Australian Vases and Vessels

Steel Vase III by Duzi Objects Perth-based steel sculpture artist Douglas Powell of Duzi Objects delves into the realms of fluidity, movement, and three-dimensional shapes through ...

Steel Vase V by Duzi Objects Perth-based steel sculpture artist Douglas Powell of Duzi Objects delves into the realms of fluidity, movement, and three-dimensional shapes through hi...

Steel Vase 1 by Duzi Objects Perth-based steel sculpture artist Douglas Powell of Duzi Objects delves into the realms of fluidity, movement, and three-dimensional shapes through hi...

Stunning Steel Vase IV by Duzi Objects Perth-based steel sculpture artist Douglas Powell of Duzi Objects delves into the realms of fluidity, movement, and three-dimensional shapes ...

Gorgeous Steel Vase II by Duzi Objects Perth-based steel sculpture artist Douglas Powell of Duzi Objects delves into the realms of fluidity, movement, and three-dimensional shapes ...

An exceptionally rare pair of John Campbell planter pots. The design is attributed to John Cambell's son, Rupert John Campbell. John Campbell produced decorative pots at his brick works and pottery in Launceston, Tasmania from 1880 until 1975. Rupert John inherited his father's works and was a skilled artisan and potter. He developed presses for decorative pottery. This beautiful pair of jardinières likely date to the early 1900s. They were passed down through three generations. The original owner gave them to her son. In the 1980s the (then elderly) son gifted them to a friend (the last owner before this sale). At the time they received them they were made aware of their age and rarity. Now, another forty years later, they are potentially the only pair in existence. Only one similar John Campbell un-glazed terracotta 'umbrella stand' can be found on record. It was sold in 2008 in Tasmania, at a 'Fine Colonial Decorative Arts' auction run by Mossgreen Auctions, a reputable auction house, though since closed. I can find no other reference to this model, except an acknowledgement of the existence of an un-glazed terracotta umbrella stand, in the definitive record of Campbell's work by Kevin Power, 'John Campbell Pottery: Recollections and Collections' published 2014. These are of the same design and size but were manufactured with drainage holes in the base. They were clearly decorated using a press but the clay slabs were pushed into the press by hand. The interior of each pot shows the marks of hammers used to force the clay into the face of the press pattern. They have a hand-crafted appearance, with hand finished mould lines to each side and there are pressing faults apparent in various areas of the pattern. Tasmania was notably independent in production of most household goods, due to the isolation of the colony right up until the turn of the 19th century. Being at the farthest reaches of the British Empire, settled as a penal colony, with a relatively low consumer population, it was not a market for the high-volume import of domestic goods. As a consequence, household wares and decorative pieces produced in Tasmania through the 19th century represent a wholly independent category of Australian colonial design, production and craft. These pots are highly collectable and scarce artifacts of one of Tasmania’s earliest industries. In aesthetic terms, many Tasmanian artifacts are notable for following British, Georgian and Victorian fashions but with a colonial character of their own devising. Local characteristics became a stronger feature of Tasmanian decoration over time. Note the classical Georgian/Victorian chinoiserie motif of a bird foraging among rushes. In this case, the local interpretation depicts a Brolga (the largest Australian wetland bird) foraging amongst native Australian reeds and water lilies. Another of the things that sets early Tasmanian artifacts apart is the way in which necessity forced artistic production in pottery to be less refined than that of their British counterparts. A broad range of products had to be produced to meet local requirements, often by a single producer. John Campbell’s pottery is a great example of this practical necessity. It produced everything from industrial drainage pipes and bricks to household pottery and decorative items, all from a relatively small family run factory. Their domestic wares were so well trusted and appreciated that they by the 1940s they made their way all over the mainland of Australia. Under these circumstances, the refinement of decorative technique was not as great a priority as utility, consistent quality of production and durability. As a consequence, Australian colonial works and their early 20th century descendants such as these pots, are hugely appealing. They have an idiosyncratic and vernacular appearance, with British and European stylistic trends of their day overlaying a base of inventiveness, local interpretation and sturdy functionality. We hope you can appreciate the rarity and significance of this well-preserved pair of planter...

Aegis Vase 350 by Lost Profile Studio Dimensions: ⌀ 15 x H 35 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Aegis Vase 450 by Lost Profile Studio Dimensions: ⌀ 20 x H 45 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

'Murrine Quadrants in Salmon & Primrose II' is a unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter ...

A unique postmodern hand-painted glazed ceramic vase by Australian artist Jiri Bures, late 20th century. Featuring an elaborate geometric shape, molded spiral handles, and an almost ...

'Murrine Quadrants Stoppered Bottle in Pale Blue & Salmon' is a unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and...

'Murrine Quadrants Tall Form in Pale Blue & Turquoise, vase by Peter Bowles' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge Co...

'Murrine Quadrants Stoppered Bottle in Pale Blue & Turquoise' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art an...

'Murrine Quadrants Medium Form in TwoTone Turquoise' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design,...

'Mertetto' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter Bowles went on to work with some of...

'Beula' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter Bowles went on to work with some of t...

'Moire' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter Bowles went on to work with some of ...

'Banksia' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter Bowles went on to work with some o...

Future ruins planter II by Michael Gittings Studio Dimensions: d 25 x w 25 x h 73 cm Materials: stainless steel Michael Gittings Melbourne based des...

Sana vase small by Tom Fereday Dimensions: D 12 x H 27.5 cm Materials: Solid Cast Quartz Glass Also available in clear frosted. The SANA collection is the first ever home wares collection developed by designer Tom Fereday and was conducted from a research-based approach into wellbeing within the domestic living space. Material research focused on natural materials which may be subtle yet retain a high perceived value. The resulting chosen material, solid cast quartz glass was selected for its high degree of optical transparency, natural variation in finish, thermal excellence and overall weight and quality. Tom Fereday develops products based on the principle of honest design, conveying a design process which celebrates the materials and manufacturing processes behind furniture and products, to design from the inside out. By using the materials and environment as a positive design constraint we guide intelligent and thoughtful design outcomes which connect with people through natural materials, tactile finishes and unique design. We strive to create enduring designs which are meaningful to people and their environment. Born in Australia, Tom Fereday grew up in England studying at the Wimbledon School of Art before moving to Sydney to complete an honours in Industrial Design at the University of Technology Sydney. Working across Europe and Australia Tom Fereday went onto found his sole practice in 2012. Affiliations Society for Responsible Design (SRD) Design Institute of Australia (DIA) Awards 2019 - House & Garden style awards - ETO Desk 2018 - Idea Awards - SIA Chair - Highly Commended 2018 - LAMP International lighting competition - Winner established designer 2018 - Lane Crawford creative callout - Winner 2018 - Good Design Awards - SIA chair - Gold winner 2017 - Mercedes-Benz Design Award - SIA Chair - Winner 2017 - International Design Award - SP01 collection - Honoree 2017 - International Darc Awards - Mito Lamp - Winner best floor lamp 2017 - ICFF NYCxDESIGN - Emerging Designer - Honoree 2017 - A+Awards - Bow Chair - Finalist 2017 - Archiproducts Design Selection - Stockholm Furniture Fair 2016 - Good Design Award Chicago - Bow Chair - Winner 2016 - Timber Design Awards - Pieman Collection - Winner excellence in timber design 2016 - Good Design Award - MW1 Watch - Finalist 2015 - Good Design Award - 3000 Collection 2015 - Good Design Award - Best in category NTR Microphone 2015 - Red Dot Design Awards - Best of the Best NTR Microphone 2014 - Space + Moooi 2014 Design Residency 2011 - H&G Style Awards 2011 2011 - Interior Design Excellence Awards 2011 - Finalist 2011 - One Good Chair Competition Allt Chair 2010 - Nominated by Triple J and ABC News as top 25 young achievers 2010 - Australian Design Awards - Design Mark - Pebble Ottoman...

Vase by Michael Gittings Dimensions: d 23 x w 23 x h 53 cm. Materials: Stainless steel, Glass. Michael Gittings Michael Gittings imagines with his hands. Since establishing his...

Set of 2 future ruins planters by Michael Gittings Studio Dimensions: d 25 x w 25 x h 73 cm Materials: stainless steel Michael Gittings Melbourne based designer Michael Gitting...

Jug for water vase by Michael Gittings Dimensions: D 36 x W 36 x H 46 cm. Materials: Stainless steel, glass. Michael Gittings Michael Gittings imagine...

A very large and appealing Saggar fired vessel, made by Australian potter, Jill Symes. Signed, with original stickers and leaflet. This beautiful pot has ...

Future Ruins planter I by Michael Gittings Studio Dimensions: D 25 x W 25 x H 73 cm Materials: stainless steel Michael Gittings Melbourne based desi...

Australian-Portuguese glass artist Julio Santos was an expert in his craft. This decanter is a lovely example of his work. Signed 'J. Santos' to the base ...

Original midcentury earthenware terracotta pots, approximately 5.3 inches/13.5cm diameter and 5 inches/13cm high with lovely colour variations ...

A wonderful example of the work of master Japanese potter, Shunichi Inoue. This vessel dates from his Australian residency. We love the potency of this very simple form - it has a powerful presence, connoting stillness, composure. For some reason it makes me think of the moon. It has the same still, calm, abiding presence. Shunichi Inoue studied ceramics at Kyoto City University of Arts 1969-75. He travelled to Australia to lecturer in ceramics at the Bendigo College of Advanced Education in Victoria, Australia where he stayed for three years. He returned to Australia in late 1984 as a visiting professor and again in 1993, when he made an extended stay. He was an active exhibitor and had an important influence on Australian pottery...

'Murrine Quadrants in Salmon & Primrose III' is a unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter...