French Vases and Vessels

Red glazed ceramic vase by Michel Lanos. 9.8 x 7.5 inches. Perfect original decorations. Artist monogram under the base. Circa 1980. Unique piece. - Born in Paris in 1926, Michel L...

Beautiful Lalique "Ispahan" (Isfahan) vase, model created in 1952. Decorations of roses polished in relief. Signed Lalique France. Excellent condition. Dimensions in cm ( H x D )...

This large cut crystal cornucopia vase terminates in a ram's head form gilt bronze mount, and is set on a black marble base.

French 19th century pair of marble with ormolu vases Bronze gilded marble in the shape of urns vases. The marble vases raised on a square marble base. The base with foliate rims w...

A truly striking French Accolay ceramic vase, dating to circa 1960, exemplifying the understated elegance and artisanal spirit of mid-century French pottery. The piece features a re...

Hand rolled, emerald green-colored glass hyacinth forcing vase from the 1890’s with fluted texture. We believe this item to be in good antique condition c...

French Art Nouveau copper planter/fernery stand with round jardiniere

Emille Galle (1846-1904). Émile Gallé was a French glass maker and furniture designer, who had his home in his native Nancy. His favourite topic, which he frequently used in his wor...

Pair of French porcelain Old Paris figural and foliage scrolled gilt vases, Early 19th Century

Pair of mid 18th century earthenware Nevers blue and white orange planters. Indigo blues and creamy whites make these planters fabulously decorative.

A very good quality fat lava style midcentury ceramic planter vase. Eye-catching details and wonderful earth tones makes this ceramic plan...

This black and white ceramic vase features a stylized monogram decoration rendered in a graphic and structured manner. The rhythmic composition recalls the decorative explorations of...

Vase "Esterel" made in molded cased opalescent glass with blue patina by Rene Lalique in 1923. Molded signature. Perfect condition. Exceptional opalescent casing. height : 16 cm ...

Vase "Perruches" made in electric blue glass with white patina by René Lalique in 1919. Engraved control signature on bottom. Perfect condition. Exceptionnal and deep color and grea...

19th Century French Majolica Flowers Jardiniere Onnaing.

Patinated brass planter, handcrafted This planter features a patinated brass finish, giving it a sophisticated antique touch, ideal for any luxurious interior. Contact us before or...

Rare small majolica daisy cache pot signed Delphin Massier, circa 1890.

This is a Lalique Crystal “Grand Ducs” Owl flower vase. It depicts a large round bowl that is supported by the frosted crystal heads of four owls. Then, they are attached to a clear crystal square base...

Exceptional French Nevers Faience Jardinière by Trousseau & Cie., circa 1885–1894 Exceptional late 19th-century French faience jardinière by Trousseau & Cie. of Nevers, dati...

Daum, Nancy pâte de verre vase, early 20th century, Art Nouveau. A Daum, Nancy, Art Nouveau vase, 1900, in acid-etched pâte de verre. Dimensions : H: 27cm, D: 18cm Contact us befo...

French Majolica Purple Flowers Jardinière, circa 1890.

This pair of French stone sculptures from the early 20th century features two Médicis vases with gadroon decor on a square base. This exquisite pair of early 20th-century French ston...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The c...

Giant replica Shalimar perfume bottle, Guerlain, Paris. Giant replica Shalimar perfume bottle, Guerlain, Paris. H: 40 cm, W: 27 cm, D: 12 cm Please contact us before ordering to co...

A Louis XV Gilt Bronze Mounted Sèvres Porcelain Vase "Choiseul", Circa 1763 to 1765, the Mounts Probably After a Drawing by Jean Claude Chambellan Duplessis. This Louis XV Sèvres po...

Superb limited edition black crystal "Dixie" vase. Signed Lalique France and numbered 451 out of 999. In very good condition. Dimensions in cm ( H x D ) : 21 x 21.5 Secure shipping.

Monumental Antique Art Nouveau Andre Delatte Cameo Glass Vase

Argy-Rousseau's exquisite Les Parfums ("Perfume") is a stunning "pillow vase" with a flared mouth that skillfully blends historical and artistic influences. The vase features two car...

A ceramic vase with glazes decoration by Michel Lanos (1926-2005). 14.2 x 10.6 inches. Perfect original decorations. Artist monogram under the base. Circa 1990-2000. Unique piece. -...

Narrow translucent blown glass vase from the Verrerie de Bendor, on the Island of Bendor in the South of France. The light olive green color darkens...

De Cagny Art Deco Globe pink vase. Crispy moulded with pine cones, on a geometric background. Very good condition.

This spectacular huge pair of solid bronze Urns is a 19th century French Neoclassical piece, inspired by Greco-Roman amphorae, richly decorated with mythological-style figures and or...

This rare, large-scale French Mid-Century ceramic vase was created at the Poterie de Ciboure in the Basque Country during the late 1950s. Signed “M. Moreau” for Madeleine Moreau-Lame...

Beautiful French Art Nouveau vase made of polychrome crackle majolica earthenware, decorated with peonies and floral motifs, numbered and marked on the bottom. Gustave De Bruyn (Leu...

A small dinanderie vase by Paul-Louis Mergier (1891 - 1986) for Evolution, Paris. Hammered mixed metals. 12cm tall. Age related patina and spotting. C1925, France. Literature: L...

An impressive Large 19th Century French Napoleon III Sèvres Style porcelain and ormolu-mounted covered urn, dating to approximately 1870. Masterfully crafted, this exceptional decora...

Made in France, 1960s - 1970s. It is made in white hand-painted ceramic with blue and black motifs, that recalls Pablo Picasso's style. It is a vintage item, therefore it might show ...

Pink and blue glazed ceramic vase by Sophy Mckeith. Artist monogram under the base. 2026. H : 15.5 x 6.1 inches. Cannot be placed outdoors.

Perfume Bottle "L'Effleurt" made in glass with grey patina by René Lalique in 1911 for Coty. Molded signature. Perfect condition. Very beautiful patina. height: 11.5 cm Félix Marc...

Faience flower pot, France, end of 19th - beg. of 20th Century Additional Information: Materials: Faience, underglaze hand painting Vintage from the 19th century Place of Origi...

A blue glazed ceramic vase or "bouquetière" figuring a cat. Pol Chambost (1906-1983), signed. France, circa 1960 Pol Chambost created a series of animal figures using the same "Rim...

A vintage French glass apothecary or candy jar. Heavy canister form, flat lid with glass knob. The inside rim is chipped around the mouth, but the jar presents well and is in otherwi...

This exquisite pair of Paris porcelain vases showcases intricate gold accents and detailed biscuit doves. The vases feature elegant floral motifs and refined gilding, characteristic ...

Although Rene Lalique reigned supreme when it came to high-end, cast glass pieces in the stylized manner we now call Art Deco, in the related field of enameled and decorated glass, J...

This fantastic faience jardiniere and pedestal were hand-painted in Boulogne, France (formally “Boulogne-sur-Mer”) in the late 1800’s. The vibrant set features heraldic displays set among foliate and floral illustrations. Both the pedestal and the jardiniere have white backgrounds festooned with green leaves and blue, yellow, orange, and purple flowers. The opening of the jardiniere has asymmetrical edges dotted by small piercings, with flowering vines painted along the inner rim. Exquisite handles, comprised of curled leaves and C-scrolls, are affixed to the sides of the lobed body. Numerous painted motifs grace the area between the handles, including drapery, scrolls, and floral baskets hanging from an arabesque border. Equally impressive décor can be seen on the tetrapartite stand with a molded top. Each layer of the molding has a different color scheme, ranging from yellow with volute embellishments to solid green. The neck of the stand has been adorned with floral displays above multi-colored scrolls, shells, and scalloped leaves. In the center of each scalloped leaf is a distinct heraldic shield: on one side is a French style shield representing the city of Boulogne, with a swan that symbolizes perfection. On the opposite side is coat of arms topped by a closed crown, emblazoned with a five-fold cross over three roundels, which is the coat of arms for Godfrey of Bouillon, the first ruler of Jerusalem, who was born in Boulogne. Beneath the coat of arms are a pair of scrolled feet adorned with scalloped leaves and scrolls. There are two more feet to the sides that have pierced elements with floral vines beneath. Our 19th century hand-painted faience jardiniere on pedestal...

Good pair of mid-19th century French tole vases in original painted and gilt decoration, depicting cherubs in classical stances, one playing a lute, the other holding a flaming torch...

A Very Fine Three-piece Sèvres Style Gilt Bronze Mounted and Cobalt Hand Painted Porcelain Garniture A fine and important Sèvres Style bronze mounted and cobalt porcelain garniture s...

A French Provincial green glazed terracotta jar circa 1880 with oblong body, nicely weathered appearance and small base. Add a touch of rustic charm to your space with this exquisite...

Limoges Marihuana porcelain gold rim apothecary jar. Signed on the underside.

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

A fine and high quality pair of French 19th century 1st Empire Period patinated Bronze and Ormolu urns, circa 1805. This wonderful pair are raised on square Ormolu plinths with top R...

Wabi Sabi Organic Modern Coco de Mer Catch-All / Centerpiece, France, 19th Century An absolutely beautiful Wabi Sabi Organic Modern Coco de Mer, originating from the Seychelles Isla...

Hand blown glass vase by french manufacture DAUM. Thick and heavy bubbled glass. Made in France circa 1930. Signed "Daum Nancy France" with the cross of Lorraine

Steen Kepp Massive and exceptional stoneware ceramic vase with firing color effects. Pottery vase realized in la Borne, circa 1975. Signed under the base. Excellent condi...

Exceptional set that has all the original glasses and 3carafes. The bottom of the Glasses marked Baccarat. Marquetry comprised of rosewood, kingwood and Tulipwood that is in beautifu...

An earthenware confit pot from the Southwest of France with traditional yellow glaze. Minor losses to glaze. These ordinary earthenware vessels were once used daily in the French cou...

4 French Victorian white porcelain apothecary jars with decorative rectangular decal with floral trim. (PRICED EACH, please specify jar label ...

19th Century French Majolica Purple Flower Delphin Massier. The Massier family are known for the quality of their unique enamels and paintings. They produced an incredible whole rang...

This impressive antique French terracotta olive oil jar was crafted in Provence, southern France, circa 1860. Monumental in scale and beautifully proportioned, the vessel features a ...

An exceptional Art Nouveau glass pitcher by Daum Frères, Nancy, dating to the late 19th century. Dimensions: Height: 25.4 cm (10 in) This large, sculptural form features Daum’s sig...