wolfsoh...

DESCRIPTION A vintage heavy solid brass four leaf clover with a raised fox in the middle of the bowl, made in Waynesboro, Virginia by Virginia MetalCrafters. The bowl was probably d...

Carved Alabaster Table Lamp with Urn Form and Light Inside, Italy, 1930s Alabaster Urn Lamp. Outstanding Neoclassical carved alabaster urn lamp with handles.Italy, 1930s Elegant neoc...

Cupid. Glazed porcelain, etc. Possibly Meissen, 19th century. With sticker on the base. It presents restorations. Porcelain figurine that presents an oval and golden base on which Cupid is reclining, characterized as usual by his wings, his bow and his quiver with arrows. In addition, he carries a torch and appears with a garland of leaves. The piece presents strong similarities with figures found in clocks from Meissen, dating from the 19th century. VL Veneziani was a shop headquartered on Rome's Via Frattina (and another store on Via Gregoriana) specializing in selling antique...

This rare pair of Italian carved wood figural statues, each standing proudly on its own pedestal base, is the kind of thing you don’t just place in a room—you introduce it. These fig...

Classical Greek female figure in bronze. Wonderful patina.

Unique and antique bronze sculpture, bust of a Satyr (“Satan”) by Jef Lambeaux.. A striking and expressive life-size bronze bust by the celebrated Belgian sculptor Jef Lambeaux, dat...

This palatial pair of attributed Sèvres porcelain vases, dating to the turn of the 20th century, exemplifies the grandeur, artistry, and technical virtuosity for which Sèvres is reve...

A very pleasing, late 19th century, double compartment tea caddy. This marvellous and rare tea caddy is in very good condition and the burl walnut has a truly warm, deep and rich pa...

An extraordinary 19th century Florentine Renaissance Revival gilt wood frame, masterfully carved in ash wood and richly gilded, embodying the opulent tradition of Florentine and Vene...

Pair of antique cherubs. I believe these are spelter, but I’m not sure. They have some really good detail to them. One of them has a crack around the neck, but could easily be filled...

Elegant Herend Hungary porcelain cachepot, masterfully hand-painted with vibrant floral bouquets on a crisp white ground. The piece features two finely shaped side handles highlighte...

Single tall French Restoration period doré gilt bronze ormolu candelabra candlestick. The chasing of the ormolu is very detailed and finely chased, the large center stem is solid bla...

2x Mid-Century Modern massive brass bull bookends, 1960s

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

O/6498 - Large rich giltwood frame, perfect for a mirror or for an important painting. For a mirror it's better to mount by Yourself, due to transport problems : on request I can do,...

Wonderful gilded metal saint statue with beautiful expression, France, circa 1880-1900. Weathered. Measurements include the wooden base.

A vintage brass letter opener with a Greek-Key like design on handle, circa 20th century. Dimensions: .63" W x 7.5" Long. Other desk accessories available separately, search 1stDibs ref. #s: Italian desk/letter organizer...

Important pair of decorative sculptures in white biscuit , featuring two women draped in the Antique style, accompanied by winged putti. One, holding a large sunflower, raises her ar...

1950s italian Torino hand-painted glazed ceramic sculpture of a girl with dress and dog signed by C. Mollica By: C. Mollica Material: ceramic, paint Technique: molded, pressed, pain...

Medium-sized, highly detailed fine clear crystal candle holders are marked on the bottoms with etched "Tipperary". They are done in complex pattern with vertical cuts and Xs with a ...

An Incredible 19th Century Royal Casket Box/Safe with Coat of Arms, Made of Gold, Damascene, and Etched Steel. Charles Le Hon, a Belgian politician, lawyer and industrialist, served...

A beautiful and highly ornate Gothic Revival Medieval Renaissance silver and gold plated bronze casket or jewelry box made by Erhard and Sohne in Germany c. 1900. The box is a magn...

A Palissy School of Paris Majolica hanging wall plaque, France, modeled by François Maurice, circa 1870-1875. Modeled from life, this extremely dimensional and realistic piece is gl...

Antique "Ivanhoe" Girandole Gothic Revival Gilt Bronze & Crystal Three Arm Figural Candelabra with Knight Figure & Shield in Cove & Foliate Elements Throughout, Marble Base & Crystal...

Antique Egyptian Revival French Bronze "Priest & Priestess" Figures after Émile Louis Picault Raised on Marble Bases - a Pair. Circa Mid 19th Century. Measurements: 20" H x 5.5" W x ...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

This impressive three-piece marble and bronze clock garniture set is a commanding example of classical decorative arts, combining sculptural presence with fine horological craftsmanship. Centered by a substantial mantel clock, the set is crowned with a dramatic eagle figural finial, a powerful symbol of strength, authority, and vigilance, often associated with grand European interiors of the late 19th and early 20th centuries. The clock features a finely detailed gilt bronze dial surround with clear Arabic numerals and is signed and dated on the back of the movement, underscoring its authenticity and quality. The movement is accessed with the original winding key, allowing the clock to remain fully functional as well as decorative. The case is constructed of richly veined polished marble, accented with classical bronze mounts and architectural moldings that enhance its stately form. Flanking the clock are a matching pair of marble and bronze garnitures, each shaped as urn-form vases with scrolling handles and gilt bronze details. Their proportions and ornamentation balance the central clock perfectly, creating a cohesive and visually striking mantel or console display. Dimensions: Clock: 21 1/8" H × 21" W × 7 1/2" D Garnitures (each): 10" H × 8 7/8" W × 6 3/4" D Condition: Loose handle on one garniture. Oxidation, surface scratches, and minor chips along marble edges, consistent with age and use. A timeless marble and bronze clock set, ideal for collectors and interiors seeking classical grandeur and historical elegance. Keywords: marble bronze clock set, three piece clock garniture, eagle mantel clock, antique marble clock...

Regimental cash box. Iron. Possibly Germany, 18th century. It has faults. Rectangular safe with a flat lid containing the top bolt mechanism (which has a simple mechanism to cover...

Edwardian Rococo gilt sterling silver keepsake box. Made by Tiffany & Co. in New York, ca 1903. Upward tapering with reeded mouth rim and curved bottom; foot ring. Applied rose garla...

Parisian Grandeur: A Pair of French Architectural Porcelain Vases, Late 19th Century This distinguished pair of late 19th-century French porcelain vases represents a classic fusion...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

French 19th century large gilt and silvered bronze table box. Finely cast Renaissance Revival gilt and silvered bronze jewelry box with tufted velvet interior lining. Four corners wi...

Presenting a distinguished and finely cast Roman bronze statue on a wooden base, an exceptional decorative piece echoing the grandeur, symbolism, and disciplined elegance of classica...

Rare and remarkable pair of 18th century Venetian architectural remnants now torchieres, hand crafted in walnut and carved in an eccentric composition with acanthus leaves and decora...

Antique Sterling Silver Cream Jug with Ornate Rococo Handle, Circa 1900 A charming and finely crafted antique sterling silver cream or milk jug, exquisitely detailed in a Rococo-insp...

SELKET - Art Deco gilt bronze Egyptian Revival Goddess on marble base - mid 20th century. Good vintage condition - as found/photographed - bends and gilding loss from age and use. Size - 2" Square x 5" High. SELKET - Selket (Selkit) was the divine scorpion who ruled over medicine and magic and protected the coffins of the dead. Selket was the wife of Ra and aided Isis, Nephthys, and Neith in guarding the canopic jars...

Vintage sculptural pair of antique brass candle holders features an open barley twist design and round tiered bases. The design is a 20th century version of historical Jacobean Revival style that was quite popular in early 20th century. Similar open barley twist candlesticks were created by several English manufacturers, such as Peerage, Coseley, and Nestor of Birmingham, in 1920s-1930s. We are offering 2 pairs of barley twist candle sticks...

A stunning two-piece French Limoges porcelain vase / jardiniere planter / cachepot / table centerpiece / wine bottle cooler on stand, featuring exceptional "L'Escarpolette medallion ...

A striking pair of antique wrought iron five-light candelabra floor stands, showcasing a beautifully aged blackened finish. These stately candleholders feature twisted iron detailing...

Stunning and fine size chandelier with gilt bronze swan sculptures. If you are looking for a truly stylish, well proportioned and top quality m...

Painted bronze sculpture "Sacrifice of Cleopatra" by Franz Bergmann (1861-1936) signed Nam Greb, Austria, early 20th century.

Great quality, early 1900s hand-horged wrought iron dragon chandelier Medieval / Gothic style / candle holder / electrification Optional. This stunning early 20th-century wrought i...

A 16” Tall Michael Nourot ( American, 1949-2015) Art Glass Ruffled Vase - Signed, Special Order made for Thalia and Larry Punt June 18, 1999. Unique, Original. Hand Made and shaped. ...

This is a Marble Bas-Relief of Two Apostles. It depicts a large and heavy uprise white Carrara marble bas-relief/ sculpture of two apostles standing up together. The left one is Sain...

Hallmarked in London in 1901 by C. C. Pilling, this attractive pair of late Victorian, Antique, Sterling Silver Candelabra are in th...

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Meissen, Germany. Porcelain figurine of girl wit...

This alabaster, bronze and marble figural group was created by highly regarded Italian sculptor Emilio P. Fiaschi (1858 – 1941). The sculpture depicts the Holy Family's Flight into Egypt and has been finished with the skill and sensitivity characteristic of Fiaschi's oeuvre. Joseph walks alongside the Blessed Virgin Mary who is sitting astride a bronze donkey...

Brass shell centrepiece or vide poche, it can be used as an ashtray too. In the style Honoré de Paris, Maison Charles.

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

Parmigiani Fleurier, 'Nubia' - an extremely fine and unique 18K pink gold pocket watch Swiss, Early 21st Century Measures: Height 9cm, width 6.5cm, depth 1.5cm Open: height 9.5cm,...

Pair of mid-20th century Renaissance Revival hand-painted ceramic jars with lids by Fratelli Mari from Deruta, Italy By: Fratelli Mari, Deruta Material: ceramic, paint, enamel Techn...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Silvered and Enameled Bronze Bust of Florentine Princess in Renaissance Style after the original model by Vincent Desire Faure de Brousse...

Leon Pilet (French, 1840-1916) "Cleopatra" Patinated and Gilt Bronze Sculpture, late 19th century, the seated queen holding a fan, signed to urn, on a Portoro marble plinth. 12.5" H...

Beautiful small-scale reproduction of the Medici Venus, sculpted in white Carrara statuary marble with a cylindrical base in green Prato marble. The statue is based on the famous Med...