Engraved Vases and Vessels

This handblown crystal vase was made by Webb, England and features cranberry overlay, cut to clear in the iconic Art Nouveau water lily motif. T...

Vase in 800 solid silver. The shape of the vase is round, pot-bellied and has been made with a smooth and glossy finish. The vason was embellished with a hand engraving depicting a...

Engraved and patinated bronze mountings, colored representation. (Q-Ks-7).  

Take tradition to evolve, transform, and innovate are all part of Omar Hernández’s work. Born in a pottery town he was taught from a young age the fundamentals. It was later when Oma...

A finely engraved pair of Labelled Rum & Gin tapered Georgian decanters.

A Chinese four-legged barrel-form brass urn cast and engraved with archaistic decoration from the 20th century. The gently rounded sides are cast with the dispersed elements of two taotie masks, Archaistic auspicious beasts formed by a pair of stylized and confronted dragons which constitutes the features of this mythical creature, abstractly rendered in low-relief hooked curls. Two bands of kui or passing dragons flank the taotie ornamentation on the belly, all upon an engraved and very finely delineated white leiwen ground symbolizing thunder. Raised on four atlantes with a few anatomical engraved details, the urn possesses a flat circular lid decorated with stylized birds and topped with a phoenix-shaped knob with a ring, a propitious symbol in Chinese art. The white engraved ground nicely contrasting with the dark patina along with the Archaistic traditional low relief decoration echoes Chinese archaic ritual bronzes used in ceremonies or buried in the tombs of the elites for use in the afterlife. This Chinese barrel...

Atmosphere by Giorgetti is a breathtaking expression of Italian craftsmanship and artistry. This exquisite vase is part of Giorgetti’s celebrated Atmosphere collection, renowned for ...

Add style and elegance to your home by selecting pieces that reflect your own personal taste. Vases with exquisite details and aesthetic appearances will help you create a unique sty...

This pair of vases, crafted in the 19th century, was made using a technique developed by engineer Jacques Louis Kessler in 1855 and patented in 1858. The decoration of these two vases, made of double-layered crystal (blue on the outside and transparent on the inside), was achieved using Kessler’s engraving process. This innovative method utilized alkaline fluorides mixed with acids and a system of stencils, allowing for an immediate contrast between a bright, colored design and a matt background. The Baccarat crystal manufacturer later acquired exclusive rights to this patented process, which brought them widespread acclaim during the 1867 Paris Exhibition. These baluster-shaped vases feature neo-Greek ornamentation, alternating between blue-toned designs and matt crystal. Their clean, elegant lines are accented by several ornamental blue crystal bands. The decoration is composed of three primary scenes: the first depicts two combatants. The second portrays a winged Victory holding a palm in one hand while crowning a resting warrior with laurel in the other; the warrior stands before her. The third depicts three figures: a woman playing the lyre for a king holding a long scepter, with a young ephebe standing behind him. The scenes are separated by depictions of weapon trophies. The iconography draws inspiration from scenes commonly found on ancient Greek vases, while emphasizing the fluidity of the figures’ movements and features. Each vase rests on a circular mount supported by four spheres, with one vase bearing the number “2” engraved under its base. When Baccarat acquired the rights to Kessler’s technique, the company used it to create similar pieces, incorporating this innovative method into its repertoire. At the 1867 Paris Exhibition, Baccarat showcased a celestial blue crystal punch bowl and matching glasses engraved using this process; this set is now housed at the Corning Museum of Glass. The Galerie Marc Maison...