Revival Decorative Objects

Safe box. Iron. XIX century. Rectangular safe made of iron, with a rectangular base, two handles on the sides and classicist-influenced molding decorations on the fronts and top. It...

This is a Marble Bas-Relief of Two Apostles. It depicts a large and heavy uprise white Carrara marble bas-relief/ sculpture of two apostles standing up together. The left one is Sain...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Meissen, Germany. Porcelain figurine of boy with basket...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

This pair of antique liquor bottle decanters are unsigned, but presumed to have originated from France and date to approximately 1900 and done i...

Stunning Pair of 7-candle Gothic Revival Brass Candelabra Anonymous Europe; 19th century Brass or bronze Approximate size: 13 (h) x 21 (w) x 4 (d) in. This pair of European bras...

Pair of Silver Candlesticks by C.G. Hallberg Rococo Style, Sweden 1937 A scarce and elegant pair of antique silver-plated Rococo-style candlesticks by the renowned Swedish silversmi...

Solid bronze mortar and pestle set from the 20th century, featuring raised scrollwork and the embossed “ATRAL” pharmaceutical emblem, 1950s edition for a Portuguese Pharmaceutical co...

1876 Centennial Exhibition, J & L. Lobmeyr Exceptional Ormolu Mounted Bohemian Ruby Glass Centerpiece This exceptional Bohemian ruby red glass centerpiece, by he renowned Viennese glass manufacturer J. & L. Lobmeyr, exemplifies the firm's mastery in combining classical aesthetics with innovative design. Created circa 1876, this piece was showcased at the Centennial International Exhibition in Philadelphia, reflecting the era's fascination with classical motifs and superior craftsmanship. The centerpiece adopts a form inspired by admired Greek patterns, characterized by its elegant proportions and harmonious contours. The exquisite ormolu handles, reminiscent of Urbino vase designs, are artfully crafted as serpents with their heads pressed flat upon the rim in a vigilant posture, while their sinuous bodies attach gracefully to the bowl, culminating in finely detailed finials. This serpentine motif not only enhances the visual allure but also imbues the piece with symbolic significance, as snakes often represent protection and eternal life in classical iconography.​ Encircling the vessel is an expansive frieze featuring intricate scrollwork and figural representations. At the center of this decorative band stands a winged female figure, flanked by conventionally stylized lions, a composition that evokes themes of strength and guardianship prevalent in ancient art. The engraving is executed with extraordinary precision, with each leaf and tendril rendered in minute detail, showcasing the unparalleled skill of the artisans. The Centennial International Exhibition of 1876 in Philadelphia was a seminal event, marking the first World's Fair held in the United States. It celebrated the nation's centennial and served as a global stage for artistic and industrial achievements. J. & L. Lobmeyr's participation in this exhibition underscored their commitment to excellence and innovation in glassmaking. Pieces such as this centerpiece would have captivated audiences with their blend of historical inspiration and contemporary artistry, reflecting the 19th-century penchant for reviving classical forms through modern techniques. Founded in 1823 by Josef Lobmeyr, the company quickly established itself as a purveyor of fine glassware, earning the distinction of becoming the Imperial Court Supplier. Under the stewardship of Josef's sons, Josef and Ludwig, the firm expanded its artistic horizons, collaborating with eminent designers and embracing diverse stylistic influences, including Islamic and Persian motifs. Their innovative approach and dedication to quality garnered international acclaim, with their works featured in prestigious institutions such as the Museum of Modern Art in New York, and most importantly The Corning Museum of Glass. This Bohemian ruby red glass centerpiece with ormolu...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

Viennese tabletop jewelry box or chest. Wood, enamels, bronze. Austria, second half of the 19th century. Requires restoration. Rectangular table...

One of a kind and all handcrafted sculpture. As many of you will know, the Pietà, depicts the body of Jesus on the lap of mother Mary after the crucifixion. Over the years we have seen this famous biblical scene portrayed in all kinds of materials, but this is the first time we have seen it in glazed and partially colored ceramic. The artist whom created this unique sculpture perfectly captured the sadness and despair of Mary and the disciples by her side. The care with which they are touching and holding the body of Christ also shows their love and affection for Jesus. Anyone who has ever lost a soul mate or a loved that really meant the world to them has an idea of what Mary and the disciples are going through here. If you appreciate this unique religious art sculpture...

A very pleasing, late 19th century, double compartment tea caddy. This marvellous and rare tea caddy is in very good condition and the burl walnut has a truly warm, deep and rich pa...

A striking pair of English Mason’s Ironstone lidded vases dating to circa 1840, richly decorated in cobalt blue and gilt. Exemplifying the bold neoclassical revival style of early Vi...

LeCoultre, Ref. 5501, Swiss. Made circa 1960s. A fine and rare brass half-hour and hour striking 8-day going desk clock. Jaeger-LeCoultre Gilt Brass Desk Clock, An elegant mid-cent...

A life-Size pair of finely cast 19th century Italian terracotta eagles standing on an oval terracotta base, each facing the other with their wings par...

Raffinato vaso in cristallo soffiato di colore ambra sfumato, impreziosito da una montatura in bronzo dorato cesellato. Il design elegante richiama lo stile neoclassico francese, con...

Gorgeous decorative vase made of fine cobalt blue crystal, featuring the highest quality craftsmanship. The work combines two artistic techniques: hand engraving with refined floral ...

Paolo Marioni Roman soldier bust & pedestal composed of terracotta and featuring a bronze and faux marble glazed finish. The maker's mark is located behind the base of the bust (see ...

Wedgwood black basalt jardiniere, made in England around 1900. The jardiniere has a floral banded border above fruiting grapevine festoons terminatin...

Antique pair of Restoration period gilt bronze candelabra - featuring elaborate Neo Gothic bronze castings of masks, lions and scrolls on trefoil bases with hand hammered and chisel...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A good 19th century Italian 'Florentine' or 'Lucerne' 4 burner brass oil lamp, in the Renaissance Revival manner, circa 1860. Designed to burn whale oil which is placed into a reserv...

DESCRIPTION A vintage heavy solid brass four leaf clover with a raised fox in the middle of the bowl, made in Waynesboro, Virginia by Virginia MetalCrafters. The bowl was probably d...

*Note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase. Monumental Bronze Eagle Lectern Sculpture .. Symbol of Saint John the Evangelist, Church Relic, ca. 1900 For the true connoisseur of ecclesiastical antiques and meaningful design, this remarkable bronze eagle sculpture offers a rare opportunity to own an object that is both spiritually symbolic and visually commanding. Originally crafted as a Bible lectern...

A striking vintage black ceramic pottery female face bust sculpture, circa 20th century. A great piece for a column pedestal as shown, shelf, mantle, cocktai...

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

Richly Decorated Free-Standing Table Crucifix / Cross & Corpus of Christ from the first half of the 20th century. Gothic style, crafted from brass/bronze, with a beautiful patina. I...

Large Italian Florentine Giltwood Serving Tray. Tray features a beautifully scalloped edge and a richly painted surface in green and gold. The tray displays an ornate raised foliate ...

A vintage brass letter opener with a Greek-Key like design on handle, circa 20th century. Dimensions: .63" W x 7.5" Long. Other desk accessories available separately, search 1stDibs ref. #s: Italian desk/letter organizer...

A very fine and exceptionally carved Italian 19th-20th century Baroque Revival style whimsical white Carrara marble wishing wellhead, raised on an octagonal two-step marble base. The intricately carved marble relief circular wellhead depicting carved figures of dancing and cheerful children (Putti) among vines, flowers and fruits, dancing and playing musical instruments with a backdrop of castles, landscapes, forests and wreaths, Florence, circa, 1900. Note: We have part II video of this amazing Wishing Wellhead. Please feel free to request a copy. Literature: A similar wellhead was sold by Jan's & Co. Fine French Antiques, Inc. in 1999, provenance the Atkinson/Kirkeby Estate and it is illustrated in "The Estates of Beverly Hills" by Charles Lockwood and Jeff-Hyland, page 150. Another similar is currently on display at the gardens of "The Elms" mansion a public museum part of the Newport Mansions by The Preservation Society of Newport County in Newport, Rhode Island. Yet another similar wellhead carved with frolicking putti with musical instruments and a dentil molded rim is located at Cranbrook House, Bloomfield Hills, Michigan, and is illustrated in B. Israel, Antique Garden Ornament...

Vintage sculptural pair of antique brass candle holders features an open barley twist design and round tiered bases. The design is a 20th century version of historical Jacobean Revival style that was quite popular in early 20th century. The candlesticks are marked on the bottoms with stamped Peerage England. Similar open barley twist candlesticks were created by several English manufacturers, such as Coseley and Nestor of Birmingham. We are offering a pair of barley twist candle sticks by Coseley England in separate listing. Peerage Brass...

Very large pair of antique Viennese silver-gilt and enamel vases attributed to Böhm Austrian, c. 1880 Height 103cm, width 38cm, depth 32cm This exceptional pair of vases, attributed...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

Good size and impressive make, Gothic church altar crucifix. This ornate and all hand-crafted, bronze table crucifix comes with a good quality made a...

Elegant Herend Hungary porcelain cachepot, masterfully hand-painted with vibrant floral bouquets on a crisp white ground. The piece features two finely shaped side handles highlighte...

Pair of George V sterling silver candlesticks. Made by Lionel Alfred Crichton in London in 1917. Each: Tapering and fluted pillar supporting urn...

Beautiful design and practical size pair of Renaissance style candle sconces. This antique pair of bronze sconces will look great above a side table, your bedside cabinets or in a h...

A dramatic and sculptural pair of large-scale patinated bronze sphinx candlesticks produced by Maitland-Smith in the 1980s. These striking objects ...

One-of-a-Kind hand-crafted silver urns using the Repousse method of hammered design. Each is slightly unique from the other. Unusually large size and excellent condition. Probably mi...

19th century Hand-Hammered Brass Double-Handled Pot was the product of a talented metalsmith, and features an interesting design with equally interesting embellishments! The ovoid op...

Edwardian Regency sterling silver centerpiece bowl. Made by Tiffany & Co. in New York, ca 1935. Wide and curved on raised foot. On bowl, paterae with pendant swags mounted to colonna...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

Pair of 19th Century Capodimonte Porcelain Urns with Mythological Reliefs A striking pair of monumental 19th century Capodimonte porcelain vases, richly decorated with mythological ...

A stunning pair of antique Neo-Gothic bronze church altar stick candle prickets with beautifully aged patina. European, late 19th century, each with a single candle socket, mural crown, pierced quatrefoils, wafer stem, rising on paw feet. Dimensions: (approx) 27.25" Tall, 8.25" Diameter; 28lbs total Condition: Great original unrestored antique condition with nicely aged dark warm patinated finish. Distinctive gilt brass and copper like tones. Wear consistent with age and indicative of use. Overall outstanding examples World Wide Shipping Available Local Pickup/Delivery available around Dallas, Texas We here at Lynx Hollow Antiques absolutely love collecting and decorating with religious objects. From a church altar table...

A set of Antique Five German Pewter Defregger Beer Stein Decorative Cup Bowl decorative objects , decorative beer cup or beer glass with lid, pressed, cast and chased. Circular, curv...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

Pair of mid-20th century Renaissance Revival hand-painted ceramic jars with lids by Fratelli Mari from Deruta, Italy By: Fratelli Mari, Deruta Material: ceramic, paint, enamel Techn...

Pair of fishes ceramic sculpture garniture.  

A striking and beautifully rendered bust of David, after the Renaissance masterpiece by Michelangelo Buonarroti. Standing an impressive 60 cm (23.6 inches) high, this substantial scu...

This is a Renaissance style gilt bronze rectangular casket lidded box. It depicts embossed decoration of scrolls of acanthus leaves, birds flowers and hearts around the whole box. In the center of the lid, there is a “cameo” or relief of the profile of a gentleman with a beard. Inside, the box is covered with purple velvet fabric in the lid. It is divided in different sizes and shapes of compartments with glass tray and two inkwell bottles...

Museum quality sculpture of a serene possibly Saint Catherine of Siena. This exquisite Italian alabaster bust, carved circa 1890 and set upon a dark, polished marble base, emanates ...

Cupid. Glazed porcelain, etc. Possibly Meissen, 19th century. With sticker on the base. It presents restorations. Porcelain figurine that presents an oval and golden base on which Cupid is reclining, characterized as usual by his wings, his bow and his quiver with arrows. In addition, he carries a torch and appears with a garland of leaves. The piece presents strong similarities with figures found in clocks from Meissen, dating from the 19th century. VL Veneziani was a shop headquartered on Rome's Via Frattina (and another store on Via Gregoriana) specializing in selling antique...

20th century hand carved folk art wooden cat form sculpture or statue. Features a knockdown design with elegant form. Features pointy claws, curled tale an...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Vegetable bowl with lid, Morro Castle, Havana, Cuba. Earthenware. Sargadelos, 19th century. It has minor flaws. Vegetable bowl with handles and a lid on which a landscape can be se...

An Incredible 19th Century Royal Casket Box/Safe with Coat of Arms, Made of Gold, Damascene, and Etched Steel. Charles Le Hon, a Belgian politician, lawyer and industrialist, served...

Important pair of decorative sculptures in white biscuit , featuring two women draped in the Antique style, accompanied by winged putti. One, holding a large sunflower, raises her ar...