Rococo Decorative Objects

Clock bureau cabinet from the transitional period between rococo and gustavian, around 1810. The clock cabinet is from Northern Sweden and dry scr...

Title: Decorated wood shelf Date/Period: 20th century Dimension: 50cm x 45cm 35cm Materials: Wood Additional information: Italian shelf depicting the Roman emperor from the early...

Mirror image pair of naturalistically carved figures of a seated monkey's wearing a carved giltwood cloak and turban, perched on a rocky plinth, with his hand out holding a tambourin...

This is a rare and beautiful figure of Venus with two doves, made by the bow porcelain factory between 1756 and 1764. We see Venus standing holding her robe with one hand, a flower p...

I am offering you this beautiful Meissen reticulated and fluted bowl. It has a bright and colorful large flower bouquet in the center of the bowl w...

A stunning antique, circa 1880s, Dresden porcelain figural flower encrusted candlestick - candelabra mounted as a lamp. Exquisitely handmade and painted in Germany in the late 19th century, developed by Ernst August Leuteritz, the very finest of quality, exceptionally executed in the decadent opulence and sophisticated elegance that is Meissen Rococo taste, featuring sculptural seated putti holding fruit and flower motif, having an architecturally articulated shaped baluster shaft, tripartite base rising on high volute C-scroll feet, elaborately decorated in the most intricate floral and fiolate applied and relief decoration in rich polychome and brilliant gold leaf gilt accents. Early 20th century and later light fixture elements, professionally electrified and fashioned as a large luminaire table lamp. The candlestick drilled, standard mounted with adjustable two light post, topped with removable rod retaining remnants of original paint finish with distressed chippy paint patina, surmounted with matching ornate porcelain flower bouquet...

An exquisite example of Rococo style ornamentation, this antique (circa 1890) silvered bronze pitcher comes from France. The pitcher has been adorned with spiral fluting that expand ...

Framework. Golden wood, 18th century. Frame made of carved and gilded wood that has a series of moldings inside forming an octagon and a composition openwork towards the outside wi...

Porcelain, champlevé enamel, and gilt-bronze Rococo style three-piece clock set French, Late 19th Century Clock: height 38cm, width 23cm, depth 16cm Vases: height 28cm, width 13cm, d...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

This is a pair of hand painted porcelain plates. One of them is depicting a portrait of Marie Antoinette- the last queen of France before the French Revolution. She is holding a rose. The rim is adorned with bouquets of roses and foliages. Below it, there are some gilt trellis patterns and under it a green band with golden stars. The plate has a large gilt gesso squared frame decorated with acanthus leaves pattern in its corners. The plate is hallmarked GDA Limoges...

Santos Oils container. Pewter. Century XVIII. Container made of pewter that has a foot, a body with curves, two handles and a lid. Its exterior decoration shows a clear influence o...

Northern Swedish classic Rococo long case clock from the first half of the 19th century, circa 1820-1830. The clock has a good size and the clas...

Here is a beautiful 18th Century Swedish Rococo style wooden longcase Mora clock with its original paint featuring green tones. This piece has mini...

This beautiful pair of cows was made around 1785 in the city of Delft. Since the late seventeenth century, Dutch Delft cows have adorned mantelpiece...

Sculptural 18th century Italian miniature fragment with fossil agate coral. The fragment was originally part of an 18th century Italian candlestick from a historic church. It has the original gold leaf and red bole paint that coordinates with the fossil agate coral. Fossil agate coral is also Florida...

This is a very rare and impressive large figure of Juno with an eagle, made by the Bow Porcelain factory in about 1765. This figure formed part of a series of the Four Elements, with...

18th Century French Pewter Pitcher is an elaborately decorated example of fine craftsmanship in everyday items, using techniques that were passed down fr...

18th century Italian vase mounted with a fossil barnacle cluster and sitting on a petrified wood and barnacle base. This fragment is from a church in Florence. It was found and saved from the historic flooding of the Arno River in 1966. The piece has been naturally distressed from the flood. There is still the original paint and silt left on the piece to uphold the integrity, craftmanship, and history of sculptural fragment. The Rococo vase has been preserved and transformed with the natural specimens - it sits on top of the piece and where the neck of the vase was broken off, it is replaced with barnacles to look as though it evolved together over time. The story and history of this piece and Interi's collection of Florence fragments...

18th C Brass-Mounted Allegorical Motif Enamel Snuff Box, Attributed to the Fromery Workshop The Cartouche-shaped bombe box, the hinged lid applied with rais...

This is a beautiful pair of Derby porcelain candlestick figures of a bagpiper and a lady with lute, made between 1759 and 1769, which was the Rococo era. The pair is one of Derby's f...

Jug. Silver. FAXARDO, Antonio. Spain, Cadiz, 1787; highlighted in Italy (Naples). With contrasting and burilada marks. Published in Encyclopedia of Spanish...

Pair of gilt-bronze mounted Sèvres porcelain lamp bases by Picard French, Late 19th Century Height 52cm, width 21cm, depth 16cm These superb pieces are a pair of Sèvres style po...

An antique Rococo style candle wall sconce, unbranded. Solid brass decoratively sculpted in a leaves & branches form, with three arms and candle...

This elegant stylized shell bowl was realized by the illustrious atelier of Les Freres in France during the 19th century. It offers a stylized silvered ormo...

This a set of hand painted Porcelain cachepots depicting a decoration in a gilded centerpiece of a flower arrangement in the front and gilt acanthus growing along the diameter sides of it . Also, there are three hand painted cobalt blue rings around the cachepot decorated with gilt rows of parsley leaves alternated with the white background. The cachepots have two gilt & white rocaille shaped handles. Under the base is written in French that it was handcrafted in Paris, France by Le Tallec. Camille Le...

Rococo style gilt bronze and marble mantel clock French, c. 1870 Height 44cm, width 20cm, depth 15cm This Rococo style gilt bronze and olive-green mantel clock...

A fine KPM porcelain basket. With reticulated or pierced sides, twin handles, and a hand-painted floral spray to the center. Simply a wonderful porcelain basket! Date: Late 19th or Early 20th Century Overall Condition It is in overall good, as-pictured, used estate condition with some very fine & light surface scratches and other signs of expected light wear consistent with age. Maker: KPM Porcelain Marks: Base bears a blue underglaze factor scepter mark, an iron-red orb mark, hand-painted cyphers and numbers, an impressed cyphers, and a cut slash...

18th century Italian fragment with a calcite crystal cluster in matrix mounted on a Italian glass bobeche base. The fragment is from a church in Florence. It was found and saved f...

French etagere ( shelf ) 18th century Original condition Measures: 19cm x 40cm.

German Saxony porcelain figural group - porcelain coach Volkstedt porcelain carriage entitled Royal princess ride Depiction of a courtly scene. The...

Fine Dutch Delft vase with decoration is flowers and birds. Origin: Delft, The Netherlands Date: 1724 - 1764 Workshop: De Porceleyne Schotel (The Porcelain Dish) By: Jan Pennis...

Long case clock form Nusnäs. This type of clock is often referred to as a Nusnäs clock after the municipality Nusnäs in the Swedish province Dalarna where they were made. The clocks ...

18th Century Italian tabernacle with aragonite. It is hand-painted and carved with scroll details and has been kept in its original condition. The t...

A French 18th century large polychrome Faience lidded soup toureen or entree dish with scallop-shaped edges attributable to Rouen manufacture. This lovely...

Presenting an extraordinary 18th-century Italian carved wood and polychromed figure, capturing the tender image of baby Jesus in a standing posture, gracefully perched upon an intric...

Porcelain and gilt bronze vase signed Sèvres, painted by Collot, France, late 19th century.

Shaped snuffbox in 925/1000 sterling silver gold plated with perforated, embossed and hand-engraved lid, with fine oval miniature cm. 3.2 x 4.5 hand painted in tempera on vegetable i...

French Rococo style Bronze Candlestick, circa the 1920s Beautiful and ornate Rococo or Louis XV-style bronze candlestick, France, circa the 1920s. Dimensions: height: 19 cm / 7.48 ...

A French late 19th century gilt-bronze (ormolu) mantel clock in the Rococo style. This trapeze-shaped clock is supported by four scroll feet, the lower part of the piece is symmetric...

Two 18th century delft earthenware vases signed VB (Pieter van den Briel 't Fortuyn, 1753-1759) In original condition, no restorations as you can see on the photo's. VB mark : Van ...

A very fine French Sevres biscuit (Bisc) porcelain figure of a recumbent nude lady titled "Le Repos" after a model by Alfred Boucher (French, 1850-1934) Sensually depicting a young w...

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, 1770 circa It measures: 4.7 in (cm 12) X 5 in (...

Sculptural 18th century Italian mecca fragment candlestick with a fossil shell and wulfenite on a polished calcite base. The fragment was originally p...

with rococo panel and hand-painted flower spray in the oriental style (c 1880) Handmade and hand-glazed in brilliant coloured Emameld flowers details. ...

A large Sèvres style, mounted and gilt, painted porcelain vase French, Early 20th Century Height 132cm, diameter 37cm This exquisite piece is a beautiful Sèvres style porcelain ...

Finest Viennese Enamel Work from around 1880: Metal body almost completely enamelled, belly with six oval, outwardly curved medallions with Watteau scenes, in between and on the spout detailed arabesque decoration with angel heads, inside flower garlands and floor star, raised rocaille handle with a bust of a man...

This Delft blue and white dish was hand-painted in England in the 18th century circa 1760. The painting is quite naive but eye-catching. In the center, we see a large blue ground before three homes, each with a chimney. To the left, we see a large peony, and to the right, a pine tree. The wide border shows six flower buds on the vine, and along the edge are scrolling vines. Dimensions: 9.25" diameter Condition: Excellent Price: $560 Background of English Delft: The art of making Delft began in England in the Mid-1500s. An English delftware jug has been found in East Malling, Kent, with a silver mount hallmarked 1550, which is presumed to be the earliest date of English delftware manufacture. John Stow's Survey of London (1598) records the arrival in 1567 of two Antwerp potters, Jasper Andries and Jacob Jansen...

Taken from a model of 1772 by M.C. Avier and J.C. Schönheit, this charming porcelain group by the Meissen manufactory depicts a group of five figures around a central rock mound, inv...

Italian Cherub centerpiece sculpture In White Glazed Ceramics.  

This candle holder by renowned porcelain manufacturer Jacob Petit is extravagantly designed in the form of a majestic peacock. Petit owned one of the most important and well-known po...

This blue and white hand-painted Dutch Delft dish was made in the Netherlands in the 18th century, circa 1780. The composition has excellent movement. The ...

The cobalt blue is exquisite! Provenance: An identical dish is in the collection of the Philadelphia Museum of Art. For an image of this identical plate and a discussion of its origins, see: E B Schaap "Delft Ceramics at the Philadelphia Museum of Art" pages 74 and 75. We are pleased to offer this Dutch Delft dish...

Hallmarked in London in 1768 by Henry Bailey, this stunning pair of George III period, Antique Sterling Silver Tea Caddies, feature Rococo chasing throughout, vacant cartouches, and ...

Talavera Inkwell, 18th century. Glazed pottery Talavera ceramic inkwell, decorated with cobalt blue enamel on a white tin slip with restorations" Size: 16 x 16 x 7 cms.    

Antique lidded box in hand painted porcelain with flowers and gold decoration on a purple background. Sevres style, early 20th century. Measures:...

Pair of stirrups. Carved wood, iron. Chile, 18th century. Pair of stirrups made up of a carved wooden block, in the shape of a crescent on the front, and decorated on the outside wi...

This piece is a superb example of the work of the Meissen porcelain manufactory. Modelled by E. A. Leuteritz in the 19th century based upon earlier models, it is a group piece, showi...