Revival Decorative Objects

A Large German 19th/20th century Figural Porcelain and Gilt-Bronze Mounted Urn with Cover in the Manner of Meissen. The ovoid porcelain hand painted u...

An extraordinary 19th century Florentine Renaissance Revival gilt wood frame, masterfully carved in ash wood and richly gilded, embodying the opulent tradition of Florentine and Vene...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Meissen, Germany. Porcelain figurine of girl wit...

This impressive three-piece marble and bronze clock garniture set is a commanding example of classical decorative arts, combining sculptural presence with fine horological craftsmanship. Centered by a substantial mantel clock, the set is crowned with a dramatic eagle figural finial, a powerful symbol of strength, authority, and vigilance, often associated with grand European interiors of the late 19th and early 20th centuries. The clock features a finely detailed gilt bronze dial surround with clear Arabic numerals and is signed and dated on the back of the movement, underscoring its authenticity and quality. The movement is accessed with the original winding key, allowing the clock to remain fully functional as well as decorative. The case is constructed of richly veined polished marble, accented with classical bronze mounts and architectural moldings that enhance its stately form. Flanking the clock are a matching pair of marble and bronze garnitures, each shaped as urn-form vases with scrolling handles and gilt bronze details. Their proportions and ornamentation balance the central clock perfectly, creating a cohesive and visually striking mantel or console display. Dimensions: Clock: 21 1/8" H × 21" W × 7 1/2" D Garnitures (each): 10" H × 8 7/8" W × 6 3/4" D Condition: Loose handle on one garniture. Oxidation, surface scratches, and minor chips along marble edges, consistent with age and use. A timeless marble and bronze clock set, ideal for collectors and interiors seeking classical grandeur and historical elegance. Keywords: marble bronze clock set, three piece clock garniture, eagle mantel clock, antique marble clock...

Viennese tabletop jewelry box or chest. Wood, enamels, bronze. Austria, second half of the 19th century. Requires restoration. Rectangular table...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

Museum quality sculpture of a serene possibly Saint Catherine of Siena. This exquisite Italian alabaster bust, carved circa 1890 and set upon a dark, polished marble base, emanates ...

Pair of antique cherubs. I believe these are spelter, but I’m not sure. They have some really good detail to them. One of them has a crack around the neck, but could easily be filled...

SELKET - Art Deco gilt bronze Egyptian Revival Goddess on marble base - mid 20th century. Good vintage condition - as found/photographed - bends and gilding loss from age and use. Size - 2" Square x 5" High. SELKET - Selket (Selkit) was the divine scorpion who ruled over medicine and magic and protected the coffins of the dead. Selket was the wife of Ra and aided Isis, Nephthys, and Neith in guarding the canopic jars...

Wonderful gilded metal saint statue with beautiful expression, France, circa 1880-1900. Weathered. Measurements include the wooden base.

Unique table crucifix and a wonderful work of religious art, dated 1912 and numbered. For us the most powerful statement will always be 'the truth will set you free'. It is what we have learned most from the life of Christ and of His teachings and it is the one thing we always think about whenever we look at a crucifix. Anyone who has tried to break down his/her ego and found a clearer consciousness in the process knows how healing and rewarding that journey can be. After that you can only be grateful for all the good things that are bound to come your way. Good things will come your way, because the universe needs people like you. Whomever created this amazing work of religious art too must have been inspired and motivated by the life of Christ, because how ever could anyone create a piece that is of such quality, so beautiful and so powerful at the same time. Both the beautifully designed bronze cross with the King of the Jews inscription and the amazingly detailed bronze corpus of Christ are of a quality that you will only rarely find on the open market. They are perfectly mounted on a stunning marble base and together they create one of the most impressive table or altar crucifixes...

Parisian Grandeur: A Pair of French Architectural Porcelain Vases, Late 19th Century This distinguished pair of late 19th-century French porcelain vases represents a classic fusion...

A Very Fine and Palatial Pair of French Baroque Revival Style 19th Century Carved Marble Sitting Lions, the very realistic carved pair of posing lions with fine attention to detail, ...

This lovely Rosenthal Studio LIne Germany porcelain 2 part round box was designed by the Versace Home Collection and has the fabulous Medusa head and from the Medusa collection. It i...

Mid-20th Century Neoclassical Revival urn vase with faux-painted marble banded wood base featuring a Roman scene in bas relief. Decorative use only.

Magnificent Herend Hungary porcelain cachepot in the iconic Queen Victoria pattern with green rim variant. This hand-painted piece features a scalloped Rococo-style edge richly accen...

A life-Size pair of finely cast 19th century Italian terracotta eagles standing on an oval terracotta base, each facing the other with their wings par...

A decorative I Karos pottery, I Caro collector polychrome hand painted and handcrafted in Rhodes, Greece ceramic wall decorative plate with an antelope, carnations and tulip polychrome design. The plate is decorated with a white, blue, aqua, green, and sienna red design and gilded with 24-karat gold. These are intricately, hand painted plates made in Rhodes, Greece by the famous I Caro pottery. Rhodes is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted carnation and tulip in burgundy, light and dark blue and turquoise foliage. An Islamic ceramic plate in the Iznik style, painted in vivid colors with decoration of tulips and carnations. The back of the plate is signed and numbered, it has a string to the back for hanging. It is marked “handmade in Rhodes Greece by Ikaros Pottery...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

Great quality, early 1900s hand-horged wrought iron dragon chandelier Medieval / Gothic style / candle holder / electrification Optional. This stunning early 20th-century wrought i...

DESCRIPTION A vintage heavy solid brass four leaf clover with a raised fox in the middle of the bowl, made in Waynesboro, Virginia by Virginia MetalCrafters. The bowl was probably d...

Brass shell centrepiece or vide poche, it can be used as an ashtray too. In the style Honoré de Paris, Maison Charles.

A "Wedgewood" blue jasperware tole biscuit box by Huntley & Palmers. Good color & condition, circa 1900.

This elegant pair of Italian Rococo style mirrored sconces exudes timeless sophistication and decorative charm. Each sconce is finely crafted with a petite form, featuring a single c...

A very fine French 19th-20th century neoclassical revival style ebonized wood and figural silver plated mounted plateau Surtout de Table centerpiece...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

An exquisite 19th century porcelain figurine depicting King Louis XIV of France. Crafted by the renowned Steingutfabrik J. Uffrecht porcelain in Dresden, this piece showcases the k...

Giltwood Cartel Wall Clock Complete Original Key, Enameled Face, Pendulum Offered for sale is, a lovely and very decorative cartel wall clock with a heavy gilt finish from Sweden or...

This Majolica jardinière is richly decorated, featuring a deep cobalt blue glaze as the base color. The sides are adorned with cherubs and lion heads in golden and brown tones, refle...

Carved Alabaster Table Lamp with Urn Form and Light Inside, Italy, 1930s Alabaster Urn Lamp. Outstanding Neoclassical carved alabaster urn lamp with handles.Italy, 1930s Elegant neoc...

Stunning and small six light chandelier with gilt bronze cherub and swan sculptures. This top quality made, 19th century candle pendant or small chandelier could be perfect for you...

Pair 18th Century Hand-Carved Polychromed Wood Angels are amazingly well preserved and perfect for any devotional display. Sculpted from solid blocks of walnut, each features amazin...

A stunning two-piece French Limoges porcelain vase / jardiniere planter / cachepot / table centerpiece / wine bottle cooler on stand, featuring exceptional "L'Escarpolette medallion ...

French Bronze Sculpture of "Mercurio Volante"( Mercury Volant) cast and signed by F(erdinand) Barbedienne Fondeur, Ca.1850 After Giambologna (1529–1608) This finely cast bronze fig...

O/6498 - Large rich giltwood frame, perfect for a mirror or for an important painting. For a mirror it's better to mount by Yourself, due to transport problems : on request I can do,...

A vintage brass letter opener with a Greek-Key like design on handle, circa 20th century. Dimensions: .63" W x 7.5" Long. Other desk accessories available separately, search 1stDibs ref. #s: Italian desk/letter organizer...

LOUIS JULIEN (JULES) FRANCESCHI French, 1825-1893 The Goddess Isis Patinated bronze signed to the edge of base "J. FRANCESCHI" cast circa 1890-1900 Item # 409LRJ22W A very fi...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

*Note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase. Monumental Bronze Eagle Lectern Sculpture .. Symbol of Saint John the Evangelist, Church Relic, ca. 1900 For the true connoisseur of ecclesiastical antiques and meaningful design, this remarkable bronze eagle sculpture offers a rare opportunity to own an object that is both spiritually symbolic and visually commanding. Originally crafted as a Bible lectern...

French Majolica tobacco jar onnaing, Circa 1890. Decorated with a medallion and flowers.

An Incredible 19th Century Royal Casket Box/Safe with Coat of Arms, Made of Gold, Damascene, and Etched Steel. Charles Le Hon, a Belgian politician, lawyer and industrialist, served...

A very fine antique Maiolica pilgrim flask & stopper by Ginori. Decorated in the Urbino istoriato style with polychrome cherubs to the front and a lan...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Chic pair of large classical form ceramic vases executed in high glaze white on white. The unusual large scale make these urns a statement pieces in any interior space. One urn sho...

This palatial pair of attributed Sèvres porcelain vases, dating to the turn of the 20th century, exemplifies the grandeur, artistry, and technical virtuosity for which Sèvres is reve...

A beautiful and substantial blue and white carved marble hinged decorative box/jewelry box, circa-mid-20th century or earlier. Exact origin unknown. Carved design on top depicts an ancient relief...

Made in Italy, 1960s. This scene sculpted by Carlo Mollica recalls the mythological figures of Leda and the Swan (Zeus). It is made in polychromed porcel...

This is a Marble Bas-Relief of Two Apostles. It depicts a large and heavy uprise white Carrara marble bas-relief/ sculpture of two apostles standing up together. The left one is Sain...

A fine and rare 19th-20th century neoclassical Revival style silver plated metal and cut-glass centerpiece in the manner of Christofle. The boat-shaped ornately body with finely chas...

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

Cupid. Glazed porcelain, etc. Possibly Meissen, 19th century. With sticker on the base. It presents restorations. Porcelain figurine that presents an oval and golden base on which Cupid is reclining, characterized as usual by his wings, his bow and his quiver with arrows. In addition, he carries a torch and appears with a garland of leaves. The piece presents strong similarities with figures found in clocks from Meissen, dating from the 19th century. VL Veneziani was a shop headquartered on Rome's Via Frattina (and another store on Via Gregoriana) specializing in selling antique...

Large Neo classical Faux Marble Decorative Urn , beautifully crafted with gilt flame finial , faux red marble body on a faux green marble base , and gilt embossed bands - custom ma...

Hallmarked in London in 1901 by C. C. Pilling, this attractive pair of late Victorian, Antique, Sterling Silver Candelabra are in th...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Important pair of decorative sculptures in white biscuit , featuring two women draped in the Antique style, accompanied by winged putti. One, holding a large sunflower, raises her ar...

Stunning antique picture or photograph wall picture frame from the mid 1800's. This stylish and all handcrafted picture frame will make great decoration on your wall and with a work...

Silver 800 vase Empire revival on foot. The body and the foot are cheased and ambossed Three leaves rims determine the typical Empire style 1,080 grams. By Arval Argenti Valenza .-...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

Painted bronze sculpture "Sacrifice of Cleopatra" by Franz Bergmann (1861-1936) signed Nam Greb, Austria, early 20th century.

Antique Egyptian Revival Art Deco enameled 800 grade silver gilt cloisonne enamel box, Italy, circa 1925. The hexagonal shaped lidded box having a hinged lid, decorated with a head o...