Peruvian Vases and Vessels

This is thought to be an old pottery made before the 20th century in countries such as Peru and Mexico in South America. Because it was made by burning in...

I would like to introduce you to some very beautiful earthenware. This is probably an earthenware vessel made in Peru, South America. In Peru, there are many earthenware with many ro...

Wave collection offers playful geometric shapes rooted in primal forms that appeal universally. Our "Mini" version of our iconic Wave form vases is a perfect size to serve as a mu...

Wave collection offers playful geometric shapes rooted in primal forms that appeal universally. Our "Mini" version of our iconic Wave form vases is a perfect size to serve as a mu...

A pre-Columbian ceramic bottle in the shape of a bird from Northern Coast of Peru likely Sican Culture that flourished from 8th to 14th century. The avian vessel features a hollow bo...

Repousse Peruvian silver bouquet vase Peruvian, 20th Century Height 35cm, diameter 19cm Masterfully crafted from Peruvian silver, this grandiose vase showcases intricate repousse w...

I would like to introduce you to a very beautiful form of time. This is probably an earthenware vessel made in Peru, South America. In Peru, there are many earthenware with many round curves, and many of them have polished and smooth surfaces. There are many objects with complicated shapes, but there are also objects with simple and practical shapes like this excavated. This one is black, but I think it originally had pale pink skin. However, it has turned black due to soot and charring. There is surface deterioration, but the condition is good and there are no major scratches. Please use it carefully because it is light and thin. It is a very beautiful curved vase. A Japanese collector used this excavated vase...

Our Bubbly Collection strengthens the poetic relationship between digital design and hand craft. Through the process of generative design, The form of t...

A small black ceramic figural stirrup vessel from Moche culture circa. 100-500 AD, located in nowadays Northern Coast of Peru. The hollow pot with the stirrup handle was sensitively molded and the surface burnished. The seated figure has his arms folded in front of his chest. He has prominently protruding ears and an expressive face. Provenance Available to the buyer: From an American collection. For a black burnished stirrup bottle, see item 1976.287.8, 64.228.35 in the collection of Metropolitan Musuem of Art, NYC. Many black portrait stirrup bottles are in the collection of Larco Musuem, Lima...

This is a rare item owned by a Japanese collector. This is believed to have been made around the 9th or 10th century in Peru. In the Andean civilizatio...

Our Bubbly Collection strengthens the poetic relationship between digital design and hand craft. Through the process of generative design, The form of t...

A pre-Columbian ceramic stirrup vessel in Cupisnique style circa 700-500BCE. This ancient vessel features a robust squatted body and a short thick stirr...

A black ceramic figural stirrup vessel from Moche culture circa. 100-500 AD, located in nowadays Northern Coast of Peru. The hollow pot is in a rare bla...

The hand carved beaker-shaped wood drinking vessel was used to drink 'chicha' which was a beer-like beverage made from fermented corn. The weathered exterior showing incised geometri...

A ceramic stirrup vessel pot from late Moche culture circa 500-700AD in nowadays Northern Coast of Peru. The hollow vessel features a rounded body and...

Wave collection offers playful geometric shapes rooted in primal forms that appeal universally. Our "Mini" version of our iconic Wave form vases is a perfect size to serve as a mu...

Wave collection offers playful geometric shapes rooted in primal forms that appeal universally. Our "Mini" version of our iconic Wave form vases is a perfect size to serve as a mu...

Decorative vase by Cesar Alache, in Chulucanas, Peru. Decoration of dancers of a man and a woman around the beautiful ceramic vase.

Wave collection offers playful geometric shapes rooted in primal forms that appeal universally. Our "Mini" version of our iconic Wave form vases is a perfect size to serve as a mu...

Our Bubbly Collection strengthens the poetic relationship between digital design and hand craft. Through the process of generative design, The form of t...

Our Bubbly Collection strengthens the poetic relationship between digital design and hand craft. Through the process of generative design, The form of t...

Mid-Century Modern black & brown hand painted ceramic urn shape vase pottery vessel. Signed by the artist and marked at the base. Simply lovely.

A stunning sterling silver vessel in the form of a stemmed bowl crafted by Graziella Laffi, Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels protrusion alternated with a radiating design that resembles star fish or a blooming flower. It has an impressive presence with its unique form and ornamentation that appears both modern and ancient at the same time. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Our Bubbly Collection strengthens the poetic relationship between digital design and hand craft. Through the process of generative design, The form of t...

The Shipibo people live along the Upper Amazon. The polychrome slip painted pottery is created primarily by female artists The artists inspiration is aided by covering the eyelids ...

A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi, Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time. The vessel weights about 2012 grams. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Large wooden Pre-Columbian Inca Kero cup. From Central Peru, circa 1300 to 1500 AD. A hollowed wooden vessel, of conical form, decorated with carved incis...

Set of three Mesoamerican bowls, (Pre Columbian/Chauvin) 900 B.C.-1500 A.D. Stone, hand-carved Measures: Height 2.5, diameter 7.75 in. Height 3.5, diameter 8.5 in. Height 3.5, ...

Set of three Mesoamerican bowls, (PreColumbian/Chauvin) 900 B.C. - 1500 A.D. Stone, hand-carved Measures: Height 2 diameter 7 in. Height 3 diameter 9 in. Height 4.25 diameter 9.5 in...